1.
Pastel
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A pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as used to produce all colored art media, including oil paints. The color effect of pastels is closer to the natural dry pigments than that of any other process, Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel, Pastel used as a verb means to produce an artwork with pastels, as an adjective it means pale in color. Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual pastel stick depends on the type of pastel and it also varies by individual manufacturer. Dry pastels have historically used binders such as gum arabic and gum tragacanth, methyl cellulose was introduced as a binder in the twentieth century. Often a chalk or gypsum component is present and they are available in varying degrees of hardness, the softer varieties being wrapped in paper. Some pastel brands use pumice in the binder to abrade the paper, dry pastel media can be subdivided as follows, Soft pastels, This is the most widely used form of pastel. The sticks have a portion of pigment and less binder. The drawing can be readily smudged and blended, but it results in a proportion of dust. White chalk may be used as a filler in producing pale, Pan Pastels, These are formulated with a minimum of binder in flat compacts and applied with special Soft micropore sponge tools. A 21st-century invention, Pan Pastels can be used for the painting or in combination with soft. Hard pastels, These have a portion of binder and less pigment. These can be used with other pastels for drawing outlines and adding accents, hard pastels are traditionally used to create the preliminary sketching out of a composition. However, the colors are brilliant and are available in a restricted range in contrast to soft pastels. Pastel pencils, These are pencils with a pastel lead and they are useful for adding fine details. In addition, pastels using a different approach to manufacture have been developed, Oil pastels, These have a soft, buttery consistency and they are dense and fill the grain of paper and are slightly more difficult to blend than soft pastels, but do not require a fixative
2.
Turkey
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Turkey, officially the Republic of Turkey, is a transcontinental country in Eurasia, mainly in Anatolia in Western Asia, with a smaller portion on the Balkan peninsula in Southeast Europe. Turkey is a democratic, secular, unitary, parliamentary republic with a cultural heritage. The country is encircled by seas on three sides, the Aegean Sea is to the west, the Black Sea to the north, and the Mediterranean Sea to the south. The Bosphorus, the Sea of Marmara, and the Dardanelles, Ankara is the capital while Istanbul is the countrys largest city and main cultural and commercial centre. Approximately 70-80% of the countrys citizens identify themselves as ethnic Turks, other ethnic groups include legally recognised and unrecognised minorities. Kurds are the largest ethnic minority group, making up approximately 20% of the population, the area of Turkey has been inhabited since the Paleolithic by various ancient Anatolian civilisations, as well as Assyrians, Greeks, Thracians, Phrygians, Urartians and Armenians. After Alexander the Greats conquest, the area was Hellenized, a process continued under the Roman Empire. The Seljuk Sultanate of Rûm ruled Anatolia until the Mongol invasion in 1243, the empire reached the peak of its power in the 16th century, especially during the reign of Suleiman the Magnificent. During the war, the Ottoman government committed genocides against its Armenian, Assyrian, following the war, the conglomeration of territories and peoples that formerly comprised the Ottoman Empire was partitioned into several new states. Turkey is a member of the UN, an early member of NATO. Turkeys growing economy and diplomatic initiatives have led to its recognition as a regional power while her location has given it geopolitical, the name of Turkey is based on the ethnonym Türk. The first recorded use of the term Türk or Türük as an autonym is contained in the Old Turkic inscriptions of the Göktürks of Central Asia, the English name Turkey first appeared in the late 14th century and is derived from Medieval Latin Turchia. Similarly, the medieval Khazar Empire, a Turkic state on the shores of the Black. The medieval Arabs referred to the Mamluk Sultanate as al-Dawla al-Turkiyya, the Ottoman Empire was sometimes referred to as Turkey or the Turkish Empire among its European contemporaries. The Anatolian peninsula, comprising most of modern Turkey, is one of the oldest permanently settled regions in the world, various ancient Anatolian populations have lived in Anatolia, from at least the Neolithic period until the Hellenistic period. Many of these peoples spoke the Anatolian languages, a branch of the larger Indo-European language family, in fact, given the antiquity of the Indo-European Hittite and Luwian languages, some scholars have proposed Anatolia as the hypothetical centre from which the Indo-European languages radiated. The European part of Turkey, called Eastern Thrace, has also been inhabited since at least forty years ago. It is the largest and best-preserved Neolithic site found to date, the settlement of Troy started in the Neolithic Age and continued into the Iron Age
3.
Rococo
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Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, curves, unlike the political Baroque, the Rococo had playful and witty themes. By the end of the 18th century, Rococo was largely replaced by the Neoclassic style. In 1835 the Dictionary of the French Academy stated that the word Rococo usually covers the kind of ornament, style and design associated with Louis XVs reign and it includes therefore, all types of art from around the middle of the 18th century in France. The word is seen as a combination of the French rocaille and coquilles, the term may also be a combination of the Italian word barocco and the French rocaille and may describe the refined and fanciful style that became fashionable in parts of Europe in the 18th century. The Rococo love of shell-like curves and focus on decorative arts led some critics to say that the style was frivolous or merely modish, when the term was first used in English in about 1836, it was a colloquialism meaning old-fashioned. While there is some debate about the historical significance of the style to art in general. Italian architects of the late Baroque/early Rococo were wooed to Catholic Germany, Bohemia and Austria by local princes, an exotic but in some ways more formal type of Rococo appeared in France where Louis XIVs succession brought a change in the court artists and general artistic fashion. By the end of the long reign, rich Baroque designs were giving way to lighter elements with more curves. These elements are obvious in the designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this change became well established, first in the royal palace. The delicacy and playfulness of Rococo designs is seen as perfectly in tune with the excesses of Louis XVs reign. The 1730s represented the height of Rococo development in France, the style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. The Rococo style was spread by French artists and engraved publications, william Hogarth helped develop a theoretical foundation for Rococo beauty. Though not intentionally referencing the movement, he argued in his Analysis of Beauty that the lines and S-curves prominent in Rococo were the basis for grace. The development of Rococo in Great Britain is considered to have connected with the revival of interest in Gothic architecture early in the 18th century. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality, Blondel decried the ridiculous jumble of shells, dragons, reeds, palm-trees and plants in contemporary interiors. By 1785, Rococo had passed out of fashion in France, replaced by the order, in Germany, late 18th century Rococo was ridiculed as Zopf und Perücke, and this phase is sometimes referred to as Zopfstil
4.
Connoisseur
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A connoisseur is a person who has a great deal of knowledge about the fine arts, cuisines, or an expert judge in matters of taste. The situation in the trade is similar, for example in assessing the potential for ageing in a young wine through wine tasting. The ability to tell almost instinctively who painted a picture is defined as connoisseurship, connoisseurs evaluate works of art on the basis of their experience of the style and technique of artists. Judgment informed by intuition is essential, but it must be grounded in an understanding of the work itself. These findings are crucial for the valuation of works, and can be collected and organized into a catalogue raisonné of the work of a single artist or a school. The English dealer and art historian, Philip Mould says, it is about noticing things which have characteristics of the artists involved. He points out the importance of condition and understanding what the artist originally painted and his colleague, Bendor Grosvenor takes the view that connoisseurship is learned by looking at paintings and cannot be taught in the classroom. He believes that it has become unfashionable in the world of art history and as a result, svetlana Alpers confirms the art historians reservations that the identification of individual style in works is essentially assigned to a group of specialists in the field known as conoisseurs. Nonetheless, Christies Education offers an MA in the History of Art, during the 18th century, the term was often used as a synonym for a still vaguer man of taste or a pretend critic. The attributions of painted pottery were an important project to the History of Ancient Art, two specialists were the most important authorities in archaeological connoisseurship, John Davidson Beazley and Arthur Dale Trendall. Connoisseur is also used in the context of gastronomy, i. e. in connection with food, beer, wine, tea
5.
Canton of Geneva
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The Republic and Canton of Geneva is the French-speaking westernmost canton or state of Switzerland, surrounded on almost all sides by France. As is the case in several other Swiss cantons, this canton is referred to as a republic within the Swiss Confederation, the canton of Geneva is located in the southwestern corner of Switzerland, and is considered one of the most cosmopolitan areas of the country. As a center of the Calvinist Reformation, the city of Geneva has had a influence on the canton. The Republic of Geneva was proclaimed in 1541, under John Calvin, the Republic of Geneva reinforced its alliance to the Protestant cantons of the Swiss Confederacy, becoming an everlasting ally in 1584. The French Revolution reached Geneva in 1792, and in February 1794, after the death of Robespierre in July of the same year, there was a counter-revolution, which gained the upper hand by 1796. This prompted the French invasion of 1798, and the annexation of Geneva as part of the French département du Léman, Geneva finally joined the Swiss Confederation in 1815 as the 22nd canton, having been enlarged by French and Savoyard territories at the Vienna Congress. The area of the canton of Geneva is 282 square kilometers, the canton is surrounded on almost all sides by France and bordered by the Swiss canton of Vaud on northeast. The adjoining French départements are Ain and Haute-Savoie, the current boundaries of the canton were established in 1815. There are 45 municipalities in the canton, Geneva does not have any administrative districts. There are 10 cities with a population of over 10,000 as of 2007, Genève, Vernier, Lancy, Meyrin, Carouge, Onex, Thônex, Versoix, Grand-Saconnex, Chêne-Bougeries. The constitution of the canton was established in 1847, and has, the cantonal government has seven members who are elected for four years. The legislature, the Grand Council, has 100 seats, with deputies elected for four years at a time, the last elecation was held on 7 October 2013. In a similar way to what happens at the Federal level, in addition, any law can be subject to a referendum if it is demanded by 7,000 persons entitled to vote, and 10,000 persons may also propose a new law. The republique and canton of Geneva has 11 seats in the National Council, on 18 October 2015, in the federal election the most popular party was the The Liberals which received three seats with 20. 5% of the votes. In the federal election, a total of 106,852 votes were cast, and she is part of the Council of States since 2007. Councilor Robert Cramer, member of the Green Party, was re-elected in the round with a majority of 42,075 votes. He is part of the Council of States since 2007, ^a FDP before 2009, FDP. The Liberals after 2009 ^b * indicates that the party was not on the ballot in this canton. ^c Part of the FDP for this election ^d Part of the SD for this election The population of the canton is 484,736, as of 2013, the population included 194,623 foreigners from 187 different nations, or about 40. 1% of the total population
6.
Geneva
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Geneva is the second most populous city in Switzerland and is the most populous city of Romandy, the French-speaking part of Switzerland. Situated where the Rhône exits Lake Geneva, it is the capital of the Republic, the municipality has a population of 198,072, and the canton has 484,736 residents. In 2014, the compact agglomération du Grand Genève had 946,000 inhabitants in 212 communities in both Switzerland and France, within Swiss territory, the commuter area named Métropole lémanique contains a population of 1.25 million. This area is essentially spread east from Geneva towards the Riviera area and north-east towards Yverdon-les-Bains, Geneva is the city that hosts the highest number of international organizations in the world. It is also the place where the Geneva Conventions were signed, Geneva was ranked as the worlds ninth most important financial centre for competitiveness by the Global Financial Centres Index, ahead of Frankfurt, and third in Europe behind London and Zürich. A2009 survey by Mercer found that Geneva has the third-highest quality of life of any city in the world, the city has been referred to as the worlds most compact metropolis and the Peace Capital. In 2009 and 2011, Geneva was ranked as, respectively, the city was mentioned in Latin texts, by Caesar, with the spelling Genava, probably from a Celtic toponym *genawa- from the stem *genu-, in the sense of a bending river or estuary. The medieval county of Geneva in Middle Latin was known as pagus major Genevensis or Comitatus Genevensis, the name takes various forms in modern languages, Geneva /dʒᵻˈniːvə/ in English, French, Genève, German, Genf, Italian, Ginevra, and Romansh, Genevra. The city in origin shares its name, *genawa estuary, with the Italian port city of Genoa, Geneva was an Allobrogian border town, fortified against the Helvetii tribe, when the Romans took it in 121 BC. It became Christian under the Late Roman Empire, and acquired its first bishop in the 5th century, having been connected to the bishopric of Vienne in the 4th. In the Middle Ages, Geneva was ruled by a count under the Holy Roman Empire until the late 14th century, around this time the House of Savoy came to dominate the city. In the 15th century, a republican government emerged with the creation of the Grand Council. In 1541, with Protestantism in the ascendancy, John Calvin, by the 18th century, however, Geneva had come under the influence of Catholic France, which cultivated the city as its own. France also tended to be at odds with the ordinary townsfolk, in 1798, revolutionary France under the Directory annexed Geneva. At the end of the Napoleonic Wars, on 1 June 1814, in 1907, the separation of Church and State was adopted. Geneva flourished in the 19th and 20th centuries, becoming the seat of international organizations. Geneva is located at 46°12 North, 6°09 East, at the end of Lake Geneva. It is surrounded by two chains, the Alps and the Jura
7.
Maurice de Saxe
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Maurice, Count of Saxony was a Franco-Saxon soldier in French service who became a Marshal and later also Marshal General of France. He is best known for his victory at the Battle of Fontenoy. Maurice was born at Goslar, an son of Augustus II the Strong, King of Poland and Elector of Saxony. He was the first of eight extramarital children whom August acknowledged, although as many as 354 are claimed by sources, including Wilhelmine of Bayreuth, in 1698, the Countess sent him to his father in Warsaw. August had been elected King of Poland in the previous year and this separation from his father made him independent and had an important effect on his future career. At the age of twelve, Maurice served in the army of Prince Eugene of Savoy, at the sieges of Tournai and Mons, a proposal at the end of the campaign to send him to a Jesuit college in Brussels was dropped due to the protests of his mother. Upon his return to the camp of the Allies at the beginning of 1710 and he next served under Peter the Great against the Swedes. In 1711, August formally recognized him and Maurice was granted the rank of Count and he then accompanied his father to Pomerania, and in 1712 he took part in the battle of Gadebusch. At the age of 17 in 1713 he commanded his own regiment, in manhood, Maurice bore a strong resemblance to his father, both physically and in character. His grasp was so powerful that he could bend a horseshoe with his hand, the next year, Johanna gave birth to a son, called August Adolf after his grandfather, the child only lived a few hours. Since Maurice had also given her more serious grounds of complaint against him, after serving in a campaign against the Ottoman Empire in 1717, he went to Paris to study mathematics, and in 1720 obtained a commission as maréchal de camp. In 1725, he entered negotiations for election as Duke of Courland, at the insistence of the Duchess Anna Ivanovna and he was chosen Duke in 1726, but declined marriage with the duchess. Lecouvreur was to die shortly afterwards, there is controversy as to whether or not she was poisoned by her rival, Maria Karolina Sobieska. At the outbreak of the War of the Polish Succession, Saxe served under Marshal the Duke of Berwick, saxes exploits were the sole redeeming feature in an unsuccessful campaign, and on 26 March 1743, his merits were rewarded by promotion to Marshal of France. He had been given only 50-60,000 men to defend against an army twice as large. From this time on, he one of the great generals of the age. During the battle, he was unable to sit on horseback due to edema, in recognition of his brilliant achievement, King Louis XV of France conferred on him the Château de Chambord for life, and in April 1746, he was naturalised as a French subject. Until the end of the war, he continued to command in the Netherlands, besides Fontenoy he added Rocoux and Lawfeldt or Val to the list of French victories
8.
National Gallery
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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
9.
Jean Louis Petitot
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Jean Louis Petitot, French enamel painter, was the eldest son of Jean Petitot, and was instructed in enameling by his father. Some of his works so closely resemble those of the elder Petitot that it is difficult to distinguish them, and he was really the only serious rival his father ever had. He settled for a while in London, where he remained till 1682, in 1682 he removed to Paris, but in 1695 was back again in London, where he remained until his death. Another portrait believed to represent him was in the collection of John Pierpont Morgan and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Petitot, Jean Louis
10.
Vitreous enamel
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Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating on metal, so in technical terms fired enamelware is an integrated layered composite of glass and metal. Enamelling is an old and widely adopted technology, for most of its history mainly used in jewelry, enamelled and enamelling are the preferred spellings in British English, while enameled and enameling are preferred in American English. The term enamel is most often restricted to work on metal, enamelled glass is also called painted, and overglaze decoration to pottery is often called enamelling. The word enamel comes from the Old High German word smelzan via the Old French esmail, or from a Latin word smaltum, used as a noun, an enamel is usually a small decorative object coated with enamel. Since the 19th century the term also to industrial materials and many metal consumer objects, such as some cooking vessels, dishwashers, laundry machines, sinks. The ancient Egyptians applied enamels to stone objects, pottery, and sometimes jewellery, the ancient Greeks, Celts, Georgians, and Chinese also used enamel on metal objects. Enamel powder could be produced in two ways, either by powdering coloured glass, or by mixing colourless glass powder with pigments such as a metallic oxide, designs were either painted freehand or over the top of outline incisions, and the technique probably originated in metalworking. Once painted, enamelled glass vessels needed to be fired at a high enough to melt the applied powder. Ancient Persians used this method for colouring and ornamenting the surface of metals by fusing over it brilliant colours that are decorated in an intricate design and called it Meenakari. Gold has been used traditionally for Meenakari Jewellery as it holds the enamel better, lasts longer, initially, the work of Meenakari often went unnoticed as this art was traditionally used as a backing for the famous kundan or stone-studded jewellery. This also allowed the wearer to reverse the jewellery as also promised a special joy in the secret of the hidden design, the Byzantine enamel style was widely adopted by the barbarian peoples of Migration Period northern Europe. The Byzantines then began to use cloisonné more freely to create images, the champlevé technique was considerably easier and very widely practiced in the Romanesque period. In Gothic art the finest work is in basse-taille and ronde-bosse techniques, from either Byzantium or the Islamic world, the cloisonné technique reached China in the 13-14th centuries. The first written reference to cloisonné is in a book from 1388, cloisonné remained very popular in China until the 19th century and is still produced today. Starting from the century, the Japanese also produced large quantities of very high technical quality. A resurgence in enamel-based art took place near the end of the 20th century in the Soviet Union, led by artists like Alexei Maximov, in Australia, abstract artist Bernard Hesling brought the style into prominence with his variously sized steel plates. Enamel was first applied commercially to sheet iron and steel in Austria, industrialization increased as the purity of raw materials increased and costs decreased
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Liotard, Jean Etienne". Encyclopædia Britannica. 16 (11th ed.). Cambridge University Press. p. 739.
This article incorporates text from a publication now in the 