James McAuley

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

James McAuley c 1971.jpg

James Phillip McAuley (12 October 1917 – 15 October 1976) was an Australian academic, poet, journalist, literary critic and a prominent convert to Roman Catholicism. Peter Coleman considered that "no one else in Australian letters has so effectively exposed or ridiculed modernist verse, leftie politics and mindless liberalism".[1]

Life and career[edit]

McAuley was born in Lakemba, a suburb of Sydney, he was educated at Fort Street High School and then attended Sydney University where he majored in English, Latin and philosophy. In 1937 he edited Hermes, the annual literary journal of the University of Sydney Union, in which many of his early poems were published until 1941.[2]

He began his life as an Anglican and was sometime organist and choirmaster at Holy Trinity Church, Dulwich Hill, in Sydney, he lost his Christian faith as a younger man.

In 1943 McAuley was commissioned as a lieutenant in the militia for the Australian Army and served in Melbourne (DORCA) and Canberra. After the war he also spent time in New Guinea, which he regarded as his second "spiritual home".

McAuley came to prominence in the wake of the 1943–44 Ern Malley hoax. With fellow poet Harold Stewart, McAuley concocted sixteen nonsense poems in a pseudo-experimental modernist style; these were then sent to the young editor of the literary magazine Angry Penguins, Max Harris. The poems were raced to publication by Harris and Australia's most celebrated literary hoax[discuss] was set in motion.[2]

In 1952 he converted to Roman Catholicism, the faith his own father had abandoned, following an intense spiritual experience at a Catholic mission in New Guinea[3] This was in the parish of St Charles at Ryde, he was later introduced to Australian musician Richard Connolly by a priest, Ted Kennedy, at the Holy Spirit parish at North Ryde[4] and the two subsequently collaborated to produce between them the most significant collection of Australian Catholic hymnody to date, titled "Hymns for the Year of Grace". Connolly was McAuley's sponsor for his confirmation into the Roman Catholic Church. Although McAuley was influenced by both communism and anarchism in his undergraduate years,[5] he remained staunchly anti-communist throughout his later life. In 1956 he and Richard Krygier founded the literary and cultural journal, Quadrant and was chief editor until 1963. From 1961 he was professor of English at the University of Tasmania.

A portrait of McAuley by Jack Carington Smith won the 1963 Archibald prize.

James McAuley died of cancer in 1976, at the age of 59, in Hobart.



  • The Darkening Ecliptic (with Harold Stewart, 1944) Melbourne: Angry Penguins literary journal
  • Under Aldebaran (1946) Melbourne: Melbourne University Press.
  • A Vision of Ceremony (1956) Sydney: Angus & Robertson.
  • The Six Days of Creation (1963) An Australian Letters Publication.
  • James McAuley (1963) 'Australian Poets Series' Sydney: Angus & Robertson.
  • Captain Quiros (1964) Sydney: Angus & Robertson.
  • Surprises of the Sun (1969) Sydney: Angus & Robertson.
  • Collected Poems 1936–1970 (1971) Sydney : Angus & Robertson.
  • A Map of Australian Verse (1975) Melbourne: Oxford University Press.
  • Music Late at Night (1976) London ; Sydney : Angus & Robertson.
  • Time Given:poems 1970–1976 (1976) Canberra : Brindabella Press.
  • A World of its own (1977) Canberra : Australian National University Press.


  • The End of Modernity: Essays on Literature, Art and Culture (1959) Sydney: Angus & Robertson.
  • A Primer of English Versification (1966) Sydney: Sydney University Press.
  • C. J. Brennan (1963) Melbourne: Oxford University Press.
  • Edmund Spenser and George Eliot: A Critical Excursion (1963) University of Tasmania.
  • Hobart (1964) Sydney: Current Affairs Bulletin.
  • Versification: A Short Introduction (1966) Michigan State University Press.
  • The Personal Element in Australian Poetry (1970) Foundation for Australian Literary Studies, Townsville. Sydney: Angus & Robertson.
  • The Grammar of the Real: Selected Prose 1959–1974 (1975) Melbourne: Oxford University Press.
  • The rhetoric of Australian poetry (1978) Surrey Hills: Wentworth Press.

Editions and Selections

  • Australian Poetry 1955 (1955) Sydney: Angus & Robertson.
  • Generations: poetry from Chaucer to the present day (1969) Melbourne: Thomas Nelson.
  • The Darkening Ecliptic (with Harold Stewart, 2017 reprint) Los Angeles: Green Integer, ISBN 978-1-55713-439-4


  • Hymns for the Year of Grace (n.d.) Sydney: Living Parish Series.
  • We Offer Mass (n.d.) Sydney: Living Parish Series.


  • Song of Songs (1966) Darton: Longman & Todd.


  1. ^ Peter Coleman, "Dealing in Damage", review of Michael Ackland, Damaged Men: The Precarious Lives of James McAuley and Harold Stewart, in The Weekend Australian, 10–11 March 2001, pp. R10-11.
  2. ^ a b Malley, Ern (2017). The Darkening Ecliptic. Los Angeles: Green Integer. ISBN 978-1-55713-439-4.
  3. ^ J. Page, Land of Apocalypse – James McAuley’s encounter with the Spirit: the French Catholic Mission of the Sacred Heart, Kubuna, New Guinea, Journal of the Australian Catholic Historical Society, 37 (1) (2016), 18-31.
  4. ^ cf. Australasian Catholic Record October 1995
  5. ^ Ritchie, John; Diane Langmore (eds.). "McAuley, James Phillip (1917–1976)". Australian Dictionary of Biography. Research School of Social Sciences, Australian National University. Retrieved 1 August 2017.