1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Miles Davis
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Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz, with his ever-changing directions in music, Davis was at the forefront of a number of major stylistic developments in jazz over his five-decade career. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records, after a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers and his million-selling 1970 record Bitches Brew helped spark a resurgence in the genres commercial popularity with jazz fusion as the decade progressed. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, Miles Dewey Davis III was born on May 26,1926 into an affluent middle class African-American family in Alton, Illinois,15 miles north of St. Louis. The second of three children, he had a sister, Dorothy Mae, and a younger brother. His father, Miles Dewey Davis II of Arkansas, was a dental surgeon who earned three college degrees, and his mother Cleota Mae Davis, also of Arkansas, was a music teacher. They owned a 200-acre estate near Pine Bluff, Arkansas where Davis and his siblings would ride horses, fish, and hunt. In 1927, the moved to East St. Louis, Illinois. From 1932 to 1934, Davis attended John Robinson Elementary School, an institution, followed by Crispus Attucks School where he performed well in mathematics, music. It was in East St. Louis and Pine Bluff that the young Davis developed his earliest appreciation for music, Davis later suggested that his fathers instrument choice was made largely to irk his wife, who disliked the trumpets sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato, Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, I prefer a round sound with no attitude in it, like a voice with not too much tremolo. If I cant get that sound I cant play anything, in 1939, the family moved to 1701 Kansas Avenue in East St. Louis. For his 13th birthday held that year, Davis father bought his son a new trumpet, around this time, Davis took additional trumpet lessons from Joseph Gustat, first chair of the St. Louis Symphony Orchestra. In 1941, the 15-year-old Davis began at East St. Louis Lincoln High School where he joined the marching band directed by Buchanan. Davis claimed the contests he did not win was largely down to prejudice over his race and it was at Lincoln High where Davis met his first girlfriend, Irene Cawthorn. Davis had formed his own group by this time, performing in local venues such as Huffs Beer Garden with hits such as In the Mood by Glenn Miller
3.
Plaza Hotel
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With a height of 250 ft and a length of 400 ft, the hotel occupies the west side of Grand Army Plaza, from which it derives its name, and extends along Central Park South in Manhattan. Fifth Avenue extends along the east side of Grand Army Plaza, the Plaza Hotel is recognized as a Historic Hotel of America by the National Trust for Historic Preservation. The hotels main entrance at 768 Fifth Avenue faces the southern portion of Grand Army Plaza, the Grand Ballroom, Terrace Room and meeting spaces are currently managed by CPS Events, a joint venture between Delaware North Companies and the high end caterer Great Performances. The Oak Room, now closed, was another restaurant in the Plaza, the Plaza Hotel is the second hotel of that name on the site. The French Renaissance château-style building was designed by Henry Janeway Hardenbergh, at the time, it cost $12.5 million to construct. When the hotel opened, a room at the Plaza Hotel was only $2.50 per night, the same room costs over 15 times as much today. Alphonse Salamone joined the hotel in 1947, although later left to accept a position in San Juan at the Caribe Hilton and he returned the hotel and helped it out of hardship during the 1960s. The Plaza Hotel was accorded landmark status by the New York City Landmarks Preservation Commission in 1969, the hotel offers tours of its interior to the public. Long the site for famous performers and guests, it has also been the place for important political meetings. Miles Davis recorded an album in the Persian Room in 1958. Unaccompanied ladies were not permitted in the Oak Room bar, women favored the Palm Court for luncheons, in September 1985, ministers of developed countries met at the Plaza Hotel to consult on finance issues and affirmed their agreement by signing the Plaza Accord. It served as an agreement among the ministers of the United States, Japan, West Germany, France. The Beatles stayed at the Plaza Hotel during their first visit to the United States in February 1964, on November 28,1966, in honor of the publisher Katharine Graham, the writer Truman Capote hosted his acclaimed Black and White Ball in the Grand Ballroom. The ballroom was also the site, in 1993, of Donald Trumps wedding to Marla Maples in front of 1,500 guests, conrad Hilton bought the Plaza Hotel for $7.4 million in 1943 and spent $6 million refurbishing it. The Childs Company, a restaurant chain which partnered in the development of the neighboring Savoy-Plaza Hotel. Childs, later named Sonesta International Hotels, sold the Plaza to Western International Hotels in 1975 for $25 million, Donald Trump bought the Plaza Hotel for $407.5 million in 1988. Trump commented on his purchase in an open letter in The New York Times, I havent purchased a building. For the first time in my life, I have knowingly made a deal that was not economic – for I can never justify the price I paid, Trump installed his wife, Ivana Trump as the hotels president
4.
Columbia Records
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Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. the United States division of Sony Corporation. It was founded in 1887, evolving from an enterprise named the American Graphophone Company. Columbia is the oldest surviving brand name in the sound business. Columbia Records went on to release records by an array of singers, instrumentalists. It is one of Sony Musics three flagship record labels alongside RCA Records and Epic Records, rather, as above, it was connected to CBS, a broadcasting media company which had purchased the company in 1938, and had been co-founded in 1927 by Columbia Records itself. Though Arista Records was sold to Bertelsmann Music Group, it would become a sister label of Columbia Records through its mutual connection to Sony Music. The Columbia Phonograph Company was founded in 1887 by stenographer, lawyer and New Jersey native Edward Easton and it derived its name from the District of Columbia, where it was headquartered. At first it had a monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington. As was the custom of some of the regional companies, Columbia produced many commercial cylinder recordings of its own. Columbias ties to Edison and the North American Phonograph Company were severed in 1894 with the North American Phonograph Companys breakup, thereafter it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the XP record, a brown wax record. According to Gracyk, the molded brown waxes may have sold to Sears for distribution. Columbia began selling records and phonographs in addition to the cylinder system in 1901, preceded only by their Toy Graphophone of 1899. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor Talking Machine Company disc records as one of the top three names in American recorded sound. In order to add prestige to its catalog of artists. The firm also introduced the internal-horn Grafonola to compete with the extremely popular Victrola sold by the rival Victor Talking Machine Company, during this era, Columbia used the famous Magic Notes logo—a pair of sixteenth notes in a circle—both in the United States and overseas. Columbia was split into two companies, one to make records and one to make players, Columbia Phonograph was moved to Connecticut, and Ed Easton went with it. Eventually it was renamed the Dictaphone Corporation, in late 1923, Columbia went into receivership
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
Teo Macero
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Attilio Joseph Teo Macero was an American jazz saxophonist, composer, and record producer. Macero also produced Davis Bitches Brew, and Dave Brubecks Time Out, Teo Macero was born and raised in Glens Falls, New York. After serving in the United States Navy, he moved to New York City in 1948 to attend the Juilliard School of Music and he studied composition, and graduated from Juilliard in 1953 with Bachelors and Masters degrees. In 1953, Macero co-founded Charles Mingus Jazz Composers Workshop, as a composer, Macero wrote in an atonal style, as well as in third stream, a synthesis of jazz and classical music. He performed live, and recorded albums with Mingus and the other Workshop members over the next three years, including Jazzical Moods and Jazz Composers Workshop. During this time, Macero also recorded Explorations, while he had contributed compositions to other albums, this was the first full album of his own compositions, and Maceros first album as a leader. Macero plays tenor and alto saxophones on the album, and is joined by Orlando DiGirolamo on accordion, Explorations was originally released in 1954 on Mingus Debut Records, and was reissued on CD in 2006 on Fresh Sounds Records, with additional tracks. The 1958 short experimental film Bridges-Go-Round by filmmaker Shirley Clarke featured two alternative soundtracks, one by Louis and Bebe Barron and one by Macero and he composed, conducted, and produced numerous television and film soundtracks and scores. He scored the 1970 Muhammad Ali documentary, a. k. a, cassius Clay, and produced soundtrack music for True Romance, Finding Forrester, and Martin Scorseses The Blues. Macero found greater fame as a producer for Columbia Records and he was also responsible for signing Mingus, Monk, and Byrd to Columbia. Macero produced the seminal Dave Brubeck Quartet album Time Out, and Thelonious Monks first Columbia recording, Monks Dream and he also produced Mingus first Columbia album, Mingus Ah Um. Macero is also acknowledged on the 1973 Mingus album Let My Children Hear Music, beyond jazz, he produced a number of Broadway original cast recordings including A Chorus Line and Bye Bye Birdie. And he produced the soundtrack to The Graduate, by Simon, in another deviation from his standard focus on jazz, Macero produced Irish folk albums with the Clancy Brothers and Tommy Makem in the late 1960s. While Macero produced many albums, he had an especially long. He produced most of Davis Columbia catalog, including the classics Kind of Blue, Porgy and Bess, Sketches of Spain, Maceros role as producer on Kind of Blue has sometimes been disputed, as some of the early Kind of Blue sessions were overseen by Irving Townsend. But numerous sources, including the liner notes, support Maceros involvement in the sessions, and preparation of the final album. In 2001, Miles Davis biographer Paul Tingen likened Maceros role in the music of Davis to that of George Martin with the Beatles. This idea of taking away from its birth, genesis and flowering as a live art and into the studio would soon become standard practice
7.
In Concert (Miles Davis album)
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In Concert is a live double album by American jazz musician Miles Davis. It was recorded at the Philharmonic Hall in New York City, columbia Records original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles Foot Fooler and Slickaphonics. There are few surprises, but theres a continuing skein of rhythms, themes. Robert Christgau wrote in 1981 that although it takes a while to get into gear and is pretty narrow in function, in an article for The Village Voice, Christgau wrote of the album upon its reissue in 1997, By In Concert. Henderson is the survivor from the more talented prior band—although, crucially. Erik Davis, writing in Spin magazine, praised its rhythmic wall of sound, jazzTimes writer Tom Terrell called Davis a spiritual Hendrix with his own cosmic band of gypsies, and commented that the albums visionary performance. Predicts hip hop, Ornettes Prime Time and Talking Heads, all tracks were composed by Miles Davis. Christgaus Record Guide, Rock Albums of the Seventies, the New Rolling Stone Album Guide, Completely Revised and Updated 4th Edition. In Concert at Discogs Miles Davis - In Concert - On Second Thought by Stylus Magazine
