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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Portrait of Dante Alighieri by Cristofano dell'Altissimo, Uffizi Gallery Florence, 1552–1568
Portrait of Dante Alighieri by Cristofano dell'Altissimo, Uffizi Gallery Florence, 1552–1568
Pandolfo Malatesta (1417–1468), lord of Rimini, by Piero della Francesca. Malatesta was a capable condottiere, following the tradition of his family.
Pandolfo Malatesta (1417–1468), lord of Rimini, by Piero della Francesca. Malatesta was a capable condottiere, following the tradition of his family. He was hired by the Venetians to fight against the Turks (unsuccessfully) in 1465, and was the patron of Leone Battista Alberti, whose Tempio Malatestiano at Rimini is one of the first entirely classical buildings of the Renaissance.
Portrait of Cosimo de' Medici by Jacopo Pontormo (c. 1518–1520)
Portrait of Cosimo de' Medici by Jacopo Pontormo (c. 1518–1520)
Leonardo da Vinci, Italian Renaissance Man, 1512
Leonardo da Vinci, Italian Renaissance Man, 1512