1.
Dutch people
–
The Dutch, occasionally referred to as Netherlanders—a term that is cognate to the Dutch word for Dutch people, Nederlanders—are a Germanic ethnic group native to the Netherlands. They share a culture and speak the Dutch language. The high degree of urbanization characteristic of Dutch society was attained at an early date. During the Republic the first series of large scale Dutch migrations outside of Europe took place, despite the small size of the Netherlands, the Dutch left behind a legacy in excess of their mere numbers. The traditional art and culture of the Dutch encompasses various forms of music, dances, architectural styles and clothing. Internationally, Dutch painters such as Rembrandt, Vermeer and Van Gogh are held in high regard, the dominant religion of the Dutch is Christianity, although in modern times the majority is no longer religious. Significant percentages of the Dutch are adherents of humanism, agnosticism, atheism or individual spirituality, as with all ethnic groups the ethnogenesis of the Dutch has been a lengthy and complex process. The text below hence focuses on the history of the Dutch ethnic group, for Dutch national history, for Dutch colonial history, see the article on the Dutch Empire. Following the end of the period in the West around 500, with large federations settling the decaying Roman Empire. In the Low Countries, this began when the Franks, themselves a union of multiple smaller tribes. Eventually, in 358, the Salian Franks, one of the three main subdivisions among the Frankish alliance settled the areas Southern lands as foederati, Roman allies in charge of border defense. On a political level, the Frankish warlords abandoned tribalism and founded a number of kingdoms, however, the population make-up of the Frankish Empire, or even early Frankish kingdoms such as Neustria and Austrasia, was not dominated by Franks. Though the Frankish leaders controlled most of Western Europe, the Franks themselves were confined to the Northwestern part of the Empire, the current Dutch-French language border has remained virtually identical ever since, and could be seen as marking the furthest pale of gallicization among the Franks. The medieval cities of the Low Countries, which experienced major growth during the 11th and 12th century, were instrumental in breaking down the already relatively loose local form of feudalism, as they became increasingly powerful, they used their economical strength to influence the politics of their nobility. While the cities were of political importance, they also formed catalysts for medieval Dutch culture. The various city guilds as well as the necessity of water boards in the Dutch delta and it is also around this time, that ethnonyms such as Diets and Nederlands emerge. This process marked a new episode in the development of the Dutch ethnic group, as now political unity started to emerge, consolidating the strengthened cultural, despite their linguistic and cultural unity, and economic similarities, there was still little sense of political unity among the Dutch people. However, the centralist policies of Burgundy in the 14th and 15th centuries, at first violently opposed by the cities of the Low Countries, had a profound impact and changed this
2.
Cartography
–
Cartography is the study and practice of making maps. Combining science, aesthetics, and technique, cartography builds on the premise that reality can be modeled in ways that communicate spatial information effectively, the fundamental problems of traditional cartography are to, Set the maps agenda and select traits of the object to be mapped. This is the concern of map editing, traits may be physical, such as roads or land masses, or may be abstract, such as toponyms or political boundaries. Represent the terrain of the object on flat media. This is the concern of map projections, eliminate characteristics of the mapped object that are not relevant to the maps purpose. This is the concern of generalization, reduce the complexity of the characteristics that will be mapped. This is also the concern of generalization, orchestrate the elements of the map to best convey its message to its audience. This is the concern of map design, modern cartography constitutes many theoretical and practical foundations of geographic information systems. The earliest known map is a matter of debate, both because the term map isnt well-defined and because some artifacts that might be maps might actually be something else. A wall painting that might depict the ancient Anatolian city of Çatalhöyük has been dated to the late 7th millennium BCE, the oldest surviving world maps are from 9th century BCE Babylonia. One shows Babylon on the Euphrates, surrounded by Assyria, Urartu and several cities, all, in turn, another depicts Babylon as being north of the world center. The ancient Greeks and Romans created maps since Anaximander in the 6th century BCE, in the 2nd century AD, Ptolemy wrote his treatise on cartography, Geographia. This contained Ptolemys world map – the world known to Western society. As early as the 8th century, Arab scholars were translating the works of the Greek geographers into Arabic, in ancient China, geographical literature dates to the 5th century BCE. The oldest extant Chinese maps come from the State of Qin, dated back to the 4th century BCE, in the book of the Xin Yi Xiang Fa Yao, published in 1092 by the Chinese scientist Su Song, a star map on the equidistant cylindrical projection. Early forms of cartography of India included depictions of the pole star and these charts may have been used for navigation. Mappa mundi are the Medieval European maps of the world, approximately 1,100 mappae mundi are known to have survived from the Middle Ages. Of these, some 900 are found illustrating manuscripts and the remainder exist as stand-alone documents, the Arab geographer Muhammad al-Idrisi produced his medieval atlas Tabula Rogeriana in 1154
3.
Alkmaar
–
Alkmaar is a municipality and a city in the Netherlands, in the province of North Holland. Alkmaar is well known for its cheese market. For tourists, it is a cultural destination. The earliest mention of the name Alkmaar is in a 10th-century document, as the village grew into a town, it was granted city rights in 1254. The oldest part of Alkmaar lies on an ancient sand bank that afforded protection from inundation during medieval times. Even so, it is only a couple of metres above the surrounding region, in 1573 the city underwent a siege by Spanish forces under the leadership of Don Fadrique, son of the Duke of Alva. Some of his dispatches fell into the hands of Don Fadrique, and, with the beginning to rise. It was a point in the Eighty Years War and gave rise to the expression Bij Alkmaar begint de victorie. The event is celebrated every year in Alkmaar on 8 October. In 1799, during the French revolutionary wars, an Anglo-Russian expeditionary force captured the city but was defeated in the Battle of Castricum. The French victory was commemorated on the Arc de Triomphe in Paris as Alkmaer, the North Holland Canal, opened in 1824, was dug through Alkmaar. In 1865 and 1867 the railways between Alkmaar and Den Helder and between Alkmaar and Haarlem were built respectively, in the second half of the 20th century, Alkmaar expanded quickly with development of new neighbourhoods. On 1 October 1972, the town of Oudorp and the portions of Koedijk. The municipality of Alkmaar consists of the cities, towns, villages and/or districts, Alkmaar, Koedijk, Overdie, Oudorp. These once separate villages are now all linked together by the suburban sprawl of buildings that arose between the late 1970s and early 1990s, during this time, the population of Alkmaar almost doubled. On 1 January 2015 the municipalities of Graft-De Rijp and Schermer were merged into Alkmaar, there are direct trains to Den Helder, Hoorn, Zaandam, Amsterdam, Utrecht, Ede, Arnhem, Nijmegen, s-Hertogenbosch, Eindhoven, Maastricht and Haarlem. For exact details see Alkmaar railway station, Alkmaar has two railway stations, Alkmaar Alkmaar Noord The waterway Noordhollandsch Kanaal, which opened in 1824, runs through Alkmaar. Alkmaar has many buildings that are still intact, most notably the tall tower of the Grote of Sint-Laurenskerk
4.
Willem Blaeu
–
Willem Janszoon Blaeu, also abbreviated to Willem Jansz. Blaeu, was a Dutch cartographer, atlas maker and publisher and he was one of the notable representatives of the Netherlandish/Dutch school of cartography in its golden age. Blaeu was born at Uitgeest or Alkmaar, as the son of a well-to-do herring salesman, he was destined to succeed his father in the trade, but his interests lay more in mathematics and astronomy. Between 1594 and 1596, as a student of the Danish astronomer Tycho Brahe, he qualified as an instrument, in 1600 he discovered the second ever variable star, now known as P Cygni. In 1633 he was appointed map-maker of the Dutch East India Company and he had two sons, Johannes and Cornelis Blaeu, who continued their fathers mapmaking and publishing business after his death in 1638. Prints of the works are still sold today. Original maps are rare collector items, Blaeus maps were featured in the works of the Dutch painter Johannes Vermeer of Delft, who holds a position of great honor among map historians. Several of his paintings illustrate maps hanging on walls or globes standing on tables or cabinets, Vermeer painted these cartographical documents with such detail that it is often possible to identify the actual maps. Though no longer extant, the existence is known from archival sources. Topographia, Descriptore Balthazaro Florentio a Berkerode Batavo, Vermeer must have had a copy at his disposal. Bright sunlight bathes the girl and the map on the wall. Vermeers gift for realism is evidenced by the fact that the map, mounted on linen and wooden rods, is identifiable as Blaeus 1621 map of Holland. He captures faithfully its characteristic design, decoration, and geographic content and his maps formed the bulk of the Atlas Maior, that became a collectors item in Amsterdam. One of Blaeus globes was purchased at auction by Maarten Magielse, Magielse is now lending it to the globe museum in Vienna, where it is being exhibited. Aardglobe Hemelglobe Nieuw Graetboeck Nywe Paskaerte t Licht der zeevaert Spieghel der Schrijfkonste Nova et Accurata Totius Hollandiae Westfriesiaeq, Atlas Novus Atlas Theatrum Orbis Terrarum Toonneel des Aerdrycks Le Theatre du Monde Theatre du monde ou Nouvel Atlas Firma Blaeu is window nummer 18 in the Canon of Amsterdam. Blaeu and Joan Blaeu, Houten, Hes & De Graaf publishers BV, ISBN 90-6194-438-4 P. J. H. Baudet, Johannes Keuning and Marijke Donkersloot-de Vrij, Willem Jansz. Blaeu, a biography and history of his work as cartographer and publisher, Amsterdam 1973
5.
Atlas Maior
–
It was the largest and most expensive book published in the seventeenth century. Earlier, much smaller versions, titled Theatrum Orbis Terrarum, sive, somewhere around 1604 Willem Blaeu settled down in Amsterdam and opened a shop on the Damrak, where he produced and sold scientific instruments, globes and maps. He was also a publisher, editor and engraver, in 1629, Willem Blaeu bought the copperplates of several dozens of maps from Jodocus Hondius IIs widow. Afterwards, he published an Atlantis Appendix to Mercators atlas in 1630, containing 60 maps, the next year a new edition was published, with 98 maps and descriptive text in Latin. Willem and his son Joan Blaeu made an announcement in an Amsterdam newspaper that they would publish their own full atlas in 1634. After his fathers death in 1638, Joan continued to rework, a three volume edition was published from 1640 onwards. The final version of the atlas was published as the Atlas Maior and contained 594 maps in eleven, twelve and this final version of the Atlas Maior was the largest and most expansive book published in the seventeenth century. The first volumes were published in 1662, the last volume was finished in 1665 and he also started creating a 12 volume Spanish edition, however, only 10 volumes were finished. The second part and third part were never produced, in 1672, fire broke out in the workshop. Joan Blaeu died the next year, no new editions of his atlases were published and the family business went bankrupt within a few years. University of Chicago Press,2003, ISBN 0-226-30071-4, john Goss & Peter Clark, Blaeu – Der große Atlas, die Welt im 17. Wien 1990, ISBN 3-701-40304-X J. Keuning, Willem Jansz, a biography and history of his work as a cartographer and publisher. Rev. and ed. by M. Donkersloot-De Vrij, koeman, Joan Blaeu and his Grand atlas. Ute Schneider, Die Macht der Karten, eine Geschichte der Kartographie vom Mittelalter bis heute. R. Shirley, The mapping of the world, london 1983 F. Wawrik, Berühmte Atlanten. Dortmund 1982 Bibliographical descriptions of the atlases, Peter van der Krogt, Koemans Atlantes Neerlandici II, the third centenary ed. Amsterdam 1967-1968 Taschen editions based on the Atlas Blaeu-Van der Hem of the Österreichische Nationalbibliothek, Vienna, Peter van der Krogt, Joan Blaeu. // Peter van der Krogt, Joan Blaeu, // Peter van der Krogt, Joan Blaeu. // Peter van der Krogt, Joan Blaeu, Peter van der Krogt, Joan Blaeu
6.
Dutch East India Company
–
It is often considered to be the worlds first truly transnational corporation and the first company in history to actually issue bonds and shares of stock to the general public. In other words, the VOC was officially the first publicly traded company of the world, the company was also considered by many to be the very first major and the greatest corporation in history. Statistically, the VOC eclipsed all of its rivals in international trade for almost 200 years of existence. Between 1602 and 1796 the VOC sent almost a million Europeans to work in the Asia trade on 4,785 ships, the VOC enjoyed huge profits from its spice monopoly through most of the 17th century. Having been set up in 1602, to profit from the Malukan spice trade, in 1619 the VOC established a capital in the city of Jayakarta. Over the next two centuries the Company acquired additional ports as trading bases and safeguarded their interests by taking over surrounding territory and it remained an important trading concern and paid an 18% annual dividend for almost 200 years. Around the world and especially in English-speaking countries, the VOC is widely known as the Dutch East India Company, the name ‘Dutch East India Company’ is used to make a distinction with the East India Company and other East Indian companies. The abbreviation VOC stands for Vereenigde Oost-Indische Compagnie or Verenigde Oostindische Compagnie in Dutch, the VOC monogram was possibly the first globally-recognized corporate logo. The logo of the VOC consisted of a large capital V with an O on the left and it appeared on various corporate items, such as cannon and coins. The first letter of the hometown of the conducting the operation was placed on top. An Australian vintner has used the VOC logo since the late 20th century, the flag of the company was orange, white, and blue, with the company logo embroidered on it. Before the Dutch Revolt, Antwerp had played an important role as a centre in northern Europe. At the same time, the Portuguese trade system was unable to supply to satisfy growing demand. Demand for spices was relatively inelastic, and therefore each lag in the supply of pepper caused a rise in pepper prices. These three factors motivated Dutch merchants to enter the spice trade themselves. Further, a number of Dutchmen like Jan Huyghen van Linschoten and Cornelis de Houtman obtained first hand knowledge of the secret Portuguese trade routes and practices, thereby providing opportunity. The stage was set for Houtmans 1595 four-ship exploratory expedition to Banten, the main pepper port of West Java. Houtmans expedition then sailed east along the north coast of Java, losing twelve crew to a Javanese attack at Sidayu, half the crew were lost before the expedition made it back to the Netherlands the following year, but with enough spices to make a considerable profit
7.
National Library of Australia
–
In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
8.
Abel Tasman
–
Abel Janszoon Tasman was a Dutch seafarer, explorer, and merchant, best known for his voyages of 1642 and 1644 in the service of the Dutch East India Company. In 1633 he sailed from Texel to Batavia in the service of the Dutch East India Company, Tasman took part in a voyage to Seram Island, the locals had sold spices to others than the Dutch. He had a escape from death, when in an incautious landing several of his companions were killed by people of Seram. In August 1637 he was back in Amsterdam, and the year he signed on for another ten years. On 25 March 1638 he tried to sell his property in the Jordaan, in 1639 he was second-in-command of an exploration expedition in the north Pacific under Matthijs Quast. The fleet included the ships Engel and Gracht and reached Fort Zeelandia and this expedition used two small ships, the Heemskerck and the Zeehaen. According to Marco Polo, Locach was a kingdom where gold was “so plentiful that no one who did not see it could believe it”, Beach was in fact a mistranscription of Locach. Locach was Marco Polo’s name for the southern Thai kingdom of Lavo, or Lop Buri, in Chinese, Lavo was pronounced “Lo-huk”, from which Marco Polo took his rendition of the name. In the German cursive script, “Locach” and “Boeach” look similar and they seem to have drawn on the map of the world published in Florence in 1489 by Henricus Martellus, in which provincia boëach appears as the southern neighbour of provincia ciamba. Book III of Marco Polo’s Il Milione described his journey by sea from China to India by way of Champa, Java, Locach, after a chapter describing the kingdom of Champa there follows a chapter describing Java. Locach, located between Champa and Sumatra, was likewise misplaced far to the south of Java, by some geographers on or near an extension of the Terra Australis. Gerard Mercator did just that on his 1541 globe, placing Beach provincia aurifera in the northernmost part of the Terra Australis in accordance with the faulty text of Marco Polo’s Travels. Following Mercator, Abraham Ortelius also showed BEACH and LVCACH in these locations on his map of 1571. Confirmation that land existed where the maps showed Beach to be had come from Dirk Hartog’s landing in October 1616 on its west coast, which he called Eendrachtsland after the name of his ship. In accordance with Visschers directions, Tasman sailed from Batavia on 14 August 1642 and arrived at Mauritius on 5 September 1642, the reason for this was the crew could be fed well on the island, there was plenty of fresh water and timber to repair the ships. Tasman got the assistance of the governor Adriaan van der Stel, because of the prevailing winds Mauritius was chosen as a turning point. After a four-week stay on the island both ships left on 8 October using the Roaring Forties to sail east as fast as possible. On 7 November snow and hail influenced the ships council to alter course to a more north-eastern direction, on 24 November 1642 Abel Tasman reached and sighted the west coast of Tasmania, north of Macquarie Harbour
9.
Nicolaus Copernicus
–
Copernicus was born and died in Royal Prussia, a region that had been part of the Kingdom of Poland since 1466. A polyglot and polymath, he obtained a doctorate in law and was also a mathematician, astronomer, physician, classics scholar, translator, governor, diplomat. In 1517 he derived a quantity theory of money – a key concept in economics –, Nicolaus Copernicus was born on 19 February 1473 in the city of Toruń, in the province of Royal Prussia, in the Crown of the Kingdom of Poland. His father was a merchant from Kraków and his mother was the daughter of a wealthy Toruń merchant, Nicolaus was the youngest of four children. His brother Andreas became an Augustinian canon at Frombork and his sister Barbara, named after her mother, became a Benedictine nun and, in her final years, prioress of a convent in Chełmno, she died after 1517. His sister Katharina married the businessman and Toruń city councilor Barthel Gertner and left five children, Copernicus fathers family can be traced to a village in Silesia near Nysa. The villages name has been variously spelled Kopernik, Copernik, Copernic, Kopernic, Coprirnik, in the 14th century, members of the family began moving to various other Silesian cities, to the Polish capital, Kraków, and to Toruń. The father, Mikołaj the Elder, likely the son of Jan, Nicolaus was named after his father, who appears in records for the first time as a well-to-do merchant who dealt in copper, selling it mostly in Danzig. He moved from Kraków to Toruń around 1458, Nicolaus father was actively engaged in the politics of the day and supported Poland and the cities against the Teutonic Order. In 1454 he mediated negotiations between Polands Cardinal Zbigniew Oleśnicki and the Prussian cities for repayment of war loans, Copernicuss father married Barbara Watzenrode, the astronomers mother, between 1461 and 1464. The Modlibógs were a prominent Polish family who had been known in Polands history since 1271. The Watzenrode family, like the Kopernik family, had come from Silesia from near Świdnica and they soon became one of the wealthiest and most influential patrician families. Lucas Watzenrode the Elder, a merchant and in 1439–62 president of the judicial bench, was a decided opponent of the Teutonic Knights. In 1453 he was the delegate from Toruń at the Grudziądz conference that planned the uprising against them, Lucas Watzenrode the Younger, the astronomers maternal uncle and patron, was educated at the University of Kraków and at the universities of Cologne and Bologna. He was an opponent of the Teutonic Order, and its Grand Master once referred to him as the devil incarnate. In 1489 Watzenrode was elected Bishop of Warmia against the preference of King Casimir IV, as a result, Watzenrode quarreled with the king until Casimir IVs death three years later. Watzenrode was then able to close relations with three successive Polish monarchs, John I Albert, Alexander Jagiellon, and Sigismund I the Old. He was a friend and key advisor to each ruler, Watzenrode came to be considered the most powerful man in Warmia, and his wealth, connections and influence allowed him to secure Copernicus education and career as a canon at Frombork Cathedral
10.
Jacob van Campen
–
Jacob van Campen, was a Dutch artist and architect of the Golden Age. He was born into a family at Haarlem, and spent his youth in his home town. Being of noble birth and with time on his hands, he took up painting mainly as a pastime, in 1614, he became a member of the Guild of Saint Luke, and studied painting under Frans de Grebber - a number of Van Campens oils survive. About 1616 to 1624 he is thought to have lived in Italy, on his return to the Netherlands, Van Campen turned to architecture, applying ideas borrowed from Andrea Palladio, Vincenzo Scamozzi and classical influences from Vitruvius. Van Campen was friendly with Constantijn Huygens, and together designed a new house for Huygens. Even after Van Campens death, his work greatly influenced Johan Maurits van Nassau-Siegen, the designer of the Kleefse gardens, the latter to own a book by Van Campen regardless of the expense. The city hall and the city palace of Potsdam owe a debt to ideas by Van Campen, Van Campens first known building was the Coymans house built in 1625 in Amsterdam. About 1645 Van Campen designed the Nieuwe Kerk in Haarlem, a church that influenced Christopher Wren and his best-known work is probably the large Town Hall of Amsterdam, now the Royal Palace in Dam Square. Van Campen worked as an architect, a painter and a designer of decorative schemes and he was assisted in his work by Pieter Post, Daniël Stalpaert, Matthias Withoos, Philips Vingboons, Artus Quellinus, Tielman van Gameren and Rombout Verhulst. During the building of the city hall, Van Campen lived in very expensive lodgings in the nearby Kalverstraat, in 1654 Van Campen left after an argument, probably in connection with the design of the barrel vaults. Stalpaert won, but his completion of the project was reported to be less fine than Van Campens designs, after a long career, Van Campen died in 1657 in his buitenplaats Randenbroek near Amersfoort, which he had inherited from his mother, and was buried there. He had expanded it himself and had it decorated by Caesar van Everdingen, Van Campen never married, but had one son, Alexander Van Campen. Van Campen was selective in what projects he took on and his best known works are, The Royal Palace, Amsterdam, former city hall. In 1647, his name is mentioned for the first time in connection with the design of the new city hall and it was to be a perfect building, perfect in its proportions and in the message it conveyed to the spectator. Its power lies in its strict and perfect proportions and extremely moderate decoration, critics loathed the simple entrance - without stairs - on the ground floor. He is suspected to have had a hand in the alteration of the Rembrandthuis at the Jodenbreestraat in Amsterdam, the Theatre of Van Campen, based on the example of Teatro Olimpico in Vicenza, in Amsterdam. The Paleis Noordeinde, a palace in The Hague. As well as houses and palaces, he designed a number of churches, such as those at Renswoude and at Hooge Zwaluwe
.jpg)
.jpg)
.jpg)
