1.
House music
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House music is a genre of electronic music created by club DJs and music producers in Chicago in the early 1980s. Early house music was characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals. While house displayed several characteristics similar to music, it was more electronic and minimalistic. House music became popular in Chicago clubs in 1984 and it was pioneered by figures such as Frankie Knuckles, Phuture, Kym Mazelle, and Mr. Fingers, and was associated with African-American and gay subcultures. House music quickly spread to other American cities such as Detroit, New York City, Baltimore, in the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Since the early to mid-1990s, house music has been infused in mainstream pop, in the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a successful genre and a more mainstream pop-based variation grew increasingly popular. House music has also fused with other genres creating fusion subgenres, such as euro house, tech house, electro house. After enjoying significant success in the early to mid-90s, house music grew even larger during the wave of progressive house. The genre has remained popular and fused into other subgenres, for example, ghetto house, deep house. As of 2016, house music popular in both clubs and in the mainstream pop scene while retaining a foothold on underground scenes across the globe. The song structure of music songs typically involves an intro, a chorus, various verse sections, a midsection. Some songs do not have a verse, taking a part from the chorus. The drum beat is one of the important elements within the genre and is almost always provided by an electronic drum machine rather than by a human drummer playing drumkit. The drum beats of house are four on the floor, with bass drums played on every beat, House music is often based on bass-heavy loops or basslines produced by a synthesizer and/or from samples of disco or funk songs. The tempo of most house songs is between 118 and 135 beats per minute, soul music and disco influenced house music. These artists produced longer, more repetitive, and percussive arrangements of existing disco recordings, early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. Rachel Cain, co-founder of an influential Trax Records, was involved in the burgeoning punk scene and cites industrial
2.
Dubstep
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Dubstep is a genre of electronic dance music that originated in South London, England. It emerged in the late 1990s as a development within a lineage of related styles such as 2-step garage, dub, techno, drum and bass, broken beat, jungle, and reggae. In the United Kingdom the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s, the music generally features sparse, syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies. The earliest dubstep releases date back to 1998, and were featured as B-sides of 2-step garage single releases. These tracks were darker, more experimental remixes with less emphasis on vocals, a very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz, simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork, with a regular feature entitled The Month In, Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics noticed a dubstep influence in several pop artists work. The music website Allmusic has described Dubsteps overall sound as tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals. According to Simon Reynolds, Dubsteps constituents originally came from different points in the 1989—99 UK lineage, bleep n bass, jungle, techstep, Photek-style neurofunk, speed garage,2 step. Reynolds comments that the traces of pre-existing styles worked through their intrinsic sonic effects but also as signifiers, Dubsteps early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of drum and bass into the South London-based 2-step garage sound. These experiments often ended up on the B-side of a label or commercial garage release. Similar to a vocal garage hybrid – grime – the genres feel is commonly dark, tracks frequently use a minor key, other distinguishing features often found are the use of samples, a propulsive, sparse rhythm, and an almost omnipresent sub-bass. Some dubstep artists have incorporated a variety of outside influences. Dubstep rhythms are usually syncopated, and often shuffled or incorporating tuplets, the tempo is nearly always in the range of 138–142 beats per minute, with a clap or snare usually inserted every third beat in a bar. In its early stages, dubstep was often more percussive, with influences from 2‑step drum patterns. A lot of producers were experimenting with tribal drum samples, such as Loefahs early release Truly Dread. One characteristic of certain strands of dubstep is the bass, often referred to as the wub
3.
Drum and bass
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Drum and bass is a genre and branch of electronic music which emerged from rave and oldschool jungle scenes in England during the early 1990s. The style is characterised by fast breakbeats with heavy bass and sub-bass lines, sampled sources. The popularity of drum and bass at its peak ran parallel to several other homegrown dance styles in the UK including big beat. Drum and bass incorporates a number of scenes and styles, a major influence on jungle and drum and bass was the original Jamaican dub and reggae sound. Another feature of the style is the syncopation of the drum tracks breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass, dnbnoise, from its roots in the UK, the style has established itself around the world. Drum and bass has influenced other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, rock. Drum and bass is dominated by a small group of record labels. The major international labels have shown very little interest in the drum. But rave music tended to feature stronger bass sounds and a faster tempo beats per minute than that of early house music and it is important to note when discussing the history of drum and bass that prior to jungle, rave music was getting faster and more experimental. Professional DJ and producer C. K. states, There was a progression as far as the speed of music is concerned, anyone buying vinyl every week from 1989 to 1992 noticed this. By 1994, jungle had begun to gain popularity and fans of the music became a more recognisable part of youth subculture. However, this developed in tandem with the positive reputation of the music as part of the wider rave scene. As the genre became more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations. It also began to split into subgenres such as jump-up. The popularity of drum and bass at its peak ran parallel to several other homegrown dance styles in the UK including big beat. But towards the turn of the millennium its popularity was deemed to have dwindled as the UK garage style known as speed garage yielded several hit singles. London DJ/producer C. K. says, It is often forgotten by my students that a type of music called garage house existed in the late 1980s alongside hip house, acid house and other forms of house music
4.
Techno
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Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, pioneering producer Juan Atkins cites Tofflers phrase techno rebels as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation, in this manner, techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness. Stylistically, techno is generally repetitive instrumental music, oftentimes produced for use in a continuous DJ set, the tempo tends to vary between approximately 120 to 150 beats per minute, depending on the style of techno. The creative use of production technology, such as drum machines, synthesizers. Many producers use retro electronic musical devices to create what they consider to be an authentic techno sound, drum machines from the 1980s such as Rolands TR-808 and TR-909 are highly prized, and software emulations of such retro technology are popular among techno producers. The Electrifying Mojo was the first radio DJ to play music by the Detroit techno producers Juan Atkins, Derrick May, Mojo refused to follow pre-established radio formats or playlists, and he promoted social and cultural awareness of the African American community. In exploring technos origins writer Kodwo Eshun maintains that Kraftwerk are to Techno what Muddy Waters is to the Rolling Stones, the authentic, the origin, the real. Juan Atkins has acknowledged that he had an enthusiasm for Kraftwerk and Giorgio Moroder, particularly Moroders work with Donna Summer. Atkins also mentions that around 1980 I had a tape of nothing but Kraftwerk, Telex, Devo, Giorgio Moroder and Gary Numan, and Id ride around in my car playing it. Regarding his initial impression of Kraftwerk, Atkins notes that they were clean, Derrick May identified the influence of Kraftwerk and other European synthesizer music in commenting that it was just classy and clean, and to us it was beautiful, like outer space. Living around Detroit, there was so little beauty, everything is an ugly mess in Detroit, and so we were attracted to this music. May has commented that he considered his music a direct continuation of the European synthesizer tradition and he also identified Japanese synthpop act Yellow Magic Orchestra, particularly member Ryuichi Sakamoto, and British band Ultravox, as influences, along with Kraftwerk. In 1980 or 1981 they met with Mojo and proposed that they provide mixes for his show, which they did end up doing the following year. These young promoters developed and nurtured the local music scene by both catering to the tastes of the local audience of young people and by marketing parties with new DJs
5.
Ellie Goulding
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Elena Jane Ellie Goulding is an English singer, songwriter and record producer. Her career began when she met record producers Starsmith and Frankmusik, and she was spotted by Jamie Lillywhite. After signing to Polydor Records in July 2009, Goulding released her extended play, An Introduction to Ellie Goulding. In 2010, she became the second artist to top the BBCs annual Sound of, poll and win the Critics Choice Award at the Brit Awards in the same year. She released her studio album, Lights, in 2010. The albums title track, Lights, was released in the US in March 2011, Gouldings second studio album, Halcyon, was released in October 2012. Anything Could Happen preceded the album as the lead single, Halcyon debuted at number two on the UK Albums Chart and after 65 weeks reached number one. Halcyon debuted at nine on the US Billboard 200. Halcyon Days, an edition of Halcyon, was released on 23 August 2013, it included new singles including Burn. At the 2014 Brit Awards, she received the award for British Female Solo Artist, Goulding released her third studio album, titled Delirium, on 6 November 2015, with On My Mind as the albums lead single. In December 2015, she received her first Grammy Award nomination for Best Pop Solo Performance for her single Love Me like You Do. Elena Jane Goulding was born on 30 December 1986 in Hereford and raised in Lyonshall, a village near Kington, Herefordshire. Her father, Arthur Goulding, came from a family of undertakers, while her mother, Tracy, when she was 5, her parents separated, later she had a stepfather who was a lorry driver, whom she considered horrible. At 9, she playing the clarinet and at 14 began learning guitar. Goulding attended Lady Hawkins High School in Kington where she won the role of the Scarecrow in a production of The Wizard of Oz. At 15, she started songwriting and while at Hereford Sixth Form College entered a competition and won. After she successfully showcased for Turn First head Sarah Stennett, she was told to leave university and was set up in a house in West London, Lillywhite became her manager and introduced her to the producer Starsmith who would become her chief collaborator and the primary producer of Lights. The single peaked at number fifty-three on the UK Singles Chart following an appearance on Later
6.
Matisyahu
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Matthew Paul Miller, known by his Hebrew and stage name Matisyahu, is a Jewish American reggae vocalist, beatboxer, and alternative rock musician. Known for blending Orthodox Jewish themes with reggae, rock and hip hop beatboxing sounds, since 2004, he has released four studio albums as well as two live albums, two remix CDs and two DVDs featuring live concerts. In addition, Matisyahu played the role of Tzadok in The Possession, through his career, Matisyahu has worked with Bill Laswell, reggae producers Sly & Robbie, and Kool Kojak. Matthew Paul Miller was born on June 30,1979, in West Chester and his family eventually settled in White Plains, New York. He was brought up a Reconstructionist Jew, and attended Hebrew school at Bet Am Shalom and he spent much of his childhood learning the tenets of Judaism, but by the time he was a teenager, Matisyahu began to rebel against his rigid upbringing. He started taking drugs and dropped out of White Plains Senior High School and he became a self-professed Phish-head, taking hallucinogens and following the rock band Phish on tour. In autumn 1995, Matisyahu attended a program at the Alexander Muss High School in Hod Hasharon. The program offers students first-hand exploration of Jewish heritage as a way of solidifying Jewish identity, after he finished Muss, he returned to New York, where he subsequently left high school after the first day of his senior year to travel throughout the US. A stint in a center in upstate New York followed. Miller then attended a wilderness trip in Oregon for teenagers. It was not necessarily for drug rehabilitation, but that was part of the reason I was out there and he finished high school at a wilderness program in Bend, Oregon. In Oregon, he identified himself as Matt, the Jewish rapper kid from New York, Matisyahu has contrasted this time in Oregon to his life in New York City. I was suddenly the token Jew and this was now my search for my own identity, and part of Judaism feeling more important and relevant to me. He returned to New York and started developing his reggae, spending hours in his room, around that same time, he says, he started to become more interested in Judaism, taking classes on Jewish spirituality at The New School. He approached Eli Cohen, a rabbi at New York University and he recounts that at the same time, he started praying, getting himself a prayer book and prayer shawl. He learned of the Carlebach Shul synagogue on the Upper West Side of Manhattan in New York City and it was then that he met NYUs Chabad rabbi, Dov Yonah Korn. From 2001 through July 2007, Matisyahu was affiliated with the Chabad-Lubavitch Hasidic community in Crown Heights, Brooklyn, however, as of July 17,2007, he told the Miami New Times in an interview that he no longer necessarily identifies with the Lubavitch movement. In the interview he stated that. the more Im learning about types of Jews
7.
Akon
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Aliaume Damala Badara Akon Thiam, better known as Akon, is a Senegalese-American singer, rapper, songwriter, businessman, record producer and actor. He rose to prominence in 2004 following the release of Locked Up and he has since founded two successful record labels, Konvict Muzik and Kon Live Distribution. He is the first solo artist to hold both the one and two spots simultaneously on the Billboard Hot 100 charts twice. Akon has had four songs certified as 3× platinum, three songs certified as 2× platinum, more than ten songs certified as 1× platinum and more than ten songs certified as gold in digital sales, Akon has sung songs in other languages including Tamil, Hindi, and Spanish. He was listed by the Guinness Book of World Records as the #1 selling artist for master ringtones in the world, Akon often provides vocals as a featured artist and is currently credited with over 300 guest appearances and more than 35 Billboard Hot 100 songs. He has worked with performers such as Michael Jackson, Eminem, Snoop Dogg, Whitney Houston, Bone Thugs-N-Harmony. He has had five Grammy Awards nominations and has produced songs for such as Lady Gaga, Colby ODonis, Kardinal Offishall, Leona Lewis. Forbes ranked Akon 80th in Forbes Celebrity 100 in 2010 and 5th in 40 Most Powerful Celebrities in Africa list, Billboard ranked Akon No.6 on the list of Top Digital Songs Artists of the decade. Akon was born in St. Louis, Missouri, and spent much of his childhood in the West African country Senegal, the child of a dancer mother and a percussionist father, Mor Thiam, Akon learned to play five instruments, including drums, guitar and djembe. At age 7, he moved with his family to Union City, New Jersey, growing up in New Jersey, Akon had difficulties getting along with other children. When he and his brother reached high school, his parents left them on their own in Jersey City and moved the rest of the family to Atlanta. In regards to his date, Akon is very protective of it. However, legal documents released by The Smoking Gun list his date of birth as April 16,1973, Akons alleged three years in jail saw him begin to recognize his music abilities and develop an appreciation for his musical background. The songs Akon recorded with Stephens were brought to the attention of Universals imprint SRC Records, in an interview with HitQuarters SRC A&R Jerome Foster said, What caught my attention right away was Lonely, and I said, this kid is official – this is a huge record. Foster and SRC CEO Steve Rifkind immediately boarded a plane to Atlanta to meet the young artist. Akon knew of Fosters work as producer Knobody and so there was a mutual respect for one another, Akon increased his exposure further by collaborating with overseas artists, including New Zealands rapper Savage and hip-hop producer P-Money, performing choruses as a featured vocalist. Akons solo debut album, Trouble was released on June 29,2004 and it spawned the singles Locked Up and Lonely, Belly Dancer, Pot Of Gold, and Ghetto. Locked Up reached 8th position in the U. S. Ghetto became a radio hit when it was remixed by DJ Green Lantern to include verses from rappers 2Pac and The Notorious B. I. G
8.
Lily Allen
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Lily Rose Beatrice Cooper, known professionally as Lily Allen, is an English singer, songwriter, actress, and television presenter. She is the daughter of actor Keith Allen and film producer Alison Owen, Allen left school when she was 15 and concentrated on improving her performing and compositional skills. In 2005, she made some of her recordings public on Myspace and the publicity resulted in airplay on BBC Radio 1 and her first mainstream single, Smile, reached number one on the UK Singles Chart in July 2006. Her debut record, Alright, Still, was received, selling over 2.6 million copies worldwide and brought Allen a nomination at the Grammy Awards, Brit Awards. She began hosting her own talk-show, Lily Allen and Friends and her second studio album, Its Not Me, Its You, saw a genre shift, having more of an electropop feel, rather than the ska and reggae influences of the first one. The album debuted at one on the UK Albums Chart. It spawned the hit singles The Fear and Fuck You and this success saw her receive the Brit Award for British Female Solo Artist at the 2010 Brit Awards. In 2009, Allen announced that she would be taking a hiatus from musical activities, in 2011, she launched her own record label. In 2013, Allen revealed that she had begun working on her studio album. On 12 November 2013, Allen premiered the video for her first original song since 2009, Hard out Here, Allen was born in Hammersmith, west London, daughter of Keith Allen, a Welsh-born comedian, and film producer Alison Owen. She has a sister, Sarah, a younger brother, actor Alfie. She is the goddaughter of Wild Colonials vocalist Angela McCluskey and she is the third-cousin of singer Sam Smith. At age three Allen appeared on The Comic Strip Presents, episode The Yob, which her father had co-written. When she was four, her left the family. During her early childhood, Allen lived with her family on a council estate, for a time, the family lived with comedian Harry Enfield while her mother dated him. The Clash singer and guitarist Joe Strummer was close to Allen and she attended 13 schools, including Prince Charless junior alma mater, Hill House School, Millfield, Bedales School and was expelled from several of them for drinking and smoking. This led to Allen singing Baby Mine from Disneys Dumbo at a school concert, Allen told Loveline that the audience was brought to tears at the sight of a troubled young girl doing something good. At that point Allen said she knew music was something she needed to do either as a lifelong vocation or to get it out of her system
9.
Trip hop
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Trip hop is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. Trip hop can be highly experimental and it was pioneered by acts like Massive Attack, Tricky, and Portishead. Trip hop achieved commercial success in the 1990s, and has described as Europes alternative choice in the second half of the 90s. DJs, MCs, b-boys and graffiti artists grouped together into informal soundsystems, Bristols soundsystem DJs, drawing heavily on Jamaican dub music, typically used a laid-back, slow and heavy drum beat. Bristols Wild Bunch crew became one of the soundsystems to put a spin on the international phenomenon, helping to birth Bristols signature sound of trip hop. As the hip hop scene matured in Bristol and musical trends evolved further toward acid jazz and house in the late 1980s, another influence came from Gary Clails Tackhead soundsystem. Clail often worked with former The Pop Group singer Mark Stewart, produced by Adrian Sherwood, the music combined hiphop with experimental rock and dub and sounded like a premature version of what later became trip hop. In 1993, Kirsty MacColl released Angel, one of the first examples of the crossing over to pop. In the 1990s, Janet Jackson brought trip hop into the American charts with the song If, several songs on her Janet. and The Velvet Rope used this genre of music, Songs like Got Til Its Gone and You. Massive Attacks first album Blue Lines was released in 1991 to huge success in the UK, Massive Attack released their second album entitled Protection in 1994. The term trip hop was coined that year, but not in reference to anything on the Massive Attack albums, in 1993, Icelandic musician Björk released Debut, produced by Wild Bunch member Nellee Hooper. The album, although rooted in four-on-the-floor house music, contained elements of trip hop and is credited as one of the first albums to introduce electronic music into mainstream pop. She had been in contact with Londons underground electronic music scene and was involved with trip hop musician Tricky. Björk embraced trip hop even more with her 1995 album Post by collaborating with Tricky, homogenic, her 1997 album, has been described as a pinnacle of trip hop music. 1994 and 1995 saw trip hop near the peak of its popularity, with such as Howie B, Naked Funk. The period also marked the debut of two acts who, along with Massive Attack, would define the Bristol scene for years to come, in 1994 Portishead, a trio comprising singer Beth Gibbons, Geoff Barrow, and Adrian Utley, released their debut album Dummy. Their background differed from Massive Attack in many ways, one of Portisheads primary influences was 1960s and 1970s film soundtrack LPs, nevertheless, Portishead shared the scratchy, jazz-sample-based aesthetic of early Massive Attack, and the sullen, fragile vocals of Gibbons also brought them wide acclaim. In 1995, Dummy was awarded the Mercury Music Prize as the best British album of the year, Tricky also released his debut solo album Maxinquaye in 1995, to great critical acclaim
10.
Cut Your Teeth (song)
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Cut Your Teeth is a song by British singer Kyla La Grange. It was released as the first single for her studio album. A pre-release of the album itself, the released in June 2014 has charted in a number of European charts, notably in Denmark, Netherlands, Sweden. A remix produced by Norwegian DJ and record producer Kygo was marketed as Cut Your Teeth, crediting Kygo and it was released by Sony Music on 11 August 2014. This mix was released as Cut Your Teeth in Scandinavian countries
11.
Mr Hudson
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Benjamin Hudson McIldowie, better known by his stage name Mr. Hudson, is a British musician from Birmingham, England. First rising to prominence in 2006, with Mr Hudson and the Library, Hudson later embarked on a career in 2008. He was subsequently featured as a prominent composer on West’s 808s & Heartbreak, Hudson later appeared on American rapper Jay-Z’s Top 10 single Young Forever, from The Blueprint 3. He would find more success on his 2009 album, Straight No Chaser. Establishing his own studio in 2010 Hudson began writing and producing for other acts including Paloma Faith, Alex Clare, Pixie Lott, Josh Kumra and Wretch 32. He then spent most of 2014 in the studio with Duran Duran, co-writing and producing their latest album, born in Birmingham, Hudson grew up in the Handsworth area of the city and attended King Edwards School, Birmingham in Edgbaston. He attended Oxford University, where he read English Literature at St Annes College, studying a BEd at The University of St Mark and St John, he embarked on a brief teaching career in 2002, which is where the moniker Mr. Hudson is derived from. Before Mr Hudson formed Mr Hudson and the Library he was in Mansize, The Hudson Sound, the Hudson Sound and Phoenix Green featured Ali Forbes, Jarvy Moss, Ben Westwood and Mr Hudsons brother John McIldowie. They enjoyed considerable success in the Birmingham area and elsewhere with a spot at Ronnie Scotts in Birmingham. Mansize featured later collaborator Robin French, Hudson embarked on his music career when he formed Mr Hudson and the Library, composed of Maps Huxley aka Robin French, Wilkie Wilkinson, Joy Joseph and Torville Jones. The first result, an EP entitled Bread & Roses, came out via Deal Real in October 2006, the group toured with Amy Winehouse in early 2007 in support of their debut album, A Tale of Two Cities, released through Deal Real/Mercury. Mr. Hudson was first featured on Later with Jools Holland on 8 December 2006, the production on the bands debut album uses acoustic guitar interspersed with piano, backing vocals and bass guitar, steelpan, electric drums and unusual rhythm patterns. During the summer of 2007 they appeared at several UK festivals, including Glastonbury, T in the Park, The Big Chill, V Festival, Godiva Festival, in October 2007, the band played at the Millennium Stadium in Cardiff in support of The Police. They also supported Kanye West on his Europe leg of his Glow in the Dark Tour, performing in Dublin, Belfast, in 2008, Mr. Hudson began recording as a solo artist. Although the name The Library was no longer used, these musicians formed his band for live performances. Sessions for Straight No Chaser initially started at Gizzard Studios in Bow, ed Deegan who had previously worked at Toe Rag Studios near by was acting as engineer, but Mr. Hudson received an offer from Kanye West to produce his album. Mr. Hudson appears on Kanye Wests fourth album, 808s & Heartbreak featured on Paranoid and he also co-produced Street Lights as well as supplying additional vocals on Say You Will and Amazing. Kanye West has stated, I believe Mr. Hudson has the potential to be bigger than me, the single Supernova was premiered on 13 May 2009 on Zane Lowe’s BBC Radio 1 show and then released on 19 July 2009
12.
BBC Radio 1
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Radio 1 provides alternative genres after 7,00 pm, including electronic dance, hip hop, rock, indie or interviews. It was launched in 1967 to meet the demand for music generated by radio stations. Recently, the BBC claimed that it targets the 15–29 age group. BBC Radio 1 started 24-hour broadcasting on 1 May 1991, Radio 1 was established in 1967 as a successor to the BBC Light Programme, which had broadcast popular music and other entertainment since 1945. Radio 1 was conceived as a response to the popularity of offshore pirate radio stations such as Radio Caroline and Radio London. Radio 1 was launched at 7,00 am on Saturday 30 September 1967. The first words on Radio 1 – after a countdown by the Controller of Radios 1 and 2, Robin Scott, welcome to the exciting new sound of Radio 1. This was the first use of US-style jingles on BBC radio, the first complete record played on Radio 1 was Flowers in the Rain by The Move. The second single was Massachusetts by The Bee Gees, the breakfast show remains the most prized slot in the Radio 1 schedule, with every change of breakfast show presenter exciting considerable media interest. Despite this, it gained massive audiences, becoming the most listened to station in the world with audiences of over 10 million claimed for some of its shows, in the early-mid-1970s Radio 1 presenters were rarely out of the British tabloids, thanks to the Publicity Departments high-profile work. Alan Freemans Saturday Rock Show was voted Best Radio Show 5 years running by readers of a music publication. In his last few months as controller, Johnny Beerling commissioned a handful of new shows that in some set the tone for what was to come under Matthew Bannister. One of these Loudnproud was the UKs first national radio series aimed at a gay audience, far from being a parting quirk, the show was a surprise hit and led to the networks first coverage of the large outdoor Gay Pride event in 1994. Bannister took the reins fully in October 1993 and his aim was to rid the station of its Smashie and Nicey image and make it appeal to the under 25s. Although originally launched as a station, by the early 1990s. Many listeners rebelled as the first new DJs to be introduced represented a crossover from other parts of the BBC with Emma Freud, Evans was a popular but controversial presenter who was eventually sacked in 1997 after he demanded to present the breakfast show for only four days per week. Evans was replaced from 17 February 1997 by Mark and Lard – Mark Radcliffe and they were replaced by Zoë Ball and Kevin Greening eight months later in October 1997, with Greening moving on and leaving Ball as solo presenter. Documentaries like John Peels Lost in Music which looked at the influence that the use of drugs have had over popular musicians received critical acclaim but were slated inside Broadcasting House, later in the 1990s the Britpop boom declined, and manufactured chart pop came to dominate the charts
