1.
Royal Academy of Arts
–
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
2.
Royal Society of Arts
–
The Royal Society for the Encouragement of Arts, Manufactures and Commerce is a London-based, British organisation committed to finding practical solutions to social challenges. The shorter version, The Royal Society of Arts and the related RSA acronym, are used more frequently than the full name, the RSA award three medals, the Albert Medal, the Benjamin Franklin Medal and the Bicentenary Medal. Medal winners include Nelson Mandela, Sir Frank Whittle, and Professor Stephen Hawking, on the RSA buildings frieze The Royal Society of Arts words are engraved, although its full name is Royal Society for the encouragement of Arts, Manufactures and Commerce. The short name and the related R S of A abbreviation is used more frequently than the full name, on its website, the RSA characterises itself as an enlightenment organisation committed to finding innovative practical solutions to today’s social challenges. The RSAs Patron is currently HM Elizabeth II, the RSAs President is HRH The Princess Royal, its Chairman is Vikki Heywood, life Fellows must have demonstrated exceptionally high achievement. The RSA says, The RSA Fellowship is an international community achievers and influencers from an array of backgrounds and professions. Fellows are social entrepreneurs to scientists, community leaders to commercial innovators, artists and journalists to architects and engineers, edwin Landseer who at the age of 10 was awarded a silver medal for his drawing of a dog. The RSA originally specifically precluded premiums for patented solutions, today the RSA continues to offer premiums. The Faculty currently has 120 Royal Designers and 45 Honorary Royal Designers, the Faculty consists of the world’s leading practitioners from fields as disparate as engineering, furniture, fashion and textiles, graphics, theater and film design. Early members include Eric Gill, Enid Marx, Sir Frank Whittle, the RSA moved to its current home in 1774. The House, situated in John Adam Street, near the Strand in central London, had been purpose-designed by the Adam Brothers as part of their innovative Adelphi scheme. The former private dining room of the Tavern contains a magnificent Adam ceiling with painted roundels by the school of Kauffman and Zucchi. A major refurbishment in 2012 by Matthew Lloyd Architects won a RIBA London Award in 2013, the first of these plaques was, in fact, of red terracotta erected outside a former residence of Lord Byron. The Society erected 36 plaques until, in 1901, responsibility for them was transferred to the London County Council and, later, similar schemes are now operated in all the constituent countries of the United Kingdom. The Society for the encouragement of Arts, Manufactures and Commerce hosted the first exhibition of art in 1760. Thomas Gainsborough and Sir Joshua Reynolds, who had exhibited at this first exhibition were subsequently members of The Royal Academy of Arts in 1768. The Society was a pioneer in examinations, offering the first national public examinations in 1882 that led to the formation of the RSA Examinations Board now included in the. In 1876, a predecessor of the Royal College of Music, in 1929 The Society purchased the entire village of West Wycombe
3.
Romanticism
–
Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
4.
Tate
–
Tate is an institution that houses the United Kingdoms national collection of British art, and international modern and contemporary art. It is a network of four art museums, Tate Britain, London, Tate Liverpool, Tate St Ives, Cornwall and Tate Modern, London, Tate is not a government institution, but its main sponsor is the UK Department for Culture, Media and Sport. The name Tate is used also as the name for the corporate body. The gallery was founded in 1897, as the National Gallery of British Art, the Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. Tate Liverpool has the purpose as Tate Modern but on a smaller scale. All four museums share the Tate Collection, one of the Tates most publicised art events is the awarding of the annual Turner Prize, which takes place at Tate Britain. The original Tate was called the National Gallery of British Art, situated on Millbank, Pimlico, the idea of a National Gallery of British Art was first proposed in the 1820s by Sir John Leicester, Baron de Tabley. It took a step nearer when Robert Vernon gave his collection to the National Gallery in 1847, a decade later John Sheepshanks gave his collection to the South Kensington Museum, known for years as the National Gallery of Art. Henry Tate also donated his own collection to the gallery and it was initially a collection solely of modern British art, concentrating on the works of modern—that is Victorian era—painters. It was controlled by the National Gallery until 1954, in 1926 and 1937, the art dealer and patron Joseph Duveen paid for two major expansions of the gallery building. His father had paid for an extension to house the major part of the Turner Bequest. Henry Courtauld also endowed Tate with a purchase fund, by the mid 20th century, it was fulfilling a dual function of showing the history of British art as well as international modern art. In 1954, the Tate Gallery was finally separated from the National Gallery, later, the Tate began organising its own temporary exhibition programme. In 1979 with funding from a Japanese bank a large extension was opened that would also house larger income generating exhibitions. In 1987, the Clore Wing opened to house the major part of the Turner bequest, in 1988, an outpost in north west England opened as Tate Liverpool. This shows various works of art from the Tate collection as well as mounting its own temporary exhibitions. In 2007, Tate Liverpool hosted the Turner Prize, the first time this has been held outside London and this was an overture to Liverpools being the European Capital of Culture 2008. In 1993, another offshoot opened, Tate St Ives and it exhibits work by modern British artists, particularly those of the St Ives School
5.
Neoclassicism
–
The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
6.
William Blake
–
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a figure in the history of the poetry. His so-called prophetic works were said by 20th century critic Northrop Frye to form what is in proportion to its merits the least read body of poetry in the English language. His visual artistry led 21st-century critic Jonathan Jones to proclaim him far, in 2002, Blake was placed at number 38 in the BBCs poll of the 100 Greatest Britons. Although he lived in London his entire life, he produced a diverse and symbolically rich œuvre and his paintings and poetry have been characterised as part of the Romantic movement and as Pre-Romantic. Reverent of the Bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French, despite these known influences, the singularity of Blakes work makes him difficult to classify. William Blake was born on 28 November 1757 at 28 Broad Street in Soho and he was the third of seven children, two of whom died in infancy. Blakes father, James, was a hosier and he attended school only long enough to learn reading and writing, leaving at the age of ten, and was otherwise educated at home by his mother Catherine Blake. Even though the Blakes were English Dissenters, William was baptised on 11 December at St Jamess Church, Piccadilly, the Bible was an early and profound influence on Blake, and remained a source of inspiration throughout his life. Blake started engraving copies of drawings of Greek antiquities purchased for him by his father, within these drawings Blake found his first exposure to classical forms through the work of Raphael, Michelangelo, Maarten van Heemskerck and Albrecht Dürer. The number of prints and bound books that James and Catherine were able to purchase for young William suggests that the Blakes enjoyed, at least for a time, a comfortable wealth. When William was ten years old, his parents knew enough of his headstrong temperament that he was not sent to school and he read avidly on subjects of his own choosing. During this period, Blake made explorations into poetry, his work displays knowledge of Ben Jonson, Edmund Spenser. On 4 August 1772, Blake was apprenticed to engraver James Basire of Great Queen Street, at the sum of £52.10, at the end of the term, aged 21, he became a professional engraver. This aside, Basires style of line-engraving was of a kind held at the time to be old-fashioned compared to the flashier stipple or mezzotint styles. It has been speculated that Blakes instruction in this form may have been detrimental to his acquiring of work or recognition in later life. After two years, Basire sent his apprentice to copy images from the Gothic churches in London and his experiences in Westminster Abbey helped form his artistic style and ideas. The Abbey of his day was decorated with suits of armour, painted funeral effigies, ackroyd notes that. the most immediate would have been of faded brightness and colour
7.
Cork (city)
–
Cork is a city in Ireland, located in the South-West Region, in the province of Munster. It has a population of 125,622 and is the second largest city in the state, the greater Metropolitan Cork area has a population exceeding 300,000. In 2005, the city was selected as the European Capital of Culture, the city is built on the River Lee which splits into two channels at the western end of the city, the city centre is divided by these channels. They reconverge at the end where the quays and docks along the river banks lead outwards towards Lough Mahon and Cork Harbour. The citys cognomen of the city originates in its support for the Yorkist cause during the English 15th century Wars of the Roses. Corkonians often refer to the city as the capital in reference to the citys role as the centre of anti-treaty forces during the Irish Civil War. Cork was originally a settlement, reputedly founded by Saint Finbarr in the 6th century. Cork achieved an urban character at some point between 915 and 922 when Norseman settlers founded a trading port and it has been proposed that, like Dublin, Cork was an important trading centre in the global Scandinavian trade network. The citys charter was granted by Prince John, as Lord of Ireland, the city was once fully walled, and some wall sections and gates remain today. Neighbouring Gaelic and Hiberno-Norman lords extorted Black Rent from the citizens to them from attacking the city. The present extent of the city has exceeded the boundaries of the Barony of Cork City. Together, these baronies are located between the Barony of Barrymore to the east, Muskerry East to the west and Kerrycurrihy to the south, the medieval population of Cork was about 2,100 people. It suffered a blow in 1349 when almost half the townspeople died of plague when the Black Death arrived in the town. The then mayor of Cork and several important citizens went with Warbeck to England, oBrien published a third local newspaper, the Cork Free Press. In the War of Independence, the centre of Cork was burnt down by the British Black and Tans, during the Irish Civil War, Cork was for a time held by anti-Treaty forces, until it was retaken by the pro-Treaty National Army in an attack from the sea. The climate of Cork, like the rest of Ireland, is mild oceanic and changeable with abundant rainfall, Cork lies in plant Hardiness zone 9b. Met Éireann maintains a weather station at Cork Airport, a few kilometres south of the city. It should be noted that the airport is at an altitude of 151 metres and temperatures can often differ by a few degrees between the airport and the city itself, there are also smaller synoptic weather stations at UCC and Clover Hill
8.
Ireland
–
Ireland is an island in the North Atlantic. It is separated from Great Britain to its east by the North Channel, the Irish Sea, Ireland is the second-largest island of the British Isles, the third-largest in Europe, and the twentieth-largest on Earth. Politically, Ireland is divided between the Republic of Ireland, which covers five-sixths of the island, and Northern Ireland, in 2011, the population of Ireland was about 6.4 million, ranking it the second-most populous island in Europe after Great Britain. Just under 4.6 million live in the Republic of Ireland, the islands geography comprises relatively low-lying mountains surrounding a central plain, with several navigable rivers extending inland. The island has lush vegetation, a product of its mild, thick woodlands covered the island until the Middle Ages. As of 2013, the amount of land that is wooded in Ireland is about 11% of the total, there are twenty-six extant mammal species native to Ireland. The Irish climate is moderate and classified as oceanic. As a result, winters are milder than expected for such a northerly area, however, summers are cooler than those in Continental Europe. Rainfall and cloud cover are abundant, the earliest evidence of human presence in Ireland is dated at 10,500 BC. Gaelic Ireland had emerged by the 1st century CE, the island was Christianised from the 5th century onward. Following the Norman invasion in the 12th century, England claimed sovereignty over Ireland, however, English rule did not extend over the whole island until the 16th–17th century Tudor conquest, which led to colonisation by settlers from Britain. In the 1690s, a system of Protestant English rule was designed to materially disadvantage the Catholic majority and Protestant dissenters, with the Acts of Union in 1801, Ireland became a part of the United Kingdom. Northern Ireland saw much civil unrest from the late 1960s until the 1990s and this subsided following a political agreement in 1998. In 1973 the Republic of Ireland joined the European Economic Community while the United Kingdom, Irish culture has had a significant influence on other cultures, especially in the fields of literature. Alongside mainstream Western culture, an indigenous culture exists, as expressed through Gaelic games, Irish music. The culture of the island shares many features with that of Great Britain, including the English language, and sports such as association football, rugby, horse racing. The name Ireland derives from Old Irish Eriu and this in turn derives from Proto-Celtic *Iveriu, which is also the source of Latin Hibernia. Iveriu derives from a root meaning fat, prosperous, during the last glacial period, and up until about 9000 years ago, most of Ireland was covered with ice, most of the time
9.
John Butts
–
John Butts was an Irish landscape painter. Butts was born and educated in Cork, Ireland, He painted landscapes somewhat in the style of Claude Lorrain, and worked as an art teacher, his pupils in Cork including James Barry. In around 1757, at the age of about 30, he moved to Dublin, where he continued to work as a landscape and figure painter and he spent much of his life in poverty. His cast of genius was very much that of Claudes, whom he resembles without any more than anybody that I know of
10.
Child prodigy
–
In psychology research literature, the term child prodigy is defined as a person under the age of ten who produces meaningful output in some domain to the level of an adult expert performer. Child prodigies are rare, and, in domains, there are no child prodigies at all. Prodigiousness in childhood does not always predict adult eminence, the term Wunderkind is sometimes used as a synonym for prodigy, particularly in media accounts. Wunderkind also is used to recognize those who achieve success and acclaim early in their adult careers, PET scans performed on several mathematics prodigies have suggested that they think in terms of long-term working memory. This memory, specific to a field of expertise, is capable of holding relevant information for extended periods, the PET scans also answer questions about which specific areas of the brain associate themselves with manipulating numbers. One subject never excelled as a child in mathematics, but he taught himself algorithms and tricks for calculatory speed and his brain, compared to six other controls, was studied using the PET scan, revealing separate areas of his brain that he manipulated to solve the complex problems. Some of the areas that he and presumably prodigies use are brain sectors dealing in visual and spatial memory, as well as visual mental imagery. Other areas of the brain showed use by the subject, including a sector of the brain related to childlike finger counting. Citing extensive imaging evidence, Vandervert first proposed this approach in two publications appeared in 2003. In addition to imaging evidence, Vanderverts approach is supported by the award winning studies of the cerebellum by Masao Ito. Some researchers believe that prodigious talent tends to arise as a result of the talent of the child. Others believe that the environment plays the dominant role, many times in obvious ways, but on the other hand George Frideric Handel was an example of the natural talent. He had discovered such a strong propensity to music, that his father who intended him for the study of the Civil Law, had reason to be alarmed. He strictly forbade him to meddle with any musical instrument but Handel found means to get a little clavichord privately conveyd to a room at the top of the house, to this room he constantly stole when the family was asleep. Despite his fathers opposition, Handel became a performer on the harpsichord. Chess prodigy List of child prodigies List of music prodigies Gifted education Giftedness Late bloomer Malleable intelligence Polymath Savant syndrome Ellenberg, the Wrong Way to Treat Child Geniuses. How working memory and the cerebellum collaborate to produce creativity and innovation, the Gradual Path to Creative Breakthroughs. Notebook, Child Prodigies, CBS News Online, YouTube, February 26,2010
11.
Dublin
–
Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
12.
Edmund Burke
–
Burke criticized British treatment of the American colonies, including through its taxation policies. Burke is remembered for his support for Catholic emancipation, the impeachment of Warren Hastings from the East India Company, in the nineteenth century Burke was praised by both conservatives and liberals. Subsequently, in the century, he became widely regarded as the philosophical founder of modern conservatism. Burke was born in Dublin, Ireland, Burke adhered to his fathers faith and remained a practising Anglican throughout his life, unlike his sister Juliana who was brought up as and remained a Roman Catholic. Although never denying his Irishness, Burke often described himself as an Englishman, according to the historian J. C. D. Clark, this was in an age before Celtic nationalism sought to make Irishness and Englishness incompatible. As a child he spent time away from the unhealthy air of Dublin with his mothers family in the Blackwater Valley in County Cork. He received his education at a Quaker school in Ballitore, County Kildare, some 67 kilometres from Dublin. He remained in correspondence with his schoolmate from there, Mary Leadbeater, in 1744, Burke started at Trinity College Dublin, a Protestant establishment, which up until 1793, did not permit Catholics to take degrees. The minutes of the meetings of Burkes Club remain in the collection of the Historical Society, Burke graduated from Trinity in 1748. Burkes father wanted him to read Law, and with this in mind he went to London in 1750, after eschewing the Law, he pursued a livelihood through writing. The late Lord Bolingbrokes Letters on the Study and Use of History was published in 1752 and this provoked Burke into writing his first published work, A Vindication of Natural Society, A View of the Miseries and Evils Arising to Mankind, appearing in Spring 1756. Burke imitated Bolingbrokes style and ideas in a reductio ad absurdum of his arguments for atheistic rationalism, Burke claimed that Bolingbrokes arguments against revealed religion could apply to all social and civil institutions as well. Lord Chesterfield and Bishop Warburton initially thought that the work was genuinely by Bolingbroke rather than a satire, all the reviews of the work were positive, with critics especially appreciative of Burkes quality of writing. Some reviewers failed to notice the ironic nature of the book, a minority of scholars have taken the position that, in fact, Burke did write the Vindication in earnest, later disowning it only for political reasons. It was his only purely philosophical work, and when asked by Sir Joshua Reynolds and French Laurence to expand it thirty years later and it was to be submitted for publication by Christmas 1758. G. M. Young did not value Burkes history and claimed that it was demonstrably a translation from the French. Lord Acton, on commenting on the story that Burke stopped his history because David Hume published his, Burke remained the chief editor of the publication until at least 1789 and there is no evidence that any other writer contributed to it before 1766. On 12 March 1757, Burke married Jane Mary Nugent, daughter of Dr Christopher Nugent and their son Richard was born on 9 February 1758, an elder son, Christopher, died in infancy
13.
Saint Patrick
–
Saint Patrick was a fifth-century Romano-British Christian missionary and bishop in Ireland. Known as the Apostle of Ireland, he is the patron saint of Ireland, along with saints Brigit of Kildare. He is also venerated in the Anglican Communion, the Old Catholic Church and in the Eastern Orthodox Church as equal-to-the-apostles and Enlightener of Ireland. The dates of Patricks life cannot be fixed with certainty but there is agreement that he was active as a missionary in Ireland during the second half of the 5th century. He has been generally so regarded ever since, despite evidence of some earlier Christian presence in Ireland, after becoming a cleric, he returned to northern and western Ireland. In later life, he served as a bishop, but little is known about the places where he worked, by the seventh century, he had already come to be revered as the patron saint of Ireland. Saint Patricks Day is observed on 17 March, the date of his death. It is celebrated inside and outside Ireland as a religious and cultural holiday, in the dioceses of Ireland, it is both a solemnity and a holy day of obligation, it is also a celebration of Ireland itself. Two Latin works survive which are accepted as having been written by St. Patrick. These are the Declaration and the Letter to the soldiers of Coroticus, the Declaration is the more biographical of the two. In it, Patrick gives an account of his life. Most available details of his life are from subsequent hagiographies and annals, the only name that Patrick uses for himself in his own writings is Pātricius, which gives Old Irish Pátraic and Modern Irish Pádraig, English Patrick and Welsh Padrig. Hagiography records other names he is said to have borne, Magonus appears in the ninth century Historia Brittonum as Maun, descending from British *Magunos, meaning servant-lad. Succetus, which appears in Muirchú moccu Machthenis seventh century Life as Sochet, is identified by Mac Neill as a word of British origin meaning swineherd. The dates of Patricks life are uncertain, there are conflicting regarding the year of his death. His own writings provide no evidence for any dating more precise than the 5th century generally, the Letter to Coroticus implies that the Franks were still pagans at the time of writing, their conversion to Christianity is dated to the period 496–508. The Irish annals for the century date Patricks arrival in Ireland at 432. The date 432 was probably chosen to minimise the contribution of Palladius, who was known to have sent to Ireland in 431
14.
London
–
London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
15.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
16.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
17.
Florence
–
Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
18.
Bologna
–
Bologna is the largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, located in the heart of an area of about one million. The first settlements back to at least 1000 BC. The city has been a centre, first under the Etruscans. Home to the oldest university in the world, University of Bologna, founded in 1088, Bologna is also an important transportation crossroad for the roads and trains of Northern Italy, where many important mechanical, electronic and nutritional industries have their headquarters. According to the most recent data gathered by the European Regional Economic Growth Index of 2009, Bologna is the first Italian city, Bologna is home to numerous prestigious cultural, economic and political institutions as well as one of the most impressive trade fair districts in Europe. In 2000 it was declared European capital of culture and in 2006, the city of Bologna was selected to participate in the Universal Exposition of Shanghai 2010 together with 45 other cities from around the world. Bologna is also one of the wealthiest cities in Italy, often ranking as one of the top cities in terms of quality of life in the country, after a long decline, Bologna was reborn in the 5th century under Bishop Petronius. According to legend, St. Petronius built the church of S. Stefano. After the fall of Rome, Bologna was a stronghold of the Exarchate of Ravenna in the Po plain. In 728, the city was captured by the Lombard king Liutprand, the Germanic conquerors formed a district called addizione longobarda near the complex of S. Stefano. Charlemagne stayed in this district in 786, traditionally said to be founded in 1088, the University of Bologna is widely considered to be the first university. The university originated as a centre of study of medieval Roman law under major glossators. It numbered Dante, Boccaccio and Petrarca among its students, the medical school is especially famous. In the 12th century, the families engaged in continual internecine fighting. Troops of Pope Julius II besieged Bologna and sacked the artistic treasures of his palace, in 1530, in front of Saint Petronio Church, Charles V was crowned Holy Roman Emperor by Pope Clement VII. Then a plague at the end of the 16th century reduced the population from 72,000 to 59,000, the population later recovered to a stable 60, 000–65,000. However, there was also great progress during this era, in 1564, the Piazza del Nettuno and the Palazzo dei Banchi were built, along with the Archiginnasio, the centre of the University
19.
Venice
–
Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
20.
Raphael
–
Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running a large workshop and, despite his death at 37. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, the best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings and he was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region and his poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Under them, the court continued as a centre for literary culture, growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a humanistic education however, it is unclear how easily he read Latin. His mother Màgia died in 1491 when Raphael was eight, followed on August 1,1494 by his father, Raphael was thus orphaned at eleven, his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master and he had already shown talent, according to Vasari, who says that Raphael had been a great help to his father. A self-portrait drawing from his teenage years shows his precocity and his fathers workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter, and Luca Signorelli, according to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice despite the tears of his mother. The evidence of an apprenticeship comes only from Vasari and another source, an alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters, the Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a master, that is to say fully trained and his first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was named in the commission
21.
Michelangelo
–
Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
22.
Titian
–
Tiziano Vecelli or Tiziano Vecellio, known in English as Titian /ˈtɪʃən/, was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno, during his lifetime he was often called da Cadore, taken from the place of his birth. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, during the course of his long life, Titians artistic manner changed drastically, but he retained a lifelong interest in color. Although his mature works may not contain the vivid, luminous tints of his pieces, their loose brushwork. The exact date of Titians birth is uncertain, when he was an old man he claimed in a letter to Philip II, King of Spain, to have been born in 1474, but this seems most unlikely. Other writers contemporary to his old age give figures that would equate to birthdates between 1473 and after 1482 and he was the son of Gregorio Vecelli and his wife Lucia. His father was superintendent of the castle of Pieve di Cadore, Gregorio was also a distinguished councilor and soldier. Many relatives, including Titians grandfather, were notaries, and the family of four were well-established in the area, at the age of about ten to twelve he and his brother Francesco were sent to an uncle in Venice to find an apprenticeship with a painter. At that time the Bellinis, especially Giovanni, were the artists in the city. There Titian found a group of men about his own age, among them Giovanni Palma da Serinalta, Lorenzo Lotto, Sebastiano Luciani. Francesco Vecellio, his brother, later became a painter of some note in Venice. A fresco of Hercules on the Morosini Palace is said to have one of Titians earliest works. Others were the Bellini-esque so-called Gypsy Madonna in Vienna, and the Visitation of Mary and Elizabeth, now in the Accademia, a Man with a Quilted Sleeve is an early portrait, painted around 1509 and described by Giorgio Vasari in 1568. Scholars long believed it depicted Ludovico Ariosto, but now think it is of Gerolamo Barbarigo, Rembrandt borrowed the composition for his self-portraits. Titian joined Giorgione as an assistant, but many contemporary critics found his work more impressive—for example in exterior frescoes that they did for the Fondaco dei Tedeschi. Their relationship evidently contained a significant element of rivalry, distinguishing between their work at this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, one of the earliest known Titian works, Christ Carrying the Cross in the Scuola Grande di San Rocco, depicting the Ecce Homo scene, was long regarded as by Giorgione. In 1507–1508 Giorgione was commissioned by the state to create frescoes on the re-erected Fondaco dei Tedeschi, Titian and Morto da Feltre worked along with him, and some fragments of paintings remain, probably by Giorgione
23.
Leonardo da Vinci
–
He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, many historians and scholars regard Leonardo as the prime exemplar of the Universal Genius or Renaissance Man, an individual of unquenchable curiosity and feverishly inventive imagination. Much of his working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded to him by Francis I of France, Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait, Leonardos drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated power, an adding machine. Some of his inventions, however, such as an automated bobbin winder. A number of Leonardos most practical inventions are nowadays displayed as working models at the Museum of Vinci. He made substantial discoveries in anatomy, civil engineering, geology, optics, and hydrodynamics, today, Leonardo is widely considered one of the most diversely talented individuals ever to have lived. Leonardo was born on 15 April 1452 at the hour of the night in the Tuscan hill town of Vinci. He was the son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina. Leonardo had no surname in the modern sense – da Vinci simply meaning of Vinci, his birth name was Lionardo di ser Piero da Vinci, meaning Leonardo. The inclusion of the title ser indicated that Leonardos father was a gentleman, little is known about Leonardos early life. He spent his first five years in the hamlet of Anchiano in the home of his mother and his father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen, his father married again to twenty-year-old Francesca Lanfredini, pieros legitimate heirs were born from his third wife Margherita di Guglielmo and his fourth and final wife, Lucrezia Cortigiani. Leonardo received an education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents, one, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face
24.
Adam and Eve
–
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman and the ancestors of all humans. It provides the basis for the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. It also provides much of the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity. In the Book of Genesis of the Hebrew Bible, chapters one through five, in the first, Adam and Eve are not mentioned. Instead, God created humankind in Gods image and instructed them to multiply, in the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can till the ground and eat freely of all the trees in the garden, except for a tree of the knowledge of good, subsequently, Eve is created from one of Adams ribs to be Adams companion. They are innocent and unashamed about their nakedness, however, a serpent deceives Eve into eating fruit from the forbidden tree, and she gives some of the fruit to Adam. These acts give them additional knowledge, but it gives them the ability to conjure negative and destructive concepts such as shame, God later curses the serpent and the ground. God prophetically tells the woman and the man what will be the consequences of their sin of disobeying God, then he banishes them from the Garden of Eden. The story underwent extensive elaboration in later Abrahamic traditions, and it has been analyzed by modern biblical scholars. The story of Adam and Eve is often depicted in art, the story of the fall of Adam is often understood to be an allegory. There is no evidence that Adam and Eve ever literally existed. In the Book of Genesis, the Genesis creation narrative tells of the creation of the first humans, humankind, in Genesis 1, scholars recognize two separate accounts of the creation in the Old Testament. In the Priestly narrative, God creates the world in six days, culminating in the creation of humanity, here, in the Priestly narrative, the emphasis is on the entirety of the universe and its creation. Here, in the Jahwist narrative, the emphasis is on the Earth within the universe, and humankinds residence on the Earth. Contrast, for example, the order of terms in Genesis 1,1 where it says that God made the heavens and the Earth with Genesis 2,4 where it says God made the Earth and the heavens. In the Jahwist version of the story, God places the man in a garden in Eden where he is permitted to till the land and tend the garden and animals, Genesis 2, 8–15. But none of the animals are found to be a companion for the man, so God causes the man to sleep
25.
Philoctetes
–
Philoctetes, or Philocthetes, according to Greek mythology, was the son of King Poeas of Meliboea in Thessaly. He was a Greek hero, famed as an archer, Philoctetes was the subject of four different plays of ancient Greece, each written by one of the three major Greek tragedians. Of the four plays, Sophocles Philoctetes is the one that has survived. Sophocles Philoctetes at Troy, Aeschylus Philoctetes and Euripides Philoctetes have all been lost, Philoctetes is also mentioned in Homers Iliad, Book 2, which describes his exile on the island of Lemnos, his being wounded by snake-bite, and his eventual recall by the Greeks. The recall of Philoctetes is told in the lost epic Little Iliad, Philoctetes killed three men at Troy. Philoctetes was the son of King Poeas of the city of Meliboea in Thessaly, Heracles wore the shirt of Nessus and built his own funeral pyre. No one would light it for him except for Philoctetes, or in other versions his father Poeas and this gained him the favor of the newly deified Heracles. Because of this, Philoctetes or Poeas was given Heracles bow, Philoctetes was one of the many eligible Greeks who competed for the hand of Helen, the Spartan princess, according to legend, she was the most beautiful woman in the world. As such, he was required to participate in the conflict to reclaim her for Menelaus in the Trojan War, Philoctetes was stranded on the island of Lemnos by the Greeks on the way to Troy. There are at least four separate tales about what happened to strand Philoctetes on his journey to Troy, One version holds that Philoctetes was bitten by a snake that Hera sent to molest him as punishment for his or his fathers service to Heracles. Another tradition says that the Greeks forced Philoctetes to show them where Heracless ashes were deposited, Philoctetes would not break his oath by speech, so he went to the spot and placed his foot upon the site. Immediately, he was injured in the foot that touched the soil over the ashes, when, in expiation, the Achaeans offered a sacrifice to Apollo, a snake came out from the altar and bit Philoctetes. Finally, it is said that Philoctetes received his wound on the island of Chryse. A modern interpretation of the cause of his wound is that he was scratched by a poisoned arrow, commonly tips of arrows were poisoned with a combination of fermented viper venom, blood or plasma, and feces. Even a scratch would result in death, sometimes drawn out, a person who survives would do so with a festering wound. Regardless of the cause of the wound, Philoctetes was exiled by the Greeks and was angry at the treatment he received from Odysseus, King of Ithaca, medôn took control of Philoctetes men, and Philoctetes himself remained on Lemnos, alone, for ten years. Helenus, the son of King Priam of Troy, was forced to reveal, under torture. Upon hearing this, Odysseus and a group of men rushed back to Lemnos to recover Heracles weapons, surprised to find the archer alive, the Greeks balked on what to do next
26.
Venus (mythology)
–
Venus is the Roman goddess whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, Julius Caesar claimed her as his ancestor. Venus was central to religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art, in the later classical tradition of the West, Venus becomes one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. It has connections to venerari and venia through a common root in an Indo-European *wenes- or *u̯enis. Their common Proto-Indo-European root is assumed as *wen- or *u̯en- to strive for, wish for, desire, Venus has been described as perhaps the most original creation of the Roman pantheon, and an ill-defined and assimilative native goddess, combined with a strange and exotic Aphrodite. The ambivalence of her persuasive functions has been perceived in the relationship of the root *venes- with Latin venenum, in the sense of a charm, in myth, Venus-Aphrodite was born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection and she is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune, in one context, she is a goddess of prostitutes, in another, she turns the hearts of men and women from sexual vice to virtue. Images of Venus have been found in murals, mosaics. Petronius, in his Satyricon, places an image of Venus among the Lares of the freedman Trimalchios lararium, prospective brides offered Venus a gift before the wedding, the nature of the gift, and its timing, are unknown. Some Roman sources say that girls who come of age offer their toys to Venus, it is unclear where the offering is made, in dice-games, a popular pastime among Romans of all classes, the luckiest, best possible roll was known as Venus. Venus signs were for the most part the same as Aphrodites, Venus statues, and her worshipers, wore myrtle crowns at her festivals. Likewise, Roman folk-etymology transformed the ancient, obscure goddess Murcia into Venus of the Myrtles, myrtle was thought a particularly potent aphrodisiac. The female pudendum, particularly the clitoris, was known as murtos, as goddess of love and sex, Venus played an essential role at Roman prenuptial rites and wedding nights, so myrtle and roses were used in bridal bouquets. Marriage itself was not a seduction but a condition, under Junos authority. Venus was also a patron of the ordinary, everyday wine drunk by most Roman men and women, in the rites to Bona Dea, a goddess of female chastity, Venus, myrtle and anything male were not only excluded, but unmentionable
27.
Joshua Reynolds
–
Sir Joshua Reynolds RA FRS FRSA was an influential eighteenth-century English painter, specialising in portraits. He promoted the Grand Style in painting which depended on idealization of the imperfect and he was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds and his father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer, seven years his senior, author of Devonshire Dialogue, in 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshuas pupilage, and nine years later advanced money for his expenses in Italy. His other siblings included Frances Reynolds and Elizabeth Johnson, as a boy, he came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life. The work that came to have the most influential impact on Reynolds was Jonathan Richardsons An Essay on the Theory of Painting, having shown an early interest in art, Reynolds was apprenticed in 1740 to the fashionable London portrait painter Thomas Hudson, who had been born in Devon. Hudson had a collection of old master drawings, including some by Guercino, although apprenticed to Hudson for four years, Reynolds only remained with him until summer 1743. Having left Hudson, Reynolds worked for some time as a portrait-painter in Plymouth Dock and he returned to London before the end of 1744, but following his fathers death in late 1745 he shared a house in Plymouth Dock with his sisters. In 1749, Reynolds met Commodore Augustus Keppel, who invited him to join HMS Centurion, of which he had command, while with the ship he visited Lisbon, Cadiz, Algiers, and Minorca. From Minorca he travelled to Livorno in Italy, and then to Rome, while in Rome he suffered a severe cold, which left him partially deaf, and, as a result, he began to carry a small ear trumpet with which he is often pictured. Reynolds travelled homeward overland via Florence, Bologna, Venice, and he was accompanied by Giuseppe Marchi, then aged about 17. Apart from a brief interlude in 1770, Marchi remained in Reynolds employment as an assistant for the rest of the artists career. Following his arrival in England in October 1752, Reynolds spent three months in Devon, before establishing himself in London, where he remained for the rest of his life. He took rooms in St Martins Lane, before moving to Great Newport Street and he achieved success rapidly, and was extremely prolific. In 1760 Reynolds moved into a house, with space to show his works and accommodate his assistants. Alongside ambitious full-length portraits, Reynolds painted large numbers of smaller works, in the late 1750s, at the height of the social season, he received five or six sitters a day, each for an hour. By 1761 Reynolds could command a fee of 80 guineas for a full-length portrait, the clothing of Reynolds sitters was usually painted either by one of his pupils, his studio assistant Giuseppe Marchi, or the specialist drapery painter Peter Toms. Lay figures were used to model the clothes and he had an excellent vantage from his house, Wick House, on Richmond Hill, and painted the view in about 1780
28.
King Lear
–
King Lear is a tragedy written by William Shakespeare. The Tragedy of King Lear, a more theatrical revision, was included in the 1623 First Folio, Modern editors usually conflate the two, though some insist that each version has its own individual integrity that should be preserved. The tragedy is particularly noted for its probing observations on the nature of human suffering, george Bernard Shaw wrote, No man will ever write a better tragedy than Lear. The eldest, Goneril, speaks first, declaring her love for her father in fulsome terms, moved by her flattery Lear proceeds to grant to Goneril her share as soon as she has finished her declaration, before Regan and Cordelia have a chance to speak. He then awards to Regan her share as soon as she has spoken, in his anger he disinherits Cordelia and divides her share between Regan and Goneril. Kent objects to Lears unfair treatment of Cordelia, enraged by Kents protests, Lear then summons the Duke of Burgundy and the King of France, who have both proposed marriage to Cordelia. Learning that Cordelia has been disinherited, the Duke of Burgundy withdraws his suit, the King of France is shocked by Lears decision because up until this time Lear has only praised and favored Cordelia. Meanwhile, Gloucester has introduced his illegitimate son Edmund to Kent, Lear announces he will live alternately with Goneril and Regan, and their husbands. He reserves to himself a retinue of one hundred knights, to be supported by his daughters, Goneril and Regan speak privately, revealing that their declarations of love were fake, and that they view Lear as a foolish old man. Edmund resents his illegitimate status, and plots to dispose of his older brother Edgar. He tricks their father Gloucester with a letter, making him think Edgar plans to usurp the estate. Kent returns from exile in disguise under the name of Caius, Lear and Caius quarrel with Oswald, Gonerils steward. Lear discovers that now that Goneril has power, she no longer respects him and she orders him to behave better and reduces his retinue. Enraged, Lear departs for Regans home, Edmund learns from Curan, a courtier, that there is likely to be war between Albany and Cornwall, and that Regan and Cornwall are to arrive at Gloucesters house that evening. Taking advantage of the arrival of the duke and Regan, Edmund fakes an attack by Edgar and he disinherits Edgar and proclaims him an outlaw. Bearing Lears message to Regan, Caius meets Oswald again at Gloucesters home, quarrels with him again, when Lear arrives, he objects to the mistreatment of his messenger, but Regan is as dismissive of her father as Goneril was. Goneril arrives and supports Regans argument against him, Lear yields completely to his rage. He rushes out into a storm to rant against his ungrateful daughters, Kent later follows to protect him
29.
Archbishop of Canterbury
–
The current archbishop is Justin Welby. His enthronement took place at Canterbury Cathedral on 21 March 2013, Welby is the 105th in a line which goes back more than 1400 years to Augustine of Canterbury, the Apostle to the English, sent from Rome in the year 597. From the time of Augustine in the 6th until the 16th century, during the English Reformation the Church of England broke away from the authority of the Pope and the Roman Catholic Church. In the Middle Ages there was variation in the methods of nomination of the Archbishop of Canterbury. At various times the choice was made by the canons of Canterbury Cathedral, today the archbishop fills four main roles, He is the diocesan bishop of the Diocese of Canterbury, which covers the eastern parts of the County of Kent. Founded in 597, it is the oldest see in the English church and he is the metropolitan archbishop of the Province of Canterbury, which covers the southern two-thirds of England. He is the primate and chief religious figure of the Church of England. The Archbishop of Canterbury plays a part in national ceremonies such as coronations, due to his high public profile. As spiritual leader of the Anglican Communion, the archbishop, although without legal authority outside England, is recognised by convention as primus inter pares of all Anglican primates worldwide, since 1867 he has convened more or less decennial meetings of worldwide Anglican bishops, the Lambeth Conferences. In the last two of these functions he has an important ecumenical and interfaith role, speaking on behalf of Anglicans in England, the archbishops main residence is Lambeth Palace in the London Borough of Lambeth. He also has lodgings in the Old Palace, Canterbury, located beside Canterbury Cathedral, as holder of one of the five great sees, the Archbishop of Canterbury is ex officio one of the Lords Spiritual of the House of Lords. He is one of the men in England and the highest ranking non-royal in the United Kingdoms order of precedence. Since Henry VIII broke with Rome, the Archbishops of Canterbury have been selected by the English monarch, today the choice is made in the name of the monarch by the prime minister, from a shortlist of two selected by an ad-hoc committee called the Crown Nominations Commission. Since the 20th century, the appointment of Archbishops of Canterbury conventionally alternates between more moderate Anglo-Catholics and Evangelicals, the current archbishop, Justin Welby, the 105th Archbishop of Canterbury, was enthroned at Canterbury Cathedral on 4 February 2013. As archbishop he signs himself as + Justin Cantuar and his predecessor, Rowan Williams, 104th Archbishop of Canterbury, was enthroned at Canterbury Cathedral on 27 February 2003. Immediately prior to his appointment to Canterbury, Williams was the Bishop of Monmouth, on 18 March 2012, Williams announced he would be stepping down as Archbishop of Canterbury at the end of 2012 to become Master of Magdalene College, Cambridge. In addition to his office, the archbishop also holds a number of positions, for example, he is Joint President of the Council of Christians. Some positions he formally holds ex officio and others virtually so, geoffrey Fisher, 99th Archbishop of Canterbury, was the first since 1397 to visit Rome, where he held private talks with Pope John XXIII in 1960
30.
Benjamin West
–
Benjamin West PRA was an Anglo-American painter of historical scenes around and after the time of the American War of Independence and the Seven Years War. He was the president of the Royal Academy in London. He was offered a knighthood by the British Crown, but declined it and he said that Art is the representation of human beauty, ideally perfect in design, graceful and noble in attitude. West was born in Springfield, Pennsylvania, in a house that is now in the borough of Swarthmore on the campus of Swarthmore College, as the child of an innkeeper. The family later moved to Newtown Square, Pennsylvania, where his father was the proprietor of the Square Tavern, Benjamin West was an autodidact, while excelling at the arts, he had little education and, even when president of the Royal Academy, could scarcely spell. From 1746 to 1759, West worked in Pennsylvania, mostly painting portraits, while West was in Lancaster in 1756, his patron, a gunsmith named William Henry, encouraged him to paint a Death of Socrates based on an engraving in Charles Rollins Ancient History. His resulting composition, which differs from the source, has been called the most ambitious. During this time West met John Wollaston, a painter who had immigrated from London. West was a friend of Benjamin Franklin, whose portrait he painted. Franklin was the godfather of Wests second son, Benjamin, in common with many artists architects and lovers of the fine arts at that time he conducted a Grand Tour. West expanded his repertoire by copying works of Italian painters such as Titian, in Rome he met a number of international neo-classical artists including German-born Anton Rafael Mengs, Scottish Gavin Hamilton, and Austrian Angelica Kauffman. In August 1763, West arrived in England, on what he intended as a visit on his way back to America. In fact, he never returned to America and he stayed for a month at Bath with William Allen, who was also in the country, and visited his half-brother Thomas West at Reading at the urging of his father. In London he was introduced to Richard Wilson and his student Joshua Reynolds and he moved into a house in Bedford Street, Covent Garden. In 1765 he married Elizabeth Shewell, an American to whom he engaged in Philadelphia. All three prelates commissioned work from him, in 1766 West proposed a scheme to decorate St Pauls Cathedral with paintings. It was rejected by the Bishop of London, but his idea of painting an altarpiece for St Stephen Walbrook was accepted, at around this time he also received acclaim for his classical subjects, such as Orestes and Pylades and The Continence of Scipio. Benjamin West was known in England as the American Raphael and his Raphaelesque painting of Archangel Michael Binding the Devil is in the collection of Trinity College, Cambridge
31.
Giovanni Battista Cipriani
–
Giovanni Battista Cipriani RA was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors, much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi. His family were originally from Pistoia and he first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani. He spent the years 1750–53 in Rome, where he acquainted with the architect, Sir William Chambers. He had already painted two pictures, a St Tesauro and St Peter Igneo for the abbey of San Michele in Pelago, Pistoia, on his arrival to England he was patronized by Lord Tilney, the Duke of Richmond and other noblemen. When William Chambers designed the Albany in London for Lord Holland and he also painted part of a ceiling in Buckingham House, and a room with poetical subjects at Standlynch in Wiltshire. In the same building he also painted the decorations in the joint ante-room of the Royal. The grotesque groups flanking the doorways on three sides of the quadrangle and the central doorway on the terrace also appear to have been designed by Cipriani. Cipriani was a member of the Royal Academy, and designed its diploma. In recognition of his services in respect the members presented him with a silver cup with a commemorative inscription in 1769. He was much employed by publishers, for whom he made drawings in pen and ink and his friend Bartolozzi engraved most of them. Capriani made some engravings, including The Death of Cleopatra, after Benvenuto Cellini, The Descent of the Holy Ghost, after Gabbiani and these designs were sometimes inlaid in marquetry, but more usually painted onto the wood by other hands. Some of the furniture designed by the Adams was probably painted by Cipriani himself and he also occasionally designed handles for drawers and doors. Cipriani died in Hammersmith in west London, and was buried at Dovehouse Green, Chelsea and he had married an Englishwoman, by whom he had two sons. Among his pupils were John Alexander Gresse, Charles Grignion the Younger, attribution This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Cipriani, Giovanni Battista
32.
Andrew Graham-Dixon
–
Andrew Michael Graham-Dixon is a British art historian and broadcaster. Graham-Dixon is a son of the barrister Anthony Graham-Dixon and Suzanne Sue, Graham-Dixon was educated at the independent Westminster School, where he was pushed to get into a well-paid job by his father and not waste time learning at school. This meant he finished his O Levels at age 14 and A Levels at age 16 and he continued his education at Christ Church, Oxford, where he read English. He graduated in 1981, before pursuing studies at the Courtauld Institute of Art. Graham-Dixon began work as a reviewer for the weekly Sunday Correspondent, early in his career he won the Arts Journalist of the Year Award three years in a row. As of 2005 he is the art critic of The Sunday Telegraph. Since 2004, he has also been a contributor to the BBC Twos The Culture Show on a variety of subjects, and is often the main presenter of the programme. In 1992, Graham-Dixon won the first prize in the Reportage section in the Montreal World Film Festival for a film about Théodore Géricaults painting The Raft of the Medusa. He is passionate about the Mona Lisa, appearing in the popular BBC documentary Secrets of the Mona Lisa and he has also presented programmes on subjects other than art, such as I, Samurai and The Real Casino Royale for the BBC and 100% English for Channel 4. In 2010, he interviewed John Lydon for a Culture Show special about Public Image Ltd, Graham-Dixon also wrote and presented the BBC documentary Who Killed Caravaggio. Broadcast on BBC4 in 2010, the same year, his biography of Caravaggio was published as Caravaggio, A Life Sacred And Profane. In 1994 American expatriate R. B. Kitaj had a retrospective at the Tate Gallery in London, Graham-Dixon, and many other London art critics wrote personal, vicious attacks against the artist. Kitaj blamed the death of his wife, artist Sandra Fisher, as they wisely say in Ireland, what do you expect from a pig but a grunt. Andrew Graham-Dixon was awarded an Honorary Doctorate of Arts from Plymouth University in 2010 and he was an early supporter of the later-to-be Young British Artists artists. They were far superior, for instance, to any of the art shows that have been staged by the Liverpool Tate in its own multi-million-pound dockland site. Graham-Dixon has three children and lives in Sussex, London, Thames & Hudson,1994, revised,2001. Paper Museum, writings about painting, mostly, in the Picture, The Year Through Art. Caravaggio, A Life Sacred And Profane
33.
Edward Penny
–
Edward Penny RA was an English portrait and historical painter, one of the founder members of the Royal Academy. He one of the elder sons of Robert Penny, surgeon, by Clare, daughter of William Trafford, of Swythamley, Staffordshire. He was sent to London and placed under the tuition of Thomas Hudson, later he went to Rome and he returned to England about 1748, and began his professional career by painting small whole-lengths, later he painted more demanding subjects. Penny appears to have joined the Incorporated Society of Artists in 1762, but with Benjamin West, Richard Wilson, in December 1768 he was nominated one of the foundation members of the Royal Academy of Arts, and its first professor of painting. He then ceased to exhibit, and was obliged by ill-health to resign the professorship of painting, Penny died at Chiswick on 16 November 1791, and was buried with his wife at Chessington, Surrey. In 1762 Penny exhibited a small whole-length of a lady and a scene in Jane Shore, to the first exhibition in 1769 he contributed the smithy scene from Shakespeares King John, which was engraved by Houston, and to that of 1770 Imogen discovered in the Cave. He was the author of a course of lectures on the art of painting and they were never published, but were left by his will to his nephew, the Ven. George Buckley Bower, archdeacon of Richmond and she died at Chiswick in 1791. Attribution This article incorporates text from a now in the public domain, Penny
34.
Orleans Collection
–
The Orleans Collection was a very important collection of over 500 paintings formed by Philippe dOrléans, Duke of Orléans, mostly acquired between about 1700 and his death in 1723. Much of the collection has been dispersed, but significant groups remain intact, one such group is the Sutherland Loan or Bridgewater Loan, including sixteen works from the Orleans Collection, in the National Gallery of Scotland, and another is at Castle Howard, Yorkshire. There are twenty-five paintings formerly in the now in the National Gallery, London. The collection is of central interest for the history of collecting and it figured in two of the periods when art collections were most subject to disruption and dispersal, the mid-17th century and the period after the French Revolution. Granvelle had been the greatest private collector of his time, the friend and patron of Titian and Leoni and many other artists, the Swedes only skimmed the cream of the Habsburg collection, as the works now in Vienna, Madrid and Prague show. She was concerned that the collections would be claimed by her successor. The year after Odescalchis death in 1713, his heirs began protracted negotiations with the great French connoisseur and collector Pierre Crozat, acting as intermediary for Philippe, the sale was finally concluded and the paintings delivered in 1721. The French experts complained that Christina had cut down several paintings to fit her ceilings, the Orleans collection was housed in the magnificent setting of the Palais-Royal, the Paris seat of the Dukes of Orléans. He also inherited small but high quality collections from Henrietta Anne Stuart, his fathers first wife, in 1701 and his fathers lover, the Chevalier de Lorraine in 1702. The paintings were housed in two suites of rooms running side-by-side down the west or library wing of the palace, with the smaller Dutch. Rearrangements had been made to accommodate the paintings, connoisseurs particularly praised the Galerie à la Lanterne, with its even, sunless top light diffused from the cupola overhead. For most of the 18th century it was easy to visit the collection and this contained 495 paintings, though some continued to be added, and a few disposed of. The collection was most notable for Italian paintings of the High and Late Renaissance, especially Venetian works. The collection included no fewer than five of the poesies painted for Philip II of Spain, a series of four mythological allegories by Veronese are now divided between the Fitzwilliam Museum in Cambridge, and the Frick Collection and Metropolitan Museum in New York. Attributions no longer accepted, and probably regarded as even then were 2 Michelangelos. There were few works from the 15th century, except for a Giovanni Bellini, French works, of which the catalogued collection included relatively few, included a set of the Seven Sacraments and 5 other works by Poussin. The Flemish works were dominated by Rubens with 19 paintings, including a group of 12 studies now widely dispersed, van Dyck with 10 works and David Teniers with 9. The Dutch paintings included 6 Rembrandts,7 works by Caspar Netscher and 3 by Frans van Mieris that were highly regarded then than they are now
35.
Society of Dilettanti
–
The Society of Dilettanti is a society of noblemen and scholars which sponsors the study of ancient Greek and Roman art, and the creation of new work in the style. Though the exact date is unknown, the Society is believed to have established as a London dining club in 1732 by a group of people who had been on the Grand Tour. Records of the earliest meeting of the Society were written somewhat informally on loose pieces of paper, the first entry in the first minute book of the Society is dated April 5,1736. In 1743 Horace Walpole condemned its affectations and described it as such and it was closely associated with Brookss, one of Londons most exclusive gentlemens clubs. The society quickly became wealthy, through a system in which members made contributions to various funds to support building schemes, the first artist associated with the group was George Knapton. The Society of Dilettanti aimed to correct and purify the public taste of the country, from the 1740s, the Society has 60 members, elected by secret ballot. An induction ceremony is held at a London club and it makes annual donations to the British Schools in Rome and Athens, and a separate fund set up in 1984 provides financial assistance for visits to classical sites and museums. Thomas Anson Right Honourable Sir Joseph Banks George Beaumont Rev. Clayton Mordaunt Cracherode Anthony Morris Storer, Henry Dawkins of Standlynch Hall, Wiltshire Francis Dashwood, 11th Baron le Despencer Lord Dundas Sir Henry Englefield Stephen Payne-Gallwey, Esq. Sir John Taylor, 1st Baronet Richard Thompson, Esq, Sir Anthony R. article name needed. London and New York, Frederick Warne and this article incorporates text from, The Life of Sir Joshua Reynolds, Volume 2, James Northcote,1819 Dorment, Richard. The Dilettanti, exclusive society that celebrates art Harcourt-Smith, Sir Cecil and George Augustin Macmillan, The Society of Dilettanti, Its Regalia, the Society of Dilettanti, Archaeology and Identity in the British Enlightenment. Redford, Bruce, Dilettanti, The Antic and the Antique in Eighteenth-century England, simon, Robin, “Reynolds and the Double-entendre, the Society of Dilettanti Portraits, ” The British Art Journal 3, no. West, Shearer, “Libertinism and the Ideology of Male Friendship in the Portraits of the Society of Dilettanti, ” Eighteenth Century Life 16, Review of Bruce Redford, Dilettanti, The Antic and the Antique in Eighteenth-Century England. In Bryn Mawr Classical Review 2008.08.28 Antiquities of Ionia Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Digital Library
36.
Charles Burney
–
Charles Burney FRS was an English music historian, composer and musician. He was father of the writers Frances Burney and Sarah Burney, the explorer James Burney, Charles Burney was born at Raven Street in Shrewsbury, fourth of six children of James Macburney, a musician, dancer and portrait painter, and his second wife Ann. In childhood he and a brother, Richard were for unknown reasons sent to the care of a Nurse Ball at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was sent in 1739 to The Kings School in Chester. His first music master was a Mr Baker, organist of the cathedral, Burney wrote some music for Thomsons Alfred, which was produced at Drury Lane theatre on 30 March 1745. It was for his health that he went in 1751 to Lynn Regis in Norfolk, where he was elected organist, with a salary of £100. During that time he began to entertain the idea of writing a history of music. The concertos for harpsichord which Burney published soon after his return to London were much admired, in 1766 he produced, at Drury Lane, a translation and adaptation of Jean-Jacques Rousseaus opera Le devin du village, under the title of The Cunning Man. In 1749, while working as an organist and harpsichordist in London, the couple had six children, Esther or Hetty, the explorer James Burney, the celebrated writer Fanny Burney, Susan, Charlotte, and Charles Burney. Charless first wife Esther died in 1761, in 1769 he was married a second time, to Elizabeth Allen of Lynn. From this union he had a son, Richard, and a daughter, Sarah Burney, the University of Oxford honoured Burney, on 23 June 1769, with the degrees of Bachelor and Doctor of Music, and his own work was performed. This consisted of an anthem, with an overture, solos, recitatives and choruses, accompanied by instruments, besides a vocal anthem in eight parts, in 1769 he published An Essay towards a History of Comets. Amidst his various professional avocations, Burney never lost sight of his main project — his History of Music — and decided to travel abroad and collect materials that could not be found in Britain. He left London in June 1770, carrying letters of introduction. The results of his observations were published in a book, The Present State of Music in France. In 1773 he was elected a fellow of the Royal Society, in 1776 appeared the first volume of Burneys long-projected History of Music. In 1782 Burney published his volume, and in 1789 the third. The fourth volume covers the birth and development of opera and the scene in England in Burneys time
37.
Earl of Buchan
–
The Mormaer or Earl of Buchan was originally the provincial ruler of the medieval province of Buchan. Buchan was the first Mormaerdom in the High Medieval Kingdom of the Scots to pass into the hands of a family in the male line. The earldom had three lines in its history, not counting passings from female heiresses to sons, today it is held by the Erskine family as a peerage. The current holder is Malcolm Erskine, 17th Earl of Buchan, the first recorded person who definitely held the position of mormaer was Gartnait, whose patronage is noted in the Gaelic Notes on the Book of Deer. The latter is the only significant source for the mormaerdom, after the death of Fergus, before 1214, Buchan became the first native mormaerdom to pass into the hands of a foreign family, the Comyns, though only through marriage. Alexander Comyn, Earl of Buchan inherited and continued his mothers title, the title remained in crown hands until, later in the century, the title went to Alexander Stewart, the Wolf of Badenoch. By this point, however, Buchan was drastically truncated and no longer a provincial lordship, in 1469 the earldom was conferred on James Stewart. He was made Lord Auchterhouse at the time, also in the Peerage of Scotland. Stewart was the son of Sir James Stewart, the Black Knight of Lorn. The title descended in the male line until the death of his grandson, John. Johns only son by his first marriage, John Stewart, Master of Buchan, had killed at the Battle of Pinkie in 1547. Buchan was therefore succeeded by his granddaughter, Christina, suo jure Countess of Buchan and she married Robert Douglas, son of Sir Robert Douglas of Lochleven and brother of William Douglas, 6th Earl of Morton. Robert assumed the title of Earl of Buchan in right of his wife and he was succeeded by his daughter, Mary, suo jure Countess of Buchan. She married James Erskine, younger son of John Erskine, 18th Earl of Mar. James assumed the earldom in right of his wife, in 1633 the precedence of the earldom was established by Act of Parliament as 1469. This line of the family failed on the death of their grandson, the eighth Earl, the title passed by the terms of the 1617 charter to the heirs male of the 6th Earl i. e. to the heirs male of his younger brother Henry Erskine. Since 1695, the earls of Buchan are not heirs of line of the 1st Earl of Buchan, the late Earl was succeeded by his kinsman David Erskine, 4th Lord Cardross, who became the ninth Earl. He was the great-grandson of Henry Erskine, younger brother of James Erskine and his right to the earldom was acknowledged by the Scottish Parliament in 1698 and he later sat in the House of Lords as a Scottish Representative Peer. He was succeeded by his eldest surviving son, the tenth Earl and he was a Fellow of the Royal Society
38.
St Paul's Cathedral
–
St Pauls Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade 1 listed building and its dedication to Paul the Apostle dates back to the original church on this site, founded in AD604. The present church, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren and its construction, completed in Wrens lifetime, was part of a major rebuilding programme in the City after the Great Fire of London. The cathedral is one of the most famous and most recognisable sights of London and its dome, framed by the spires of Wrens City churches, dominated the skyline for 300 years. At 365 feet high, it was the tallest building in London from 1710 to 1967, the dome is among the highest in the world. St Pauls is the second-largest church building in area in the United Kingdom after Liverpool Cathedral, St Pauls Cathedral occupies a significant place in the national identity. It is the subject of much promotional material, as well as of images of the dome surrounded by the smoke. St Pauls Cathedral is a church with hourly prayer and daily services. The entry fee is £18 for adults, the location of Londiniums original cathedral is unknown. In 1995, however, a large and ornate 5th century building on Tower Hill was excavated, the Elizabethan antiquarian William Camden argued that a temple to the goddess Diana had stood during Roman times on the site occupied by the medieval St Pauls Cathedral. Wren reported that he had no trace of any such temple during the works to build the new cathedral after the Great Fire. Bede records that in AD604 St Augustine consecrated Mellitus as the first bishop to the Anglo-Saxon kingdom of the East Saxons and their king, Sæberht. Sæberhts uncle and overlord, Æthelberht, king of Kent, built a dedicated to St Paul in London. It is assumed, although unproven, that this first Anglo-Saxon cathedral stood on the site as the later medieval. On the death of Sæberht in about 616, his sons expelled Mellitus from London. The fate of the first cathedral building is unknown and this building, or a successor, was destroyed by fire in 962, but rebuilt in the same year. King Æthelred the Unready was buried in the cathedral on his death in 1016, the cathedral was burnt, with much of the city, in a fire in 1087, as recorded in the Anglo-Saxon Chronicle. The fourth St Pauls, generally referred to as Old St Pauls, was begun by the Normans after the 1087 fire, a further fire in 1136 disrupted the work, and the new cathedral was not consecrated until 1240
39.
Aquatint
–
Aquatint is an intaglio printmaking technique, a variant of etching. In intaglio printmaking, the artist makes marks on the plate that are capable of holding ink, the inked plate is passed through a printing press together with a sheet of paper, resulting in a transfer of the ink to the paper. This can be repeated a number of times, depending on the particular technique, like etching, aquatint uses the application of a mordant to etch into the metal plate. Where the engraving uses a needle to make lines that print in black. The rosin is acid resistant and typically adhered to the plate by controlled heating, the tonal variation is controlled by the level of mordant exposure over large areas, and thus the image is shaped by large sections at a time. Another tonal technique, mezzotint, begins with a surface that is evenly indented so that it will carry a fairly dark tone of ink. The mezzotint plate is then smoothed and polished to make areas carry less ink, alternatively, beginning with a smooth plate, areas are roughened to make them darker. Occasionally these two techniques are combined, the painter and printmaker Jan van de Velde IV invented the aquatint technique in Amsterdam, around 1650. The cartographer Peter Perez Burdett later introduced his secret aquatint technique to England in the 1770s, an aquatint requires a metal plate, an acid, and something to resist the acid. Traditionally copper or zinc plates were used, the artist applies a ground that will resist acid. Ground is applied by either dissolving powdered resin in spirits, applying the powder directly to the surface of the plate, in all forms of etching the acid resist is commonly referred to as the ground. An aquatint box is used to apply resin powder, the powder is at the bottom of the box, a crank or a bellows is used to blow the powder up into the air of the box. A window allows the engraver to see the density of flowing powder, when the powder covers the plate, it can be extracted from the box for the next operations. The plate is then heated, if the plate is covered with powder, the resin melts forming a fine and even coat, if it is in spirits, the spirits evaporate and the result is essentially the same. Now the plate is dipped in acid, producing an even, at this point, the plate is said to carry about a 50% halftone. This means that, were the plate printed with no further biting, at some point the artist will then etch an outline of any aspects of the drawing s/he wishes to establish with line, this provides the basis and guide for the later tone work. S/he may also have applied an acid-resistant stop out if s/he intends to keep any areas totally white and free of ink, the artist then begins immersing the plate in the acid bath, progressively stopping out any areas that have achieved the designed tonality. These tones, combined with the limited line elements, give aquatints a distinctive, also, aquatints, like mezzotints, provide ease in creating large areas of tone without laborious cross-hatching, but aquatint plates, it is noted, are generally more durable than mezzotint plates
40.
English art
–
English art is the body of visual arts made in England. English art continued to have an individual character thereafter, though after 1707 it is covered under the art of the United Kingdom. Although medieval English painting, mostly religious, had a national tradition and was at times influential on the rest of Europe. The English Reformation, which was especially destructive of art, not only brought the tradition to an abrupt stop, only illuminated manuscripts now survive in good numbers. Sculpture was mostly architectural and for monumental tombs, by the time of the Act of Union, the English taste for landscape painting was developing. In all these areas, reliance on imported artists was high, the oldest art in England can be dated to the Neolithic period, including the large ritual landscapes such as Stonehenge from c.2600 BC. From around 2150 BC, the Beaker people learned how to make bronze and they became skilled in metal refining and their works of art, placed in graves or sacrificial pits have survived. In the Iron Age, a new art style arrived as Celtic culture, though metalwork, especially gold ornaments, was still important, stone and most likely wood were also used. This style continued into the Roman period, beginning in the 1st century BC, the arrival of the Romans brought the Classical style of which many monuments have survived, especially funerary monuments, statues and busts. They also brought glasswork and mosaics, in the 4th century, a new element was introduced as the first Christian art was made in Britain. Several mosaics with Christian symbols and pictures have been preserved, the style of Romano-British art follows that of the continent, there are some local specialities, influenced by Celtic art, the Staffordshire Moorlands Pan is one example. After Roman rule, the Anglo-Saxons brought Germanic traditions, seen in the metalwork of Sutton Hoo, anglo-Saxon sculpture was outstanding for its time, at least in the small works in ivory or bone that are almost all that have survived. The carved stone crosses, such as the Ruthwell Cross, were a distinctive Insular form. Anglo-Saxon art developed a sophisticated variety of contemporary Continental styles, seen especially in metalwork. Effectively none of the paintings and sculptures that we know existed have survived. English illumination fell away in the phase of the Gothic period as elite patrons began instead to commission works from Paris or Flanders. Some of the extremely rare survivals of English medieval panel paintings, like the Westminster Retable, another art form introduced through the church was stained glass, which was also adopted for secular uses. There was an industry producing Nottingham alabaster reliefs for mid-market altarpieces and small statues
41.
Irish art
–
The history of Irish art starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex, County Meath. In early-Bronze Age Ireland there is evidence of Beaker culture and a widespread metalworking, from around 1200 to 1700, however, Irish art was relatively stagnant, and Irish culture was left comparatively untouched by the influence of Renaissance art. From the late 17th century, talented artists began to emerge in the fields of art, particularly the painting of portraiture. The early 18th century saw increased prosperity and establishment of new institutions including the Royal Dublin Society. In the Victorian era, with a lack of patronage and better opportunities to be abroad, many Irish artists emigrated to London or Paris. By the dawn of the 20th century things began to improve, a range of thin decorated gold discs, bands and plaques, often with pin-holes, were probably attached to clothing, and objects that appear to be earrings have also been found. By around 1400–1000 BC, heavier thin torcs and bagles have been found, goldwork all but disappears in the Iron Age, except for the late and enigmatic Broighter Hoard of the 1st century BC, which appears to mix local and Roman pieces. Buried ironwork does not last long in Irish conditions, and gold is very rare, the Petrie Crown, Loughnashade Trumpet and a series of discs whose function is mysterious are among the most striking pieces. The National Museum of Ireland in Kildare Street, Dublin holds the majority of finds from the whole prehistoric period. In Ireland, La Tène ornamented material dating from the third to fifth centuries AD is difficult to demonstrate, the stone high cross was a distinctive insular type of monument, of which many examples survive. Later in the period, Scandinavian influences were added through the Vikings and these earlier styles largely came to an end with the Norman invasion of 1169–1170 and the subsequent wide adoption of Romanesque art. Many objects of a distinctively Irish form from the first millennium, due to ongoing wars, occupation and poverty much of the Irish arts were restricted to music and literature. Yet beginning in the late 17th century, Irish painting began to take a foothold and these painters typically looked outside Ireland for influence, training and clients who were wealthy enough to afford the purchase of art. For example, Walter Frederick Osborne developed his open air painting in France whereas Sir William Orpen studied in London, in the second half of the 19th century a climate of cultural resurgence and nationalist ideals contributed to the development of an Irish style. A revived interest in the Irish language and Celtic history prompted a revival in the Irish visual arts as well, belfast born Sir John Lavery may be the most internationally known painter of this generation. He trained in Glasgow and France, but unlike Orpen, maintained close ties to his native land, in 1928 he was commissioned to paint the symbol of Éire which would be used as the central image on the bank note of the new Irish Free State. Other paintings embodied the call for independence, such as Beatrice Elverys Éire of 1907 which depicts the history of Irish Catholicism with the still-nascent Irish Republic, garret Morphey, Robert Carver, George Barrett, Sr. Interest in collecting Irish art has expanded rapidly with the expansion of the country
42.
The Burlington Magazine
–
The Burlington Magazine is a monthly academic journal that covers the fine and decorative arts. Established in 1903, it is the longest running art journal in the English language and it has been published by a charitable organisation since 1986. The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson and its most esteemed editors have been Fry, Herbert Read, and Benedict Nicolson. The journals structure was based on its contemporary British publication The Connoisseur. The Burlington Magazine was founded as a journal of ancient art but already in its first decade, topics covered in detail were, Paul Cézanne and Post-Impressionism in a debate between Fry and D. S. The journal had also notable contributions by visual artists on other artists. The journal appears monthly, and features a wide cross-section of writers, tatlock, Early 1921–1933 Herbert Read, 1933–39 Albert C. Jane Martineau, acting editor Official website Examples of Articles
43.
Wayback Machine
–
The Internet Archive launched the Wayback Machine in October 2001. It was set up by Brewster Kahle and Bruce Gilliat, and is maintained with content from Alexa Internet, the service enables users to see archived versions of web pages across time, which the archive calls a three dimensional index. Since 1996, the Wayback Machine has been archiving cached pages of websites onto its large cluster of Linux nodes and it revisits sites every few weeks or months and archives a new version. Sites can also be captured on the fly by visitors who enter the sites URL into a search box, the intent is to capture and archive content that otherwise would be lost whenever a site is changed or closed down. The overall vision of the machines creators is to archive the entire Internet, the name Wayback Machine was chosen as a reference to the WABAC machine, a time-traveling device used by the characters Mr. Peabody and Sherman in The Rocky and Bullwinkle Show, an animated cartoon. These crawlers also respect the robots exclusion standard for websites whose owners opt for them not to appear in search results or be cached, to overcome inconsistencies in partially cached websites, Archive-It. Information had been kept on digital tape for five years, with Kahle occasionally allowing researchers, when the archive reached its fifth anniversary, it was unveiled and opened to the public in a ceremony at the University of California, Berkeley. Snapshots usually become more than six months after they are archived or, in some cases, even later. The frequency of snapshots is variable, so not all tracked website updates are recorded, Sometimes there are intervals of several weeks or years between snapshots. After August 2008 sites had to be listed on the Open Directory in order to be included. As of 2009, the Wayback Machine contained approximately three petabytes of data and was growing at a rate of 100 terabytes each month, the growth rate reported in 2003 was 12 terabytes/month, the data is stored on PetaBox rack systems manufactured by Capricorn Technologies. In 2009, the Internet Archive migrated its customized storage architecture to Sun Open Storage, in 2011 a new, improved version of the Wayback Machine, with an updated interface and fresher index of archived content, was made available for public testing. The index driving the classic Wayback Machine only has a bit of material past 2008. In January 2013, the company announced a ground-breaking milestone of 240 billion URLs, in October 2013, the company announced the Save a Page feature which allows any Internet user to archive the contents of a URL. This became a threat of abuse by the service for hosting malicious binaries, as of December 2014, the Wayback Machine contained almost nine petabytes of data and was growing at a rate of about 20 terabytes each week. Between October 2013 and March 2015 the websites global Alexa rank changed from 162 to 208, in a 2009 case, Netbula, LLC v. Chordiant Software Inc. defendant Chordiant filed a motion to compel Netbula to disable the robots. Netbula objected to the motion on the ground that defendants were asking to alter Netbulas website, in an October 2004 case, Telewizja Polska USA, Inc. v. Echostar Satellite, No.02 C3293,65 Fed. 673, a litigant attempted to use the Wayback Machine archives as a source of admissible evidence, Telewizja Polska is the provider of TVP Polonia and EchoStar operates the Dish Network
44.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
45.
Art UK
–
Art UK is a registered charity in the United Kingdom, previously known as the Public Catalogue Foundation. Originally the paintings were made accessible through a series of affordable book catalogues, later the same images and information were placed on a website in partnership with the BBC, originally called Your Paintings, hosted as part of the BBC website. The renaming in 2016 coincided with the transfer of the website to a stand-alone site, works by some 40,000 painters held in over 3,000 collections are now on the website. Future plans include a project to cover sculptures in public collections. The catalogues and website allow readers to see an illustration, normally in colour and this information has significant educational benefits and constitutes the building blocks for later art historical research. Revenue from catalogue sales made by collections is dedicated to the conservation and restoration of oil paintings in their care, the collections of bodies such as Arts Council England, English Heritage and the Government Art Collection are included. However the Royal Collection is not included, Art UK receives funding from the Heritage Lottery Fund and other sources. Of the 210,000 oil paintings in public ownership in the UK, many are held in storage or civic buildings without routine public access. Since 2003, The Public Catalogue Foundation has been working to rectify this through a series of colour catalogues. Before these were completed it was clear that a website was the best way to reach the wider public, the Oil Paintings in Public Ownership book series is published by The PCF mainly on a collection or county-by-county basis. Each county catalogue contains a photograph and basic information about each painting. All paintings are reproduced regardless of quality or condition, the PCF’s first catalogue was published in June 2004, and the series is now complete in 85 volumes. In January 2009 a partnership with the BBC was announced with the aim to place the entire catalogue of publicly owned oil paintings online by 2012. On 4 October 2012 it was announced that the project had photographed every painting that it intended to and all 210,000 would shortly be available. The Public Catalogue Foundation worked with the BBC to put all of the UKs publicly owned oil paintings online, in a section of the BBC website, Your Paintings, the PCF completed the digitisation of the entire national collection and celebrated their success in February 2013. An innovative crowdsourcing project, Your Paintings Tagger, also went online in 2011, the high-quality digital files, however, have not been made available to the public, and paintings on the BBC site can only be saved as a personal collection on the site, not downloaded. In March 2013 the BBC revealed that a painting by Anthony van Dyck had been discovered because of the Your Paintings website. Olivia, the subject of the painting, who died in 1663, was a lady-in-waiting to queen consort Henrietta Maria and she had married Endymion Porter, who was a patron of Anthony van Dyck
46.
Alfred Webb
–
Alfred John Webb was an Irish Quaker from a family of activist printers. He became an Irish Parliamentary Party politician and Member of Parliament and he supported Butt’s Home Government Association and the United Irish League. At Madras in 1894, he became the third non-Indian to preside over the Indian National Congress, alfred Webb was the first child and only son of the three children of Richard Davis Webb and Hannah Waring Webb. The family ran a shop in Dublin and belonged to a Quaker group that supported reforms such as suffrage. Alfred Webb was interested in literature and history and began to write a Compendium of Irish Biography, in 1865, he began to take a more active interest in Irish politics. He was inspired by the Fenians, although he believed in non-violence and he was first elected to the House of Commons of the United Kingdom on 24 February 1890, when he won a by-election for the West Waterford constituency. He was again returned for West Waterford in the 1892 general election and his family had taken an interest in the welfare of British colonies and had been outspoken opponents of the opium traffic into China. Webb was a friend of Dadabhai Naoroji, a key member of the Indian National Congress. While they attempted to involve Naoroji in Irish politics, Webb was invited by Naoroji to preside over the Indian National Congress in 1894, Webb was a supporter of Anti-Caste, Britains first anti-racism journal which fellow Quaker activist Catherine Impey founded in 1888. Webb was able to rally subscribers and activists for the journal around the world
Chisholm, Hugh, ed. (1911). "Barry, James". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Chisholm, Hugh, ed. (1911). "