1.
Portrait miniature
–
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolour, or enamel. They were especially valuable in introducing people to other over distances. Soldiers and sailors might carry miniatures of their loved ones while traveling, the first miniaturists used watercolour to paint on stretched vellum. During the second half of the 17th century, vitreous enamel painted on copper became increasingly popular, in the 18th century, miniatures were painted with watercolour on ivory, which had now become relatively cheap. As small in size as 40 mm ×30 mm, portrait miniatures were used as personal mementos or as jewellery or snuff box covers. The portrait miniature developed from the manuscript, which had been superseded for the purposes of book illustration by techniques such as woodprints. Lucas Horenbout was another Netherlandish miniature painter at the court of Henry VIII and these might be paintings, or finished drawings with some colour, and were produced by François Clouet, and his followers. Following these men we find Simon Renard de St. André, others whose names might be mentioned were Joseph Werner, and Rosalba Carriera. The colours are opaque, and gold is used to heighten the effect and they are often signed, and have frequently also a Latin motto upon them. Hilliard worked for a while in France, and he is identical with the painter alluded to in 1577 as Nicholas Belliart. Hilliard was succeeded by his son Lawrence Hilliard, his technique was similar to that of his father, but bolder, Isaac Oliver and his son Peter Oliver succeeded Hilliard. Isaac was the pupil of Hilliard, Peter was the pupil of Isaac. The two men were the earliest to give roundness and form to the faces they painted and they signed their best works in monogram, and painted not only very small miniatures, but larger ones measuring as much as 10 in ×9 in. They copied for Charles I of England on a small scale many of his famous pictures by the old masters, other miniaturists at about the same date included Balthazar Gerbier, George Jamesone, Penelope Cleyn and her brothers. Samuel Cooper was a nephew and student of the elder Hoskins and he spent much of his time in Paris and Holland, and very little is known of his career. His work has a breadth and dignity, and has been well called life-size work in little. His portraits of the men of the Puritan epoch are remarkable for their truth to life and he painted upon card, chicken skin and vellum, and on two occasions upon thin pieces of mutton bone. The use of ivory was not introduced until long after his time and his work is frequently signed with his initials, generally in gold, and very often with the addition of the date
Portrait miniature
–
Miniature portrait of an unidentified man, by
Nicholas Hilliard, 1572.
Portrait miniature
–
A
display case with 18th-century portrait miniatures at the
National Museum in
Warsaw.
Portrait miniature
–
Portrait Miniature of Margaret Roper by
Hans Holbein the Younger, c. 1535–36
Portrait miniature
–
Christian Horneman 's miniature portrait of
Ludwig van Beethoven (1802)
2.
Self-portrait
–
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. With better and cheaper mirrors, and the advent of the panel portrait, Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a portrait of his wife, and he belonged to the social group that had begun to commission portraits. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, a self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. Rubenss The Four Philosophers is a good example and this culminated in the 17th century with the work of Jan de Bray. Many artistic media have used, apart from paintings, drawings. In the famous Arnolfini Portrait, Jan van Eyck is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in view as the painter creating Las Meninas, as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter, in what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes, leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often reproduced as Da Vincis appearance, although this is not certain. In the 17th century, Rembrandt painted a range of self-portraits, family and professional group paintings, including the artists depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays a part in self-portraiture. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer if the clothes worn were those they normally painted in. Images of artists at work are encountered in Ancient Egyptian painting, one of the first self-portraits was made by the Pharaoh Akhenatens chief sculptor Bak in 1365 BC
Self-portrait
–
Raphael, c. 1517–1518,
Uffizi Gallery
Self-portrait
Self-portrait
–
Pieter Claesz, Vanitas with Violin and Glass Ball, the artist is visible in the reflection, 1625.
Self-portrait
–
Sandro Botticelli 's painting of the
Adoration of the Magi has an "inserted self-portrait". The position in the (right) corner, and the gaze out to the viewer, are very typical of such self-portraits.
3.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
–
One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
–
Flag
France
–
The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
–
With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
4.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
5.
Panel painting
–
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Panel painting is very old, it was a very prestigious medium in Greece and Rome, a series of 6th century BC painted tablets from Pitsa represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to modern works - perhaps up to a half-length portrait size. We can only attempt to imagine what these looked like from some detailed literary descriptions, the Severan Tondo, also from Egypt is one of the handful of non-funerary Graeco-Roman specimens to survive. Encaustic and tempera are the two used in antiquity. Encaustic largely ceased to be used after the early Byzantine icons, the earliest forms of panel painting were dossals, altar fronts and crucifixes. All were painted with images, commonly the Christ or the Virgin, with the saints appropriate to the dedication of the church. Donor portraits including members of the family are also often shown. Painted panels for altars are most numerous in Spain, especially Catalonia, the 13th and 14th centuries in Italy were a great period of panel painting, mostly altarpieces or other religious works. However, it is estimated that of all the paintings produced there,99.9 percent have been lost. The vast majority of Early Netherlandish paintings are on panel, and these include most of the earliest portraits, such as those by Jan van Eyck, and some other secular scenes. However, one of the earliest surviving oils on canvas is a French Madonna with angels of about 1410 in the Gemäldegalerie, Berlin, which is very early indeed for oil painting also. By the 15th century with the wealth of Europe, and later the appearance of humanism. Secular art opened the way to the creation of chests, painted beds, birth trays, many such works are now detached and hung framed on walls in museums. Many double-sided wings of altarpieces have also been sawn into two one-sided panels, canvas took over from panel in Italy by the first half of the 16th century, a change led by Mantegna and the artists of Venice. His panels are of notoriously complicated construction, containing as many as seventeen pieces of wood, for smaller cabinet paintings, copper sheets were another rival support, from the end of the 16th century, used by many artists including Adam Elsheimer. Many Dutch painters of the Golden Age used panel for their small works, by the 18th century it had become unusual to paint on panel, except for small works to be inset into furniture, and the like. But, for example, The National Gallery in London has two Goya portraits on panel, many other painting traditions also painted, and still paint, on wood, but the term is usually only used to refer to the Western tradition described above
Panel painting
–
The
Ghent Altarpiece by
Jan van Eyck and his brothers, 1432. A large
altarpiece on panel. The outer wings are hinged, and painted on both sides.
Panel painting
–
Boy from
Al-Fayum, 2nd century CE (a
mummy portrait). Encaustic on wood—note the cracks.
Panel painting
–
The
Frankfurt Paradiesgärtlein, a German panel painting from circa 1410
Panel painting
–
Russian
icon by
Andrey Rublev, early 15th century, on a three piece panel. The raised edges are probably gesso rather than wood
6.
Illuminated manuscript
–
An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
Illuminated manuscript
–
In the strictest definition of illuminated manuscript, only manuscripts with gold or silver, like this
miniature of
Christ in Majesty from the
Aberdeen Bestiary (folio 4v), would be considered illuminated.
Illuminated manuscript
–
The decoration of this page from a French
Book of Hours, ca.1400, includes a miniature, initials and borders
Illuminated manuscript
–
A 13th-century manuscript illumination, the earliest known depiction of
Thomas Becket 's assassination
Illuminated manuscript
–
The 11th century Tyniec Sacramentary was written with gold on purple background.
7.
Italian Renaissance
–
The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
Italian Renaissance
–
Renaissance
Italian Renaissance
–
Pandolfo Malatesta (1417–1468), lord of
Rimini, by
Piero della Francesca. Malatesta was a capable
condottiere, following the tradition of his family. He was hired by the
Venetians to fight against the
Turks (unsuccessfully) in 1465, and was patron of
Leone Battista Alberti, whose
Tempio Malatestiano at Rimini is one of the first entirely classical buildings of the Renaissance.
Italian Renaissance
–
Leonardo da Vinci, Italian
Renaissance Man
Italian Renaissance
–
Giulio Clovio,
Adoration of the Magi and
Solomon Adored by the
Queen of Sheba from the Farnese Hours, 1546.
8.
Tours
–
Tours is a city located in the centre-west of France. It is the centre of the Indre-et-Loire department and the largest city in the Centre-Val de Loire region of France. In 2012, the city of Tours had 134,978 inhabitants, Tours stands on the lower reaches of the River Loire, between Orléans and the Atlantic coast. The surrounding district, the province of Touraine, is known for its wines, for the alleged perfection of its local spoken French. The city is also the end-point of the annual Paris–Tours cycle race, in Gallic times the city was important as a crossing point of the Loire. Becoming part of the Roman Empire during the 1st century AD, the name evolved in the 4th century when the original Gallic name, Turones, became first Civitas Turonum then Tours. It was at time that the amphitheatre of Tours, one of the five largest amphitheatres of the Empire, was built. Tours became the metropolis of the Roman province of Lugdunum towards 380–388, dominating the Loire Valley, Maine, one of the outstanding figures of the history of the city was Saint Martin, second bishop who shared his coat with a naked beggar in Amiens. This incident and the importance of Martin in the medieval Christian West made Tours, and its position on the route of pilgrimage to Santiago de Compostela, a major centre during the Middle Ages. In the 6th century Gregory of Tours, author of the Ten Books of History, in the 9th century, Tours was at the heart of the Carolingian Rebirth, in particular because of Alcuin abbot of Marmoutier. The outcome was defeat for the Muslims, preventing France from Islamic conquest, in 845, Tours repulsed the first attack of the Viking chief Hasting. In 850, the Vikings settled at the mouths of the Seine, still led by Hasting, they went up the Loire again in 852 and sacked Angers, Tours and the abbey of Marmoutier. During the Middle Ages, Tours consisted of two juxtaposed and competing centres, in the west, the new city structured around the Abbey of Saint Martin was freed from the control of the City during the 10th century and became Châteauneuf. This space, organized between Saint Martin and the Loire, became the centre of Tours. Between these two centres remained Varennes, vineyards and fields, little occupied except for the Abbaye Saint-Julien established on the banks of the Loire, the two centres were linked during the 14th century. Tours became the capital of the county of Tours or Touraine and it was the capital of France at the time of Louis XI, who had settled in the castle of Montils, Tours and Touraine remained until the 16th century a permanent residence of the kings and court. The rebirth gave Tours and Touraine many private mansions and castles and it is also at the time of Louis XI that the silk industry was introduced – despite difficulties, the industry still survives to this day. At this time, the Catholics returned to power in Angers, the Massacre of Saint-Barthelemy was not repeated at Tours
Tours
–
Town hall and Place Jean Jaurès
Tours
–
Place Plumereau, Medieval buildings
Tours
–
Tours Cathedral: 15th-century
Flamboyant Gothic west front with Renaissance pinnacles, completed 1547.
Tours
–
Place Jean Jaurès
9.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
10.
Pope Eugene IV
–
Pope Eugene IV, born Gabriele Condulmer, was Pope from 3 March 1431 to his death in 1447. He is the last pope to take the name Eugene upon his election, Condulmer was born in Venice to a rich merchant family. He entered a community of Canons Regular of San Giorgio in Alga in his native city, at the age of twenty-four he was appointed by his maternal uncle, Pope Gregory XII, as Bishop of Siena. In Siena, the political leaders objected to a bishop who was not only 24, therefore, he resigned the appointment, becoming instead his uncles papal treasurer, protonotary and Cardinal Priest of the Basilica of San Clemente. Pope Martin V named him Cardinal Priest of the Basilica di Santa Maria in Trastevere and he also served as papal legate at Picenum in the March of Ancona. Condulmer was quickly elected to succeed Martin V in the conclave of 1431. He was crowned as Eugene IV at St. Peters Basilica on 11 March 1431 and he is described as tall, thin, with a winning countenance, although many of his troubles were owing to his own want of tact, which alienated parties from him. Upon assuming the chair, Eugene IV took violent measures against the numerous Colonna relatives of his predecessor Martin V. This at once involved him in a serious contest with the house of Colonna that nominally supported the local rights of Rome against the interests of the Papacy. By far the most important feature of Eugene IVs pontificate was the struggle between the Pope and the Council of Basel, the final embodiment of the Conciliar movement. On 23 July 1431, his legate Giuliano Cesarini opened the council, canon Beaupère of Besançon, who had been sent from Basle to Rome, gave the pope an unfavourable and exaggerated account of the temper of the people of Basle and its environs. Distrustful of its purposes and emboldened by the attendance, the Pope issued a bull on 18 December 1431 that dissolved the council. The council resisted this expression of papal prerogative, Eugene IVs action gave some weight to the contention that the Curia was opposed to any authentic measures of reform. The council refused to dissolve, instead renewed the resolutions by which the Council of Constance had declared a council superior to the Pope. A compromise was arranged by the Holy Roman Emperor Sigismund, who had been crowned emperor at Rome on 31 May 1433 and this situation led also to establishment of an insurrectionary republic at Rome controlled by the Colonna family. The city was restored to obedience by Giovanni Vitelleschi, the militant Bishop of Recanati, in August 1435 a peace treaty was signed at Ferrara by the various belligerents. The Pope moved to Bologna in April 1436 and his condottieri Francesco Sforza and Vitelleschi in the meantime reconquered much of the Papal States. Traditional Papal enemies such as the Prefetti di Vico were destroyed, meanwhile, the struggle with the council sitting at Basel broke out anew
Pope Eugene IV
–
Pope Eugene IV
Pope Eugene IV
–
Painting of Pope Eugene rowing down the Tiber escaping Rome
Pope Eugene IV
–
Portrait of Pope Eugenius IV, after
Jean Fouquet.
Pope Eugene IV
–
Statue of Pope Eugene at the
Florence Cathedral
11.
Charles VII of France
–
Charles VII, called the Victorious or the Well-Served, was a monarch of the House of Valois who ruled as King of France from 1422 to his death. In the midst of the Hundred Years War, Charles VII inherited the throne of France under desperate circumstances, in addition, his father Charles VI had disinherited him in 1420 and recognized Henry V of England and his heirs as the legitimate successors to the French crown instead. At the same time, a war raged in France between the Armagnacs and the Burgundian party. However, his political and military position improved dramatically with the emergence of Joan of Arc as a leader in France. Joan of Arc and other charismatic figures led French troops to lift the siege of Orléans, as well as other cities on the Loire river. With the local English troops dispersed, the people of Reims switched allegiance and opened their gates and this long-awaited event boosted French morale as hostilities with England resumed. Following the battle of Castillon in 1453, the French had expelled the English from all their continental possessions except for the Pale of Calais, the last years of Charles VII were marked by conflicts with his turbulent son, the future Louis XI of France. Born at the Hôtel Saint-Pol, the residence in Paris. He was the child and fifth son of Charles VI of France. His four elder brothers, Charles, Charles, Louis and John had each held the title of Dauphin of France in turn, all died childless, leaving Charles with a rich inheritance of titles. By 1419, Charles had established his own court in Bourges and they also decided that a further meeting should take place the following 10 September. On that date, they met on the bridge at Montereau, the Duke assumed that the meeting would be entirely peaceful and diplomatic, thus he brought only a small escort with him. The Dauphins men reacted to the Dukes arrival by attacking and killing him, Charles level of involvement has remained uncertain to this day. Although he claimed to have been unaware of his mens intentions, the assassination marked the end of any attempt of a reconciliation between the two factions Armagnacs and Burgundians, thus playing into the hands of Henry V of England. Charles was later required by a treaty with Philip the Good, the son of John the Fearless, to pay penance for the murder, at the death of his father, Charles VI, the succession was cast into doubt. For those who did not recognize the treaty and believed the Dauphin Charles to be of legitimate birth, for those who did not recognize his legitimacy, the rightful heir was recognized as Charles, Duke of Orléans, cousin of the Dauphin, who was in English captivity. Only the supporters of Henry VI and the Dauphin Charles were able to enlist sufficient military force to press effectively for their candidates, the English, already in control of northern France, were able to enforce the claim of their king in the regions of France that they occupied. Northern France, including Paris, was ruled by an English regent, Henry Vs brother, John of Lancaster, 1st Duke of Bedford
Charles VII of France
–
Portrait of Charles VII, by
Jean Fouquet,
tempera on wood,
Louvre Museum, Paris, c. 1445–1450
Charles VII of France
–
Dauphin Charles with
Yolande of Aragon, Duchess of Anjou
Charles VII of France
–
Charles VII Royal d'or.
Charles VII of France
–
Charles VII Ecu neuf, 1436.
12.
Court painter
–
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, in England the role of Serjeant Painter was set up for this, leaving the Kings painter free to paint mostly portraits. See category of Italian art collectors for lists that included non-aristocratic patrons, some artists, like Jan van Eyck or Diego Velázquez, were used in other capacities at court, as diplomats, functionaries, or administrators. In Islamic cultures, especially between the 14th and 17th centuries, similar arrangements operated for miniaturists and artists in other media. In the Persian miniature, the shah and other rulers typically maintained a workshop or atelier, of calligraphers, miniaturists, binders and other crafts. The name by which Riza Abbasi is usually includes the honorific title Abbasi. Abd as-Samad, a Persian painter who moved to the Mughal Empire, was given a number of significant administrative jobs, the court remained the focus of patronage of painting in the sub-Mughal princely courts of India, whether Muslim or Hindu. At many periods rulers owned or controlled royal workshops or factories making high-quality tapestries, porcelain or pottery, silks and this was especially the case in China and in the Byzantine Empire. Le Brun dominated, and largely created, the style found throughout Louis XIVs palaces, by the 20th century court painters was an obsolete position. Commonly more artists were granted permission by royalty who would sit for official portraits whether for private of patron purposes, Artists of the Tudor Court 21st Century Court Artists Michael Levey, Painting at Court, Weidenfeld and Nicholson, London,1971
Court painter
–
Las Meninas,
Diego Velázquez, 1656, shows a princess watching her unseen parents as Velázquez paints them; the cross on his chest was added later, according to legend painted by the king himself, after the artist received the
Order of Santiago in 1659 (click on image and run cursor over to identify figures).
13.
Louis XI of France
–
Louis XI, called the Prudent, was a monarch of the House of Valois who ruled as King of France from 1461 to 1483. He succeeded his father Charles VII. Louis was a devious, the king forgave his rebellious vassals, including Louis, to whom he entrusted the management of the Dauphiné, then a province in southeastern France. Louiss ceaseless intrigues, however, led his father to him from court. From the Dauphiné, Louis led his own political establishment and married Charlotte of Savoy, daughter of Louis, Duke of Savoy, against the will of his father. Charles VII sent an army to compel his son to his will, but Louis fled to Burgundy, where he was hosted by Philip the Good, when Charles VII died in 1461, Louis left the Burgundian court to take possession of his kingdom. His taste for intrigue and his diplomatic activity earned him the nicknames the Cunning. In 1472, the subsequent Duke of Burgundy, Charles the Bold, however, Louis was able to isolate Charles from his English allies by signing the Treaty of Picquigny with Edward IV of England. The treaty formally ended the Hundred Years War, with the death of Charles the Bold at the Battle of Nancy in 1477, the dynasty of the dukes of Burgundy died out. Louis took advantage of the situation to seize numerous Burgundian territories, including Burgundy proper, without direct foreign threats, Louis was able to eliminate his rebellious vassals, expand royal power, and strengthen the economic development of his country. He died in 1483 and was succeeded by his son Charles VIII, Louis was born in Bourges on 3 July 1423, the son of King Charles VII of France. At the time of the Hundred Years War, the English held northern France, including the city of Paris, and Charles VII was restricted to the centre and south of the country. Louis was the grandson of Yolande of Aragon, who was a force in the family for driving the English out of France. Just a few weeks after Louiss christening at the Cathedral of St. Étienne on 4 July 1423, shortly thereafter, a combined Anglo-Burgundian army threatened Bourges itself. Duke Philip II was the reigning Duke of Burgundy while he was king, phillip was an uncle of King Charles VI, and he actually served on a council of regents for King Charles. The Dukes of Anjou, Berry, and Bourbon, all uncles of Charles VI, all effective power in France actually lay with this council of dukes. In its position of independence from the French throne, Burgundy had grown in size, during the Hundred Years War, the Burgundians allied themselves with England against the French crown. Indeed, the Burgundians were responsible for the capture of Joan of Arc, Joan later led troops in other victories at the Battle of Jargeau and the Battle of Patay. Nevertheless, Louis grew up aware of the weakness of the French nation
Louis XI of France
–
Louis XI wearing his
Order of Saint Michael
Louis XI of France
–
Engraving of Louis XI of France
Louis XI of France
–
In this painting by
Jean Fouquet, Louis' father Charles VII is depicted as one of the
three magi and it is assumed that Louis, then Dauphin, is one of the other two.
Louis XI of France
–
Coin of Louis XI, struck ca. 1470
14.
Adoration of the Magi
–
It is related in the Bible by Matthew 2,11, On entering the house, they saw the child with Mary his mother, and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and having been warned in a dream not to return to Herod, they left for their own country by another path. The scene was used to represent the Nativity, one of the most indispensable episodes in cycles of the Life of the Virgin as well as the Life of Christ. In the church calendar, the event is commemorated in Western Christianity as the Feast of the Epiphany, the Orthodox Church commemorates the Adoration of the Magi on the Feast of the Nativity. The term is anglicized from the Vulgate Latin section title for this passage, in the earliest depictions, the Magi are shown wearing Persian dress of trousers and Phrygian caps, usually in profile, advancing in step with their gifts held out before them. The earliest are from catacomb paintings and sarcophagus reliefs of the 4th century, crowns are first seen in the 10th century, mostly in the West, where their dress had by that time lost any Oriental flavour in most cases. Later Byzantine images often show small pill-box like hats, whose significance is disputed, melchior represents Europe and middle age. From the 14th century onwards, large retinues are often shown, the gifts are contained in spectacular pieces of work. The subject matter is found in stained glass. Many hundreds of artists have treated the subject, a partial list of those with articles follows. See also, Category, Adoration of the Magi in art, Adoration of the Magi, Fra Angelico and Filippo Lippi, National Gallery of Art, Washington, D. C. Hieronymus Bosch, Museo del Prado, Madrid Adoration of the Magi of 1475, Botticelli, National Gallery of Art, Washington, D. C
Adoration of the Magi
–
Adoration of the Magi,
Hans Memling
Adoration of the Magi
–
Adoration of the Magi after Hieronymus Bosch
Adoration of the Magi
–
Adoration of the Magi by
Bartolomé Esteban Murillo, 17th century
Adoration of the Magi
–
4th century Sarcophagus, Vatican
15.
Dauphin of France
–
The Dauphin of France —strictly The Dauphin of Viennois —was the title given to the heir apparent to the throne of France from 1350 to 1791 and 1824 to 1830. The word is French for dolphin, as a reference to the depiction of the animal on their coat of arms, guigues IV, Count of Vienne, had a dolphin on his coat of arms and was nicknamed le Dauphin. The wife of the Dauphin was known as la Dauphine, the first French prince called le Dauphin was Charles the Wise, later to become Charles V of France. The title was equivalent to the English Prince of Wales, the Scottish Duke of Rothesay, the Portuguese Prince of Brazil. The official style of a Dauphin of France, prior to 1461, was par la grâce de Dieu, dauphin de Viennois, comte de Valentinois et de Diois. A Dauphin of France united the coat of arms of the Dauphiné, which featured Dolphins, with the French fleurs-de-lis, and might, where appropriate, further unite that with other arms. Because of this, the Dauphiné suffered from anarchy in the 14th and 15th centuries, for example, he married Charlotte of Savoy against his fathers wishes. Savoy was an ally of the Dauphiné, and Louis wished to reaffirm that alliance to stamp out rebels. Louis was driven out of the Dauphiné by Charles VIIs soldiers in 1456, after his succession as Louis XI of France in 1461, Louis united the Dauphiné with France, bringing it under royal control. The sons of the King of France hold the style and rank of Son of France, while male-line grandsons hold the style, the sons and grandsons of the Dauphin ranked higher than their cousins, being treated as the kings children and grandchildren respectively. The title was abolished by the Constitution of 1791, which made France a constitutional monarchy, under the constitution the heir to the throne was restyled Prince Royal, taking effect from the inception of the Legislative Assembly on 1 October 1791. The title was restored in potentia under the Bourbon Restoration of Louis XVIII, with the accession of his brother Charles X, Charles son and heir Louis-Antoine, Duke of Angoulême automatically became Dauphin. With the removal of the Bourbons the title fell into disuse, in Mark Twains Adventures of Huckleberry Finn, Huck encounters two odd characters who turn out to be professional con men. One of them claims that he should be treated with deference, since he is really an impoverished English duke, in Baronness Emma Orczys Eldorado, the Scarlet Pimpernel rescues the Dauphin from prison and helps spirit him from France. Alphonse Daudet wrote a story called The Death of the Dauphin. It is also mentioned in Cormac McCarthys Blood Meridian
Dauphin of France
–
Charles, 1st Dauphin of France
Dauphin of France
–
Coat of arms of the Dauphin of France.
Dauphin of France
–
Charles, 3rd Dauphin of France
Dauphin of France
–
Louis, 6th Dauphin of France
16.
Louis XI
–
Louis XI, called the Prudent, was a monarch of the House of Valois who ruled as King of France from 1461 to 1483. He succeeded his father Charles VII. Louis was a devious, the king forgave his rebellious vassals, including Louis, to whom he entrusted the management of the Dauphiné, then a province in southeastern France. Louiss ceaseless intrigues, however, led his father to him from court. From the Dauphiné, Louis led his own political establishment and married Charlotte of Savoy, daughter of Louis, Duke of Savoy, against the will of his father. Charles VII sent an army to compel his son to his will, but Louis fled to Burgundy, where he was hosted by Philip the Good, when Charles VII died in 1461, Louis left the Burgundian court to take possession of his kingdom. His taste for intrigue and his diplomatic activity earned him the nicknames the Cunning. In 1472, the subsequent Duke of Burgundy, Charles the Bold, however, Louis was able to isolate Charles from his English allies by signing the Treaty of Picquigny with Edward IV of England. The treaty formally ended the Hundred Years War, with the death of Charles the Bold at the Battle of Nancy in 1477, the dynasty of the dukes of Burgundy died out. Louis took advantage of the situation to seize numerous Burgundian territories, including Burgundy proper, without direct foreign threats, Louis was able to eliminate his rebellious vassals, expand royal power, and strengthen the economic development of his country. He died in 1483 and was succeeded by his son Charles VIII, Louis was born in Bourges on 3 July 1423, the son of King Charles VII of France. At the time of the Hundred Years War, the English held northern France, including the city of Paris, and Charles VII was restricted to the centre and south of the country. Louis was the grandson of Yolande of Aragon, who was a force in the family for driving the English out of France. Just a few weeks after Louiss christening at the Cathedral of St. Étienne on 4 July 1423, shortly thereafter, a combined Anglo-Burgundian army threatened Bourges itself. Duke Philip II was the reigning Duke of Burgundy while he was king, phillip was an uncle of King Charles VI, and he actually served on a council of regents for King Charles. The Dukes of Anjou, Berry, and Bourbon, all uncles of Charles VI, all effective power in France actually lay with this council of dukes. In its position of independence from the French throne, Burgundy had grown in size, during the Hundred Years War, the Burgundians allied themselves with England against the French crown. Indeed, the Burgundians were responsible for the capture of Joan of Arc, Joan later led troops in other victories at the Battle of Jargeau and the Battle of Patay. Nevertheless, Louis grew up aware of the weakness of the French nation
Louis XI
–
Louis XI wearing his
Order of Saint Michael
Louis XI
–
Engraving of Louis XI of France
Louis XI
–
In this painting by
Jean Fouquet, Louis' father Charles VII is depicted as one of the
three magi and it is assumed that Louis, then Dauphin, is one of the other two.
Louis XI
–
Coin of Louis XI, struck ca. 1470
17.
Charles V of France
–
Charles V, called the Wise, was a monarch of the House of Valois who ruled as King of France from 1364 to his death. In 1349, as a prince, Charles received from his grandfather King Philip VI the province of Dauphiné to rule. This allowed him to bear the title Dauphin until his coronation, after 1350, all heirs apparent of France bore the title of Dauphin until their coronation. Charles became regent of France when his father John II was captured by the English at the Battle of Poitiers in 1356. With the help of talented advisers known as the Marmousets, his management of the kingdom allowed him to replenish the royal treasury. He established the first permanent army paid with regular wages, which liberated the French populace from the companies of routiers who regularly plundered the country when not employed. Furthermore, the French Navy, led by Jean de Vienne and he was succeeded by his son Charles VI the Mad, whose disastrous reign allowed the English to regain control of large parts of France. Charles was born at the Château de Vincennes outside of Paris, the future king was highly intelligent but physically weak, with pale skin and a thin, ill-proportioned body. This made a sharp contrast to his father, who was tall, strong, as neither the pope nor the emperor wanted to buy, the transaction was concluded with Philip VI. Under the Treaty of Romans, the Dauphiné of Viennois was to be held by a son of the future king John the Good, so it was Charles, the eldest son of the latter, who became the first Dauphin. At the age of twelve, he was confronted with the exercise of power while staying in Grenoble. A few days after his arrival, the people of Grenoble were invited to the Place Notre-Dame, young Charles took his place next to Bishop John of Chissé and received the oath of allegiance of the people. On April 8,1350 at Tain-lHermitage, the Dauphin married his cousin Joanna of Bourbon at the age of 12, the prior approval of the pope was obtained for this consanguineous marriage. The marriage was delayed by the death of his mother Bonne of Luxembourg and his grandmother Joan the Lame, the dauphin himself had been seriously ill from August to December 1349. Gatherings were limited to slow the spread of the then raging in Europe. Despite his young age, the applied to be recognized by his subjects. Charles was recalled to Paris at the death of his grandfather Philip VI, the legitimacy of John the Good, and that of the Valois in general, was not unanimous. His father, Philip VI, had lost all credibility with the disasters of Crecy, Calais, the ravages of the plague, the royal clan had to cope with opposition from all sides in the kingdom
Charles V of France
–
Charles V the Wise
Charles V of France
–
The
Château du Louvre, shown in this early fifteenth century illumination, representing the month of October in Les très riches Heures du duc de Berry, was rebuilt during the reign of Charles V – inaugurating a new era of royal architecture
18.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
19.
Grandes Chroniques de France
–
The Grandes Chroniques de France is a vernacular royal compilation of the history of France, most manuscripts of which are luxury copies that are heavily illuminated. Copies were produced between the thirteenth and fifteenth centuries, the text being extended at intervals to cover recent events and it was continued under his successors until completed in 1461. It covers the Merovingian, Carolingian, and Direct Capetian dynasties of French kings, with illustrations depicting personages, in front of this a number of figures were engaged in key historical moments, especially battles, coronations, weddings and important meetings. There might be over 200 such scenes illustrated, often collected together as individual compartments in a miniature with a decorated framework. By the mid-15th century the number of illustrations was fewer, around 50 even in lavish copies, but the miniatures were larger, scenes of ceremonial moments, now often including large crowds, had become more popular, though battles retained their place. As first written, the Grandes Chroniques traced the history of the French kings from their origins in Troy to the death of Philip II of France, the continuations of the text were drafted first at Saint-Denis and then at the court in Paris. Its final form brought the chronicle down to the death of Charles V in the 1380s, there are also Burgundian variants, which give a different account of the final period, a product of the dissention which finally led to the Armagnac–Burgundian Civil War in 1407-35. The compiler, Abbot Guillaume Fillastre of Saint Bertin, aimed to promote Philips claim to the French throne and he is shown handing over the work to Philip in the presentation miniature by Simon Marmion in Philips copy. Sources for material on the reign of Charlemagne included the Historia Caroli Magni, also known as the Pseudo-Turpin Chronicle, other sources included Abbot Sugers Life of Louis IV. The earliest surviving copy was presented by the monks of St-Denis to Philip III in about 1274, with 36 miniatures and historiated initials by Parisian artists. Especially fine are the lavishly illustrated copies made for Charles V, Louis VII, illuminated by Jean Fouquet and Philip the Good of Burgundy, now in the Russian National Library, Saint Petersburg. During this period, there were no copies of the work that belonged to members of the Parlement or the university community. But from the century a number of unillustrated copies survive on paper or on mixtures of parchment and paper that belonged to secretaries and notaries. Latterly, under the Valois Dukes of Burgundy, it there as well. A unusually late copy, never finished, was begun in Calais in 1487, the miniatures that were completed seem to be by English artists. Altogether only four early print editions were made, all in Paris and these were in 1477,1493,1514 and 1518
Grandes Chroniques de France
–
Philip the Good,
Duke of Burgundy with Chancellor
Nicolas Rolin and the future
Charles the Bold accepts his copy of the Grandes Chroniques de France from
Simon Marmion on January 1, 1457. As often the "presentation image" is in the book itself, which is now in
St Petersburg.
Grandes Chroniques de France
–
Philip II captures
Tours in 1189.
Jean Fouquet
20.
Charles IV of France
–
Charles IV, called the Fair in France and the Bald in Navarre, was the last direct Capetian King of France and King of Navarre from 1322 to his death. Charles was the son of Philip IV, like his father. Beginning in 1323 Charles was confronted with a peasant revolt in Flanders, as duke of Guyenne, King Edward II of England was a vassal of Charles, but he was reluctant to pay homage to another king. In retaliation, Charles conquered the Duchy of Guyenne in a known as the War of Saint-Sardos. In a peace agreement, Edward II accepted to swear allegiance to Charles, in exchange, Guyenne was returned to Edward but with a much-reduced territory. When Charles IV died without heir, the senior lineage of the House of Capet ended. He was succeeded by his cousin Philip of Valois, but the legitimacy was one factor of the Hundred Years War. By virtue of the birthright of his mother, Joan I of Navarre, Charles claimed the title Charles I, King of Navarre. From 1314 to his accession to the throne, he held the title of Count of La Marche and was crowned King of France in 1322 at the cathedral in Reims. Charles married his first wife, Blanche of Burgundy, the daughter of Otto IV, Count of Burgundy, in 1308, after Charles assumed the throne he refused to release Blanche, their marriage was annulled, and Blanche retreated to a nunnery. His second wife, Marie of Luxembourg, the daughter of Henry VII, Charles married again in 1325, this time to Jeanne dÉvreux, she was his first cousin, and the marriage required approval from Pope John XXII. Jeanne was crowned queen in 1326, in one of the better recorded French coronation ceremonies, the coronation was also the first appearance of the latterly famous medieval cook, Guillaume Tirel, then only a junior servant. During the first half of his reign Charles relied heavily on his uncle, Charles of Valois, for advice, Charles of Valois would have been aware that if Charles died without male heirs, he and his male heirs would have a good claim to the crown. Charles undertook rapid steps to assert his own control, executing the Count of LIsle-Jourdain, a troublesome southern noble, Charles, a relatively well educated king, also founded a famous library at Fontainebleau. During his six-year reign Charles administration became increasingly unpopular and he debased the coinage to his own benefit, sold offices, increased taxation, exacted burdensome duties, and confiscated estates from enemies or those he disliked. He was also involved in Jewish issues during the period. Charles father, Philip IV, had confiscated the estates of numerous Jews in 1306, and Charles took vigorous, finally, Charles at least acquiesced, or at worst actively ordered, in the expulsion of many Jews from France following the leper scare. Charles inherited a long-running period of tension between England and France, once Charles took up the throne, Edward attempted to avoid payment again
Charles IV of France
–
Charles the Fair
Charles IV of France
–
Marriage of Charles IV and Marie of Luxembourg, by
Jean Fouquet
Charles IV of France
–
A Charles IV
tournois coin; Charles manipulated the French coinage during his reign, creating some unpopularity.
Charles IV of France
–
A near-contemporary
miniature showing the future
Edward III giving homage to Charles IV under the guidance of Edward's mother, and Charles' sister,
Isabella, in 1325.
21.
Marie of Luxembourg
–
Not to be confused with Marie de Luxembourg, Countess of Vendôme. Marie of Luxembourg, was by birth member of the House of Luxembourg and by marriage Queen of France and she was the daughter of Henry VII, Holy Roman Emperor and Margaret of Brabant. Her two siblings were John of Luxembourg and Beatrice of Luxembourg, Queen of Hungary, Marie was betrothed in 1308 to Louis of Bavaria, son and heir to Rudolf I, Duke of Bavaria. The engagement was agreed on soon after Maries father Henry became King of the Romans and it ended due to the death of Louis around 1311. During the same year, Maries mother Queen Margaret died whilst travelling with Henry in Geno, on 21 September 1322 in either Paris or Provins Marie married to Charles IV of France following the annulment of his first marriage to the adulterous Blanche of Burgundy. Blanche had given birth to two children, Philip and Joan, but both of them died young and Charles needed a son and heir to carry on the House of Capet. On 15 May 1323 Marie was consecrated Queen of France at Sainte-Chapelle by Guillaume de Melum, in the same year she became pregnant but she later miscarried a girl. Whilst pregnant again in March 1324, Marie and Charles were travelling to Avignon to visit the pope when Marie fell out of the bottom of the coach. As a result, she went into labour and her child, a boy, was born prematurely, following her death Charles married Jeanne dÉvreux, but failed to father a son, so the direct House of Capet was succeeded its branch, the House of Valois
Marie of Luxembourg
–
Marie of Luxembourg
22.
Melun Diptych
–
The Melun Diptych is a two-panel oil painting by the French court painter Jean Fouquet created around 1452. The name of the came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel depicts Etienne Chevalier with his patron saint St. Stephen, each wooden panel measures about 93 by 85 centimeters and the two would have been hinged together at the center. The two pieces, originally a diptych, are now separated, the left panel now resides in the Staatliche Museen in Berlin and the right panel is now located at the Royal Museum of Fine Arts, Antwerp, Belgium. A self-portrait medallion is also associated with the two panels, measuring 6 centimeters in diameter, it would have adorned the frame, and consists of copper, enamel, and gold. The medallion is now located in the Louvre in Paris, France, on the left Étienne Chevalier, the treasurer to King Charles VII of France, kneels in a red robe with in his hand in a position of prayer. The king liked to have such as Chevalier about him because he thought them more reliable than nobles. On his right is Chevaliers patron saint, St. Stephen and his right arm is draped across Chevaliers shoulder while his left hand holds a book and a jagged rock, his representational attribute as he was stoned to death. Both men gaze off to the right as if they were looking at the Virgin, the wall behind the treasurer and his patron saint is inlaid with marble panels and has elaborate white and gold moldings. The tiled floors neutral colors create a stark contrast with the colors of the mens robes. Identifying Chevalier is an engraving on the wall behind him that says IER ESTIEN and this lettering has been used to link the painting to Fouquet since he never signed any of his work. It is very similar to lettering used in several miniatures which are attributed to him, seated on an elaborate gold throne, the Madonna and the Christ child are depicted in the right panel. The Madonna wears a dress, white mantle and a jewel-encrusted crown. On her lap sits the child, who makes a gesture to the left with His left hand at the patron. The two are surrounded by blue and red cherubim, which greatly contrast with the skin of the Virgin. Although the figures are modeled realistically, the mood is otherworldly, the Madonna is depicted here as the Queen of Heaven and is meant to reveal her as between the veil of heaven and earth. She is both human and otherworldly, the unnatural colors have been attributed to represent the heraldic colors of the king, being red, white, and blue. The Virgin is believed to be a portrait of Agnès Sorel, mistress of King Charles VII
Melun Diptych
–
Virgin and Child Surrounded by Angels, right wing of the diptych,
Royal Museum of Fine Arts, Antwerp
Melun Diptych
–
Left wing of the
diptych depicts
Étienne Chevalier with his patron saint
St. Stephen, Berlin
Melun Diptych
–
Medallion originally on the frame now
Louvre
23.
St. Stephen
–
Accused of blasphemy, at his trial he made a long speech denouncing the Jewish authorities who were sitting in judgment on him and was then stoned to death. His martyrdom was witnessed by Saul of Tarsus, a Pharisee who would himself become a follower of Jesus. The only primary source for information about Stephen is the New Testament book of the Acts of the Apostles, Stephen is mentioned in Acts 6 as one of the Greek-speaking Hellenistic Jews selected to participate in a fairer distribution of welfare to the Greek-speaking widows. The Catholic, Anglican, Lutheran, Oriental Orthodox, Eastern Orthodox Churches, Stephens name in the original Greek of the Acts of the Apostles is given as Stephanos, meaning crown. Traditionally, Stephen is invested with a crown of martyrdom, artistic representations often depict him with three stones and the palm frond. Eastern Christian iconography shows him as a young, beardless man with a tonsure, wearing a deacons vestments, according to Orthodox belief, he was the eldest and is therefore called archdeacon. As another deacon, Nicholas of Antioch, is stated to have been a convert to Judaism, it may be assumed that Stephen was born Jewish. Since the name Stephanos is Greek, it has assumed that he was one of these Hellenistic Jews. Stephen is stated to have full of faith and the Holy Spirit. Members of these synagogues had challenged Stephens teachings, but Stephen had bested them in debate, furious at this humiliation, they suborned false testimony that Stephen had preached blasphemy against Moses and God. They dragged him to appear before the Sanhedrin, the legal court of Jewish elders, accusing him of preaching against the Temple. Stephen is said to have been unperturbed, his face looking like that of an angel, robert Eisenman puts forward the theory that the stoning of Stephen is in fact an account of the stoning of James, first Bishop of Jerusalem, as recounted by Josephus, in 62CE. In a long speech to the Sanhedrin comprising almost the whole of Acts Chapter 7, Stephen presents his view of the history of Israel. The God of glory, he says, appeared to Abraham in Mesopotamia, thus establishing at the beginning of the one of its major themes. Stephen recounts the stories of the patriarchs in some depth, God appeared to Moses in the burning bush, and inspired Moses to lead his people out of Egypt. Nevertheless, the Israelites turned to other gods and this establishes the second main theme of Stephens speech, Israels disobedience to God. Stephen faced two accusations, that he had declared that Jesus would destroy the Temple in Jerusalem and that he had changed the customs of Moses. The Roman Catholic Church states that St. Stephen appealed to the Jewish scriptures to prove how the laws of Moses were not subverted by Jesus but and he denounces his listeners as stiff-necked people who, just as their ancestors had done, resist the Holy Spirit
St. Stephen
–
Saint Stephen by
Carlo Crivelli
St. Stephen
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Stoning of Saint Stephen by
Paolo Uccello
St. Stephen
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Saint Stephen by
Luis de Morales
St. Stephen
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Reputed site of the stoning of Stephen, Greek Orthodox Church of St Stephen,
Kidron Valley, Jerusalem.
24.
Berlin
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Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
Berlin
Berlin
Berlin
Berlin
25.
Altarpiece
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An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Large number of altarpieces are now removed from their settings, and often their elaborate sculpted frameworks. Altarpieces seem to have begun to be used during the 11th century, the reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, an elaborate example of such an early altarpiece is the Pala dOro in Venice. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian art and Christian religious practice, the autonomous image now assumed a legitimate position at the centre of Christian worship. Painted panel altars emerged in Italy during the 13th century, in the 13th century, it is not uncommon to find frescoed or mural altarpieces in Italy, mural paintings behind the altar function as visual complements for the liturgy. These altarpieces were influenced by Byzantine art, notably icons, which reached Western Europe in greater numbers following the conquest of Constantinople in 1204. During this time, altarpieces began to be decorated with an outer. Vigoroso da Sienas altarpiece from 1291 display such an altarpiece and this treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture, in Italy, they were still typically executed in wood and painted, while in northern Europe altarpieces were often made of stone. The early 14th century saw the emergence, in Germany, the Netherlands, Scandinavia, the Baltic region, by hinging the outer panels to the central panel and painting them on both sides, the motif could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands, the earliest often displayed sculptures on the inner panels, i. e. displayed when open, and paintings on the back of the wings, displayed when closed. With the advent of winged altarpieces, a shift in imagery also occurred, instead of being centred on a single holy figure, altarpieces began to portray more complex narratives linked to the Christian concept of salvation. As the Middle Ages progressed, altarpieces began to be commissioned more frequently, in Northern Europe, initially Lübeck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds, the 15th century saw the birth of Early Netherlandish painting in the Low Countries, henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead generally preferred, while in England alabaster was used to a large extent, in England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with painted panels and often with complex framing in the form of architectural compositions
Altarpiece
–
The
Ghent Altarpiece (1432) by
Hubert and
Jan van Eyck. Considered one of the masterpieces of
Northern Renaissance art, it is an example of a complex polyptych panel painting
Altarpiece
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Vigoroso da Siena 's altarpiece from 1291, an example of an early painted panel altarpiece, with the individual parts framed by gables and sculptured elements
Altarpiece
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The Altarpiece of the Holy Blood, by
Tilman Riemenschneider (1501–1505). An example of an altarpiece with a central, sculpted section and relief wings.
26.
Royal Museum of Fine Arts, Antwerp
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The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the production and the taste of art enthusiasts in Antwerp, Belgium. The museum is closed for renovation until the end of 2017, the neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jacob Winders and Frans van Dijk, built beginning in 1884, opened in 1890, the building stands in gardens bounded by the Leopold de Waalplaats, the Schildersstraat, the Plaatsnijdersstraat, and the Beeldhouwersstraat. The museums collection began with the artworks owned by the Antwerp Guild of Saint Luke, when the guild disbanded, its gallery of paintings went to the Academy of Fine Arts, which had been founded in 1663 with the involvement of David Teniers. The gallery had works by Peter Paul Rubens, Jacob Jordaens, during French occupations in 1794 and 1796, art was looted from churches and other buildings in Antwerp, the pieces that were later recovered became part of the museums collection. By 1817 the museum listed 127 items in its catalogue, mostly dating to the mid-16th and 17th centuries, william I of the Netherlands helped the museum in various ways. In 1823 he donated three paintings, including a work by Titian—Pope Alexander IV presents Jacopo Pesaro to Saint Peter—which became the museums first foreign piece. He decreed a grant of 20,000 guilders to build the collections contemporary art in 1827, only in 1873 did the museum begin to acquire living artists works. A significant bequest from a mayor of Antwerp, Florent van Ertborn. Van Ertborn had collected Early Netherlandish art at a time when it was out of favour and these works included Jan van Eycks Saint Barbara and Madonna at the Fountain and Rogier van der Weydens Portrait of Philip de Croy and the Seven Sacraments Altarpiece. Also in the bequest were paintings by Hans Memling, Dieric Bouts, Joachim Patinir, Quinten Massys, Jean Fouquet, Simone Martini, Antonello da Messina, at the end of 2011 the museum closed to the public for major renovations
Royal Museum of Fine Arts, Antwerp
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Royal Museum of Fine Arts Antwerp
Royal Museum of Fine Arts, Antwerp
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Jean Fouquet, Virgin and Child Surrounded by Angels
Royal Museum of Fine Arts, Antwerp
–
Hans Memling,
Portrait of a Man with a Roman medal
Royal Museum of Fine Arts, Antwerp
–
The Education of Mary by
Peter Paul Rubens.
27.
Anvers
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Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, lord, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river. Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, however, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is also possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century. In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
Anvers
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Antwerp Antwerpen
Anvers
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Coat of arms
Anvers
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The
Onze-Lieve-Vrouwekathedraal (Cathedral of our Lady) and the
Scheldt river.
Anvers
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Grote Markt
Chisholm, Hugh, ed. (1911). "Foucquet, Jean". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Chisholm, Hugh, ed. (1911). "
