Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Mekas in 1971
Mekas in 1977
Mekas in 2011
Mekas on a 2022 stamp of Lithuania
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Poster for The Great Blondino, a 1960s counterculture film directed by Robert Nelson and William T. Wiley
Lithuanian artist Jonas Mekas, regarded as godfather of American avant-garde cinema