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A 1611 woodcut of Josquin des Prez, possibly copied from a now-lost oil painting made during his lifetime. There have been doubts concerning whether t
A 1611 woodcut of Josquin des Prez, possibly copied from a now-lost oil painting made during his lifetime. There have been doubts concerning whether this depiction is an accurate likeness, see § Portraits.
Josquin probably served under Louis XII, who had captured the Sforzas, his previous employers.
Josquin probably served under Louis XII, who had captured the Sforzas, his previous employers.
Ercole I d'Este, an important patron of the arts, was Josquin's employer during 1503–1504.
Ercole I d'Este, an important patron of the arts, was Josquin's employer during 1503–1504.
Manuscript showing the opening Kyrie of the Missa de Beata Virgine, a late work. Rome, Biblioteca Apostolica Vaticana, Capp. Sist. 45, ff. 1v-2r.
Manuscript showing the opening Kyrie of the Missa de Beata Virgine, a late work. Rome, Biblioteca Apostolica Vaticana, Capp. Sist. 45, ff. 1v-2r.
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A group of Renaissance musicians in The Concert (1623) by Gerard van Honthorst
A group of Renaissance musicians in The Concert (1623) by Gerard van Honthorst
San Marco in the evening. The spacious, resonant interior was one of the inspirations for the music of the Venetian School.
San Marco in the evening. The spacious, resonant interior was one of the inspirations for the music of the Venetian School.
Modern French hurdy-gurdy
Modern French hurdy-gurdy
Musicians from 'Procession in honour of Our Lady of Sablon in Brussels.' Early 17th-century Flemish alta cappella. From left to right: bass dulcian, a
Musicians from 'Procession in honour of Our Lady of Sablon in Brussels.' Early 17th-century Flemish alta cappella. From left to right: bass dulcian, alto shawm, treble cornett, soprano shawm, alto shawm, tenor sackbut.