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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Portrait of a Young Woman (c. 1480–85) (Simonetta Vespucci) by Sandro Botticelli
Portrait of a Young Woman (c. 1480–85) (Simonetta Vespucci) by Sandro Botticelli
View of Florence, birthplace of the Renaissance
View of Florence, birthplace of the Renaissance
Coluccio Salutati
Coluccio Salutati
Detail of a portrait of Cardinal Hugh of Saint-Cher (wearing spectacles), painted by Tommaso da Modena in 1352. Tommaso trained in Venice and worked m
Detail of a portrait of Cardinal Hugh of Saint-Cher (wearing spectacles), painted by Tommaso da Modena in 1352. Tommaso trained in Venice and worked mostly in Northern Italy.