1.
Montreal
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Montreal, officially Montréal, is the most populous municipality in the Canadian province of Quebec and the 2nd-most populous in Canada as a whole. Originally called Ville-Marie, or City of Mary, it is believed to be named after Mount Royal, the city has a distinct four-season continental climate, with warm-to-hot summers and cold, snowy winters. In 2016, Montreal had a population of 1,704,694, Montreals metropolitan area had a population of 4,098,927 and a population of 1,958,257 in the urban agglomeration, with all of the municipalities on the Island of Montreal included. Legally a French-speaking city,60. 5% of Montrealers speak French at home,21. 2% speak English and 19. 8% speak neither, Montreal is one of the most bilingual cities in Quebec and Canada, with 56% of the population able to speak both official languages. Montreal is the second-largest primarily French-speaking city in the world after Paris, historically the commercial capital of Canada, it was surpassed in population and economic strength by Toronto in the 1970s. It remains an important centre of commerce, aerospace, finance, pharmaceuticals, technology, design, education, culture, tourism, gaming, film, Montreal was also named a UNESCO City of Design. In 2009, Montreal was named North Americas leading host city for international events, according to the 2009 preliminary rankings of the International Congress. According to the 2015 Global Liveability Ranking by the Economist Intelligence Unit, in the 2017 edition of their Best Student Cities ranking, Quacquarelli Symonds ranked Montreal as the worlds best city to study abroad. Also, Montreal has 11 universities with 170,000 students enrolled, the Greater Montréal region has the highest number of university students per capita among all metropolitan areas in North America. It is the only Canadian city to have held the Summer Olympics, currently, the city hosts the Canadian Grand Prix of Formula One, the Montreal International Jazz Festival and the Just for Laughs festival. In 2012, Montreal was ranked as a Beta+ world city, in Kanien’kéha, or Mohawk language, the island is called Tiohtià, ke Tsi or Ka-wé-no-te. In Anishinaabemowin, or Ojibwe language, the land is called Mooniyaang, though the city was first named by French colonizers Ville Marie, or City of Mary, its current name comes from Mount Royal, the triple-peaked hill in the heart of the city. The most popular theory is that the name derives from Mont Réal, Cartiers 1535 diary entry, naming the mountain, according to the Commission de toponymie du Québec and the Geographical Names Board of Canada, Canadian place names have only one official form. Thus, Montreal is officially spelled with an accent over the e in both English and French. In practice, this is limited to governmental uses. English-speaking Montrealers, including English-language media, regularly omit the accent when writing in English, archaeological evidence demonstrates that First Nations native people occupied the island of Montreal as early as 4,000 years ago. By the year AD1000, they had started to cultivate maize, within a few hundred years, they had built fortified villages. Archeologists have found evidence of their habitation there and at locations in the valley since at least the 14th century
2.
Quebec
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Quebec is the second-most populous province of Canada and the only one to have a predominantly French-speaking population, with French as the sole provincial official language. Quebec is Canadas largest province by area and its second-largest administrative division and it also shares maritime borders with Nunavut, Prince Edward Island, and Nova Scotia. Quebec is Canadas second-most populous province, after Ontario, most inhabitants live in urban areas near the Saint Lawrence River between Montreal and Quebec City, the capital. Approximately half of Quebec residents live in the Greater Montreal Area, the Nord-du-Québec region, occupying the northern half of the province, is sparsely populated and inhabited primarily by Aboriginal peoples. Even in central Quebec at comparatively southerly latitudes winters are severe in inland areas, Quebec independence debates have played a large role in the politics of the province. Parti Québécois governments held referendums on sovereignty in 1980 and 1995, in 2006, the House of Commons of Canada passed a symbolic motion recognizing the Québécois as a nation within a united Canada. These many industries have all contributed to helping Quebec become an economically influential province within Canada, early variations in the spelling of the name included Québecq and Kébec. French explorer Samuel de Champlain chose the name Québec in 1608 for the colonial outpost he would use as the seat for the French colony of New France. The province is sometimes referred to as La belle province, the Province of Quebec was founded in the Royal Proclamation of 1763 after the Treaty of Paris formally transferred the French colony of Canada to Britain after the Seven Years War. The proclamation restricted the province to an area along the banks of the Saint Lawrence River, the Treaty of Versailles ceded territories south of the Great Lakes to the United States. After the Constitutional Act of 1791, the territory was divided between Lower Canada and Upper Canada, with each being granted an elected legislative assembly, in 1840, these become Canada East and Canada West after the British Parliament unified Upper and Lower Canada into the Province of Canada. This territory was redivided into the Provinces of Quebec and Ontario at Confederation in 1867, each became one of the first four provinces. In 1898, the Canadian Parliament passed the first Quebec Boundary Extension Act that expanded the provincial boundaries northward to include the lands of the aboriginal peoples. This was followed by the addition of the District of Ungava through the Quebec Boundaries Extension Act of 1912 that added the northernmost lands of the Inuit to create the modern Province of Quebec. In 1927, the border between Quebec and Newfoundland and Labrador was established by the British Judicial Committee of the Privy Council. Located in the part of Canada, and part of Central Canada. Its topography is very different from one region to another due to the composition of the ground, the climate. The Saint Lawrence Lowland and the Canadian Shield are the two main regions, and are radically different
3.
Lyrical abstraction
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It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism, in use since the 1940s. Many well known abstract expressionist painters like Arshile Gorky seen in context have been characterized as doing a type of painting described as lyrical abstraction, whose works related to characteristics of contemporary American abstract expressionism. The art movement Abstraction lyrique was born in Paris after the war, at that time, the artistic life in Paris, which had been devastated by the Occupation and Collaboration, resumed with numerous artists exhibited again as soon as the Liberation of Paris in mid-1944. According to the new forms that characterised some artists, the movement was named by the art critic, Jean José Marchand. Some art critics also looked at this movement as an attempt to restore the image of artistic Paris, Lyrical abstraction was opposed not only to the Cubist and Surrealist movements that preceded it, but also to geometric abstraction. Lyrical abstraction was, in ways, the first to apply the lessons of Kandinsky. For the artists, lyrical abstraction represented an opening to personal expression. S. A, Lyrical Abstraction was opposed not only to l’Ecole de Paris remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction. Lyrical Abstraction was in ways the first to apply the lessons of Kandinsky. For the artists in France, Lyrical Abstraction represented an opening to personal expression, in Belgium, Louis Van Lint figured a remarkable example of an artist who, after a short period of geometric abstraction, has moved to a lyrical abstraction in which he excelled. At the Drouin gallery one could see Jean Le Moal, Gustave Singier, Alfred Manessier, Roger Bissière, Wols and others. In March 1951 was held the larger exhibition Véhémences confrontées in the gallery Nina Dausset where for the first time were presented side to side French and it was organised by the critic Michel Tapié, whose role in the defense of this movement was of the highest importance. With these events, he déclared that « the lyrical abstraction is born » and it was, however, a fairly short reign, which was quickly supplanted by the New realism of Pierre Restany and Yves Klein. Starting around 1970, this movement has been revived by a new generation of artists born during or immediately after the Second World War, some of its key promoters include Paul Kallos, Georges Romathier, Michelle Desterac, and Thibaut de Reimpré. American Lyrical Abstraction is an art movement that emerged in New York City, Los Angeles, Washington, DC, characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly and newer technological techniques. Lyrical Abstraction led the way away from minimalism in painting and toward a new freer expressionism, many of them had been Minimalists, working with various monochromatic, geometric styles, and whose paintings publicly evolved into new abstract painterly motifs. American Lyrical Abstraction is related in spirit to Abstract Expressionism, Color Field painting, Tachisme refers to the French style of abstract painting current in the 1945–1960 period. Very close to Art Informel, it presents the European equivalent to Abstract Expressionism, the Sheldon Museum of Art held an exhibition from 1 June until 29 August 1993 entitled Lyrical Abstraction, Color and Mood. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous and these lyrical abstractionists sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly tradition in American art
4.
Order of Canada
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The Order of Canada is a Canadian national order, admission into which is the second highest honour for merit in the system of orders, decorations, and medals of Canada. It comes second only to membership in the Order of Merit, membership is accorded to those who exemplify the orders Latin motto, desiderantes meliorem patriam, meaning they desire a better country, a phrase taken from Hebrews 11,16. Appointees to the order are recommended by a board and formally inducted by the governor general or the sovereign. As of October 2016,6,699 people have been appointed to the Order of Canada, including scientists, musicians, politicians, artists, athletes, business people, and film stars, benefactors, and others. Some have resigned or have been removed from the order, while other appointments have been controversial, appointees are presented with insignia and receive the right to armorial bearings. Pearson, who was assisted with the establishment of the order by John Matheson. Laurent, Hugh MacLennan, David Bauer, Gabrielle Roy, Donald Creighton, Thérèse Casgrain, Wilder Penfield, Arthur Lismer, M. J. Coldwell, Edwin Baker, Alex Colville, and Maurice Richard. From the Order of Canada grew a Canadian honours system, thereby reducing the use of British honours, by the 1980s, Canadas provinces began to develop their own distinct honours and decorations. The Canadian monarch, seen as the fount of honour, is at the apex of the Order of Canada as its Sovereign, followed by the governor general, who serves as the fellowships Chancellor. Thereafter follow three grades, which are, in order of precedence, Companion, Officer, and Member, each incumbent governor general is also installed as the Principal Companion for the duration of his or her time in the viceregal post and continues as an extraordinary Companion thereafter. As of March 2016, there have twenty one honorary appointments. There were originally, in effect, only two ranks to the Order of Canada, Companion and the Medal of Service, there was, however, also a third award, the Medal of Courage, meant to recognize acts of gallantry. This latter decoration fell in rank between the two levels, but was anomalous within the Order of Canada, being a separate award of a different nature rather than a middle grade of the order. Lester Pearsons vision of a structure to the order was thus fulfilled. Companions of the Order of Canada have demonstrated the highest degree of merit to Canada and humanity, up to 15 Companions are appointed annually, with an imposed limit of 165 living Companions at any given time, not including those appointed as extraordinary Companions or in an honorary capacity. As of October 2015, there are 143 living Companions, none being honorary, since 1994, substantive members are the only regular citizens who are empowered to administer the Canadian Oath of Citizenship. As of October 2015, there were 1,123 living Officers, Members of the Order of Canada have made an exceptional contribution to Canada or Canadians at a local or regional level, group, field or activity. As many as 136 Members may be appointed annually, not including extraordinary Members and those inducted on an honorary basis, as of October 2015, there were 2,225 living Members, none being honorary
5.
James Wilson Morrice
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James Wilson Morrice was a significant Canadian landscape painter. He studied at the Académie Julian in Paris, France, where he lived for most of his career, james Morrice Street in New Bordeaux, Ahuntsic-Cartierville, Montreal is named in his memory. Morrice was born in Montreal, the son of a wealthy merchant, in 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Académie Julian from 1892-7, at Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, somerset Maugham, Arnold Bennett, and Clive Bell. In the winter of 1911-12 he shared a studio with Matisse in Tangiers, with the advent of World War I, Morrice fled to Montreal, and then to Cuba. There he began to succumb to alcoholism, the output of his last period is uneven and infrequent. In the summer of 1922 he travelled to Algiers, where he painted with Albert Marquet and this would be the last time that he painted, as his health began to rapidly deteriorate. He died, aged 58, in Tunis, morrices paintings before the turn of the century are thinly painted and inspired by Whistler, both in sentiment and in treatment of colour. Just prior to World War I he began to paint, in a thicker style, some of his works during his Caribbean period are considered his best and are painted in a loose style influenced by Van Gogh. Prow of a Gondola, Venice,1897 National Gallery of Canada Return from School,1901 Quai des Grands-Augustins,1903, the National Gallery of Canada The Ferry, Quebec,1906. NGC House in Santiago,1915 Tate Gallery Village Street, West Indies,1919, Montreal Museum of Fine Arts In 1958, works by Morrice along with those of Jacques de Tonnancour, Anne Kahane and Jack Nichols represented Canada at the Venice Biennale. Web site by Morrice specialist Lucie Dorais Biography at the Dictionary of Canadian Biography Online A large gallery of paintings by Morrice on the National Gallery of Canadas website, a Concise History of Canadian Painting, Second Edition. Don Mills, Oxford University Press Canada
6.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
7.
Giverny
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Giverny is a commune in the Eure department in northern France. It is best known as the location of Claude Monets garden, Giverny sits on the right bank of the River Seine where the river Epte meets the Seine. The village lies 80 km from Paris, west and slightly north, a settlement has existed in Giverny since neolithic times and a monument uncovered attests to this fact. Archeological finds have included bootees dating from Gallo-Roman times and to the earlier 1st, the town was known in ancient deeds as Warnacum. The cultivation of grapes has been an occupation of the inhabitants of Giverny since Merovingian times, the village church dates from the Middle Ages and is built partially in the Romanesque style, though additions have since been made. The village has remained a rural setting with a modest population and has since seen a boom in tourism since the restoration of Monets house. Claude Monet noticed the village of Giverny while looking out of a train window and he made up his mind to move there and rented a house and the area surrounding it. In 1890 he had money to buy the house and land outright. Monet lived in the house with its famous pink crushed brick façade from 1883 until his death in 1926 and he and many members of his family are interred in the village cemetery. Beginning around 1887, a number of American Impressionist artists settled to work in Giverny, drawn by the landscapes, the atmosphere. These included Willard Metcalf, Louis Ritman, Theodore Wendel, soon many American extended their visits from summer through the entire year. American painter Theodore Earl Butler married Monets stepdaughter and sometime-model Suzanne Hoschedé there in 1892, frederick Carl Frieseke spent every summer from 1906 through 1919 in a residence next door to Monets. The term Decorative Impressionism was coined in 1911 to describe Friesekes work, in December 1910, six of the Giverny artists were given a show at the Madison Gallery in New York which termed them The Giverny Group. World War I largely marked the end of the art colony, the house became a popular tourist attraction, particularly in the summer when the flowers are in bloom. The Hôtel Baudy was a center of life in the Giverny heyday. It is now still a café and restaurant, with period decoration, communes of the Eure department Katherine M. Bourguignon, Impressionist Giverny
8.
Claude Monet
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Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
9.
Surrealism
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Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to resolve the previously contradictory conditions of dream, leader André Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. Surrealism developed out of the Dada activities during World War I, the word surrealist was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was written in 1903 and first performed in 1917. The Dadaists protested with anti-art gatherings, performances, writings and art works, after the war, when they returned to Paris, the Dada activities continued. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the son of writer. He admired the young writers anti-social attitude and disdain for established artistic tradition, later Breton wrote, In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most. Back in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and they began experimenting with automatic writing—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault delved deeper into automatism and wrote The Magnetic Fields, continuing to write, they came to believe that automatism was a better tactic for societal change than the Dada form of attack on prevailing values. They also looked to the Marxist dialectic and the work of such theorists as Walter Benjamin, freuds work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced idiosyncrasy, while rejecting the idea of an underlying madness, as Salvador Dalí later proclaimed, There is only one difference between a madman and me. Beside the use of analysis, they emphasized that one could combine inside the same frame, elements not normally found together to produce illogical. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power, the group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to people from false rationality, and restrictive customs. Breton proclaimed that the aim of Surrealism was long live the social revolution. To this goal, at various times Surrealists aligned with communism and anarchism, in 1924 two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the Bureau of Surrealist Research was established, leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire, the other group, led by Breton, included Louis Aragon, Robert Desnos, Paul Éluard, Jacques Baron, Jacques-André Boiffard, Jean Carrive, René Crevel and Georges Malkine, among others. Goll and Breton clashed openly, at one point literally fighting, at the Comédie des Champs-Élysées, in the end, Breton won the battle through tactical and numerical superiority
10.
Abstract expressionism
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Action painting, sometimes called gestural abstraction, is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the act of painting itself as an essential aspect of the finished work or concern of its artist. The style was widespread from the 1940s until the early 1960s, a comparison is often drawn between the American action painting and the French tachisme. According to Rosenberg the canvas was an arena in which to act, to Greenberg, it was the physicality of the paintings clotted and oil-caked surfaces that was the key to understanding them. – Clement Greenberg, Post Painterly Abstraction and it is essential for the understanding of action painting to place it in historical context. Action painting took this a further, using both Jung and Freud’s ideas of the subconscious as its underlying foundations. The paintings of the Action painters were not meant to portray objects per se or even specific emotions, instead they were meant to touch the observer deep in the subconscious mind, evoking a sense of the primeval and tapping the collective sense of an archetypal visual language. This was done by the artist painting unconsciously, and spontaneously, creating an arena of raw emotion and action. Action painting was influenced by the surrealist emphasis on automatism which influenced by psychoanalysis claimed a more direct access to the subconscious mind. Important exponents of this concept of art making were the painters Joan Miró, however the action painters took everything the surrealists had done a step further. Action Writing, Jack Kerouacs Wild Form, Carbondale, IL, auction record including a color image of a 1960 action painting by Elaine Hamilton. 9th Street Art Exhibition-abstract expressionist artists reminisce—YouTube video
11.
Solomon R. Guggenheim Museum
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It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern and contemporary art and also features special exhibitions throughout the year. The museum was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director and it adopted its current name after the death of its founder, Solomon R. Guggenheim, in 1952. In 1959, the museum moved from rented space to its current building, designed by Frank Lloyd Wright, the cylindrical building, wider at the top than the bottom, was conceived as a temple of the spirit. Its unique ramp gallery extends up from ground level in a long, the building underwent extensive expansion and renovations in 1992 and from 2005 to 2008. The museums collection has grown organically, over eight decades, and is founded several important private collections. The collection is shared with the museums sister museums in Bilbao, Spain, in 2013, nearly 1.2 million people visited the museum, and it hosted the most popular exhibition in New York City. Solomon R. Guggenheim, a member of a mining family, had been collecting works of the old masters since the 1890s. In 1926, he met artist Hilla von Rebay, who introduced him to European avant-garde art, in abstract art that she felt had a spiritual. Guggenheim completely changed his strategy, turning to the work of Wassily Kandinsky. He began to display his collection to the public at his apartment in the Plaza Hotel in New York City, as the collection grew, he established the Solomon R. Guggenheim Foundation, in 1937, to foster the appreciation of modern art. The foundations first venue for the display of art, the Museum of Non-Objective Painting, opened in 1939 under the direction of Rebay, in midtown Manhattan. By the early 1940s, the foundation had accumulated such a collection of avant-garde paintings that the need for a permanent museum building had become apparent. In 1943, Rebay and Guggenheim wrote a letter to Frank Lloyd Wright asking him to design a structure to house, Wright accepted the opportunity to experiment with his organic style in an urban setting. It took him 15 years,700 sketches, and six sets of working drawings to create the museum, in 1948, the collection was greatly expanded through the purchase of art dealer Karl Nierendorfs estate of some 730 objects, notably German expressionist paintings. By that time, the collection included a broad spectrum of expressionist and surrealist works, including paintings by Paul Klee, Oskar Kokoschka. Nevertheless, she left a portion of her collection to the foundation in her will, including works by Kandinsky, Klee, Alexander Calder, Albert Gleizes, Mondrian. The museum was renamed the Solomon R. Guggenheim Museum in 1952, Rebay conceived of the space as a temple of the spirit that would facilitate a new way of looking at the modern pieces in the collection. She wrote to Wright that each of these great masterpieces should be organized into space, would test the possibilities to do so
