Du & jag döden
Du & jag döden is the sixth studio album by Swedish alternative rock band Kent. The album was released on March 15, 2005 through RCA Records and Sony BMG, it is the final studio album to feature rhythm guitarist Harri Mänty, who left the band during the recording of Tillbaka till samtiden. Du & jag döden debuted at number one in Sweden and Norway, at number two in Denmark and Finland; as of 2007 the album had sold 220,000 copies worldwide. The band's previous album, Vapen & Ammunition became a commercial success, but lead singer and primary songwriter Joakim Berg has said it's not the album "we want to be remembered for". Kent, along with many critics, felt that Vapen & ammunition was over-produced and according to rhythm guitarist Harri Mänty the band wanted to "rediscover, how we sound". Joakim Berg wanted to distance himself from the verse-chorus-verse based songs from the previous album, saying: "On this album I didn't want those hands in the air, sing along-choruses. Instead, I wrote longer verses, the places where you think the chorus will come, there is instead something else", instead he opted for songs with "a more trance-like feeling".
The title Du & jag döden is a reference to Astrid Lindgren's children's novels Emil i Lönneberga where Emil says "Du och jag, Alfred". As the title implies, death is a major theme of the album, of which Joakim Berg has said: "Many of the songs are about the feeling of immortality, you have within you at the age of 18. Which is ironic because you are vulnerable during that time because life has not hardened you yet. You must come to terms with the actions of your past – the years of atonement, I will call them, and it goes downhill with aging. So when it comes to death it is not the exhalation we fear, but the time leading up to it". The theme is most prominent in the song "Mannen i den vita hatten" where Berg sings "Vi ska alla en gång dö". Berg has said of the song: "Death and taxes are the only thing you cannot avoid, it sounds depressing when you only hear that line, but the gist is that you should not worry, but do something with the time you have. Everyone is striving toward a goal all the time that seem to be based on some kind of dissatisfaction, no matter how well you are feeling."
In keeping with the theme, the plastic album cover and the playable side of the CD are both black. In Sweden, the album debuted at number one; the album debuted at number two in Denmark. All lyrics written by Joakim Berg; the song title "Järnspöken" plays on an expression in Swedish, "Hjärnspöken", which means "brain ghosts" and refers to imagined problems, from fixations and unfounded fears to paranoia and hallucinations. "Hjärna" is Swedish for "brain", whereas "järn" means "iron", but the two words are pronounced the same way. A limited edition of the album was available; this included postcards sensitive to UV-light, a booklet printed on thin paper and a poster with the cover picture, among other things. The limitation was 9000 items; the album was available on vinyl, limited to 1500 items. Joakim Berg - Lead vocals and primary songwriter Martin Sköld - Bass and keyboards Sami Sirviö - Lead guitar and keyboards Harri Mänty - Rhythm guitar Markus Mustonen - drums, piano and backing vocals Du & jag döden at Discogs
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, a variety of vocal techniques. A person who sings is called a vocalist. Singers perform music that can be sung without accompaniment by musical instruments. Singing is done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music and religious music styles such as gospel, traditional music styles, world music, blues and popular music styles such as pop, electronic dance music and filmi. Singing arranged or improvised, it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort or ritual, as part of music education or as a profession. Excellence in singing requires time, dedication and regular practice.
If practice is done on a regular basis the sounds can become more clear and strong. Professional singers build their careers around one specific musical genre, such as classical or rock, although there are singers with crossover success, they take voice training provided by voice teachers or vocal coaches throughout their careers. In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort. Exhalation may be aided by lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals and sternocleidomastoid muscles; the pitch is altered with the vocal cords. With the lips closed, this is called humming; the sound of each individual's singing voice is unique not only because of the actual shape and size of an individual's vocal cords but due to the size and shape of the rest of that person's body.
Humans have vocal folds which can loosen, tighten, or change their thickness, over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, timbre, or tone of the sound produced. Sound resonates within different parts of the body and an individual's size and bone structure can affect the sound produced by an individual. Singers can learn to project sound in certain ways so that it resonates better within their vocal tract; this is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds; these different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant, it has been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa.
The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds. Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, possessing the same quality. Registers originate in laryngeal function, they occur. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds; the occurrence of registers has been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract. The term "register" can be somewhat confusing; the term register can be used to refer to any of the following: A particular part of the vocal range such as the upper, middle, or lower registers. A resonance area such as chest voice or head voice. A phonatory process A certain vocal timbre or vocal "color" A region of the voice, defined or delimited by vocal breaks.
In linguistics, a register language is a language which combines tone and vowel phonation into a single phonological system. Within speech pathology, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, the whistle register; this view is adopted by many vocal pedagogues. Vocal resonation is the process by which the basic product of phonation is en
Tillbaka till samtiden
Tillbaka till samtiden is the seventh studio album by Swedish alternative rock band Kent. It was released on October 17, 2007 in Scandinavia through RCA Records and Sony BMG; the album is produced with Danish producer Joshua. The title means "Back a pun on the Swedish translated title of Back to the Future; the album peaked at number one in Sweden, number two in Norway, number three in Finland and number five in Denmark. It has been certified double platinum in Sweden; the band began recording Tillbaka till samtiden in November 2006 in Allaire Studios in New York City. In October 2006, just one month prior to the recording sessions rhythm guitarist Harri Mänty left the band which meant it was "more vulnerable when being one man less, but it has glued us more together", according to guitarist Sami Sirviö. Musically, the band were influenced by electronic music artists such as Plastikman, Aphex Twin, Anthony Rother. Sami Sirviö has said he was "tired of guitars" after recording Du & jag döden. All lyrics written by Joakim Berg.
Kent – production Joshua – production, mixing Joakim Berg – lyrics, music Martin Sköld – music on track 2, 4, 5, 6, 7, 10 Martin Brengesjö – instrument technician Stephanie DuFresne – recording assistant Chris Athens – mastering Goran Kajfes – trumpet on track 1, 8 Camela – vocals on track 7, 10
The lead vocalist in popular music is the member of a group or band whose voice is the most prominent in a performance where multiple voices may be heard. The lead singer either sets against the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, early rock and roll, the lead singer takes the main vocal part, with a chorus provided by other band members as backing vocalists. In rock music, the lead singer or solo singer is the front man or front woman, who may play one or more instruments and is seen as the leader or spokesman of the band by the public; as an example in rock music, Freddie Mercury was the lead singer of Queen. In soul music, Smokey Robinson was the lead singer of The Miracles, it is uncertain when the term "lead vocals" was first used, but it may have emerged in the late 1930s, when rich vocal interplay with multiple voices where one or more voices may dominate began to impact on North American popular music, dominated by solo vocals.
The practice of using a lead singer in vocal groups, has a longer history: an early form is the "call and response" found in work songs and spirituals sung by African-American slaves. Songs of the late nineteenth century used a leading solo voice, followed by a choral response by other singers; as the style developed through early commercial recordings and performances in the early 20th century, the role of the lead vocalist became more established, although popular groups of the 1930s and 1940s such as the Ink Spots and the Mills Brothers used different lead singers on different songs rather than keeping the same lead singer throughout. By the 1950s, singers such as Sam Cooke and Clyde McPhatter took on more defined roles as lead singers, by the end of the decade credited group names changed to reflect the leading roles of the main vocalists, with examples such as Frankie Lymon & the Teenagers and Dion & the Belmonts. Academic David Horn has written:The influence of US rhythm and blues recordings may well be a crucial one in the assimilation of the format of lead singer plus backing group into the guitar-based British'beat' groups of the 1960s, in US groups such as The Beach Boys.
From these various points - including Motown - it went on to become a standard device in much rock and pop music. In some bands - most famously, The Beatles - the role of lead singer alternated, while in others - for example, Herman's Hermits - one lead singer dominated. There are as many styles of lead singer as there are styles and genres of music. However, the lead singer of a group or band is the main focus of audiences' attention; the lead vocalist of band is sometimes called the "front man" or "front woman," as the most visible performer in a group. While most bands have a singular lead singer, many others have dual lead singers, or other member of the band that sing lead on particular songs. While the lead singer defines the group's image and personality to the general public, this is not always the case. In modern rock music, the lead singer is but not always the band's leader and spokesperson. While lead singers or spokespersons for any musical ensembles can be called a front man, the term is used widely in rock music.
Since the position has an expanded role from simple lead vocalists, there have been cases in which the front man for a band is someone other than the lead vocalist. For example, while the lead vocalist for the band Fall Out Boy is guitarist Patrick Stump, the bassist and lyricist, Pete Wentz, is called the front man, both in the media and by the band members themselves, since he represents the band in most interviews and contributes most to the band's image in the popular media. Another example is Angus Young of AC/DC, the band's lead guitarist, co-leader with his brother Malcolm Young. In many bands, such as The Who, Led Zeppelin, Living Colour, The Stone Roses and Oasis, the lead guitarist may share spokesman responsibilities with the lead singer; this is derived from that guitarist's specific role as a co-songwriter, co-founder and/or co-vocalist. In some cases, there are two frontmen, such as Alice in Chains, with singer Layne Staley sharing vocal duties with guitarist Jerry Cantrell, or Underoath, with singers Spencer Chamberlain and Aaron Gillespie sharing vocal duties.
Another example is Blink-182, in which vocal duties are split between bassist Mark Hoppus and guitarist Tom DeLonge. Hoppus carries out most media either by himself or together with DeLonge, while the band's other member, drummer Travis Barker remains quiet. Linkin Park had two vocalists as well, Mike Shinoda and Chester Bennington, both considered as frontmen. Another example is the thrash metal band Metallica, in which James Hetfield and Lars Ulrich share the spokesperson duties for being both founders and the only members who have never left the band. List of lead vocalists
Tim Bergling, known professionally as Avicii, was a Swedish musician, DJ, remixer and record producer. At the age of 16, Bergling began posting his remixes on electronic music forums, which led to his first record deal, he rose to prominence in 2011 with his single "Levels". His debut studio album, blended electronic music with elements of multiple genres and received positive reviews, it topped international dance charts. In 2015, Bergling released his second studio album, in 2017 he released an EP, Avīci, his catalogue included the singles "I Could Be the One" with Nicky Romero, "You Make Me", "X You", "Hey Brother", "Addicted to You", "The Days", "The Nights", "Waiting for Love", "Without You" and "Lonely Together". Bergling was nominated for a Grammy Award for his work on "Sunshine" with David Guetta in 2012 and "Levels" in 2013. Several music publications credit Bergling as among the DJs who ushered electronic music into Top 40 radio in the early 2010s. Bergling retired from touring in 2016 due to health problems, having suffered stress and poor mental health for several years.
On 20 April 2018, Bergling committed suicide in Oman. He was buried on 8 June in his hometown of Stockholm. Tim Bergling was born on 8 September 1989 in Stockholm, Sweden, to Klas Bergling and actress Anki Lidén. Tim started mixing in his bedroom at the age of 8, he has David Bergling, Linda Sterner and Anton Körberg. Inspired by his brother, a DJ, he began making music at the age of 16. In May 2007, Bergling signed on with the Dejfitts Plays label. Bergling was a member of the Laidback Luke Forums, where he refined his craft and, at times, demonstrated his distinct deep house style. By 2009 to 2010, Bergling was a prolific producer and was releasing music quickly, his remixes during this period were "Sound of Now", "Muja", "Ryu" and "Even". Bergling explained that the name Avicii means "the lowest level of Buddhist hell" and he chose the moniker because his real name was used upon creating his Myspace page. In 2010, Bergling released the hit song "Seek Bromance", which reached the top 20 in several countries, including Belgium, the Netherlands, United Kingdom, Sweden.
He remixed Nadia Ali's classic single "Rapture" for her album Queen of Clubs Trilogy: Onyx Edition. In October 2010, Bergling signed with the European A&R team with EMI Music Publishing. In 2011, Bergling released "Levels"; the song was produced by Bergling and contains a vocal sample from the 1962 gospel-inspired "Something's Got a Hold on Me" by Etta James. The same vocal sample was used earlier by Pretty Lights in his 2006 song "Finally Moving"; this sample was used by drum and bass producer Logistics on "Call Me Back" and by Flo Rida in his single "Good Feeling", produced by DJ Prak and Cirkut. "Levels" reached the top ten in Austria, Bosnia, Denmark, Germany, Ireland, the Netherlands and the United Kingdom, whilst topping the charts in Hungary and Sweden. In 2012, his collaboration track "Sunshine" with David Guetta was nominated for a Grammy award under the category for Best Dance Recording, his track "Fade into Darkness" was sampled by Leona Lewis on her single "Collide". The sampling was not accredited and led to controversy as Bergling attempted to block the single's release.
The matter was resolved out of court with representatives stating "that Leona Lewis and Avicii will work together on the forthcoming single of Collide". On 23 March 2012, Bergling's unsigned single "Last Dance" was previewed on Pete Tong's show on BBC Radio 1; the song was released on 27 August 2012. At Ultra Music Festival 2012 in Miami, he premiered two tracks, "Girl Gone Wild" with Madonna and "Superlove" with Lenny Kravitz. Bergling's UMF Remix of "Girl Gone Wild" was released on 20 April 2012, "Superlove" with Kravitz was released on 29 May 2012. After reaching two million followers on Facebook, Bergling released a new song titled "Two Million", it was put out as a free download on his official Soundcloud page. On 27 April 2012, Bergling released "Silhouettes"; the song featured vocals from Salem Al Fakir and peaked at number 5 on the UK Dance charts and number 4 on the Billboard Hot Dance Club Songs. Bergling was a featured performer on 4 August 2012 at Lollapalooza festival in Chicago's Grant Park.
On 12 August 2012, he released "Dancing in My Head" on Beatport. The track features vocals from Eric Turner. A radio edit of the track, titled "Dancing in My Head" was released on 14 August 2012 on iTunes, a remix EP was released on 30 October 2012 featuring remixes from Charlie Bernardo and Michael Woods. On 26 September 2012, Bergling made history as the first DJ to headline the world-famous Radio City Music Hall in New York City, he performed two sold out shows on 27 September. He was supported by Matt Cazzette at the two shows. At his Radio City Music Hall shows, he played a preview of his new track with Mike Posner titled "Stay with You". On 29 December 2012, Bergling premiered many new songs at Lights All Night, Dallas Convention Center, some of which made it on to his first album, True; these unreleased songs included "I'll Be Gone" and "Let It Go". The instrumental of "Let It Go" was mixed with the a capella of "Addicted to You" to become "Addicted to You". On the same day, Bergling released "I Could Be the One" with Nicky Romero.
After first being
A music video is a short film that integrates a song with imagery, is produced for promotional or artistic purposes. Modern music videos are made and used as a marketing device intended to promote the sale of music recordings. There are cases where songs are used in tie-in marketing campaigns that allow them to become more than just a song. Tie-ins and merchandising can be used for food or other products. Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV based their format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action and non-narrative approaches such as abstract film.
Some music videos combine different styles with the music, such as animation and live action. Combining these styles and techniques has become more popular because of the variety for the audience. Many music videos interpret images and scenes from the song's lyrics, while others take a more thematic approach. Other music videos may not have any concept, being a filmed version of the song's live concert performance. In 1894, sheet music publishers Edward B. Marks Joe Stern hired electrician George Thomas and various performers to promote sales of their song "The Little Lost Child". Using a magic lantern, Thomas projected a series of still images on a screen simultaneous to live performances; this would become a popular form of entertainment known as the illustrated song, the first step toward music video. In 1926, with the arrival of "talkies" many musical short films were produced. Vitaphone shorts featured many bands and dancers. Animation artist Max Fleischer introduced a series of sing-along short cartoons called Screen Songs, which invited audiences to sing along to popular songs by "following the bouncing ball", similar to a modern karaoke machine.
Early 1930s cartoons featured popular musicians performing their hit songs on-camera in live-action segments during the cartoons. The early animated films by Walt Disney, such as the Silly Symphonies shorts and Fantasia, which featured several interpretations of classical pieces, were built around music; the Warner Bros. cartoons today billed as Looney Tunes and Merrie Melodies, were fashioned around specific songs from upcoming Warner Bros. musical films. Live action musical shorts, featuring such popular performers as Cab Calloway, were distributed to theaters. Blues singer Bessie Smith appeared in a two-reel short film called St. Louis Blues featuring a dramatized performance of the hit song. Numerous other musicians appeared in short musical subjects during this period. Soundies and released from 1940 to 1947, were musical films that included short dance sequences, similar to music videos. In the mid-1940s, musician Louis Jordan made short films for his songs, some of which were spliced together into a feature film, Lookout Sister.
These films were, according to music historian Donald Clarke, the "ancestors" of music video. Musical films were another important precursor to music video, several well-known music videos have imitated the style of classic Hollywood musicals from the 1930s to the 1950s. One of the best-known examples is Madonna's 1985 video for "Material Girl", modelled on Jack Cole's staging of "Diamonds Are A Girl's Best Friend" from the film Gentlemen Prefer Blondes. Several of Michael Jackson's videos show the unmistakable influence of the dance sequences in classic Hollywood musicals, including the landmark "Thriller" and the Martin Scorsese-directed "Bad", influenced by the stylised dance "fights" in the film version of West Side Story. According to the Internet Accuracy Project, disc jockey–singer J. P. "The Big Bopper" Richardson was the first to coin the phrase "music video", in 1959. In his autobiography, Tony Bennett claims to have created "...the first music video" when he was filmed walking along the Serpentine in Hyde Park, London in 1956, with the resulting clip being set to his recording of the song "Stranger in Paradise".
The clip was sent to UK and US television stations and aired on shows including Dick Clark's American Bandstand. The oldest example of a promotional music video with similarities to more abstract, modern videos seems to be the Czech "Dáme si do bytu" created in 1958 and directed by Ladislav Rychman. In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Dutronc, the Belgian Jacques Brel to accompany their songs, its use spread to other countries, similar machines such as the Cinebox in Italy and Color-Sonic in the USA were patented. In 1961, for the Canadian show Singalong Jubilee, Manny Pittson began pre-recording the music audio, went on-location and taped various visuals with the musicians lip-synching edited the audio and video together. Most music numbers were taped in-studio on stage, the location shoot "videos" were to add variety. In 1964, Kenneth Anger's experimental short film, Scorpio Rising used popular songs instead of dialog.
In 1964, The Moody Blues producer, Alex Murray, wanted to promote his version of "Go Now". The short film clip he produced and directed to promote the single has a striking visual style that predates Queen's similar "Bohemian Rhapsody" vid
Box 1991–2008 is a summary of the Swedish rock group Kent's career. The Box contains everything the group has recorded between 1991 and 2008, it contains many demo recordings and every studio album. It contains the first official live recording the group has made of a concert, a live recording of a new unreleased song called "Håll ditt huvud högt" made during a concert in the band's hometown of Eskilstuna in July 2008; the Box contains every studio album the band has recorded, except for their English releases of Isola and Hagnesta Hill and their respective singles, every B-side released after 2000. It include some demo recordings and four songs that were recorded pre-Kent. Two songs that were released when the band went under the name of Havsänglar and two recorded when the band was called Jones & Giftet. All albums have new covers and the box contains inner bags drawn by lead singer Jocke Berg; the box contains a 96-page-long interview with the band made by Swedish journalist and writer Jan Gradvall.
The box contains tour history, song lyrics and private pictures. All ten albums, all with new covers 26 different bonus tracks 15 unreleased tracks A total of 133 tracks The live version of "Håll ditt huvud högt" recorded in Eskilstuna the summer of 2008 96-page book containing an interview by Jan Gradvall Private pictures Tour history Song lyrics Inner bags drawn by Joakim Berg Blåjeans Blue jeans 2:57 Som vatten Like water 2:53 Ingenting någonsin Nothing Ever 3:57 När det blåser på månen When it is windy on the Moon 4:19 Jag vill inte vara rädd I don't want to be afraid 3:30 Vad två öron klarar What two ears can take 3:42 Den osynlige mannen The Invisible Man 2:41 Pojken med hålet i handen The Boy with the Hole in his hand 2:08 Ingen kommer att tro dig No one will believe you 3:31 Stenbrott Quarry 4:18 Frank 4:48Bonus tracks: Döda dagar Dead Days 3:47 Håll i mig Hold me 4:36 Ögon Eyes 5:07 Klocka Clock 4:40 Cirkel Circle 3:59 Avtryck Print 3:11 Kräm Cream 2:42 Gravitation Gravity 3:44 Istället för ljud Instead of sounds 4:22 10 Minuter 10 Minutes 3:10 En timme en minut An hour a minute 8:08 Indianer Indians 3:47 Halka Slipperiness 3:03 Thinner Thinner 3:59 Vi kan väl vänta tills imorgon Can't we wait until tomorrow 6:55Bonus tracks: Saker man ser Things you see 3:16 Alpha Alpha 3:30 Din skugga Your shadow 4:10 Livräddaren Life saver 4:36 Om du var här If you were here 3:59 Saker man ser Things you see 3:54 Oprofessionell Unprofessional 4:43 OWC 3:08 Celsius Celsius 4:15 Bianca Bianca 4:55 Innan allting tar slut Before everything ends 3:40 Elvis Elvis 4:33 Glider Glider 4:04 747 7:47Bonus tracks: OWC 3:00 Celsius 4:04 Kungen är död The King is Dead 4:17 Revolt III 3:10 Musik non-stop Music Non Stop 4:34 Kevlarsjäl Kevlar Soul 4:26 Ett tidsfördriv att dö för A pastime to Die for 4:36 Stoppa mig juni Stop me June 06:22 En himmelsk drog Heavenly junkies 4:04 Stanna hos mig Stay with me 3:57 Cowboys Cowboys 5:49 Beskyddaren Protection 4:46 Berg&Dalvana 4:47 Insekter Insects 4:08 Visslaren Whistle song 7:47Bonus track: Inhale/Exhale 4:04 Chans Chance 5:21 Spökstad Ghost town 4:41 Längtan skala 3:1 Longing scale 3:1 6:51 Om gyllene år About golden years 2:39 Noll Zero 4:28 Önskar att någon...
Wish that someone... 3:56 Bas riff Bass riff 3:39 Din skugga Your shadow 4:04 Elever Students 4:45 Längesen vi sågs Long time no see 4:29 December December 3:46 Utan dina andetag Without your Breath 4:23 På nära håll At close quarters 3:19 Livrädd med stil Terrified with style 3:03 Verkligen Really 5:30 Gummiband Rubber band 4:46 Att presentera ett svin To introduce a swine 4:26 En helt ny karriär A Whole New Career 4:08 Rödljus Red Lights 3:40 Pojken med hålet i handen The boy with the hole in his hand 4:11 Kallt kaffe Cold coffee 3:26 Den osynlige mannen The Invisible Man 2:38 Slutsats Conclusion 2:48 Rödljus II Red Lights II 4:34 En helt ny karriär II A Whole New Career II 5:27 Sundance Kid 5:09 Pärlor Pearls 3:55 Dom andra The Others 3:46 Duett Duet 4:42 Hur jag fick dig att älska mig How I made you love me 5:21 Kärleken väntar Love awaits 3:59 Socker Sugar 5:35 FF 4:13 Elite 6:05 Sverige Sweden 2:58Bonus tracks: Vintervila Winter rest 4:14 Lämnar Leaving 4:53 VinterNoll2 WinterZero2 4:25 Socker Sugar 4:36 Love Undone 3:58 400 slag 400 Blows 4:57 Du är ånga You are Steam 3:51 Den döda vinkeln The Dead Angle 4:19 Du var min armé You were my army 3:30 Palace & Main 4:05 Järnspöken Iron Ghosts 3:48 Klåparen Bungler 5:25 Max 500 3:35 Romeo återvänder ensam Romeo Returns Alone 4:03 Rosor & Palmblad Roses & Palm leaves 4:05 Mannen i den vita hatten The Man in the White Hat 6:37Bonus tracks: M 4:23 Välgärningar och illdåd Benefactories and Atrocities 3:40 Nihilisten The Nihilist 4:14 Alla mot alla All against All 4:00 Vi mot världen Us against the World 4:10 Dom som försvann Those who disappeared 4:54 Ansgar & Evelyne 4:16 Flen/Paris 3:44 Månadens erbjudande Offer of the Month 4:10Bonus track: Nålens öga Eye of the Needle 6:14 Elefanter Elephants 5:21 Berlin 4:36 Ingenting Nothing 4:17 Vid din sida By your side 4:55 Columbus 4:26 Sömnen The Sleep 4:08 Vy Från Ett Luftslott View from an Air castle 4:23 Våga vara rädd Dare to be afraid 3:59 LSD, någon?
LSD, Anyone? 4:20 Generation Ex Generation Ex 4:30 Ensammast i Sverige Loneliest in Sw