Jacek Malczewski was a Polish symbolist painter who was one of the central figures of the patriotic Young Poland movement. His creative output combined the predominant style of his times with historical motifs of Polish martyrdom, the romantic ideals of independence, Christian and Greek mythology, folk tales, as well as his love of the natural world. He was the father of painter Rafał Malczewski.
Self-portrait with palette, 1892
Malczewski in 1909
Melancholia (1894), National Museum in Poznań
Poland's Hamlet, 1903, National Museum in Warsaw
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
Death and the Grave Digger (La Mort et le Fossoyeur) (c. 1895) by Carlos Schwabe is a visual compendium of symbolist motifs. The angel of Death, pristine snow, and the dramatic poses of the characters all express symbolist longings for transfiguration "anywhere, out of the world".
Henri Fantin-Latour, By the Table, 1872, depicting: Paul Verlaine, Arthur Rimbaud, Léon Valade, Ernest d'Hervilly and Camille Pelletan (seated); Pierre Elzéar, Emile Blémont, and Jean Aicard (standing)
Portrait of Charles Baudelaire (c. 1862), whose writing was a precursor of the symbolist style
Eugen Bracht, The Shore of Oblivion, 1889