Iwasa Matabei was a Japanese artist of the early Tokugawa period, who specialized in genre scenes of historical events and illustrations of classical Japanese and Chinese literature, as well as portraits. He was the son of Araki Murashige, a prominent daimyō of the Sengoku period who had been made to commit suicide, leaving Matabei to be raised with his mother's family name, Iwasa.
Self-portrait, unusually early for Japanese art, said to have been painted as he was dying in 1650. Important Cultural Property.
Left panel of the Rakuchu Rakugai Zu Byōbu (Funaki Version). National Treasure.
Right panel of the Rakuchu Rakugai Zu Byōbu (Funaki Version). National Treasure.
"Court Lady Enjoying Wayside Chrysanthemums" 17th century. Hanging scroll, ink and colour on paper. Important Cultural Property.
The Tosa school of Japanese painting was founded in the early Muromachi period, and was devoted to yamato-e, paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced by Chinese art, notably the Kanō school (狩野派). Tosa school paintings are characterised by "areas of flat opaque colour enclosed by simple outlines, where drawing is precise and conventional", with many narrative subjects from Japanese literature and history. However, by the 17th century both Tosa and Kanō artists broadened their range, and the distinction between these and other schools became less clear.
Scene from a long narrative scroll retelling the history of a Buddhist monastery, by Tosa Mitsunobu (1434–1535)
Bamboo in the Four Seasons, Muromachi period (1392–1573) Attributed to Tosa Mitsunobu (1434–1535). Pair of six-panel folding screens; color, ink, and gold on paper; 174.3 × 381.6 cm
Illustration of the Genji Monogatari ch.42 – 匂宮 Niō no Miya ("The Perfumed Prince") Credited to Tosa Mitsuoki (1617–1691).