1.
Josef Hofmann
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Josef Casimir Hofmann was a Polish American virtuoso pianist, composer, music teacher, and inventor. Josef Hofmann was born in Podgórze, in Austro-Hungarian Galicia in 1876, Hofmann was of partial Jewish ancestry. His father was the composer, conductor and pianist Kazimierz Hofmann, Anton Rubinstein took Hofmann as his only private student in 1892 and arranged the debut of his pupil in Hamburg, Germany in 1894. Hofmann toured and performed extensively over the next 50 years as one of the most celebrated pianists of the era, in 1913, he was presented with a set of keys to the city of St. Petersburg, Russia. As a composer, Hofmann published over one hundred works, many of those under the pseudonym Michel Dvorsky and he made the United States his base during World War I and became a US citizen in 1926. In 1924, he became the first head of the department at the inception of the Curtis Institute of Music, Philadelphia. He was instrumental in recruiting illustrious musicians such as Efrem Zimbalist, Fritz Reiner, Marcella Sembrich, Hofmanns pupils included Jean Behrend, Abram Chasins, Abbey Simon, Shura Cherkassky, Ezra Rachlin, Nadia Reisenberg, and Harry Kaufman. While not a pupil, Jorge Bolet benefited from Hofmanns interest, in 1937, the 50th anniversary of his New York debut performance was celebrated with gala performances including a Golden Jubilee recital at the Metropolitan Opera, New York City. In 1938 he was forced to leave the Curtis Institute of Music over financial, in the years from 1939 to 1946, his artistic eminence deteriorated, in part due to family difficulties and alcoholism. In 1946, he gave his last recital at Carnegie Hall, home to his 151 appearances and he spent his last decade in Los Angeles in relative obscurity, working on inventions and keeping a steady correspondence with associates. As an inventor, Hofmann had over 70 patents, and his invention of pneumatic shock absorbers for cars, Hofmann died of pneumonia on February 16,1957 in Los Angeles. He was survived by four children and his second wife, Betty Short, had previously been one of his pupils. He is interred at Forest Lawn Memorial Park in Glendale, California, the Josef Hofmann Piano Competition, co-sponsored by the American Council for Polish Culture and the University of South Carolina Aiken was established in his honor in 1994. Anton Rubinstein heard the seven-year-old Hofmann play Beethovens C minor Piano Concerto in Warsaw, at that age, Hofmann gave concerts in Germany, France, Holland, Norway, Denmark, Sweden, and Great Britain. In 1887, an American tour was arranged and after three months of performances that included fifty recitals, seventeen of which were at the Metropolitan Opera House, yet soon after, the Society for the Prevention of Cruelty to Children stepped in, citing the boys fragile health. However, as per the contract that had paid Hofmann $10,000, the contract was rendered void by Alfred Corning Clark who donated $50,000 and, in turn, legally forbade Hofmann to perform in public until he turned 18 years old. The final segment of the tour was cancelled and the returned to Potsdam. This marked the end of Hofmanns child prodigy years, in 1892, Rubinstein accepted Hofmann as his only private pupil, the two meeting for 42 sessions in Dresdens Hotel dEurope
2.
Brtnice
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Brtnice is a town in the Vysočina Region of the Czech Republic. The town consists of the centre, Brtnice, and 9 town districts named, Dolní Smrčné, Jestřebí, Komárovice, Malé, Panská Lhota, Přímělkov, Příseka, Střížov. The large ancestral and childhood house of the architect Josef Hoffmann is in the centre of the town, the architects great-grandfather Franz Hoffmann moved into it in the 1780s. From a young age, Hoffmann spent most of the year away from the house but would often return and his parents having died, he made subtle alterations to it in 1910–11, redecorating its interior and keeping much of the furnishings but also adding some of his own work. He and his sisters returned to it every summer until 1945, however, a plaque commemorating Hoffmann was placed on the house as early as 1970, and extensive work to strengthen the foundations and reinforce the vaults was done from 1974 to 1980. Following a 1992 exhibition in Brtnice on Hoffmanns work mounted by the town and MAK, from then on, an ambitious programme of refurbishing the building to Josef Hoffmanns design was carried out, this was completed in 2003. From 2006, the building has been administered by the Moravian Gallery in Brno, gustav Haloun Josef Hoffmann, Austrian architect Hermann of Solms-Hohensolms-Lich House of Waldstein Brtnice is twinned with, Orpund, Switzerland Municipal website
3.
Moravia
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Moravia is a historical country in the Czech Republic and one of the historical Czech lands, together with Bohemia and Czech Silesia. Moravia has an area of over 22,348.87 km2 and about 3 million inhabitants, the statistics from 1921 states, that the whole area of Moravia including the enclaves in Silesia covers 22,623.41 km2. The people are historically named Moravians, a subgroup of Czechs, the land takes its name from the Morava river, which rises in the northern tip of the region and flows southward to the opposite end, being its major stream. Moravias largest city and historical capital is Brno, however before being sacked by the Swedish army during the Thirty Years War, though officially abolished by an administrative reform in 1949, Moravia is still commonly acknowledged as a specific land in the Czech Republic. Moravian people are aware of their Moravian identity and there is some rivalry between them and the Czechs from Bohemia. Moravia occupies most of the part of the Czech Republic. Moravian territory is naturally strongly determined, in fact, as the Morava river basin, with effect of mountains in the west and partly in the east. Moravia occupies a position in Central Europe. All the highlands in the west and east of part of Europe run west-east. Moravia borders Bohemia in the west, Lower Austria in the south, Slovakia in the southeast, Poland very shortly in the north and its natural boundary is formed by the Sudetes mountains in the north, the Carpathians in the east and the Bohemian-Moravian Highlands in the west. The Thaya river meanders along the border with Austria and the tripoint of Moravia, Austria and Slovakia is at the confluence of the Thaya, the northeast border with Silesia runs partly along the Moravice, Oder and Ostravice rivers. Between 1782–1850, Moravia also included a portion of the former province of Silesia – the Austrian Silesia. Geologically, Moravia covers an area between the Bohemian Massif and the Carpathians, and between the Danube basin and the North European Plain. Its core geomorphological features are three wide vales, namely the Dyje-Svratka Vale, the Upper Morava Vale and the Lower Morava Vale, the former two form the westernmost part of the Subcarpathia, the latter one is the northernmost part of the Vienna Basin. The vales surround the low range of Central Moravian Carpathians, the highest mountains of Moravia are situated on its northern border in Hrubý Jeseník, the highest peak is Praděd. Second highest are the Moravian-Silesian Beskids at the very east, with Smrk, the White Carpathians along the southeastern border rise up to 970 m at Velká Javořina. The spacious, but moderate Bohemian-Moravian Highlands on the west reach 837 m at Devět skal. The fluvial system of Moravia is very cohesive, as the border is similar to the watershed of the Morava river
4.
Austria-Hungary
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The union was a result of the Austro-Hungarian Compromise of 1867 and came into existence on 30 March 1867. Austria-Hungary consisted of two monarchies, and one region, the Kingdom of Croatia-Slavonia under the Hungarian crown. It was ruled by the House of Habsburg, and constituted the last phase in the evolution of the Habsburg Monarchy. Following the 1867 reforms, the Austrian and the Hungarian states were co-equal, Foreign affairs and the military came under joint oversight, but all other governmental faculties were divided between respective states. Austria-Hungary was a state and one of the worlds great powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at 621,538 km2, the Empire built up the fourth-largest machine building industry of the world, after the United States, Germany, and the United Kingdom. After 1878, Bosnia and Herzegovina was under Austro-Hungarian military and civilian rule until it was annexed in 1908. The annexation of Bosnia also led to Islam being recognized as a state religion due to Bosnias Muslim population. Austria-Hungary was one of the Central Powers in World War I and it was already effectively dissolved by the time the military authorities signed the armistice of Villa Giusti on 3 November 1918. The realms full, official name was The Kingdoms and Lands Represented in the Imperial Council, each enjoyed considerable sovereignty with only a few joint affairs. Certain regions, such as Polish Galicia within Cisleithania and Croatia within Transleithania, enjoyed autonomous status, the division between Austria and Hungary was so marked that there was no common citizenship, one was either an Austrian citizen or a Hungarian citizen, never both. This also meant that there were always separate Austrian and Hungarian passports, however, neither Austrian nor Hungarian passports were used in the Kingdom of Croatia-Slavonia-Dalmatia. Instead, the Kingdom issued its own passports which were written in Croatian and French and it is not known what kind of passports were used in Bosnia-Herzegovina, which was under the control of both Austria and Hungary. The Kingdom of Hungary had always maintained a separate parliament, the Diet of Hungary, the administration and government of the Kingdom of Hungary remained largely untouched by the government structure of the overarching Austrian Empire. Hungarys central government structures remained well separated from the Austrian imperial government, the country was governed by the Council of Lieutenancy of Hungary – located in Pressburg and later in Pest – and by the Hungarian Royal Court Chancellery in Vienna. The Hungarian government and Hungarian parliament were suspended after the Hungarian revolution of 1848, despite Austria and Hungary sharing a common currency, they were fiscally sovereign and independent entities. Since the beginnings of the union, the government of the Kingdom of Hungary could preserve its separated. After the revolution of 1848–1849, the Hungarian budget was amalgamated with the Austrian, from 1527 to 1851, the Kingdom of Hungary maintained its own customs controls, which separated her from the other parts of the Habsburg-ruled territories
5.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
6.
Austria
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Austria, officially the Republic of Austria, is a federal republic and a landlocked country of over 8.7 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Hungary and Slovakia to the east, Slovenia and Italy to the south, the territory of Austria covers 83,879 km2. The terrain is mountainous, lying within the Alps, only 32% of the country is below 500 m. The majority of the population speaks local Bavarian dialects of German as their native language, other local official languages are Hungarian, Burgenland Croatian, and Slovene. The origins of modern-day Austria date back to the time of the Habsburg dynasty, from the time of the Reformation, many northern German princes, resenting the authority of the Emperor, used Protestantism as a flag of rebellion. Following Napoleons defeat, Prussia emerged as Austrias chief competitor for rule of a greater Germany, Austrias defeat by Prussia at the Battle of Königgrätz, during the Austro-Prussian War of 1866, cleared the way for Prussia to assert control over the rest of Germany. In 1867, the empire was reformed into Austria-Hungary, Austria was thus the first to go to war in the July Crisis, which would ultimately escalate into World War I. The First Austrian Republic was established in 1919, in 1938 Nazi Germany annexed Austria in the Anschluss. This lasted until the end of World War II in 1945, after which Germany was occupied by the Allies, in 1955, the Austrian State Treaty re-established Austria as a sovereign state, ending the occupation. In the same year, the Austrian Parliament created the Declaration of Neutrality which declared that the Second Austrian Republic would become permanently neutral, today, Austria is a parliamentary representative democracy comprising nine federal states. The capital and largest city, with a population exceeding 1.7 million, is Vienna, other major urban areas of Austria include Graz, Linz, Salzburg and Innsbruck. Austria is one of the richest countries in the world, with a nominal per capita GDP of $43,724, the country has developed a high standard of living and in 2014 was ranked 21st in the world for its Human Development Index. Austria has been a member of the United Nations since 1955, joined the European Union in 1995, Austria also signed the Schengen Agreement in 1995, and adopted the euro currency in 1999. The German name for Austria, Österreich, meant eastern realm in Old High German, and is cognate with the word Ostarrîchi and this word is probably a translation of Medieval Latin Marchia orientalis into a local dialect. Austria was a prefecture of Bavaria created in 976, the word Austria is a Latinisation of the German name and was first recorded in the 12th century. Accordingly, Norig would essentially mean the same as Ostarrîchi and Österreich, the Celtic name was eventually Latinised to Noricum after the Romans conquered the area that encloses most of modern-day Austria, around 15 BC. Noricum later became a Roman province in the mid-first century AD, heers hypothesis is not accepted by linguists. Settled in ancient times, the Central European land that is now Austria was occupied in pre-Roman times by various Celtic tribes, the Celtic kingdom of Noricum was later claimed by the Roman Empire and made a province
7.
Austrians
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Austrians are a Germanic ethnic group and nation, native to Austria that share a common Austrian culture, Austrian descent and Austrian history. The English term Austrians was applied to the population of Habsburg Austria from the 17th or 18th century, subsequently, during the 19th century, it referred to the citizens of the Empire of Austria, and from 1867 until 1918 to the citizens of Cisleithania. In the closest sense, the term Austria originally referred to the historical March of Austria, historically, Austrians were regarded as ethnic Germans and viewed themselves as such. Austria was part of the Holy Roman Empire and the German Confederation until the Austro-Prussian war in 1866 which resulted in Prussia expelling Austria from the Confederation, thus, when Germany was founded as a nation-state in 1871, Austria was not a part of it. In 1867, Austria was reformed into the Austro-Hungarian Empire, the First Austrian Republic was founded in 1919. The Third Reich annexed Austria with the Anschluss in 1938, today, majority of Austrians do not identify as German. Austrians may be described either as a nationality or as a homogeneous Germanic ethnic group, the English word Austrian is a derivative of the proper name Austria, which is a latinization of Österreich, the German name for Austria. This word is derived from Ostarrîchi, which first appears in 996 and this, in turn, is probably a translation of the Latin Marcha Orientalis, which means eastern borderland. It was a margraviate of the Duchy of Bavaria, ruled by the House of Babenberg from AD976, during the 12th century, the Marcha Orientalis under the Babenbergs became independent of Bavaria. What is today known as Lower Austria corresponds to the Marcha Orientalis, the territory of what is today Austria in the Roman era was divided into Raetia, Noricum and Pannonia. Noricum was a Celtic kingdom, while the Pannonii were of Illyrian stock, the Raetians were an ancient alpine people probably akin to the Etruscans. During the Migration period, these territories were settled by the Bavarians and other Germanic groups in the west, in the 8th century, the former territories of Raetia and Noricum fell under Carolingian rule, and were divided into the duchies of Swabia, Bavaria and Carinthia. Pannonia until the end of the 8th century was part of the Avar Khaganate, the East March during the 9th century was the boundary region separating East Francia from the Avars and the Magyars. The site of Vienna had been settled since Celtic times, the various populations of these territories were not unified under the single name of Austrians before the early modern period. The term Austrian in these times was used for identifying subjects of the Domus Austriae, although not formally a united state, the lands ruled by the Habsburgs would sometimes be known by the name Austria. In reality they remained a disparate range of states, most of which were part of the complex network of states that was the Holy Roman Empire. However, the half of the 18th century saw an increasingly centralised state begin to develop under the regency of Maria Theresa of Austria. After the French Revolution and the rise of Napoleon, the emperor Franz II formally founded the Austrian Empire in 1804 and these non-Hungarian lands were not officially called the Austrian Empire
8.
Sanatorium Purkersdorf
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The Sanatorium Purkersdorf was built as a sanatorium in Purkersdorf, Wien-Umgebung, Lower Austria. It was built in 1904-05 by the architect Josef Hoffmann for the industrialist Victor Zuckerkandl and is an example of the style of the Viennese Secession in architecture. Zuckerkandl, the director of the Silesian Iron Work of Gliwice. It was acquired as a spa together with cure-park. Since the 19th Century a mineral spring bubbled on the property, the original furnishing were made by the Wiener Werkstätte with which the architect Hoffmann was involved. The ownership and management of the sanatorium were lost in the course of the Aryanization of 1938, the sanitorium was more of a hotel than hospital and turned into a social and artistic venue of Viennese society. Among the treatments were mineral baths, physical therapies, therapeutic massages, convalescence cases and mental illnesses were especially treated in the upper classes. Through silence, light and air, and the rationality of the facility with ornament reduced to a minimum, cures of the new illnesses such as nervousness, and hysteria were sought. Also provided were reading rooms, a playroom for card games, table tennis, billiard, in 1926, against the will of Josef Hoffmann, the architect Leopold Bauer heightened the building with another floor, which impaired the original artistic conception. After the death Victor Zuckerkandls in 1927 the sanitarium was inherited to his nephews, from 1930, a son-in-law continued the business with little success. Trude Zuckerkandl tried in 1938 to restore the ailing business, before an economic recuperation, Austrias Anschluss took place and in March 1938 was the Aryanization. Towards the end of World War II, the served as a military hospital. In 1945, it was requisitioned by the Russian occupying forces, the Protestant church acquired the building 1952 and rebuilt it as hospital. A part of the facility was used as nursing home, the old pavilions had to be rebuilt because of dilapidation. The business was discontinued in the year 1975, the buildings and park remained long unused and fell into disrepair. In 1995 an external renovation took place, whereby the upper floor added by Leopold Bauer was removed and the original appearance was restored. On the inside cultural festivities took place and in the years 1996 to 2001 Paulus Mankers Alma – A Show biz ans Ende about the life of the Alma Mahler-Werfel was filmed there. The necessary interior renovation was carried out in the year 2003
9.
Stoclet Palace
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The Stoclet Palace is a mansion in Brussels, Belgium. It was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911 and is located in the Sint-Pieters-Woluwe / Woluwe-Saint-Pierre area of Brussels, considered Hoffmans masterpiece, the Stoclets house is one of the most refined and luxurious private houses of the twentieth century. The mansion is occupied by the Stoclet family and is not open to visitors. It was designated as a heritage site by UNESCO in June 2009. The Stoclet Palace was commissioned by Adolphe Stoclet, a wealthy industrialist and he chose 35-year-old Austrian architect Josef Hoffmann, a founder member of the Vienna Secession, a radical group of designers and artists established in 1897. Hoffman abandoned fashions and styles of the past and produced a building that is a compilation of rectangular blocks, underlined by exaggerated lines. Regimented upright balustrades line the balconies, touched with Art Nouveau ornamentation, the Stoclet Palace was the first residential project for the Wiener Werkstätte, co-founded by Hoffman in 1903. Josef Hoffman and his colleagues designed every aspect of the mansion, down to the door handles, the interior is as spartan as the exterior, with upright geometric furniture and minimal clutter. This was an approach, presenting a reformed interior where function dictated form. The interior of the building is decorated with paneling and artworks, including mosaic friezes by Gustav Klimt. The integration of architects, artists, and artisans makes Stoclet Palace an example of a Gesamtkunstwerk, Klimts sketches for the dining room are in the permanent collection of the Museum für angewandte Kunst in Vienna. The Stoclet Palace is on Avenue de Tervueren in the municipality of Woluwe-Saint-Pierre, the building was designed to appear from the road as a stately city mansion. Adolphe Stoclet died in 1949, and the house was inherited by his daughter-in-law Annie Stoclet, following Annies death in 2002, the house was inherited by her four daughters. The Palais Stoclet is currently not open to the public, press reports have described the house as being looked after by two caretakers while there is dissension between Stoclets four granddaughters as to the future of the Palais Stoclet. Catalog of images of the Stoclet Palace, royal Institute for the Study and Conservation of Belgiums Artistic Heritage. Exhibition of Klimts work for Stoclet House at MAK. at Article and large selection of pictures of the Stoclet Palace
10.
Vienna Secession
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The Vienna Secession was an art movement formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus. This movement included painters, sculptors, and architects, the first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president. Its official magazine was called Ver Sacrum, the Vienna Secession was founded on 3 April 1897 by artists Gustav Klimt, Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich, Max Kurzweil, Wilhelm Bernatzik and others. Although Otto Wagner is widely recognised as an important member of the Vienna Secession he was not a founding member, the Secession artists objected to the prevailing conservatism of the Vienna Künstlerhaus with its traditional orientation toward Historicism. The Berlin and Munich Secession movements preceded the Vienna Secession, which held its first exhibition in 1898, the group earned considerable credit for its exhibition policy, which made the French Impressionists somewhat familiar to the Viennese public. The 14th Secession exhibition, designed by Josef Hoffmann and dedicated to Ludwig van Beethoven, was especially famous, a statue of Beethoven by Max Klinger stood at the center, with Klimts Beethoven frieze mounted around it. The Klimt frieze has been restored and can be seen in the gallery today, in 1903, Hoffmann and Moser founded the Wiener Werkstätte as a fine-arts society with the goal of reforming the applied arts. On 14 June 1905 Gustav Klimt and other artists seceded from the Vienna Secession due to differences of opinion over artistic concepts, unlike other movements, there is not one style that unites the work of all artists who were part of the Vienna Secession. The Secession building could be considered the icon of the movement, above its entrance was placed the phrase Der Zeit ihre Kunst. Secession artists were concerned, above all else, with exploring the possibilities of art outside the confines of academic tradition and they hoped to create a new style that owed nothing to historical influence. In this way they were much in keeping with the iconoclastic spirit of turn-of-the-century Vienna. The Secessionist style was exhibited in a magazine that the group produced, called Ver Sacrum, along with painters and sculptors, there were several prominent architects who became associated with the Vienna Secession. During this time, architects focused on bringing purer geometric forms into the designs of their buildings, even though they had their own type of design, the inspiration came from neoclassical architecture, with the addition of leaves and natural motifs. The three main architects of this movement were Josef Hoffmann, Joseph Maria Olbrich, and Otto Wagner, in 1898, the groups exhibition house was built in the vicinity of Karlsplatz. Designed by Joseph Maria Olbrich, the building soon became known simply as the Secession. The secession building displayed art from other influential artists such as Max Klinger, Eugène Grasset, Charles Rennie Mackintosh. Otto Wagners Majolika Haus in Vienna is a significant example of the Austrian use of line, other significant works of Otto Wagner include The Karlsplatz Stadtbahn Station in Vienna, and Austrian Postal Savings Bank in Vienna. Wagners way of modifying Art Nouveau decoration in a classical manner did not find favour with some of his pupils who broke away to form the Secessionists, one was Josef Hoffmann who left to form the Wiener Werkstätte
11.
Architect
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An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
12.
Designer
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A designer is a person who designs. More formally, a designer is an agent that specifies the properties of a design object. In practice, anyone who creates tangible or intangible objects, products, processes, laws, games, graphics, services, classically, the main area of design was only architecture, which were understood as the major arts. The design of clothing, furniture, and other artifacts were left mostly to tradition or artisans specializing in hand making them. The classical areas are now subdivided into smaller and more specialized domains of design according to the designed or perhaps its means of production. When designers speak of graphic design they speak of it in terms of simplifying complexity so users do not feel overwhelmed when faced with complex systems, more information can lead to a better, simpler solution to whatever problem the designer is trying to solve. Using research methodology to solve problems is one of the most important aspects of design, it enables the designer to properly assess the clients and audience needs. Part of a job is to get to know the audience they intend on canvassing. The methods of teaching or the program and theories followed vary according to schools, for more complex products, the team will also be composed of professionals from other areas like engineers, advertising specialists, and others as required. Different types of designers include, Architect Design Design engineer Design firm Design thinking Visual arts
13.
Czech Republic
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The Czech Republic, also known as Czechia, is a nation state in Central Europe bordered by Germany to the west, Austria to the south, Slovakia to the east and Poland to the northeast. The Czech Republic covers an area of 78,866 square kilometres with mostly temperate continental climate and it is a unitary parliamentary republic, has 10.5 million inhabitants and the capital and largest city is Prague, with over 1.2 million residents. The Czech Republic includes the territories of Bohemia, Moravia. The Czech state was formed in the late 9th century as the Duchy of Bohemia under the Great Moravian Empire, after the fall of the Empire in 907, the centre of power transferred from Moravia to Bohemia under the Přemyslid dynasty. In 1002, the duchy was formally recognized as part of the Holy Roman Empire, becoming the Kingdom of Bohemia in 1198 and reaching its greatest territorial extent in the 14th century. Following the Battle of Mohács in 1526, the whole Crown of Bohemia was gradually integrated into the Habsburg Monarchy alongside the Archduchy of Austria, the Protestant Bohemian Revolt against the Catholic Habsburgs led to the Thirty Years War. After the Battle of the White Mountain, the Habsburgs consolidated their rule, reimposed Roman Catholicism, the Czech part of Czechoslovakia was occupied by Germany in World War II, and was liberated in 1945 by the armies of the Soviet Union and the United States. The Czech country lost the majority of its German-speaking inhabitants after they were expelled following the war, the Communist Party of Czechoslovakia won the 1946 elections. Following the 1948 coup détat, Czechoslovakia became a one-party communist state under Soviet influence, in 1968, increasing dissatisfaction with the regime culminated in a reform movement known as the Prague Spring, which ended in a Soviet-led invasion. Czechoslovakia remained occupied until the 1989 Velvet Revolution, when the communist regime collapsed, on 6 March 1990, the Czech Socialistic Republic was renamed to the Czech Republic. On 1 January 1993, Czechoslovakia peacefully dissolved, with its constituent states becoming the independent states of the Czech Republic and the Slovak Republic. The Czech Republic joined NATO in 1999 and the European Union in 2004, it is a member of the United Nations, the OECD, the OSCE, and it is a developed country with an advanced, high income economy and high living standards. The UNDP ranks the country 14th in inequality-adjusted human development, the Czech Republic also ranks as the 6th most peaceful country, while achieving strong performance in democratic governance. It has the lowest unemployment rate in the European Union, the traditional English name Bohemia derives from Latin Boiohaemum, which means home of the Boii. The current name comes from the endonym Čech, spelled Cžech until the reform in 1842. The name comes from the Slavic tribe and, according to legend, their leader Čech, the etymology of the word Čech can be traced back to the Proto-Slavic root *čel-, meaning member of the people, kinsman, thus making it cognate to the Czech word člověk. The country has traditionally divided into three lands, namely Bohemia in the west, Moravia in the southeast, and Czech Silesia in the northeast. Following the dissolution of Czechoslovakia at the end of 1992, the Czech part of the former nation found itself without a common single-word geographical name in English, the name Czechia /ˈtʃɛkiə/ was recommended by the Czech Ministry of Foreign Affairs
14.
Brno
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Brno is the second largest city in the Czech Republic by population and area, the largest Moravian city, and the historical capital city of the Margraviate of Moravia. Brno is the center of the South Moravian Region in which it forms a separate district. The city is also a significant administrative centre and it is the seat of a number of state authorities, including the Ombudsman, and the Office for the Protection of Competition. Brno is also an important centre of education, with 33 faculties belonging to 13 institutes of higher learning. Brno Exhibition Centre ranks among the largest exhibition centres in Europe, the complex opened in 1928 and established the tradition of large exhibitions and trade fairs held in Brno. Brno hosts motorbike and other races on the Masaryk Circuit, an established in 1930. Another cultural tradition is a fireworks competition, Ignis Brunensis. The other large preserved castle near the city is Veveří Castle by the Brno Dam Lake and this castle is the site of a number of legends, as are many other places in Brno. Another architectural monument of Brno is the functionalist Villa Tugendhat which has been included on the UNESCO list of World Heritage Sites, one of the natural sights nearby is the Moravian Karst. The etymology of the name Brno is disputed and it perhaps comes from Old Czech brnie muddy, swampy. Alternative derivations are from a Slavic verb brniti or a Celtic language spoken in the area before it was overrun by Germanic peoples, throughout its history, Brnos locals also referred to the town in other languages, including Brünn in German, ברין in Yiddish and Bruna in Latin. The city was referred to as Brunn in English. The Asteroid 2889 Brno was named after the city, as well as the Bren light machine gun, one of the most famous weapons of World War II. In the early 11th century Brno was established as a castle of a prince from the House of Přemyslid. Brno was first mentioned in Cosmas Chronica Boëmorum dated to year 1091, seats of these rulers and thus capitals of these territories were castles and towns of Brno, Olomouc, and Znojmo. In the late 12th century, Moravia began to reunify, forming the Margraviate of Moravia, since then, until the mid of the 17th century, it was not clear which town should be the capital of Moravia. Political power was therefore divided between Brno and Olomouc, but Znojmo also played an important role. The Moravian Diet, the Moravian Land Tables, and the Moravian Land Court were all seated in both cities at once, however, Brno was the official seat of the Moravian Margraves, and later its geographical position closer to Vienna also became important
15.
Academy of Fine Arts Vienna
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The Academy of Fine Arts Vienna is a public art school of higher education in Vienna, Austria. In 1701 he was ennobled by Emperor Joseph I as Freiherr of the Empire, with his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, hofakademie der Maler, Bildhauer und Baukunst. Upon Charles death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige of the academy grew during the deanships of Michelangelo Unterberger and Paul Troger, in 1772, there were further reforms to the organisational structure. Chancellor Wenzel Anton Kaunitz integrated all existing art schools into the k. k. vereinigten Akademie der bildenden Künste, the word vereinigten was later dropped. In 1822 the art cabinet grew significantly with the bequest of honorary member Anton Franz de Paula Graf Lamberg-Sprinzenstein and his collection still forms the backbone of the art on display. In 1872 Emperor Franz Joseph I of Austria approved a statute making the academy the supreme government authority for the arts, a new building was constructed according to plans designed by the faculty Theophil Hansen in the course of the layout of the Ringstraße boulevard. On 3 April 1877, the building on Schillerplatz in the Innere Stadt district was inaugurated. In 1907 and 1908, young Adolf Hitler, who had come from Linz, was denied admission to the drawing class. He stayed in Vienna, subsisting on his allowance. Soon he had withdrawn into poverty and started selling amateur paintings, mostly watercolours, during the Austrian Anschluss to Nazi Germany from 1938–1945, the academy was forced to heavily reduce its number of Jewish staff. After World War II, the academy was reconstituted in 1955 and it has had university status since 1998, but retained its original name. It is currently the only Austrian university that doesnt have the university in its name. The Academy currently has about 900 students, almost a quarter of which are foreign students and its faculty includes stars such as Peter Sloterdijk. 110,000 volumes and its etching cabinet has about 150,000 drawings, the collection is one of the biggest in Austria, and is used for academic purposes, although portions are also open to the general public. Official website website of the Media Server Study in Austria, A Guide
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Baron Karl von Hasenauer
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Baron Karl von Hasenauer was an important Austrian architect and key representative of the Historismus school. He created several Neo-Baroque monuments, many around near the Ringstraße in Vienna and he was also a student of August Sicard von Sicardsburg and Eduard van der Nüll. For his outstanding work, he was ennobled by Emperor Franz Joseph I in 1873, and made Freiherr, Hasenauer was the chief architect for the Vienna Worlds Fair in 1873. Together with Gottfried Semper he designed the complex with the Kunsthistorisches Museum and the Naturhistorisches Museum, the Burgtheater, the Hermesvilla, after a conflict with his former business partner Semper he managed the building of the Hofburg alone. The conflict over attribution of their joint projects continues to this day between the supporters of Semper and Hasenauer, however, because the older master Semper is credited with the Semperoper in Dresden, Hasenauer receives more credit for the architecture in the Ringstraße
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Otto Wagner
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Otto Koloman Wagner was an Austrian architect and urban planner, known for his lasting impact on the appearance of his home town Vienna, to which he contributed many landmarks. Wagner was born in Penzing, a district in Vienna and he was the son of Suzanne and Rudolf Simeon Wagner, a notary to the Royal Hungarian Court. He studied architecture at the Viennese Polytechnic Institute and the Royal School of Architecture in Berlin, after completing his education, he returned to Vienna to work. In 1864, he started designing his first buildings in the historicist style, in the mid- and late-1880s, like many of his contemporaries in Germany, Switzerland and France, Wagner became a proponent of Architectural Realism. It was a position that enabled him to mitigate the reliance on historical forms. By the mid-1890s, he had designed several Jugendstil buildings. Wagner was very interested in urban planning — in 1890 he designed a new city plan for Vienna, but only his urban rail network, the Stadtbahn, was built. In 1896 he published a textbook entitled Modern Architecture in which he expressed his ideas about the role of the architect and his style incorporated the use of new materials and new forms to reflect the fact that society itself was changing. In his textbook, he stated that new tasks and views called for a change or reconstitution of existing forms. In pursuit of ideal, he designed and built structures that reflected their intended function. In 1897, he joined Gustav Klimt, Joseph Maria Olbrich, Josef Hoffmann, from the ideas of this group he developed a style that included quasi-symbolic references to the new forms of modernity. Wagner had a influence on his pupils at the Academy of Fine Arts in Vienna. This Wagner School included Josef Hoffmann, Joseph Maria Olbrich, Karl Ehn, another student of Wagners was Rudolph Schindler, who said Modern Architecture began with Mackintosh in Scotland, Otto Wagner in Vienna, and Louis Sullivan in Chicago. Wagner died in Vienna in 1918, Modern Architecture, A Guidebook for His Students to This Field of Art. Santa Monica, Getty Center for the History of Art and the Humanities, Otto Wagner, Reflections on the Raiment of Modernity. Santa Monica, Getty Center for the History of Art and the Humanities, from Historicism to Architectural Realism, On Some of Wagners Sources. Otto Wagner, Reflections on the Raiment of Modernity, santa Monica, Getty Center for the History of Art and the Humanities. Otto Wagner, Das Werk des Architekten 1860-1918, Otto Wagner Und Die Wiener Stadtbahn
18.
Prix de Rome
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The Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state, the prize was extended to architecture in 1720, music in 1803, and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, the Minister of Culture, the Prix de Rome was initially created for painters and sculptors in 1663 in France during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest, the prize, organised by the Académie Royale de Peinture et de Sculpture, was open to their students. From 1666, the winner could win a stay of three to five years at the Palazzo Mancini in Rome at the expense of the King of France. In 1720, the Académie Royale d’Architecture began a prize in architecture, six painters, four sculptors, and two architects would be sent to the French Academy in Rome founded by Jean-Baptiste Colbert from 1666. Expanded after 140 years into five categories, the contest started in 1663 as two categories, painting and sculpture, in 1803, music was added, and after 1804 there was a prix for engraving as well. The primary winner took the First Grand Prize and the Second Prizes were awarded to the runners-up, in 1803, Napoleon Bonaparte moved the French Academy in Rome to the Villa Medici with the intention of preserving an institution once threatened by the French Revolution. At first, the villa and its gardens were in a sad state, in this way, he hoped to retain for young French artists the opportunity to see and copy the masterpieces of antiquity and the Renaissance. Jacques-Louis David, having failed to win the three years in a row, considered suicide. Édouard Manet, Edgar Degas, Ernest Chausson and Maurice Ravel attempted the Prix de Rome, but did not gain recognition. Ravel tried a total of five times to win the prize, during World War II the prize winners were accommodated in the Villa Paradiso in Nice. The Prix de Rome was abolished in 1968 by André Malraux, since then, a number of contests have been created, and the academies, together with the Institut de France, were merged by the State and the Minister of Culture. Selected residents now have an opportunity for study during an 18-month stay at The Academy of France in Rome, the heyday of the Prix de Rome was during the late eighteenth and early nineteenth centuries. The Prix de Rome for Architecture was created in 1720, the engraving prize was created in 1804. A Prix de Rome was also established in the Kingdom of Holland by Lodewijk Napoleon to award young artists and architects, during the years 1807–1810 prize winners were sent to Paris and onwards to Rome for study. Suspended in 1851 it was reinstated in 1870 by William III of the Netherlands, since then the winners have been selected by the Rijksakademie in Amsterdam under the main headings of architecture and the visual arts. The Belgian Prix de Rome is an award for artists, created in 1832
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Joseph Maria Olbrich
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Joseph Maria Olbrich was an Austrian architect and co-founder of the Vienna Secession. Olbrich was born in Opava, Austrian Silesia, the child of Edmund. He had two sisters, who died before he was born, and two brothers, John and Edmund. His father was a confectioner and wax manufacturer who also owned a brick works. Olbrich studied architecture at the University of Applied Arts Vienna and the Academy of Fine Arts Vienna and these included the Prix de Rome, for which he traveled in Italy and North Africa. In 1893, he started working for Otto Wagner, the Austrian architect, in 1897, Gustav Klimt, Olbrich, Josef Hoffmann and Koloman Moser founded the Vienna Secession artistic group. Olbrich designed their exhibition building, the famous Secession Hall, which became the movements landmark, in 1899, Ernest Louis, Grand Duke of Hesse, founded the Darmstadt Artists Colony, for which Olbrich designed many houses and several exhibition buildings. Olbrich gained Hessian citizenship in 1900 and was appointed to a professorship by the Grand Duke, in 1903, he married Claire Morawe. In the following years, Olbrich executed diverse architectural commissions and experimented in applied arts and he designed pottery, furniture, book bindings, and musical instruments. His courtyard and interiors at the St. Louis Worlds Fair won the highest prize at the exhibition, at the time, the St. Louis Post-Dispatch wrote of his pavilion, The interior decorators of the United States are now talking about the Olbrich Pavilion. It is already indicated as one of the things at the Worlds Fair which will leave a permanent mark upon American life and he was subsequently appointed corresponding member of the American Institute of Architects. His architectural works, especially his exhibition buildings for the Vienna, shortly after his daughter Mariannes birth on July 19,1908, Olbrich died from leukemia in Düsseldorf on August 8, aged 40
20.
Gustav Klimt
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Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, Klimts primary subject was the female body, and his works are marked by a frank eroticism. In addition to his works, which include allegories and portraits. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art, early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. He subsequently accepted no more commissions, but achieved a new success with the paintings of his golden phase. Klimts work was an important influence on his younger contemporary Egon Schiele, Gustav Klimt was born in Baumgarten, near Vienna in Austria-Hungary, the second of seven children—three boys and four girls. His mother, Anna Klimt, had an ambition to be a musical performer. His father, Ernst Klimt the Elder, formerly from Bohemia, was a gold engraver, all three of their sons displayed artistic talent early on. Klimts younger brothers were Ernst Klimt and Georg Klimt, Klimt lived in poverty while attending the Vienna School of Arts and Crafts, where he studied architectural painting until 1883. He revered Viennas foremost history painter of the time, Hans Makart, Klimt readily accepted the principles of a conservative training, his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, the two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the Company of Artists. They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna, Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of Allegories and Emblems. In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna and he also became an honorary member of the University of Munich and the University of Vienna. In 1892 Klimts father and brother Ernst both died, and he had to assume responsibility for his fathers and brothers families. The tragedies also affected his vision and soon he would move towards a new personal style. Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge who was to be his companion until the end of his life and his painting, The Kiss, is thought to be an image of them as lovers. He designed many costumes she created and modeled in his works, during this period Klimt fathered at least fourteen children
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Koloman Moser
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Born in Vienna, he studied at the Wiener Akademie and the Kunstgewerbeschule, where he also taught from 1899. His designs in architecture, furniture, jewellery, graphics, Moser drew upon the clean lines and repetitive motifs of classical Greek and Roman art and architecture in reaction to the Baroque decadence of his turn-of-the-century Viennese surroundings. In 1901/1902, he published a portfolio titled Die Quelle of elegant graphic designs for such things as tapestries, fabrics, in 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna. In 1905, together with the Klimt group, he separated from the Vienna Secession, the same year, he married Editha Mautner von Markhof, the daughter to one of Austrias great industry fortunes. In 1907 Moser, due to conflicts and as his plans for reorganising the Werkstätte werent realised. Koloman was one of the designers for Austrias leading art journal Ver Sacrum and this art journal paid great attention to design and was designed mainly by Moser, Gustav Klimt and Josef Hoffmann. His design for the cover of one edition of the art journal was later plagiarized by well known street artist and designer, on the reverse of the coin, the Koloman Moser stained glass window over the main entrance can be seen. In the centre of the window is God the Father seated on a throne, the window is flanked with a pair of bronze angels in Jugendstil style, originally designed by Othmar Schimkowitz. Each plate was double sided, with a design on one side. It sold for a record price of $12,600. Koloman Moser, Master of Viennese Modernism, catalog of the Kolo Moser exhibition in the Leopold Museum. Paris, Editions de la Réunion des musées nationaux, media related to Koloman Moser at Wikimedia Commons Wiener Werkstätte Koloman Moser at WOKA Koloman Moser article in cosmopolis. ch Biography, Literature and Works by Koloman Moser
22.
University of Applied Arts Vienna
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The University of Applied Arts Vienna is an institution of higher education in Vienna, the capital of Austria. It has had university status since 1970, the predecessor of the Angewandte was founded in 1867 as the k. k. It was closely associated with the Österreichischen Museums für Kunst und Industrie and it was the first school of its kind on the continent. In 1941 it became an institution of higher education, in 1970 it was awarded the title of a university and in 1998 the school was renamed the Universität für angewandte Künste. Today its faculty includes many distinguished artists and teachers, such as Judith Eisler, Erwin Wurm, Hartmut Esslinger, Greg Lynn, Wolf D Prix, the university has currently c.1,800 students and c.340 faculty. The students come from 49 different countries to study in the 29 disciplines of the school and they form their creative ideas in 56 different languages. The outcome of their processes is made public in 200 exhibitions a year, Applied arts live art and technology as symbiosis. Applied arts live art and society in interaction, Applied arts live art as an experimental approach towards science
23.
Gesamtkunstwerk
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A Gesamtkunstwerk is a work of art that makes use of all or many art forms or strives to do so. The term is a German word which has come to be accepted in English as a term in aesthetics, the term was first used by the German writer and philosopher K. F. E. Trahndorff in an essay in 1827. The German opera composer Richard Wagner used the term in two 1849 essays, and the word has become associated with his aesthetic ideals. It is unclear whether Wagner knew of Trahndorffs essay, in the twentieth century, some writers applied the term to some forms of architecture, while others have applied it to film and mass media. Some elements of opera reform, seeking a more classical formula, had begun at the end of the 18th century and this movement, reform opera is primarily associated with Christoph Willibald Gluck and Ranieri de Calzabigi. Others who wrote on syntheses of the arts included Gottfried Lessing, Ludwig Tieck, carl Maria von Webers enthusiastic review of E. T. A. He also used in these essays many similar such as the consummate artwork of the future and the integrated drama. Such a work of art was to be the clearest and most profound expression of folk legend, Wagner felt that the Greek tragedies of Aeschylus had been the finest examples so far of total artistic synthesis, but that this synthesis had subsequently been corrupted by Euripides. Wagner felt that during the rest of history up to the present day the arts had drifted further and further apart. Wagner felt that such works celebrated bravura singing, sensational stage effects, in Art and Revolution Wagner applies the term Gesamtkunstwerk in the context of Greek tragedy. In The Art-Work of the Future he uses it to apply to his own, as yet unrealised, ideal. In his extensive book Opera and Drama he takes these ideas further, describing in detail his idea of the union of opera and drama, in which the individual arts are subordinated to a common purpose. It has been argued by historian Robert L. Delevoy that Art Nouveau represented an essentially decorative trend that thus lent itself to the idea of the architectural Gesamtkunstwerk. But it is possible it was born from social theories that arose out of a fear of the rise of industrialism. However evidence of complete interiors that typify the concept of Gesamtkunstwerk can be some time before the 1890s. There was a trend amongst architects in the 18th and 19th centuries to control every facet of an architectural commission. As well as being responsible for just the structure they tried to extend their role to include designing every aspect of the work as well. This included not only the architectural features but was extended to the design of furniture, carpets, wallpaper, fabrics
24.
Museum of Modern Art
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The Museum of Modern Art is an art museum located in Midtown Manhattan in New York City, on 53rd Street between Fifth and Sixth Avenues. MoMA has been important in developing and collecting modernist art, and is identified as one of the largest and most influential museums of modern art in the world. The MoMA Library includes approximately 300,000 books and exhibition catalogs, over 1,000 periodical titles, the archives holds primary source material related to the history of modern and contemporary art. The idea for The Museum of Modern Art was developed in 1929 primarily by Abby Aldrich Rockefeller and they became known variously as the Ladies, the daring ladies and the adamantine ladies. They rented modest quarters for the new museum in the Heckscher Building at 730 Fifth Avenue in Manhattan, and it opened to the public on November 7,1929, nine days after the Wall Street Crash. Abby had invited A. Conger Goodyear, the president of the board of trustees of the Albright Art Gallery in Buffalo, New York. At the time, it was Americas premier museum devoted exclusively to art. One of Abbys early recruits for the staff was the noted Japanese-American photographer Soichi Sunami. Goodyear enlisted Paul J. Sachs and Frank Crowninshield to join him as founding trustees, Sachs, the associate director and curator of prints and drawings at the Fogg Museum at Harvard University, was referred to in those days as a collector of curators. Goodyear asked him to recommend a director and Sachs suggested Alfred H. Barr, under Barrs guidance, the museums holdings quickly expanded from an initial gift of eight prints and one drawing. Its first successful exhibition was in November 1929, displaying paintings by Van Gogh, Gauguin, Cézanne. Abbys husband was opposed to the museum and refused to release funds for the venture. Nevertheless, he donated the land for the current site of the museum, plus other gifts over time. During that time it initiated many more exhibitions of noted artists, the museum also gained international prominence with the hugely successful and now famous Picasso retrospective of 1939–40, held in conjunction with the Art Institute of Chicago. In its range of presented works, it represented a significant reinterpretation of Picasso for future art scholars, Boy Leading a Horse was briefly contested over ownership with the Solomon R. Guggenheim Museum. In 1941, MoMA hosted the exhibition, Indian Art of the United States. His brother, David Rockefeller, also joined the board of trustees in 1948. David subsequently employed the noted architect Philip Johnson to redesign the garden and name it in honor of his mother
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Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
26.
Arts and Crafts movement
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It stood for traditional craftsmanship using simple forms, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was essentially anti-industrial and it had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards. It was inspired by the ideas of architect Augustus Pugin, writer John Ruskin, the movement developed earliest and most fully in the British Isles, and spread across the British Empire and to the rest of Europe and North America. It was largely a reaction against the perceived impoverished state of the arts at the time. The Arts and Crafts style emerged from the attempt to reform design, but it was as much a movement of social reform as design reform and its leading practitioners did not separate the two. The art historian Nikolaus Pevsner has said that exhibits in the Great Exhibition showed ignorance of basic need in creating patterns. Owen Jones, for example, declared that Ornament, fiona MacCarthy says that unlike later zealots like Gandhi, William Morris had no practical objections to the use of machinery per se so long as the machines produced the quality he needed. Morriss followers also had differing views or changed their minds over time. C. R. Ashbee, for example, a figure in the Arts and Crafts Movement. At the time of his Guild of Handicraft, initiated in 1888, he said, We do not reject the machine, but we would desire to see it mastered. Morris insisted that the artist should be a working by hand and advocated a society of free craftspeople. Because craftsmen took pleasure in their work, he wrote, the Middle Ages was a period of greatness in the art of the common people. The treasures in our museums now are only the common used in households of that age. Medieval art was the model for much Arts and Crafts design and medieval life, before capitalism, the founders of the Arts and Crafts Exhibition Society did not insist that the designer should also be the maker. Peter Floud, writing in the 1950s, said that The founders of the Society, never executed their own designs, but invariably turned them over to commercial firms. The Arts and Crafts Movement was associated with socialist ideas in the persons of Morris, T. J. Cobden Sanderson, Walter Crane, Ashbee, in the early 1880s Morris was spending more of his time on socialist propaganda than on designing and making. Ashbee established a community of craftsmen, the Guild of Handicraft, in east London and those adherents who were not socialists, for example, Alfred Hoare Powell, advocated a more humane and personal relationship between employer and employee. Lewis Foreman Day, a successful and influential Arts and Crafts designer, was not a socialist either
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Modern architecture
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Modern architecture or modernist architecture is a term applied to a group of styles of architecture which emerged in the first half of the 20th century and became dominant after World War II. The revolution in materials came first, with the use of cast iron, plate glass, the cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an example of iron and plate glass construction, followed in 1864 by the first glass. These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, the iron frame construction of the Eiffel Tower, then the tallest structure in the world, captured the imagination of millions of visitors to the 1889 Paris Universal Exposition. French industrialist François Coignet was the first to use iron-reinforced concrete, in 1853 Coignet built the first iron reinforced concrete structure, a four story house in the suburbs of Paris. Another important technology for the new architecture was electric light, which reduced the inherent danger of fires caused by gas in the 19th century. This break with the past was particularly urged by the architectural theorist, for each function its material, for each material its form and its ornament. This book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard, at the end of the 19th century, a few architects began to challenge the traditional Beaux Arts and Neoclassical styles that dominated architecture in Europe and the United States. The Glasgow School of Art 1896-99) designed by Charles Rennie MacIntosh, had a facade dominated by large bays of windows. The Art Nouveau style was launched in the 1890s by Victor Horta in Belgium and Hector Guimard in France, it introduced new styles of decoration, based on vegetal and floral forms. In 1903-1904 in Paris Auguste Perret and Henri Sauvage began to use reinforced concrete, previously used for industrial structures. Between 1910 and 1913, Auguste Perret built the Théâtre des Champs-Élysées, because of the concrete construction, no columns blocked the spectators view of the stage. Otto Wagner, in Vienna, was another pioneer of the new style, in his book Moderne Arkchtekture he had called for a more rationalist style of architecture, based on modern life. Wagner declared his intention to express the function of the building in its exterior, the reinforced concrete exterior was covered with plaques of marble attached with bolts of polished aluminum. The interior was purely functional and spare, an open space of steel, glass. The Viennese architect Adolf Loos also began removing any ornament from his buildings and his Steiner House, in Vienna, was an example of what he called rationalist architecture, it had a simple stucco rectangual facade with square windows and no ornament. The fame of the new movement, which known as the Vienna Secession spread beyond Austria. Josef Hoffmann, a student of Wagner, constructed a landmark of early modernist architecture and this residence, built of brick covered with Norwegian marble, was composed of geometric blocks, wings and a tower
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Le Corbusier
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Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930 and his career spanned five decades, he constructed buildings in Europe, Japan, India, and North and South America. Le Corbusier prepared the plan for the city of Chandigarh in India. On July 17,2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as an Outstanding Contribution to the Modern Movement and it was an industrial town, devoted to the manufacture of watches. His father was an artisan who enameled boxes and watches, while his mother gave piano lessons and his elder brother Albert was an amateur violinist. He attended a kindergarten that used Fröbelian methods, like his contemporaries Frank Lloyd Wright and Mies van der Rohe, Le Corbusier did not have formal academic training as an architect. He was attracted to the arts and at the age of fifteen he entered the municipal art school in La-Chaux-de-Fonds which taught the applied arts connected with watchmaking. Three years later he attended the course of decoration, founded by the painter Charles LEplattenier. Le Corbusier wrote later that LEplattenier had made him a man of the woods and his father took him frequently into the mountains around the town. He wrote later, we were constantly on mountaintops, we grew accustomed to a vast horizon and his architecture teacher in the Art School was the architect René Chapallaz, who had a large influence on Le Corbusiers earliest house designs. However, he reported later that it was the art teacher LEplattenier who made him choose architecture, I had a horror of architecture and architects, he wrote. I was sixteen, I accepted the verdict and I obeyed. Le Corbusier began teaching himself by going to the library to read about architecture and philosophy, by visiting museums, by sketching buildings, located on the forested hillside near Chaux-de-fonds. It was a chalet with a steep roof in the local alpine style. The success of this led to his construction of two similar houses, the Villas Jacquemet and Stotzer, in the same area. In Florence, he visited the Florence Charterhouse in Galluzzo, which made an impression on him. I would have liked to live in one of what they called their cells and it was the solution for a unique kind of workers housing, or rather for a terrestrial paradise. In 1911, he traveled again for five months, this time he journeyed to the Balkans and visited Serbia, Bulgaria, Turkey, Greece, as well as Pompeii and Rome. Filling nearly 80 sketchbooks with renderings of what he saw—including many sketches of the Parthenon and he spoke of what he saw during this trip in many of his books, and it was the subject of his last book, Le Voyage dOrient
29.
New Objectivity (architecture)
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The New Objectivity is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called Neues Bauen, the New Objectivity remodeled many German cities in this period. The earliest examples of the style actually date to before the First World War, many of the architects who would become associated with the New Objectivity were practicing in a similar manner in the 1910s, using glass surfaces and severe geometric compositions. Examples of this include Walter Gropius and Adolf Meyers 1911 Fagus Factory or Hans Poelzigs 1912 department store in Breslau, however, in the aftermath of the war these architects worked in the revolutionary Arbeitsrat für Kunst, pioneering Expressionist architecture—particularly through the secret Glass Chain group. The early works of the Bauhaus, such as the Sommerfeld House, were in this vein, expressionisms dynamism and use of glass would be a mainstay of the New Objectivity. Also steering German architects away from Expressionism was the influence of Constructivism, particularly of VKhUTEMAS and El Lissitzky, another element was the work in France of Le Corbusier, such as the proposals for the concrete Citrohan house. However the fullest early exploration of a new, non-expressionist avant-garde idiom was in the 1923–24 Italienischer Garten in Celle by Otto Haesler, contrary to the white box idea later popularised by the International Style, these were frequently painted in bright colors. The strongest proponent of color among the architects was Bruno Taut. The major expansion of this came with the appointment of Ernst May to the position of city architect, however their advanced techniques often alienated the building profession, much of whom were made superfluous by the lack of ornament and speed of construction. May would also employ other architects in Frankfurt such as Margarete Schütte-Lihotzky, the immediate effect of Mays work can be seen in Gropiuss 1926 Torten Estate in Dessau, which also pioneered prefabrication technology. Further Werkbund Estate-exhibitions were mounted in Wrocław and Vienna in subsequent years, at the same time there was a massive expansion of the style across German cities. Tauts designs featured controversially modern flat roofs, humane access to sun, air and gardens, and generous amenities like gas, electric light, critics on the political Right complained that these developments were too opulent for simple people. The progressive Berlin mayor Gustav Böss defended them, We want to bring the levels of society higher. The term Functionalism began to be used to denote the rather severe, nothing superfluous ethos of the New Objectivity, in 1928 the CIAM had formed, and its earliest conferences, dedicated to questions of Existenzminimum were dominated by the social programmes of German architects. A leftist, technologically oriented wing of the movement had formed in Switzerland and the Netherlands and it was made up of collaborators of El Lissitzky such as Mart Stam and Hannes Meyer, whose greatest work was the glassy expanse of the Van Nelle Factory in Rotterdam. The Great Depression, beginning in 1929, had an effect on the New Building. But the political mood turned uglier through that time, with open hostile press, many prominent German modernists went to the Soviet Union. Russia had colossal plans for cities of worker housing
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Secession
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Secession is the withdrawal of a group from a larger entity, especially a political entity, but also any organization, union or military alliance. Threats of secession can also be a strategy for achieving more limited goals, theories of secession relate to a fundamental question of political philosophy, the basis of the states authority. Ramet, Rights of Secession by Daniel Kofman, The Very Idea of Secession by Donald Livingston and Secession, Autonomy, in 2007 the University of South Carolina sponsored a conference called Secession As an International Phenomenon which produced a number of papers on the topic. Some theories of secession emphasize a general right of secession for any reason while others emphasize that secession should be considered only to rectify grave injustices, if it can not live in the affections of the people, it must one day perish. Congress possesses many means of preserving it by conciliation, but the sword was not placed in their hand to preserve it by force, former President of the United States Thomas Jefferson, in a letter to William H. If any State in the Union will declare that it prefers separation with the first alternative, to a continuance in union without it, I have no hesitation in saying, let us separate. I would rather the States should withdraw, which are for unlimited commerce and war, economic enfranchisement of an economically oppressed class that is regionally concentrated within the scope of a larger national territory. e. Tax schemes, regulatory policies, economic programs, etc, cultural Secessionism, any group which was previously in a minority has a right to protect and develop its own culture and distinct national identity through seceding into an independent state. Institutional empowerment - The growing inability of empires and ethnic federations to maintain colonies, relative strength - Increasingly powerful secessionist movements are more likely to achieve statehood. Negotiated consent - Home states and the international community increasingly consent to secessionist demands, during the 19th century, the single British colony in eastern mainland Australia, New South Wales was progressively divided up by the British government as new settlements were formed and spread. Victoria in 1851 and Queensland in 1859, however, settlers agitated to divide the colonies throughout the later part of the century, particularly in central Queensland in the 1860s and 1890s, and in North Queensland in the 1870s. Western Australia Secession movements have surfaced several times in Western Australia, the referendum had to be ratified by the British Parliament, which declined to act, on the grounds that it would contravene the Australian Constitution. The Principality of Hutt River claims to have seceded from Australia in 1970, according to a lexicon on nationalist movements across the world, Macau happened to recognise that Principality. Austria successfully seceded from Nazi Germany on April 27,1945 and this took place after seven years of Austria being part of Adolf Hitlers Third Reich due to the Anschluss annexation of Austria into Nazi Germany in March 1938. On August 25,1830, during the reign of William I, soon after, the Belgian Revolt occurred, which resulted in the Belgian secession from the Netherlands. The peace treaty accepted Uruguay independence, reasserted the rule of both nations over their land and some important points like free navigation in the Silver River, three rather disorganized secessionist rebellions happened in Grão-Pará, Bahia and Maranhão, where the people were unhappy with the Empire. The Malê Revolt, in Bahia, was an Islamic slave revolt and these three rebellions were bloodily crushed by the Empire of Brazil. In the attempts the rebels were crushed, the shot and its territory divided
31.
Franz Metzner
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His style is difficult to classify. Metzer learned the craft of stone-cutting in Breslau with Christian Behrens and he founded his own studio in Berlin in 1896 and worked predominantly for the royal porcelain factory until 1903, and became a professor at the Vienna college of arts and sciences. Metzner achieved notoriety by winning a Gold Medal at the Paris Exposition Universelle, among his important works are the sculptures for Josef Hoffmanns 1904–1911 landmark Art Deco Palais Stoclet in Brussels, including the eccentric four green male nudes at the summit of the building. The Palais Stoclet is an example of Gesamtkunstwerk, the integration of art and architecture, around the same time, Metzners designs influenced Czech artists working in Prague, Stanislav Sucharda among them. A famous work is the 1913 Völkerschlachtdenkmal, designed by the architect Bruno Schmitz in Leipzig, Metzner executed the powerful and strangely scaled interior figural-architectural sculpture in the Hecker Tomb with his teacher Behrens. The Monument was inaugurated in 1913 by Kaiser Wilhelm II and is associated with political strains of German nationalism in the period between the World Wars, much of Metzners work in Germany was lost in World War II. In, Ulrich Thieme, Felix Becker et al, allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart. Vol.24, E. A. Seemann, Leipzig 1930, media related to Franz Metzner at Wikimedia Commons Entry for Franz Metzner on the Union List of Artist Names Literature by and about Franz Metzner in the German National Library catalogue
32.
Venice Biennale
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The Venice Biennale is an arts organization based in Venice, and also the original and principal exhibition it organizes. The organization changed its name to the Biennale Foundation in 2009, while the exhibition is called the Art Biennale to distinguish it from the organisation. The Art Biennale, a visual art exhibition, is so called as it is held biennially. A year later, the council decreed to adopt a by invitation system, to reserve a section of the Exhibition for foreign artists too, to works by uninvited Italian artists. The first Biennale, I Esposizione Internazionale dArte della Città di Venezia was opened on April 30,1895 by the Italian King and Queen, Umberto I, the first exhibition was seen by 224,000 visitors. In 1910 the first internationally well-known artists were displayed- a room dedicated to Gustav Klimt, a show for Renoir. A work by Picasso was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public, by 1914 seven pavilions had been established, Belgium, Hungary, Germany, Great Britain, France, and Russia. During World War I, the 1916 and 1918 events were cancelled, in 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art,1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there, in 1928 the Istituto Storico dArte Contemporanea opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art, in 1933 the Biennale organised an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section, during World War II, the activities of the Biennale were interrupted,1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, the Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. Peggy Guggenheim was invited to exhibit her famous New York collection,1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964. From 1948 to 1972, Italian architect Carlo Scarpa did a series of interventions in the Biennales exhibition spaces. In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe,1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Rays Aparajito which introduced Indian cinema to the West,1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra
33.
May Revolution
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The May Revolution was a week-long series of events that took place from May 18 to 25,1810, in Buenos Aires, capital of the Viceroyalty of the Río de la Plata. This Spanish colony included roughly the territories of present-day Argentina, Bolivia, the result was the removal of Viceroy Baltasar Hidalgo de Cisneros and the establishment of a local government, the Primera Junta, on May 25. It was the first successful revolution in South American Independence process, the May Revolution was a direct reaction to Spains Peninsular War. In 1808, King Ferdinand VII of Spain abdicated in favor of Napoleon, on February 1,1810, French troops took Seville and gained control of most of Andalusia. The Supreme Junta retreated to Cadiz and dissolved itself, and the Council of Regency of Spain, news of these events arrived in Buenos Aires on May 18, brought by British ships. Viceroy Cisneros tried to maintain the status quo, but a group of criollo lawyers. Delegates denied recognition to the Council of Regency in Spain and established a junta to govern in place of Cisneros, to maintain a sense of continuity, Cisneros was initially appointed president of the Junta. However, this caused much popular unrest, so he resigned under pressure on May 25, the newly formed government, the Primera Junta, included only representatives from Buenos Aires and invited other cities of the Viceroyalty to send delegates to join them. This resulted in the outbreak of war between the regions that accepted the outcome of the events at Buenos Aires and those that did not. As similar events occurred in other cities of the continent. A formal declaration of independence was issued at the Congress of Tucumán on July 9,1816. The United States declaration of independence from Great Britain in 1776 led criollos to believe that revolution, the fact that Spain aided the colonies in their struggle against Britain weakened the idea that it would be a crime to end ones allegiance to the parent state. The ideals of the French Revolution of 1789 spread across Europe, the overthrow and execution of King Louis XVI and Queen Marie Antoinette ended centuries of monarchy and removed the privileges of the nobility. Liberal ideals in the political and economic fields developed and spread through the Atlantic Revolutions across most of the Western world, however, the spread of such ideas was forbidden in the Spanish territories, as was the sale of related books or their unauthorized possession. Spain instituted those bans when it declared war on France after the execution of Louis XVI, news of the events of 1789 and copies of the publications of the French Revolution spread around Spain despite efforts to keep them at bay. Many enlightened criollos came into contact with authors and their works during their university studies. Books from the United States found their way into the Spanish colonies through Caracas, owing to the proximity of Venezuela to the United States, the Industrial Revolution started in Britain, with the use of plateways, canals and steam power. This led to increases in the productive capabilities of Britain
34.
Oskar Kokoschka
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Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits and landscapes. He was born in Pöchlarn, second child to Gustav Josef Kokoschka, a Czech goldsmith and his older brother died in infancy in 1887, he had a sister, Berta and a brother, Bohuslav. Oskar had a belief in omens, spurred by a story of a fire breaking out in Pöchlarn shortly after his mother gave birth to him. Kokoschkas life was not easy due to a lack of financial help from his father. They constantly moved into flats, farther and farther from the thriving center of the town. Concluding that his father was inadequate, Kokoschka drew closer to his mother, he felt that he was the head of the household, Kokoschka entered secondary school at Realschule, where emphasis was placed on the study of modern subjects such as science and language. Kokoschka was not interested in subjects, as he found he only excelled in art. This education of classic literature is said to have influenced his artwork, one of Kokoschkas professors suggested he pursue a career in fine art. Against his fathers will, Kokoschka applied to Kunstgewerbeschule in Vienna, Kunstgewerbeschule was an extremely progressive school that focused mainly on architecture, furniture, crafts and modern design. Unlike the more prestigious and traditional Academy of Fine Art in Vienna, Kokoschka studied there from 1904 to 1909, and was influenced by his professor Carl Otto Czeschka in developing an original style. Among Kokoschkas early works were drawings of children, which portrayed them as awkward. Kokoschka had no training in painting and so approached the medium without regard to the traditional or correct way to paint. The teachers at Kunstgewerbeschule helped Kokoschka gain opportunities through the Wiener Werkstätte or Viennese Workshops, Kokoschkas first commissions were postcards and drawings for children. Kokoschka said that it gave him the basis of artistic training and his early career was marked by portraits of Viennese celebrities, painted in a nervously animated style. Kokoschka had a passionate, often stormy affair with Alma Mahler and it began in 1912, shortly after the death of her four-year-old daughter Maria Mahler and her affair with Walter Gropius. After several years together, Alma rejected him, explaining that she was afraid of being too overcome with passion and he continued to love her his entire life, and one of his greatest works, The Bride of the Wind, is a tribute to her. The poet Georg Trakl visited the studio while Kokoschka was painting this masterpiece, Kokoschkas poem Allos Makar was inspired by this relationship. He volunteered for service as a cavalryman in the Austrian army in World War I, at the hospital, the doctors decided that he was mentally unstable
35.
Egon Schiele
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Egon Schiele was an Austrian painter. A protégé of Gustav Klimt, Schiele was a figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, the twisted body shapes and the expressive line that characterize Schieles paintings and drawings mark the artist as an early exponent of Expressionism. Schiele was born in 1890 in Tulln, Lower Austria, as a child, Schiele was fascinated by trains, and would spend many hours drawing them, to the point where his father felt obliged to destroy his sketchbooks. When he was 11 years old, Schiele moved to the city of Krems to attend secondary school. To those around him, Schiele was regarded as a strange child, shy and reserved, he did poorly at school except in athletics and drawing, and was usually in classes made up of younger pupils. When he was sixteen he took the twelve-year-old Gerti by train to Trieste without permission, when Schiele was 15 years old, his father died from syphilis, and he became a ward of his maternal uncle, Leopold Czihaczek, also a railway official. In 1906 Schiele applied at the Kunstgewerbeschule in Vienna, where Gustav Klimt had once studied, within his first year there, Schiele was sent, at the insistence of several faculty members, to the more traditional Akademie der Bildenden Künste in Vienna in 1906. In 1907, Schiele sought out Gustav Klimt, who generously mentored younger artists, Klimt took a particular interest in the young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession, in 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academys conventions, Schiele began to not only the human form. At the time, many found the explicitness of his works disturbing, in 1913, the Galerie Hans Goltz, Munich, mounted Schieles first solo show. A solo exhibition of his took place in Paris in 1914. Schieles self-portraits helped re-establish the energy of both genres with their level of emotional and sexual honesty and use of figural distortion in place of conventional ideals of beauty. Egon Schiele’s Kneeling Nude with Raised Hands is considered among the most significant nude art pieces made during the 20th century, Schiele’s radical and developed approach towards the naked human form challenged both scholars and progressives alike. This unconventional piece and style went against strict academia and elevated a sexual uproar with its contorted lines, Schiele mastered the craft of contouring sexually charged beings to express emotional revolutions. In 1911, Schiele met the seventeen-year-old Walburga Neuzil, who lived with him in Vienna, very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses
36.
Louise Brigham
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Louise Brigham was an American early 20th century designer and teacher who was a pioneering champion of the use of recycled materials in furniture design. A system she invented for building out of packing crates also represents one of the earliest to adopt a modular approach to the design of individual units. Louise Ashton Brigham was born in Boston, the fourth of five children of William Cleveland Brigham and she had an older brother, Waldo, and an older sister, Lucy. Another sister, Emma, was four years before Louise. The final child of the family, Anna, was born a year after Louise, when Louise was only two years old, her mother died, and she was to lose her father when she was just 19. Information about Brigham’s youth and the circumstances of her upbringing is scanty and her father was an apothecary, the 1880 census shows the family living in Medford, Massachusetts. Brigham studied art and design in New York at the Pratt Institute, at some point in the late 1890s, Brigham became involved in the settlement house movement and established Sunshine Cottage in Cleveland, Ohio. The 1900 census lists her as a teacher and settlement worker in Cleveland, during her early 30s, Brigham traveled widely in Europe, staying abroad for much of the period between 1905 and 1910. As she herself put it in a 1913 interview, I spent the biggest part of five years in Europe, studying various kinds of handiwork with the peasants and her destinations included the Netherlands, Germany, Denmark, and Sweden. Brigham stayed in a camp managed by John Munroe Longyear, a fellow Bostonian of her father’s generation, in 1905, Longyear had cofounded the Arctic Coal Company to carry out mining operations in an area along the west coast of Spitsbergen that came to be called Longyear City. The camp housed 80 men at the time Brigham was there—rising to several hundred in the leading up to World War I—and conditions were extremely primitive. In 1909, Brigham published a book of her designs for building furniture out of packing crates entitled Box Furniture. Illustrated with simple line drawings by the interior designer Edward H. Aschermann and it offered dozens of different furniture plans, advice on how to select and break down crates, instruction in basic carpentry, and a list of necessary tools. Designs were grouped into suites for specific rooms, as well as organized along a trajectory of increasing complexity, Brigham also offered complementary advice on curtain materials and overall color schemes. In addition to working exclusively with recycled materials of the cheapest kind, Brigham specifically aligns her modernist aesthetic with that of Hoffmann, with its focus on the square as a fundamental unit of design. Brighams ambitious project of combining design with a do-it-yourself approach was both unusual in its own time and a forerunner of todays green design movement. One writer assesses Brighams project as a system attached to a design theory. In 1910, Brigham showed Room Delightful, a suite of box furniture for a child’s room at a Child Welfare Exhibit in New York City
37.
League of Nations
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The League of Nations was an intergovernmental organisation founded on 10 January 1920 as a result of the Paris Peace Conference that ended the First World War. It was the first international organisation whose mission was to maintain world peace. Its primary goals, as stated in its Covenant, included preventing wars through collective security and disarmament, at its greatest extent from 28 September 1934 to 23 February 1935, it had 58 members. The diplomatic philosophy behind the League represented a shift from the preceding hundred years. The League lacked its own armed force and depended on the Great Powers to enforce its resolutions, keep to its economic sanctions, however, the Great Powers were often reluctant to do so. Sanctions could hurt League members, so they were reluctant to comply with them, after a number of notable successes and some early failures in the 1920s, the League ultimately proved incapable of preventing aggression by the Axis powers in the 1930s. Germany withdrew from the League, as did Japan, Italy, Spain, the onset of the Second World War showed that the League had failed its primary purpose, which was to prevent any future world war. The League lasted for 26 years, the United Nations replaced it after the end of the Second World War on 20 April 1946 and inherited a number of agencies and organisations founded by the League. As historians William H. Harbaugh and Ronald E. Powaski point out, the organisation was international in scope, with a third of the members of parliaments serving as members of the IPU by 1914. Its aims were to encourage governments to solve disputes by peaceful means. Annual conferences were held to help refine the process of international arbitration. Its structure consisted of a council headed by a president, which would later be reflected in the structure of the League, at the start of the 20th century, two power blocs emerged from alliances between the European Great Powers. It was these alliances that, at the start of the First World War in 1914 and this was the first major war in Europe between industrialised countries, and the first time in Western Europe that the results of industrialisation had been dedicated to war. By the time the fighting ended in November 1918, the war had had an impact, affecting the social, political and economic systems of Europe. Anti-war sentiment rose across the world, the First World War was described as the war to end all wars, the causes identified included arms races, alliances, militaristic nationalism, secret diplomacy, and the freedom of sovereign states to enter into war for their own benefit. Goldsworthy Lowes Dickinson, a British political scientist, coined the term League of Nations in 1914, together with Lord Bryce, he played a leading role in the founding of the group of internationalist pacifists known as the Bryce Group, later the League of Nations Union. The group became more influential among the public and as a pressure group within the then governing Liberal Party. In Dickinsons 1915 pamphlet After the War he wrote of his League of Peace as being essentially an organisation for arbitration and conciliation
38.
Legion of Honour
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The Legion of Honour, full name National Order of the Legion of Honour, is the highest French order of merit for military and civil merits, established 1802 by Napoléon Bonaparte. The order is divided into five degrees of increasing distinction, Chevalier, Officier, Commandeur, Grand Officier and Grand-Croix. The orders motto is Honneur et Patrie and its seat is the Palais de la Légion dHonneur next to the Musée dOrsay, in the French Revolution, all French orders of chivalry were abolished, and replaced with Weapons of Honour. The Légion however did use the organization of old French orders of chivalry, the badges of the legion also bear a resemblance to the Ordre de Saint-Louis, which also used a red ribbon. Napoleon originally created this to ensure political loyalty, the organization would be used as a facade to give political favours, gifts, and concessions. The Légion was loosely patterned after a Roman legion, with legionaries, officers, commanders, regional cohorts, the highest rank was not a grand cross but a Grand Aigle, a rank that wore all the insignia common to grand crosses. The members were paid, the highest of them extremely generously,5,000 francs to an officier,2,000 francs to a commandeur,1,000 francs to an officier,250 francs to a légionnaire. Napoleon famously declared, You call these baubles, well, it is with baubles that men are led, do you think that you would be able to make men fight by reasoning. That is good only for the scholar in his study, the soldier needs glory, distinctions, rewards. This has been quoted as It is with such baubles that men are led. The order was the first modern order of merit, under the monarchy, such orders were often limited to Roman Catholics, and all knights had to be noblemen. The military decorations were the perks of the officers, the Légion, however, was open to men of all ranks and professions—only merit or bravery counted. The new legionnaire had to be sworn in the Légion and it is noteworthy that all previous orders were crosses or shared a clear Christian background, whereas the Légion is a secular institution. The jewel of the Légion has five arms, in a decree issued on the 10 Pluviôse XIII, a grand decoration was instituted. This decoration, a cross on a sash and a silver star with an eagle, symbol of the Napoleonic Empire, became known as the Grand Aigle. After Napoleon crowned himself Emperor of the French in 1804 and established the Napoleonic nobility in 1808, the title was made hereditary after three generations of grantees. Napoleon had dispensed 15 golden collars of the legion among his family and this collar was abolished in 1815. The Légion dhonneur was prominent and visible in the French Empire, the Emperor always wore it and the fashion of the time allowed for decorations to be worn most of the time
39.
American Institute of Architects
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The American Institute of Architects is a professional organization for architects in the United States. The AIA also works with members of the design and construction team to help coordinate the building industry. The AIA is currently headed by Robert Ivy, FAIA as EVP/Chief Executive Officer and Thomas V. Vonier, wells, with Richard Upjohn serving as the first president. They met on February 23,1857 and decided to invite 16 other prominent architects to join them, including Alexander Jackson Davis, Thomas U. Prior to their establishment of the AIA, anyone could claim to be an architect and they drafted a constitution and bylaws by March 10,1857, under the name New York Society of Architects. Walter, of Philadelphia, later suggested the name be changed to American Institute of Architects, the members signed the new constitution on April 15,1857, having filed a certificate of incorporation two days earlier. As of 2008, AIA has more than 300 chapters, the AIA is headquartered at 1735 New York Avenue, NW in Washington, D. C. A design competition was held in the mid-1960s to select an architect for a new AIA headquarters in Washington, mitchell/Giurgola won the design competition but failed to get approval of the design concept from the United States Commission of Fine Arts. The firm resigned the commission and helped select The Architects Collaborative to redesign the building, the design, led by TAC principals Norman Fletcher and Howard Elkus, was ultimately approved in 1970 and completed in 1973. More than 90,000 licensed architects and associated professionals are members, AIA members adhere to a code of ethics and professional conduct intended to assure clients, the public, and colleagues of an architects dedication to the highest standards in professional practice. There are five levels of membership in the AIA, Architect members are licensed to practice architecture in the United States, international associate members hold an architecture license or the equivalent from a licensing authority outside the United States. Emeritus members have been AIA members for 15 successive years and are at least 65 years of age or are incapacitated, allied membership is a partnership with the AIA and the American Architectural Foundation. The AIA’s most prestigious honor is the designation of a member as a Fellow of the American Institute of Architects and this membership is awarded to members who have made contributions of national significance to the profession. Slightly more than 2,600, or 2% of all members, have elevated to the AIA College of Fellows. Foreign architects of prominence may be elected to the College as Honorary Fellows of the AIA, the AIA is governed by a Board of Directors and has a staff of over 200 full-time employees. Although the AIA functions as an organization, at its heart are some 300 local. The components are spread throughout the United States, United Kingdom, Europe, Japan, by speaking with a united voice, AIA architects influence government practices that affect the practice of the profession and the quality of American life. The AIA monitors legislative and regulatory actions and uses the power of its membership to participate in decisionmaking by federal, state
40.
Philip Johnson
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In 1978 he was awarded an American Institute of Architects Gold Medal and in 1979 the first Pritzker Architecture Prize. Johnson was born in Cleveland, Ohio on July 8,1906 and he was descended from the Jansen family of New Amsterdam, and included among his ancestors the Huguenot Jacques Cortelyou, who laid out the first town plan of New Amsterdam for Peter Stuyvesant. In 1928 he met Ludwig Mies van der Rohe, who was at the time designing the German Pavilion for the 1929 Barcelona International Exposition. The meeting formed the basis for a relationship of both collaboration and competition In 1930, Johnson joined the architecture department of the Museum of Modern Art in New York. There he arranged for American visits by Gropius and Le Corbusier, in 1932, working with Hitchcock and Alfred H. Barr, Jr. and Henry-Russell Hitchcock, he organized the first exhibition on Modern architecture at the Museum of Modern Art in 1932. The show and their published book International Style, Modern Architecture Since 1922 played an important part in introducing modern architecture to the American public. When the rise of the Nazis in Germany forced the modernists Marcel Breuer and Mies van der Rohe to leave Germany, in 1936, in the depths of the Great Depression, he left the Museum of Modern Art for a brief venture into journalism and politics. In his 1994 biography of Johnson, Schultze wrote, In politics he proved to be a model of futility and he was never much of a political threat to anyone, still less an effective doer of either political good or political evil. In 1941, at the age of 35, Johnson abandoned politics and journalism and enrolled in the Harvard Graduate School of Design, in 1941, Johnson designed and actually built his first building, a house still existing at 9 Ash Street in Cambridge, Massachusetts. The house, strongly influenced by Mies van der Rohe, has a wall around the lot which merges with the structure, after the United States entered World War II in December 1941, Johnson enlisted in the Army. He spent his service during the war in the United States. In 1946, after he completed his service, Johnson returned to the Museum of Modern Art as a curator. At the same time, he began working to establish his architectural practice and he built a small house, in th style of Mies, in Saaponack, Long Island in 1946. This was followed by one of this most famous buildings, which he built for himself, the Glass House in New Canaan, Connecticut, completed in 1949, which has become a landmark of modern architecture. Johnson had curated an exhibit of Mies van der Rohes at the Museum of Modern Art in 1947, the house is a 56 foot by 32 foot glass rectangle, sited at the edge of a crest on Johnsons estate overlooking a pond. The buildings sides are glass and charcoal-painted steel, the floor, of brick, is not flush with the ground, the interior is an open space divided by low walnut cabinets, a brick cylinder contains the bathroom and is the only object to reach floor to ceiling. The New York Times described it in 2005 as one of the 20th centurys greatest residential structures, Johnson continued to add to the Glass House estate during each period of his career. After completing the Glass House, he completed two more houses in New Canaan in a similar to that of Mies, the Hodgson House
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