John Steuart Curry was an American painter whose career spanned the years from 1924 until his death. He was noted for his paintings depicting rural life in his home state, Kansas. Along with Thomas Hart Benton and Grant Wood, he was hailed as one of the three great painters of American Regionalism of the first half of the twentieth century. Curry's artistic production was varied, including paintings, book illustrations, prints, and posters.
Freeing of the Slaves, by John Steuart Curry. The Union Army, marching through, has just delivered the Emancipation Proclamation. Reading Room, Law Library, University of Wisconsin–Madison.
American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the Midwest. It arose in the 1930s as a response to the Great Depression, and ended in the 1940s due to the end of World War II and a lack of development within the movement. It reached its height of popularity from 1930 to 1935, as it was widely appreciated for its reassuring images of the American heartland during the Great Depression. Despite major stylistic differences between specific artists, Regionalist art in general was in a relatively conservative and traditionalist style that appealed to popular American sensibilities, while strictly opposing the perceived domination of French art.
The Midnight Ride of Paul Revere (1931) by Grant Wood, Metropolitan Museum of Art, New York City, NY
Grant Wood, American Gothic, 1930, Art Institute of Chicago, Chicago, IL
Thomas Hart Benton, People of Chilmark (Figure Composition), 1920, Hirshhorn Museum and Sculpture Garden, Washington, DC
John Steuart Curry, Tragic Prelude, 1938–1940, Kansas State Capitol, Topeka