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Sir Joseph Banks, as painted by Sir Joshua Reynolds in 1773
A 1757 portrait of Banks with a botanical illustration, unknown artist, but attributed to Lemuel Francis Abbott or Johann Zoffany
A 1757 portrait of Banks with a botanical illustration, unknown artist, but attributed to Lemuel Francis Abbott or Johann Zoffany
Satire on Banks titled "The Botanic Macaroni", by Matthew Darly, 1772: A macaroni was a pejorative term used for a follower of exaggerated continental
Satire on Banks titled "The Botanic Macaroni", by Matthew Darly, 1772: A macaroni was a pejorative term used for a follower of exaggerated continental fashion in the 18th century.
Banks as painted by Benjamin West in 1773
Banks as painted by Benjamin West in 1773
The Dilettanti Society, after Joshua Reynolds. On the left of the composition is (1) Sir Watkin Williams Wynn, (2) Mr. John Taylor, (3) Mr. Stephen Pa
The Dilettanti Society, after Joshua Reynolds. On the left of the composition is (1) Sir Watkin Williams Wynn, (2) Mr. John Taylor, (3) Mr. Stephen Payne-Gallwey, (4) Sir William Hamilton, (5) Mr. Richard Thompson, (6) Mr. Spencer Stanhope, and (7) Mr. John Lewin Smyth of Heath
The Dilettanti Society, after Joshua Reynolds. On the left of the composition is (1) Constantine, second Lord Mulgrave; (2) Henry Dundas, afterwards L
The Dilettanti Society, after Joshua Reynolds. On the left of the composition is (1) Constantine, second Lord Mulgrave; (2) Henry Dundas, afterwards Lord Dundas; (3) the Earl of Seaforth; (4) the Hon. Charles Greville; (5) Mr. John Charles Crowe; (6) Mr. Banks afterwards Sir Joseph Banks; and (7) Lord Carmarthen, afterwards fifth Duke of Leeds; he has a long stick in his left hand
Bourchier Wray by George Knapton
Bourchier Wray by George Knapton
Sir Joseph Banks, painting by Sir Joshua Reynolds, the mezzotint was by William Dickinson (1746–1823).
Sir Joseph Banks, painting by Sir Joshua Reynolds, the mezzotint was by William Dickinson (1746–1823).