1.
Plymouth
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Plymouths early history extends to the Bronze Age, when a first settlement emerged at Mount Batten. This settlement continued as a trading post for the Roman Empire, until it was surpassed by the prosperous village of Sutton founded in the ninth century. In 1620, the Pilgrim Fathers departed Plymouth for the New World, during the English Civil War the town was held by the Parliamentarians and was besieged between 1642 and 1646. The combined town took the name of Plymouth which, in 1928, the citys naval importance later led to its targeting and partial destruction during World War II, an act known as the Plymouth Blitz. After the war the city centre was rebuilt and subsequent expansion led to the incorporation of Plympton. The city is home to 262,700 people, making it the 30th most populous area in the United Kingdom. It is governed locally by Plymouth City Council and is represented nationally by three MPs, Plymouths economy remains strongly influenced by shipbuilding and seafaring including ferry links to Brittany and Spain, but has tended toward a service-based economy since the 1990s. It has the largest operational base in Western Europe – HMNB Devonport and is home to Plymouth University. An unidentified settlement named TAMARI OSTIA is listed in Ptolemys Geographia and is presumed to be located in the area of the modern city, at the time this village was called Sutton, meaning south town in Old English. The name Plym Mouth, meaning mouth of the River Plym was first mentioned in a Pipe Roll of 1211, the name Plymouth first officially replaced Sutton in a charter of King Henry VI in 1440. See Plympton for the derivation of the name Plym, during the Hundred Years War a French attack burned a manor house and took some prisoners, but failed to get into the town. In 1403 the town was burned by Breton raiders, on 12 November,1439, the English Parliament made Plymouth the first town incorporated. The castle served to protect Sutton Pool, which is where the fleet was based in Plymouth prior to the establishment of Plymouth Dockyard. In 1512 an Act of Parliament was passed for further fortifying Plymouth, defences on St Nicholas Island also date from this time, and a string of six artillery blockhouses were built, including one on Fishers Nose at the south-eastern corner of the Hoe. This location was further strengthened by the building of a fort in 1596, during the 16th century locally produced wool was the major export commodity. According to legend, Drake insisted on completing his game of bowls on the Hoe before engaging the Spanish Armada in 1588. In 1620 the Pilgrim Fathers set sail for the New World from Plymouth, during the English Civil War Plymouth sided with the Parliamentarians and was besieged for almost four years by the Royalists. The last major attack by the Royalist was by Sir Richard Grenville leading thousands of soldiers towards Plymouth, the civil war ended as a Parliamentary win, but monarchy was restored by King Charles II in 1660, who imprisoned many of the Parliamentary heroes on Drakes Island
2.
Greek Revival architecture
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The Greek Revival was an architectural movement of the late 18th and early 19th centuries, predominantly in Northern Europe and the United States. A product of Hellenism, it may be looked upon as the last phase in the development of Neoclassical architecture, the term was first used by Charles Robert Cockerell in a lecture he gave as Professor of Architecture to the Royal Academy of Arts, London in 1842. With a newfound access to Greece, or initially the books produced by the few who had actually been able to visit the sites, archaeologist-architects of the period studied the Doric and Ionic orders. This was especially the case in Britain, Germany and the United States, Greek Revival architecture took a different course in a number of countries, lasting until the Civil War in America and even later in Scotland. Despite the unbounded prestige of ancient Greece amongst the elite of Europe. The monuments of Greek antiquity were known chiefly from Pausanias and other literary sources, visiting Ottoman Greece was difficult and dangerous business prior to the period of stagnation beginning with the Great Turkish War. Few Grand Tourists called on Athens during the first half of the 18th century and it would take until the expedition funded by the Society of Dilettanti of 1751 by James Stuart and Nicholas Revett before serious archaeological inquiry began in earnest. Access to the originals in Greece itself only became easier after the Greek War of Independence ended in 1832, Lord Byrons participation, following James Stuarts travels to Greece in the early 1750s, intellectual curiosity quickly led to a desire to emulate. Stuart was commissioned after his return from Greece by George Lyttelton to produce the first Greek building in England, arguably the greatest British exponent of the style was Decimus Burton. In London twenty three Greek Revival Commissioners churches were built between 1817 and 1829, the most notable being St. Pancras church by William and Henry William Inwood. Such was the popularity of the Doric in Edinburgh that the city now enjoys a striking visual uniformity, nevertheless, Greek continued to be in favour in Scotland well into the 1870s in the singular figure of Alexander Thomson, known as Greek Thomson. In Germany, the Greek revival is predominantly found in two centres, Berlin and Munich, the earliest Greek building was the Brandenburg Gate by Carl Gotthard Langhans, who modelled it on the Propylaea. Ten years after the death of Frederick the Great, the Berlin Akademie initiated a competition for a monument to the king that would promote morality, similarly, in Munich von Klenzes Glyptothek and Walhalla were the fulfilment of Gillys vision of an orderly and moral German world. The purity and seriousness of the style was intended as an assertion of German national values and partly intended as a riposte to France. By comparison, the Greek revival in France was never popular with either the state or the public, what little there is started with Charles de Waillys crypt in the church of St Leu-St Gilles, and Claude Nicolas Ledouxs Barriere des Bonshommes. It would take until Laboustres Neo-Grec of the Second Empire for the Greek revival to flower briefly in France, the style was especially attractive in Russia, if only because they shared the Eastern Orthodox faith with the Greeks. The historic centre of Saint Petersburg was rebuilt by Alexander I of Russia, the Saint Petersburg Bourse on Vasilievsky Island has a temple front with 44 Doric columns. Leo von Klenzes expansion of the palace that is now the Hermitage Museum is another example of the style, following the Greek War of Independence, Romantic Nationalist ideology encouraged the use of historically Greek architectural styles in place of Ottoman or pan-European ones
3.
Doric order
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The Doric order was one of the three orders of ancient Greek and later Roman architecture, the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognised by the simple circular capitals at the top of columns and it was the earliest and in its essence the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, the capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. In stone they are purely ornamental, the relatively uncommon Roman and Renaissance Doric retained these, and often introduced thin layers of moulding or further ornament, as well as often using plain columns. The Doric order was used in Greek Revival architecture from the 18th century onwards, often earlier Greek versions were used, with wider columns. Since at least Vitruvius it has been customary for writers to associate the Doric with masculine virtues and it is also normally the cheapest of the orders to use. In their original Greek version, Doric columns stood directly on the pavement of a temple without a base. The Parthenon has the Doric design columns and it was most popular in the Archaic Period in mainland Greece, and also found in Magna Graecia, as in the three temples at Paestum. These are in the Archaic Doric, where the capitals spread wide from the column compared to later Classical forms, pronounced features of both Greek and Roman versions of the Doric order are the alternating triglyphs and metopes. The triglyphs are decoratively grooved with two vertical grooves and represent the original wooden end-beams, which rest on the plain architrave that occupies the half of the entablature. Under each triglyph are peglike stagons or guttae that appear as if they were hammered in from below to stabilize the post-and-beam construction and they also served to organize rainwater runoff from above. The spaces between the triglyphs are the metopes and they may be left plain, or they may be carved in low relief. The spacing of the triglyphs caused problems which some time to resolve. The architecture followed rules of harmony, since the original design probably came from wooden temples and the triglyphs were real heads of wooden beams, every column had to bear a beam which lay across the centre of the column. Triglyphs were arranged regularly, the last triglyph was centred upon the last column and this was regarded as the ideal solution which had to be reached. Changing to stone instead of wooden beams required full support of the architrave load at the last column. At the first temples the final triglyph was moved, still terminating the sequence, even worse, the last triglyph was not centered with the corresponding column. That “archaic” manner was not regarded as a harmonious design, the resulting problem is called the doric corner conflict
4.
Corinthian order
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The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order, when classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders, characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and it was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the order of the Basilica Ulpia and the arch at Ancona the column of Phocas. The Corinthian order is named for the Greek city-state of Corinth, however, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. Its earliest use can be traced back to the Late Classical Period, the earliest Corinthian capital was found in Bassae, dated at 427 BC. In its proportions, the Corinthian column is similar to the Ionic column, though it is more slender, the abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight and their height to width ratio is about 10,1. One variant is the Tivoli Order, found at the Temple of Vesta, the Tivoli Orders Corintinan Capital has two rows of Acanthus and its abacus is decorated with oversize fleuron in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops, the frieze exhibits fruit swag suspended between bucrania. Above each swag is a rosette, the cornice does not have modillions. Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent and these capitals are typically dated to the 1st centuries of our era, and constitute important elements of Greco-Buddhist art of Gandhara. The classical design was adapted, usually taking a more elongated form. Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded, the Corinthian architrave is divided in two or three sections, which may be equal, or they may bear interesting proportional relationships, one with another. Above the plain, unadorned architrave lies the frieze, which may be carved with a continuous design or left plain. At the Capitol the proportions of architrave to frieze are exactly 1,1, above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is deep, it may be supported by brackets or modillions. The Corinthian column is almost always fluted, if it is not, it is often worth pausing to unravel the reason why
5.
Ionic order
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The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two orders, the Tuscan, and the rich variant of Corinthian called the composite order. The Ionic columns are the thinnest and smallest columns out of the three canonic orders, the Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform, since Vitruvius a female character has been ascribed to the Ionic, in contrast to the masculine Doric. The major features of the Ionic order are the volutes of its capital, the only tools required to design these features were a straight-edge, a right angle, string and a compass. Originally the volutes lay in a plane, then it was seen that they could be angled out on the corners. Ionic columns are most often fluted, after a little early experimentation, the number of hollow flutes in the shaft settled at 24. This standardization kept the fluting in a proportion to the diameter of the column at any scale. Roman fluting leaves a little of the surface between each hollow, Greek fluting runs out to a knife edge that was easily scarred. In some instances, the fluting has been omitted, mohr included 8 unfluted Ionic frontal columns on his 1928 design for the railroads St. Louis suburban stop Delmar Station. Pictorial often narrative bas-relief frieze carving provides a feature of the Ionic order. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, the Ionic order originated in the mid-6th century BC in Ionia, the southwestern coastland and islands of Asia Minor settled by Ionian Greeks, where an Ionian dialect was spoken. The Ionic order column was being practiced in mainland Greece in the 5th century BC and it was most popular in the Archaic Period in Ionia. The first of the great Ionic temples was the Temple of Hera on Samos and it stood for only a decade before it was leveled by an earthquake. A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, the Parthenon, although it conforms mainly to the Doric order, also has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum, following the conquests of Alexander the Great in the east, a few examples of the Ionic order can be found as far as Pakistan with the Jandial temple near Taxila. Several examples of capitals displaying Ionic influences can seen as far away as Patna, especially with the Pataliputra capital. Renaissance architectural theorists took his hints, to interpret the Ionic order as matronly in comparison to the Doric order, the Ionic is a natural order for post-Renaissance libraries and courts of justice, learned and civilized
6.
Indo-Saracenic Revival architecture
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The Indo-Saracenic Revival was an architectural style movement by British architects in the late 19th century in British India. It drew elements from native Indo-Islamic and Indian architecture, and combined it with the Gothic revival and Neo-Classical styles favoured in Victorian Britain. The style gained momentum in the west with the publication of the views of India by William Hodges. Saracenic was a used by the ancient Romans to refer to a people who lived in desert areas in and around the Roman province of Arabia. The first Indo-Saracenic building is said to be the Chepauk Palace, located in the neighbourhood of Chepauk, in present-day Chennai. Chennai is said to many buildings of this architecture, some of which are the Victoria Public Hall, Madras High Court, Senate House of the University of Madras, Chennai Central station. Confluence of different architectural styles had been attempted before during the mainly Turkic, Delhi Sultanate, Turkic and Mughal conquest in the Indian subcontinent, introduced new concepts in the already rich architecture of India. The prevailing style of architecture was trabeate, employing pillars, beams, after the disintegration of the Turkic Delhi Sultanate, rulers of individual states established their own rule and hence their own architectural styles, which was heavily influenced by local styles. Examples of these are the Bengal and the Gujarat schools, the Mughal style was conceived by Akbar the Great, the third Mughal emperor and also the architect of the Mughal empire. This Akbari Style was an amalgam of earlier Timurid, Persian and this style was further consolidated by his grandson and fellow architecture enthusiast, Shah Jahan. Some of the significant architectural legacies of the Mughals are Humayuns Tomb, the Taj Mahal, the Forts of Agra and Lahore, Shah Jahan was succeeded by his puritanical son, Aurangzeb, who had no soft spot for art and architecture. As a result, Mughal architecture suffered, with all artisans migrating to work under the patronage of local rulers, with no major architectural projects undertaken, the Mughal style rapidly declined. This decline was evident in such as Bibi Ka Maqbara, built by Azam Shah. However, local rulers embraced the style, as they had emulated it during the reigns of Jahangir. The last architectural marvel produced during this period of Mughal rule was Safdarjungs Tomb. By the early 19th century, the British had made themselves the masters of the Indian Subcontinent. In 1803, their control was strengthened with the defeat of the Marathas under Daulatrao Scindia. They legitimized their rule by taking the then weak Mughal Emperor, Shah Alam II under their protection, however, this uprising was doomed from the start, and was crushed by the British with ferocity, marking the end of the Mughal Empire
7.
Egyptian Revival architecture
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Egyptian revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the awareness of ancient Egyptian monuments generated by Napoleons conquest of Egypt. Napoleon took an expedition with him to Egypt. Publication of the work, the Description de lÉgypte, began in 1809 and was published as a series through 1826. However, works of art and architecture in the Egyptian style had made or built occasionally on the European continent. The most important example is probably Gian Lorenzo Berninis obelisk in the Piazza Navona in Rome, others may be found at Belan, County Kildare, and Dangan, County Meath. The Casteltown Folly in County Kildare is probably the best known, Egyptian buildings had also been built as garden follies. The most elaborate was probably the one built by Frederick I and it included an Egyptian bridge across which guests walked to reach an island with an elaborate Egyptian-influenced bath house. Designed by the court architect, Jean Baptiste Kleber, the building had a billiards room. New after the Napoleonic invasion was a increase of the number of works of art. In France and Britain this was at least partially inspired by successful war campaigns undertaken by each country while in Egypt, according to David Brownlee, the 1798 Karlsruhe Synagogue, an early building by the influential Friedrich Weinbrenner was the first large Egyptian building to be erected since antiquity. According to Diana Muir Appelbaum, it was the first public building in the Egyptian revival style, a street or passage named the Place du Caire or Foire du Caire was built in Paris in 1798 on the former site of the convent of the Filles de la Charité. In 1828 a building with Egyptianizing detail including large Hathor heads, among the earliest monuments of the Egyptian revival in Paris is the Fontaine du Fellah in Paris, built in 1806. It was designed by François-Jean Bralle, a well-documented example, destroyed after Napoleon was deposed, was the monument to General Louis Desaix in the Place des Victoires was built in 1810. It featured a statue of the general and an obelisk. Another example of a still standing site of Egyptian Revival is the Egyptian Gate of Tsarskoe Selo, one of the first British buildings to show an Egyptian revival interior was the newspaper office of the Courier on the Strand in London. It was built in 1804 and featured a cavetto cornice and Egyptian-influenced columns with palmiform capitals, Egyptian revival architecture enjoyed considerable popularity in other countries as well. The most notable Egyptian structure in the United States was the Washington Monument, begun in 1848, the South African College in the then-British Cape Colony features an Egyptian building constructed in 1841, the Egyptian revival building of the Cape Town Hebrew Congregation is also still standing
8.
Cast iron
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Cast iron is a group of iron-carbon alloys with a carbon content greater than 2%. Its usefulness derives from its low melting temperature. Carbon ranging from 1. 8–4 wt%, and silicon 1–3 wt% are the main alloying elements of cast iron, Iron alloys with less carbon content are known as steel. While this technically makes the Fe–C–Si system ternary, the principle of cast iron solidification can be understood from the simpler binary iron–carbon phase diagram, cast iron tends to be brittle, except for malleable cast irons. It is resistant to destruction and weakening by oxidation, the earliest cast iron artefacts date to the 5th century BC, and were discovered by archaeologists in what is now Jiangsu in China. Cast iron was used in ancient China for warfare, agriculture, during the 15th century, cast iron became utilized for artillery in Burgundy, France, and in England during the Reformation. The first cast iron bridge was built during the 1770s by Abraham Darby III, cast iron is also used in the construction of buildings. Cast iron is made by re-melting pig iron, often along with quantities of iron, steel, limestone, carbon. Phosphorus and sulfur may be burnt out of the iron, but this also burns out the carbon. Depending on the application, carbon and silicon content are adjusted to the desired levels, other elements are then added to the melt before the final form is produced by casting. Cast iron is melted in a special type of blast furnace known as a cupola. After melting is complete, the molten cast iron is poured into a furnace or ladle. Cast irons properties are changed by adding various alloying elements, or alloyants, next to carbon, silicon is the most important alloyant because it forces carbon out of solution. A low percentage of silicon allows carbon to remain in solution forming iron carbide, a high percentage of silicon forces carbon out of solution forming graphite and the production of grey cast iron. Other alloying agents, manganese, chromium, molybdenum, titanium and vanadium counteracts silicon, promotes the retention of carbon, nickel and copper increase strength, and machinability, but do not change the amount of graphite formed. The carbon in the form of graphite results in an iron, reduces shrinkage, lowers strength. Sulfur, largely a contaminant when present, forms iron sulfide, the problem with sulfur is that it makes molten cast iron viscous, which causes defects. To counter the effects of sulfur, manganese is added because the two form into manganese sulfide instead of iron sulfide, the manganese sulfide is lighter than the melt so it tends to float out of the melt and into the slag
9.
Wrought iron
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Wrought iron is an iron alloy with a very low carbon content in contrast to cast iron. It is a mass of iron with fibrous slag inclusions which gives it a grain resembling wood. Wrought iron is tough, malleable, ductile, corrosion-resistant and easily welded, before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. A wrought product is one that has been worked by forging, extruding, rolling, hammering, etcetera, to change its form. Wrought iron is a worked iron product that is seldom produced today as other cheaper. Historically, a modest amount of iron was refined into steel. The demand for wrought iron reached its peak in the 1860s with the adaptation of ironclad warships, however, as properties such as brittleness of mild steel improved, it became less costly and more widely available than wrought iron, whose usage then declined. Wrought iron is no longer produced on a commercial scale, many products described as wrought iron, such as guard rails, garden furniture and gates, are actually made of mild steel. They retain that description because they are made to resemble objects which in the past were wrought by hand by a blacksmith, the word wrought is an archaic past participle of the verb to work, and so wrought iron literally means worked iron. Wrought iron is a term for the commodity, but is also used more specifically for finished iron goods. It was used in that sense in British Customs records. Cast iron, unlike wrought iron, is brittle and cannot be worked either hot or cold, Cast iron can break if struck with a hammer. In the 17th, 18th, and 19th centuries, wrought iron went by a variety of terms according to its form, origin. While the bloomery process produced wrought iron directly from ore, cast iron or pig iron were the materials used in the finery forge. Pig iron and cast iron have higher content than wrought iron. Cast and especially pig iron have excess slag which must be at least partially removed to produce quality wrought iron, at foundries it was common to blend scrap wrought iron with cast iron to improve the physical properties of castings. Fusion eventually became accepted as relatively more important than composition below a given low carbon concentration. Another difference is that steel can be hardened by heat treating, historically, wrought iron was known as commercially pure iron, however, it no longer qualifies because current standards for commercially pure iron require a carbon content of less than 0.008 wt%
10.
Stucco
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Stucco or render is a material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a dense solid. It is used as coating for walls and ceilings and as a sculptural. Stucco may be used to cover less visually appealing construction materials such as metal, concrete, cinder block, or clay brick and adobe. In English, stucco usually means a coating for the outside of a building, and plaster one for interiors, as described below, but other European languages, importantly including Italian, do not have the same distinction, stucco means plaster in Italian and serves for both. This has led to English often using stucco for interior decorative plasterwork in relief, especially in art history, the difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Animal or plant fibers were often added for additional strength, in the latter nineteenth century, Portland cement was added with increasing frequency in an attempt to improve the durability of stucco. At the same time, traditional lime plasters were being replaced by gypsum plaster, traditional stucco is made of lime, sand, and water. Modern stucco is made of Portland cement, sand, and water, lime is added to increase the permeability and workability of modern stucco. Sometimes additives such as acrylics and glass fibers are added to improve the properties of the stucco. This is usually done with what is considered a one-coat stucco system, lime stucco is a relatively hard material that can be broken or chipped by hand without too much difficulty. The lime itself is white, color comes from the aggregate or any added pigments. Lime stucco has the property of being self-healing to a degree because of the slight water solubility of lime. Portland cement stucco is very hard and brittle and can easily crack if the base on which it is applied is not stable, typically its color was gray, from the innate color of most Portland cement, but white Portland cement is also used. Todays stucco manufacturers offer a wide range of colors that can be mixed integrally in the finish coat. As a building material, stucco is a durable, attractive and it was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick or stone surface. The finish coat usually contained a color and was typically textured for appearance. The lath added support for the wet plaster and tensile strength to the brittle, cured stucco, while the increased thickness, the traditional application of stucco and lath occurs in three coats — the scratch coat, the brown coat and the finish coat
11.
Listed building
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A listed building or listed structure, in the United Kingdom, is one that has been placed on the Statutory List of Buildings of Special Architectural or Historic Interest. The statutory bodies maintaining the list are Historic England in England, Cadw in Wales, Historic Scotland in Scotland, however, the preferred term in Ireland is protected structure. In England and Wales, an amenity society must be notified of any work to a listed building which involves any element of demolition. Owners of listed buildings are, in circumstances, compelled to repair and maintain them. When alterations are permitted, or when listed buildings are repaired or maintained, slightly different systems operate in each area of the United Kingdom, though the basic principles of the listing remain the same. It was the damage to caused by German bombing during World War II that prompted the first listing of buildings that were deemed to be of particular architectural merit. The listings were used as a means of determining whether a building should be rebuilt if it was damaged by bombing. Listing was first introduced into Northern Ireland under the Planning Order 1972, the listing process has since developed slightly differently in each part of the UK. In the UK, the process of protecting the historic environment is called ‘designation’. A heritage asset is a part of the environment that is valued because of its historic. Only some of these are judged to be important enough to have legal protection through designation. However, buildings that are not formally listed but still judged as being of heritage interest are still regarded as being a consideration in the planning process. Almost anything can be listed – it does not have to be a building, Buildings and structures of special historic interest come in a wide variety of forms and types, ranging from telephone boxes and road signs, to castles. Historic England has created twenty broad categories of structures, and published selection guides for each one to aid with assessing buildings and these include historical overviews and describe the special considerations for listing each category. Both Historic Scotland and Cadw produce guidance for owners, in England, to have a building considered for listing or delisting, the process is to apply to the secretary of state, this can be done by submitting an application form online to Historic England. The applicant does not need to be the owner of the building to apply for it to be listed, full information including application form guidance notes are on the Historic England website. Historic England assesses buildings put forward for listing or delisting and provides advice to the Secretary of State on the architectural, the Secretary of State, who may seek additional advice from others, then decides whether or not to list or delist the building. In England and Wales the authority for listing is granted to the Secretary of State by the Planning Act 1990, Listed buildings in danger of decay are listed on the Historic England Heritage at Risk Register
12.
Torquay
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Torquay /tɔːrˈkiː/ is a seaside town in Devon, England, part of the unitary authority area of Torbay. Later, as the towns fame spread, it was popular with Victorian society, renowned for its healthful climate, the town earned the nickname the English Riviera. The writer Agatha Christie was born in the town and lived there during her years and there is an Agatha Christie Mile. Torquays name originates in its being the quay of the ancient village of Torre, the area comprising modern Torquay has been inhabited since Paleolithic times. Roman soldiers are known to have visited Torquay during the period when Britain was a part of the Roman Empire, leaving offerings at a rock formation in Kents Cavern. No evidence has found of Roman settlement in the town. The first major building in Torquay was Torre Abbey, a Premonstratensian monastery founded in 1196, Torquay remained a minor settlement until the Napoleonic wars, when Torbay was used as a sheltered anchorage by the Channel Fleet, and relatives of officers often visited Torquay. The population of Torquay grew rapidly from 838 in 1801, to 11,474 in 1851, the second phase in the expansion of Torquay began when Torre railway station was opened on 18 December 1848. The improved transport connections resulted in growth at the expense of nearby towns not on Isambard Kingdom Brunels railways. The more central Torquay railway station was opened on 2 August 1859 with views of the sea from the platforms, after the growth of the preceding decades, Torquay was granted borough status in 1872. Previously regarded as a retreat, Torquay began to encourage summer visitors. Torquay Tramways operated electric trams from 1907. The line was extended into Paignton in 1911 but the network was closed in 1934, the Royal National Lifeboat Institutions Torquay Lifeboat Station was at the Ladies Bathing Cove from 1876 until 1923. A second lifeboat was kept at the harbour from 1917 until 1928, Torquay was regarded as a Spa Town after the Marine Spa was built on Beacon Hill near the harbour. Originally called the Bath Saloons complex, it had an open air tide-filled swimming bath, the complex was opened in 1853 after Beacon Hill headland was dynamited to make space for it. Charles Dickens was said to have made readings there, in the 1900s a ballroom and a new sea water-filled swimming pool were built. The Marine Spa provided various therapies such as seaweed baths, needle, douche showers, hot and cold water baths, bands such as Ivy Benson and Ted Heath played at Marine Spa ballroom. Four stone arches that were part of the Marine Spa are still visible on the outside of the harbour wall
