1.
Brooklyn
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Brooklyn is the most populous borough of New York City, with a Census-estimated 2,636,735 residents in 2015. It borders the borough of Queens at the end of Long Island. Today, if New York City dissolved, Brooklyn would rank as the third-most populous city in the U. S. behind Los Angeles, the borough continues, however, to maintain a distinct culture. Many Brooklyn neighborhoods are ethnic enclaves, Brooklyns official motto, displayed on the Borough seal and flag, is Eendraght Maeckt Maght which translates from early modern Dutch as Unity makes strength. Since 2010, Brooklyn has evolved into a hub of entrepreneurship and high technology startup firms. The history of European settlement in Brooklyn spans more than 350 years, the neighborhood of Marine Park was home to North Americas first tidal mill. It was built by the Dutch, and the foundation can be seen today, however, the area was not formally settled as a town. Many incidents and documents relating to this period are in Gabriel Furmans early compilation, what is today Brooklyn left Dutch hands after the final English conquest of New Netherland in 1664, a prelude to the Second Anglo–Dutch War. The English reorganized the six old Dutch towns on southwestern Long Island as Kings County on November 1,1683 and this tract of land was recognized as a political entity for the first time, and the municipal groundwork was laid for a later expansive idea of Brooklyn identity. On August 27,1776 was fought the Battle of Long Island, the first major engagement fought in the American Revolutionary War after independence was declared, and the largest of the entire conflict. British troops forced Continental Army troops under George Washington off the heights near the sites of Green-Wood Cemetery, Prospect Park. The fortified American positions at Brooklyn Heights consequently became untenable and were evacuated a few days later, One result of the Treaty of Paris in 1783 was the evacuation of the British from New York City, celebrated by residents into the 20th century. The New York Navy Yard operated in Wallabout Bay for the entire 19th century, the first center of urbanization sprang up in the Town of Brooklyn, directly across from Lower Manhattan, which saw the incorporation of the Village of Brooklyn in 1817. Reliable steam ferry service across the East River to Fulton Landing converted Brooklyn Heights into a town for Wall Street. Ferry Road to Jamaica Pass became Fulton Street to East New York, Town and Village were combined to form the first, kernel incarnation of the City of Brooklyn in 1834. Industrial deconcentration in mid-century was bringing shipbuilding and other manufacturing to the part of the county. Each of the two cities and six towns in Kings County remained independent municipalities, and purposely created non-aligning street grids with different naming systems and it later became the most popular and highest circulation afternoon paper in America. The publisher changed to L. Van Anden on April 19,1842, on May 14,1849 the name was shortened to The Brooklyn Daily Eagle, on September 5,1938 it was further shortened to Brooklyn Eagle
2.
United States
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Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography, climate and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power. The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations. In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
3.
Pratt Institute
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It originated in 1887 with programs primarily in engineering, architecture, and fine arts. U. S. News & World Report lists Pratt as one of the top 20 colleges in the Regional Universities North category. Princeton Review recognizes Pratt as being one of the best colleges in the northeast, Pratt Institute was founded in 1887 by American industrialist Charles Pratt, who was a successful businessman and oil tycoon and was one of the wealthiest men in the history of Brooklyn. In 1867 Pratt established Charles Pratt and Company, in 1874 Pratt’s companies were purchased by John D. Rockefeller and became part of his Standard Oil trust while Pratt continued to run the companies himself. Pratt, an advocate of education, wanted to provide the opportunity for working men and women to better their lives through education, even though Pratt never had the opportunity to go to college himself, he wanted to create an affordable college accessible to the working class. In 1884 Pratt began purchasing parcels of land in his affluent home town of Clinton Hill for the intention of opening a school, the school would end up being built only two blocks from Charles Pratt’s residence on Clinton Avenue. From his fortunes with Astral Oil and Charles Pratt and Company, in May 1887 the New York State Legislature granted Charles Pratt a charter to open the school, on October 17,1887, the Institute opened to 12 students in the Main Hall. Tuition was $4 per class per term, the college was one of the first in the country open to all people, regardless of class, color, and gender. In the early years, the Institute’s mission was to offer education to those who never had it offered to them before, Pratt sought to teach people skills that would allow them to be successful and work their way up the economic ladder. Specifically, many programs were tailored for the growing need to train workers in the changing economy with training in design. Early programs sought to teach students a variety of such as architectural engineering, mechanics, dressmaking. Graduates of the school were taught to become engineers, mechanics, drawing, whether freehand, mechanical, or architectural, thought of as being a universal language, united such diverse programs and thus all programs in the school had a strong foundation in drawing. In addition, the curriculum at the Institute was to be complemented by a large Liberal Arts curriculum. Students studied subjects such as history, mathematics, physics, and literature in order to understand the world in which they will be working in. Six months after inception the school had an enrollment of nearly 600 students, by the first anniversary of the school there were 1,000 students in attendance. In five years time the school had nearly 4,000 students, in 1888 Scientific American said of the school that “it is undoubtedly the most important enterprise of its kind in this country, if not in the world”. Andrew Carnegie even visited Pratt for inspiration and used the school as a model in developing Carnegie Technical Schools, now Carnegie Mellon University. As public interest grew in the school and demand increased the school began adding new programs including the Pratt High School, Library School, Music Department, and Department of Commerce
4.
Walter Shirlaw
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Walter Shirlaw was a Scottish-American artist. Shirlaw was born in Paisley, Scotland, and moved to the United States with his parents in 1840 and he worked as a bank-note engraver, and his work was first exhibited at the National Academy in 1861. He was elected an academician of the Chicago Academy of Design in 1868, among his pupils there was Frederick Stuart Church. From 1870 to 1877 he studied in Munich, under Johann Leonhard Raab, Alexander von Wagner, Arthur von Ramberg and his first work of importance was the Toning of the Bell, which was followed by Sheep-shearing in the Bavarian Highlands. The latter, which is probably the best of his works, a critical appraisal appeared at about this time by the American writer, S. G. W. One of Mr. Shirlaws best known compositions, representing a sheep-shearing in Bavaria, has attracted attention at home. In compositions which include animals, dogs, and birds, he has been especially happy and his inclinations to delineate the characteristics of bird-life are akin to those of the artists of Japan. Other notable works from his easel are Good Morning, in the Buffalo Academy, Indian Girl and Very Old, Gossip and his largest work is the frieze for the dining-room in the house of Darius O. Mills in New York City. Shirlaw has also earned an excellent reputation as an illustrator and he was one of the founders of the Society of American Artists and its first president. On his return from Europe he took charge of the Art Students League of New York and he became an associate of the National Academy in 1887, and an academician the following year. He died in Madrid, Spain on December 26,1909 and was buried in the British Cemetery there, wilson, James Grant, Fiske, John, eds
5.
Abstract art
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Abstract art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective, the arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, Abstract art, non-figurative art, non-objective art, and nonrepresentational art are loosely related terms. They are similar, but perhaps not of identical meaning, Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete, even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities, Figurative art and total abstraction are almost mutually exclusive. But figurative and representational art often contains partial abstraction, both geometric abstraction and lyrical abstraction are often totally abstract. It is at level of visual meaning that abstract art communicates. One can enjoy the beauty of Chinese calligraphy or Islamic calligraphy without being able to read it, in Chinese painting, abstraction can be traced to the Tang dynasty painter Wang Mo, who is credited to have invented the splashed-ink painting style. While none of his paintings remain, this style is seen in some Song Dynasty Paintings. A late Song painter named Yu Jian, adept to Tiantai buddhism and his paintings show heavily misty mountains in which the shapes of the objects are barely visible and extremely simplified. This type of painting was continued by Sesshu Toyo in his later years, another instance of abstraction in Chinese painting is seen in Zhu Deruns Cosmic Circle. The painting is a reflection of the Daoist metaphysics in which chaos, in Tokugawa Japan some zen monk-painters created Enso, a circle who represents the absolute enlightenment. Usually made in one spontaneous brush stroke, it became the paradigm of the minimalist aesthetic that guided part of the zen painting, three art movements which contributed to the development of abstract art were Romanticism, Impressionism and Expressionism. Artistic independence for artists was advanced during the 19th century, patronage from the church diminished and private patronage from the public became more capable of providing a livelihood for artists. Expressionist painters explored the use of paint surface, drawing distortions and exaggerations
6.
Reform movement
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A reform movement is the kind of social movement that aims to make gradual change, or change in certain aspects of society, rather than rapid or fundamental changes. A reform movement is distinguished from more radical movements such as revolutionary movements. Reformists ideas are often grounded in liberalism, although they may be rooted in socialist or religious concepts, some rely on personal transformation, others rely on small collectives, such as Mahatma Gandhis spinning wheel and the self-sustaining village economy, as a mode of social change. Reactionary movements, which can arise against any of these, attempt to put back the way they were before any successes the new reform movement enjoyed. The Radical movement campaigned for reform, a reform of the Poor Laws, free trade, educational reform, postal reform, prison reform. Originally this movement sought to replace the political power of the aristocracy with a more democratic system empowering urban areas. Following the Enlightenments ideas, the Reformers looked to the Scientific Revolution, applied to public life, this approach yielded several successful campaigns for changes in social policy. Eventually, in 1859, this movement led to the formation of the Liberal Party. Soon, the gentry, prosperous business men, and high-ranking officials created the Conservative Party to counter the rising strength of liberalism in Parliament. Having achieved the Reform Act of 1832, the Radical alliance was broken until the Liberal-Labour alliance of the Edwardian period, the Chartist movement sought universal suffrage. A historian of the Chartist movement observed that The Chartist movement was essentially a movement with a purely political programme. A period of bad trade and high food prices set in, the London Working Mens Association, under the guidance of Francis Place, found itself in the midst of a great unrest. In the northern textile districts the Chartists, led by Feargus OConnor and this was basically a hunger revolt, springing from unemployment and despair. In Birmingham, the older Birmingham Political Union sprang to life under the leadership of Thomas Attwood, the Chartist movement demanded basic economic reforms, higher wages and better conditions of work, and a repeal of the obnoxious Poor Law Act. The idea of male suffrage, an initial goal of the Chartist movement, was to include all males as voters regardless of their social standing. This later evolved into a campaign for universal suffrage, many consider Mary Wollstonecrafts Vindication of the Rights of Woman to be the source of the reformers long-running campaign for feminist inclusion and the origin of the Womens Suffrage movement. Harriet Taylor was a significant influence on John Stuart Mills work and ideas, mill cites Taylors influence in his final revision of On Liberty, which was published shortly after her death, and she appears to be obliquely referenced in Mills The Subjection of Women. A militant campaign to include women in the electorate originated in Victorian times, emmeline Pankhursts husband, Richard Pankhurst, was a supporter of the womens suffrage movement, and had been the author of the Married Womens Property Acts of 1870 and 1882
7.
Post-Impressionism
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Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists concern for the depiction of light. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, the term Post-Impressionism was first used by art critic Roger Fry in 1906. Three weeks later, Roger Fry used the term again when he organized the 1910 exhibition, Manet, the Post-Impressionists were dissatisfied with what they felt was the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward. Georges Seurat and his followers concerned themselves with Pointillism, the use of tiny dots of colour. Paul Cézanne set out to restore a sense of order and structure to painting, to make of Impressionism something solid and durable and he achieved this by reducing objects to their basic shapes while retaining the saturated colours of Impressionism. The Impressionist Camille Pissarro experimented with Neo-Impressionist ideas between the mid-1880s and the early 1890s, Vincent van Gogh used colour and vibrant swirling brush strokes to convey his feelings and his state of mind. Although they often exhibited together, Post-Impressionist artists were not in agreement concerning a cohesive movement, yet, the abstract concerns of harmony and structural arrangement, in the work of all these artists, took precedence over naturalism. Artists such as Seurat adopted a scientific approach to colour. Younger painters during the early 20th century worked in geographically disparate regions and in various categories, such as Fauvism and Cubism. Most of the artists in Frys exhibition were younger than the Impressionists, Fry later explained, For purposes of convenience, it was necessary to give these artists a name, and I chose, as being the vaguest and most non-committal, the name of Post-Impressionism. This merely stated their position in time relatively to the Impressionist movement, john Rewald limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism, From Van Gogh to Gauguin. This volume would extend the period covered to other artistic movements derived from Impressionism, though confined to the late 19th, Rewald focused on such outstanding early Post-Impressionists active in France as van Gogh, Gauguin, Seurat, and Redon. Pont-Aven School, implying more than that the artists involved had been working for a while in Pont-Aven or elsewhere in Brittany. Symbolism, a highly welcomed by vanguard critics in 1891. Rewald wrote that the term Post-Impressionism is not a precise one. Convenient, when the term is by definition limited to French visual arts derived from Impressionism since 1886, rewalds approach to historical data was narrative rather than analytic, and beyond this point he believed it would be sufficient to let the sources speak for themselves. Rival terms like Modernism or Symbolism were never as easy to handle, for they covered literature, architecture and other arts as well, Symbolism, however, is considered to be a concept which emerged a century later in France, and implied an individual approach
8.
Marcel Duchamp
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Duchamp has had an immense impact on twentieth-century and twenty first-century art. By World War I, he had rejected the work of many of his artists as retinal art. Instead, Duchamp wanted to use art to serve the mind, Marcel Duchamp was born at Blainville-Crevon in Normandy, France, and grew up in a family that enjoyed cultural activities. The art of painter and engraver Émile Frédéric Nicolle, his grandfather, filled the house, and the family liked to play chess, read books, paint. Of Eugene and Lucie Duchamps seven children, one died as an infant, Marcel Duchamp was the brother of, Jacques Villon, painter, printmaker Raymond Duchamp-Villon, sculptor Suzanne Duchamp-Crotti, painter. At 8 years old, Duchamp followed in his brothers footsteps when he left home and began schooling at the Lycée Pierre-Corneille, two other students in his class also became well-known artists and lasting friends, Robert Antoine Pinchon and Pierre Dumont. For the next 8 years, he was locked into a regime which focused on intellectual development. Though he was not a student, his best subject was mathematics. He also won a prize for drawing in 1903, and at his commencement in 1904 he won a coveted first prize and he learned academic drawing from a teacher who unsuccessfully attempted to protect his students from Impressionism, Post-Impressionism, and other avant-garde influences. However, Duchamps true artistic mentor at the time was his brother Jacques Villon, whose fluid, at 14, his first serious art attempts were drawings and watercolors depicting his sister Suzanne in various poses and activities. That summer he painted landscapes in an Impressionist style using oils. Duchamps early art works align with Post-Impressionist styles and he experimented with classical techniques and subjects. He studied art at the Académie Julian from 1904 to 1905, during this time Duchamp drew and sold cartoons which reflected his ribald humor. Many of the drawings use verbal puns, visual puns, or both, such play with words and symbols engaged his imagination for the rest of his life. In 1905, he began his military service with the 39th Infantry Regiment. There he learned typography and printing processes—skills he would use in his later work, due to his eldest brother Jacques membership in the prestigious Académie royale de peinture et de sculpture Duchamps work was exhibited in the 1908 Salon dAutomne. The following year his work was featured in the Salon des Indépendants, of Duchamps pieces in the show, critic Guillaume Apollinaire—who was to become a friend—criticized what he called Duchamps very ugly nudes. The group came to be known as the Puteaux Group, or the Section dOr, uninterested in the Cubists seriousness or in their focus on visual matters, Duchamp did not join in discussions of Cubist theory, and gained a reputation of being shy
9.
Yale University
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Yale University is an American private Ivy League research university in New Haven, Connecticut. Founded in 1701 in Saybrook Colony to train Congregationalist ministers, it is the third-oldest institution of education in the United States. The Collegiate School moved to New Haven in 1716, and shortly after was renamed Yale College in recognition of a gift from British East India Company governor Elihu Yale. Originally restricted to theology and sacred languages, the curriculum began to incorporate humanities and sciences by the time of the American Revolution. In the 19th century the school introduced graduate and professional instruction, awarding the first Ph. D. in the United States in 1861 and organizing as a university in 1887. Yale is organized into fourteen constituent schools, the undergraduate college, the Yale Graduate School of Arts and Sciences. While the university is governed by the Yale Corporation, each schools faculty oversees its curriculum, the universitys assets include an endowment valued at $25.4 billion as of June 2016, the second largest of any U. S. educational institution. The Yale University Library, serving all constituent schools, holds more than 15 million volumes and is the third-largest academic library in the United States, Yale College undergraduates follow a liberal arts curriculum with departmental majors and are organized into a social system of residential colleges. Almost all faculty teach courses, more than 2,000 of which are offered annually. Students compete intercollegiately as the Yale Bulldogs in the NCAA Division I – Ivy League, Yale has graduated many notable alumni, including five U. S. Presidents,19 U. S. Supreme Court Justices,20 living billionaires, and many heads of state. In addition, Yale has graduated hundreds of members of Congress,57 Nobel laureates,5 Fields Medalists,247 Rhodes Scholars, and 119 Marshall Scholars have been affiliated with the University. Yale traces its beginnings to An Act for Liberty to Erect a Collegiate School, passed by the General Court of the Colony of Connecticut on October 9,1701, the Act was an effort to create an institution to train ministers and lay leadership for Connecticut. Soon thereafter, a group of ten Congregationalist ministers, Samuel Andrew, Thomas Buckingham, Israel Chauncy, Samuel Mather, the group, led by James Pierpont, is now known as The Founders. Originally known as the Collegiate School, the institution opened in the home of its first rector, Abraham Pierson, the school moved to Saybrook, and then Wethersfield. In 1716 the college moved to New Haven, Connecticut, the feud caused the Mathers to champion the success of the Collegiate School in the hope that it would maintain the Puritan religious orthodoxy in a way that Harvard had not. Cotton Mather suggested that the school change its name to Yale College, meanwhile, a Harvard graduate working in England convinced some 180 prominent intellectuals that they should donate books to Yale. The 1714 shipment of 500 books represented the best of modern English literature, science, philosophy and it had a profound effect on intellectuals at Yale. Undergraduate Jonathan Edwards discovered John Lockes works and developed his original theology known as the new divinity
10.
Armory Show
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Among the many exhibitions that have been held in the vast spaces of U. S. The three-city exhibition started in New York Citys 69th Regiment Armory, on Lexington Avenue between 25th and 26th Streets, from February 17 until March 15,1913. The exhibition went on to show at the Art Institute of Chicago and then to The Copley Society of Art in Boston, the show served as a catalyst for American artists, who became more independent and created their own artistic language. On 14 December 1911 an early meeting of what would become the Association of American Painters and Sculptors was organized at Madison Gallery in New York, the meeting included Henry Fitch Taylor, Jerome Myers, Elmer Livingston MacRae and Walt Kuhn. In January 1912, Walt Kuhn, Walter Pach, and Arthur B, Davies joined together with some two dozen of their colleagues to reinforce a professional coalition, AAPS. They intended the organization to lead the public taste in art, other founding AAPS members included D. Putnam Brinley, Gutzon Borglum, John Frederick Mowbray-Clarke, Leon Dabo, William J. Glackens, Ernest Lawson, Jonas Lie, George Luks, Karl Anderson, James E. Fraser, Allen Tucker, Davies served as president of AAPS, with Kuhn acting as secretary. The AAPS members spent more than a year planning their first project, the International Exhibition of Modern Art, a show of giant proportions, unlike any New York had seen. The 69th Regiment Armory was settled on as the site for the exhibition in the spring of 1912, rented for a fee of $5,000. It was confirmed that the show would travel to Chicago. While in Paris Kuhn met up with Pach, who knew the art scene there intimately, only after Davies and Kuhn returned to New York in December did they issue an invitation for American artists to participate. Pach was responsible for securing loans from these painters for the Armory Show, most of the artists in Paris who sent works to the Armory Show knew Pach personally and entrusted their works to him. The Armory Show was the first, and, ultimately, the only exhibition mounted by the AAPS and it displayed some 1,300 paintings, sculptures, and decorative works by over 300 avant-garde European and American artists. Impressionist, Fauvist, and Cubist works were represented, news reports and reviews were filled with accusations of quackery, insanity, immorality, and anarchy, as well as parodies, caricatures, doggerels and mock exhibitions. About the modern works, former President Theodore Roosevelt declared, Thats not art, the civil authorities did not, however, close down or otherwise interfere with the show. Julian Street, an art critic, wrote that the work resembled an explosion in a shingle factory, the painting was purchased from the Armory Show by Fredric C. The exhibition went on to show at the Art Institute of Chicago and then to The Copley Society of Art in Boston, while in Chicago, the exhibition created a scandal that reached the governors office. Several articles in the press recounted the issue, a visit of an investigator to the show and his report on the pictures caused Lieutenant Governor Barratt OHara to order an immediate examination of the entire exhibition
11.
International Alliance of Women
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The basic principle of the IAW is that the full and equal enjoyment of human rights is due to all women and girls. It is one of the oldest, largest and most influential organizations in its field, the organization was founded in 1904 in Berlin by Carrie Chapman Catt, Susan B. Anthony, Millicent Fawcett and other leading feminists to campaign for womens suffrage, originally named the International Woman Suffrage Alliance and headquartered in London, it was the preeminent international womens suffrage organization. Its emphasis has shifted to a broad human rights focus. Today it represents over 50 organizations world-wide comprising several hundred thousand members, from 1926, the organization had strong ties to the League of Nations. The IAW also has participatory status with the Council of Europe and it also has representatives to the Arab League in Cairo and the Gulf Countries Council in Riyadh, and is an influential member of the European Womens Lobby in Brussels. Its President and Chief Representative to the United Nations is Joanna Manganara and its current main UN representative in New York Soon-Young Yoon is also chair of the NGO Committee on the Status of Women, New York and First Vice-President of the Conference of NGOs. IAWs official working languages are English and French, the decision for the establishment of the organization was taken in Washington in 1902 by suffragists frustrated at the reluctance of the International Council of Women to support womens suffrage. The Alliance was formally constituted in Berlin in 1904 as the International Woman Suffrage Alliance and its founders included Carrie Chapman Catt, Millicent Fawcett, Helene Lange, Susan B. Anthony, Anita Augspurg, Rachel Foster Avery, and Käthe Schirmacher, amongst subsequent congresses were those held in Copenhagen, Amsterdam, London, Stockholm, and Budapest. The French Union for Womens Suffrage, founded in February 1909. was formally recognized by the IWFA congress in London in April 1909 as representing the French suffrage movement, the IWSA also started its own monthly journal, the Jus Suffragii. The IWSA, influenced by Millicent Fawcett against the militancy of suffragettes in the style of Emmeline Pankhurst, the first Executive Board included Carrie Chapman Catt, Anita Augspurg, Donovan Bolden and Rachel Foster Avery. The organizations first President Carrie Chapman Catt also founded the League of Women Voters in the United States during her presidency, the organizations traditional colour, used to symbolize womens rights and womens suffrage, is yellow. The current President and Chief Representative to the United Nations is Joanna Manganara, the IAW was granted general consultative status to the United Nations Economic and Social Council, the highest level possible, in 1947, and has participatory status with the Council of Europe. The IAWs current representative to the UN headquarters, Soon-Young Yoon, is chair of the NGO Committee on the Status of Women. The current IAW Commissions deal with the topics, Justice and Human Rights, Democracy, Peace, Elimination of Violence, constitution in the Womans Rights Collection,1909. Schlesinger Library, Radcliffe Institute, Harvard University
12.
Mary Dreier
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Mary Dreier was a New York social reformer. Mary Elisabeth Dreier was born in Brooklyn, New York, on September 26,1875 and her parents, Theodor Dreier, a successful businessman, and Dorthea Dreier, were both immigrants from Germany. Her mothers maiden name was Dreier and her parents were cousins from Bremen, Germany, Theodor came to the United States in 1849 and became partner at the New York branch of the English iron firm of Naylor, Benson and Company. He married Dorthea in 1864 during a visit to Bremen and brought her back with him to the United States, Mary had a brother and three sisters, her sister Margaret was also a labor reformer, while her sisters Dorothea and Katherine were painters. Mary was educated by private tutors for the part of her life. Her initial financial support came in the form of a trust fund left by her father and she and her sister Margaret worked hand-in-hand throughout her career. She never married, but shared a home with fellow reformer Frances Kellor from 1905 until the death in 1952. She lived alone for the rest of her life until dying of an embolism on August 15,1963, at her summer home in Bar Harbor. Mary Elisabeth Dreier represents the involved philanthropist of the twentieth century. From a financially secure family, she constantly contributed time, funds, and organizing talents to a variety of feminist causes, most notably women workers and the suffrage movement. Her social prominence and social commitments led to her service on local and regional boards and commissions, particularly dealing with labor. It was her religious background that motivated Dreier to take up religious reform. She focused on working women, women suffrage, and social, in 1899, she met Leonora O’Reilly, who was a former garment worker and head of a local settlement house at the time. Leonora was the one to connect Mary and her sister Margaret with the settlement house, Dreier served as president of the NYWTUL from 1906 to 1914, as acting president in 1935, and remained active until it disbanded in 1950. During a 1909 strike of shirtwaist-makers, she was arrested during a demonstration, however, after that she became a leading spokeswoman for labor reform for women workers. From 1911 to 1915, she served on the New York State Factory Investigating Commission and she also wrote articles for the WTUL’S journal, Life and Labor, to encourage unionization. In 1917, Dreier became chairwoman of the New York State Committee on Women in Industry of the Advisory Commission of the Council of National Defense. After the war she was a member of the committee of the New York Council for Limitation of Armaments
13.
Bremen
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The City Municipality of Bremen is a Hanseatic city in northwestern Germany, which belongs to the state Free Hanseatic City of Bremen. As a commercial and industrial city with a port on the River Weser, Bremen is part of the Bremen/Oldenburg Metropolitan Region. Bremen is the second most populous city in Northern Germany and eleventh in Germany, Bremen is a major cultural and economic hub in the northern regions of Germany. Bremen is home to dozens of galleries and museums, ranging from historical sculptures to major art museums. Bremen has a reputation as a working class city, along with this, Bremen is home to a large number of multinational companies and manufacturing centers. Companies headquartered in Bremen include the Hachez chocolate company and Vector Foiltec, four-time German football champions Werder Bremen are also based in the city. Bremen is some 60 km south from the Weser mouth on the North Sea, with Bremerhaven right on the mouth the two comprise the state of the Free Hanseatic City of Bremen. The marshes and moraines near Bremen have been settled since about 12,000 BC, burial places and settlements in Bremen-Mahndorf and Bremen-Osterholz date back to the 7th century AD. Since The Renaissance, some scientists have believed that the entry Fabiranum or Phabiranon in Ptolemys Fourth Map of Europe, written in 150 AD, but Ptolemy gives geographic coordinates, and by these dates Phabiranon is situated northeast of the mouth of river Visurgis. At that time the Chauci lived in the now called north-western Germany or Lower Saxony. By the end of the 3rd century, they had merged with the Saxons, during the Saxon Wars the Saxons, led by Widukind, fought against the West Germanic Franks, the founders of the Carolingian Empire, and lost the war. Charlemagne, the King of the Franks, made a new law, the Lex Saxonum which stated that Saxons were not allowed to worship Odin, in 787 Willehad of Bremen became the first Bishop of Bremen. The citys first stone walls were built in 1032, around this time trade with Norway, England and the northern Netherlands began to grow, thus increasing the importance of the city. The city was recognised as an entity with its own laws. Property was to be inherited without feudal claims for reversion to its original owner. This privilege laid the foundation for Bremens later status of imperial immediacy, since the city was the major taxpayer, its consent was generally sought. In this way the city wielded fiscal and political power within the Prince-Archbishopric, in 1260 Bremen joined the Hanseatic League. In 1350, the number of inhabitants reached 20,000, around this time the Hansekogge became a unique product of Bremen
14.
Brooklyn Heights
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Brooklyn Heights is an affluent residential neighborhood within the New York City borough of Brooklyn. Originally referred to as Brooklyn Village, it has been a prominent area of Brooklyn since 1834, the neighborhood is noted for its low-rise architecture and its many brownstone rowhouses, most of them built prior to the Civil War. It also has an abundance of churches and other religious institutions. Brooklyns first art gallery, the Brooklyn Arts Gallery, was opened in Brooklyn Heights in 1958, in 1965, a large part of Brooklyn Heights was protected from unchecked development by the creation of the Brooklyn Heights Historic District, the first such district in New York City. The district was added to the National Register of Historic Places in 1966, directly across the East River from Manhattan and connected to it by subways and regular ferry service, Brooklyn Heights is also easily accessible from Downtown Brooklyn. The neighborhood stretches from Old Fulton Street near the Brooklyn Bridge south to Atlantic Avenue and from the Brooklyn-Queens Expressway to Court Street, adjacent neighborhoods are Dumbo, Downtown Brooklyn, Cobble Hill, and Boerum Hill. Columbia Heights, an upscale six-block-long street next to the Brooklyn Heights Promenade, is considered to be its own neighborhood. As of 2000, Brooklyn Heights had a population of 22,594 people, the neighborhood is part of Brooklyn Community Board 2, and is served by the 84th Precinct of the New York City Police Department at 301 Gold Street in nearby Downtown Brooklyn. Brooklyn Heights occupies a palisade that rises sharply from the rivers edge, before the Dutch settled on Long Island in the middle of the seventeenth century, this promontory was called Ihpetonga by the native Lenape American Indians. Ferries across the East River were running as early as 1642, the most significant of the ferries went between the current Fulton Street and Peck Slip in Manhattan, and was run by Cornelius Dirksen. The ferry service helped the area to thrive, with both farms and some factories along the water, but the higher ground was sparsely used. They later sold part of their land to John Jackson, who created the Vinegar Hill community, Pierrepont had accumulated 60 acres of land, including 800 feet which directly overlooked the harbor, all of which he planned to sub-divide. Since his intention was to sell to merchants and bankers who lived in Manhattan, he needed easy access between Brooklyn Heights and New York City, which Fultons company provided. A resident of the Heights could leave the office at three oclock, have dinner at home at four oclock, and still have time for a drive to the outskirts of town. A select neighborhood and circle of society, where there had been only seven houses in the Heights in 1807, by 1860 there were over six hundred of them, and by 1890 the area was almost completely developed. Throughout the 19th century, Brooklyn Heights remained an elegant neighborhood and its development gave rise to offshoots such as Cobble Hill and, later, Carroll Gardens. Beecher was a nationally-known figure famous on the circuit for his novel oratorical style, in which he employed humor, dialect. To dramatize the plight of those held in captivity, Beecher once brought a female slave to the church and held an auction, with the highest bidder purchasing not the slave, but her freedom
15.
Suffragette
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Suffragettes were members of womens organizations in the late-19th and early-20th centuries which advocated the extension of the franchise, or the right to vote in public elections, to women. It particularly refers to militants in the United Kingdom such as members of the Womens Social and Political Union, suffragist is a more general term for members of the suffrage movement. The term suffragette is particularly associated with activists in the British WSPU, led by Emmeline and Christabel Pankhurst, Women in South Australia achieved the same right and became the first to obtain the right to stand for parliament in 1895. Women in Britain over the age of 30, meeting certain property qualifications, were given the right to vote in 1918, opinion amongst historians today is divided as to whether the militant tactics of the suffragettes helped or hindered their cause. British suffragettes were mostly women from upper and middle-class backgrounds, frustrated by their social, mill introduced the idea of womens suffrage on the platform he presented to the British electorate in 1865. He was subsequently joined by men and women fighting for the same cause. The term suffragette was first used as a term of derision by the journalist Charles E, hands in the London Daily Mail to describe activists in the movement for womens suffrage, in particular members of the Womens Social and Political Union. But the women he intended to ridicule embraced the term saying suffraGETtes implied not only that they wanted the vote, the National Union of Womens Suffrage Societies, founded in 1897, was formed from local suffrage societies. The union was led by Millicent Fawcett, who believed in constitutional campaigning, issuing leaflets, organising meetings and presenting petitions, in 1903 Emmeline Pankhurst founded a new organisation, the Womens Social and Political Union. She thought the movement would have to become radical and militant if it was going to be effective, the Daily Mail gave them the name Suffragettes. Some radical techniques used by the suffragettes, especially hunger strikes, were learned from Russian exiles from tsarism who had escaped to England, many suffragists at the time, and most historians since, have argued that the actions of the militant suffragettes damaged their cause. Opponents at the time saw evidence that women were too emotional, from 1909, the Pank-A-Squith board game was sold by the WSPU to raise awareness of their campaign and raise money. The name is derived from Pankhurst the surname of the leaders of the WSPU, and Asquith, the surname of the Prime Minister at the time and a largely hated figure by the movement. The Peoples History Museum in Manchester has a Pank-A-Squith board game on display in the main galleries, one suffragette, Emily Davison, died under the Kings horse Anmer at the Epsom Derby of 4 June 1913. It is debated whether she was trying to pin a Votes for Women banner on the Kings horse or not, many of her fellow suffragettes were imprisoned and refused food as a scare tactic against the government. The Liberal government of the day led by Asquith responded with the Cat, another prominent British Suffragette, Sophia Duleep Singh was almost forgotten for 70 years. In the early-20th century until the First World War, approximately one thousand suffragettes were imprisoned in Britain, most early incarcerations were for public order offences and failure to pay outstanding fines. The first suffragettes to be imprisoned were Christabel Pankhurst and Annie Kenney in October 1905 and this cause was taken up by the Womens Social and Political Union, a large organisation in Britain, that lobbied for womens suffrage led by militant suffragette Emmeline Pankhurst
16.
Stockholm
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The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time
17.
Old Master
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In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
18.
Chelsea, London
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Chelsea is an affluent area in West London, bounded to the south by the River Thames. Its frontage runs from Chelsea Bridge along the Chelsea Embankment, Cheyne Walk, Lots Road and its eastern boundary was once defined by the River Westbourne, which is now in a pipe above Sloane Square tube station. The modern eastern boundary is Chelsea Bridge Road and the half of Sloane Street. To the north and northwest, the area fades into Knightsbridge and Brompton, the football club Chelsea F. C. is based at Stamford Bridge in neighbouring Fulham. From 1900, and until the creation of Greater London in 1965, the exclusivity of Chelsea as a result of its high property prices has historically resulted in the term Sloane Ranger being used to describe its residents. Since 2011, Channel 4 has broadcast a reality show called Made in Chelsea. Moreover, Chelsea is home to one of the largest communities of Americans living outside the United States, the word Chelsea originates from the Old English term for landing place for chalk or limestone. Abbot Gervace subsequently assigned the manor to his mother, and it passed into private ownership, the modern-day Chelsea hosted the Synod of Chelsea in 787 AD. King Henry VIII acquired the manor of Chelsea from Lord Sandys in 1536, in 1609 James I established a theological college, King Jamess College at Chelsey on the site of the future Chelsea Royal Hospital, which Charles II founded in 1682. By 1694, Chelsea – always a popular location for the wealthy, Kings Road, named for Charles II, recalls the Kings private road from St Jamess Palace to Fulham, which was maintained until the reign of George IV. One of the important buildings in Kings Road, the former Chelsea Town Hall. Part of the building contains the Chelsea Public Library and this is no longer the case, although housing trusts and Council property do remain. The areas to the west also attract very high prices and this former fashionable village was absorbed into London during the eighteenth century. Many notable people of 18th century London, such as the bookseller Andrew Millar, were married and buried in the district. The memorials in the churchyard of Chelsea Old Church, near the river and these include Lord and Lady Dacre, Lady Jane Cheyne, Francis Thomas, director of the china porcelain manufactory, Sir Hans Sloane, Thomas Shadwell, Poet Laureate. Sir Thomas Mores tomb can also be found there, in 1718, the Raw Silk Company was established in Chelsea Park, with mulberry trees and a hothouse for raising silkworms. At its height in 1723, it supplied silk to Caroline of Ansbach, Chelsea once had a reputation for the manufacture of Chelsea buns, made from a long strip of sweet dough tightly coiled, with currants trapped between the layers, and topped with sugar. The Chelsea Bun House sold these during the 18th century and was patronised by the Georgian royalty, at Easter, great crowds would assemble on the open spaces of the Five Fields – subsequently developed as Belgravia
19.
Oscar Wilde
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Oscar Fingal OFlahertie Wills Wilde was an Irish playwright, novelist, essayist, and poet. After writing in different forms throughout the 1880s, he one of Londons most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment, Wildes parents were successful Anglo-Irish, Dublin intellectuals. Their son became fluent in French and German early in life, at university, Wilde read Greats, he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the philosophy of aestheticism. After university, Wilde moved to London into fashionable cultural and social circles, known for his biting wit, flamboyant dress and glittering conversation, Wilde became one of the best-known personalities of his day. The opportunity to construct aesthetic details precisely, and combine them with social themes. He wrote Salome in French in Paris but it was refused a licence for England due to the prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, at the height of his fame and success, while The Importance of Being Earnest, was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wildes lover, Lord Alfred Douglas, the charge carried a penalty of up to two years in prison. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest, after two more trials he was convicted and imprisoned for two years hard labour. Upon his release he left immediately for France, never to return to Ireland or Britain, there he wrote his last work, The Ballad of Reading Gaol, a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46, Oscar Wilde was born at 21 Westland Row, Dublin, the second of three children born to Sir William Wilde and Jane Wilde, two years behind William. Wildes mother was of Italian descent, and under the pseudonym Speranza and she read the Young Irelanders poetry to Oscar and Willie, inculcating a love of these poets in her sons. Lady Wildes interest in the neo-classical revival showed in the paintings and busts of ancient Greece, William Wilde was Irelands leading oto-ophthalmologic surgeon and was knighted in 1864 for his services as medical adviser and assistant commissioner to the censuses of Ireland. He also wrote books about Irish archaeology and peasant folklore, a renowned philanthropist, his dispensary for the care of the citys poor at the rear of Trinity College, Dublin, was the forerunner of the Dublin Eye and Ear Hospital, now located at Adelaide Road. On his fathers side Wilde was descended from a Dutchman, Colonel de Wilde, on his mothers side Wildes ancestors included a bricklayer from County Durham who emigrated to Ireland sometime in the 1770s. Wilde was baptised as an infant in St, marks Church, Dublin, the local Church of Ireland church
20.
James Abbott McNeill Whistler
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James Abbott McNeill Whistler was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a proponent of the credo art for arts sake. His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail, the symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative. Finding a parallel between painting and music, Whistler entitled many of his paintings arrangements, harmonies, and nocturnes and his most famous painting is Arrangement in Grey and Black No. 1, commonly known as Whistlers Mother, the revered and oft-parodied portrait of motherhood, Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers. James Abbott Whistler was born in Lowell, Massachusetts, on July 10,1834 and his father was a railroad engineer, and Anna was his second wife. James lived the first three years of his life in a modest house at 243 Worthen Street in Lowell, today, the house is a museum dedicated to Whistler. During the Ruskin trial, Whistler claimed St. Petersburg, Russia, as his birthplace, declaring, I shall be born when and where I want, in 1837, the Whistlers moved from Lowell to Stonington, Connecticut, where George Whistler worked for the Stonington Railroad. Sadly, during this period, three of George and Anna Whistlers children died in infancy, in 1839, the Whistlers fortunes improved considerably when George Whistler received the appointment that would make his fortune and fame - that of chief engineer for the Boston & Albany Railroad. Thus, the moved to Springfield, Massachusetts, then one of the United States most prosperous cities. The Whistlers lived in Springfield until they left the United States in late 1842, Nicholas I of Russia learned of George Whistlers ingenuity in engineering the Boston & Albany Railroad, and offered Whistler a position in 1842 engineering a railroad from St. Petersburg to Moscow. In the winter of 1842, the Whistlers moved from Springfield to St. Petersburg, in later years, James Whistler played up his mothers connection to the American South and its roots, and presented himself as an impoverished Southern aristocrat. After her death, he adopted her name, using it as an additional middle name. Young Whistler was a moody child prone to fits of temper and insolence and his parents discovered in his early youth that drawing often settled him down and helped focus his attention. Beginning in 1842, his father was employed to work on a railroad in Russia, after moving to St. Petersburg to join his father a year later, the young Whistler took private art lessons, then enrolled in the Imperial Academy of Fine Arts at age eleven. In 1844, he met the noted artist Sir William Allan, Whistlers mother noted in her diary, the great artist remarked to me Your little boy has uncommon genius, but do not urge him beyond his inclination. In 1847-48, his family spent some time in London with relatives, Whistlers brother-in-law Francis Haden, a physician who was also an artist, spurred his interest in art and photography. Haden took Whistler to visit collectors and to lectures, and gave him a set with instruction
21.
Elizabeth Robins
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Elizabeth Robins was an actress, playwright, novelist, and suffragette. She also wrote as C. E. Raimond, Elizabeth Robins, the first child of Charles Robins and Hannah Crow, was born in Louisville, Kentucky. After financial difficulties, her left for Colorado, leaving the children in the care of Hannah. When Hannah was committed to an asylum, Elizabeth and the other children were sent to live with her grandmother in Zanesville, Ohio. It would be her grandmother who armed her with The Complete Works of William Shakespeare and her father was a follower of Robert Owen and held progressive political views. Because of her intelligence, Elizabeth was one of her fathers favorites and he wanted her to attend Vassar College and study medicine. At the age of fourteen, Robins saw her first professional play which ignited her desire to pursue an acting career, from 1880 to 1888, she would have an acting career in America. After arriving in New York, Robins soon met James ONeill and she soon grew bored and irritated playing wretched, small character parts and in 1883 joined the Boston Museum stock company. It would be here that she met her husband, George Parks. Although her husband struggled to get acting parts, she was soon in great demand and would be on tour throughout their marriage. Her refusal to leave the stage may have caused Parks to kill himself in 1888 by jumping off a bridge into the Charles River, stating in his suicide note, later that year, on September 3,1888, Robins moved to London. Her move to London represented a rebirth after personal tragedy in America, except for extended visits to the U. S. to visit family, she remained in England for the rest of her life. At a social gathering during her first week in England, she met Oscar Wilde, throughout her career, he would come see her act and give her critiques, such as in one of her roles in Frances Hodgson Burnetts The Real Little Lord Fauntleroy in 1889. Wildes comment was you have definitely asserted your position as an actress of the first order and your future on our stage is assured. Early in her time in London, she became enamoured of Ibsens plays, in 1891 a London matinee revival of A Dolls House put Robins in contact with Marion Lea. Together they would form a joint management, making this the first step toward the theatre that Robins had dreamed of… a theatre of independent management, finding work in womens plays written by men like Ibsen, Robins and Lea brought strong female characters to the stage. George Bernard Shaw noted what is called the Woman Question has begun to agitate the stage, together Elizabeth Robins and Marion Lea brought Ibsens Hedda Gabler to the stage, for the first time ever in England. A Dolls House marked an important step in the representation of women by dramatists and Hedda marked an important step for Elizabeth Robins, sarah Bernhardt could not have done it better, wrote William Archer in a publication of The World
22.
Raymond Robins
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Raymond Robins was an American economist and writer. He was an advocate of organized labor and diplomatic relations between the United States and Russia under the Bolsheviks, after financial troubles, his father left the children in care of his mother and left to do mining in Colorado. When his mother went into an asylum, his upbringing was left to relatives. In the early 1890s, he worked as a miner in Tennessee. After a bad experience in a land deal, he studied law at George Washington University from where he graduated in 1896. He joined the Klondike gold rush in 1897, where he made money, converted to Christianity. He moved to Chicago in 1900 and he engaged in social work there 1902 to 1905, and was a member of the Chicago Board of Education from 1906 to 1909. He served also as social service expert for the Men and Religion Forward Movement, in 1911-12 and he was leader of the National Christian Social Evangelistic campaign in 1915. He became identified with the Progressive Party and served as chairman of the State Central Committee, in 1914, he was candidate for United States Senator from Illinois for that party, and was temporary and permanent chairman of the Progressive National Convention in 1916. During World War I, he was engaged in Y. M. C. A. work, although not philosophically sympathetic with the outcome of the Russian Revolution of 1917, he felt it was popular, and counter-revolutionary efforts were counter productive. The actress and writer Elizabeth Robins was his sister, in 1905, he married United States labor leader Margaret Dreier Robins. Chinsegut Hill Manor House United States Senate elections,1914 Reynolds, Francis J. ed. Robins, rines, George Edwin, ed. Robins, Raymond
23.
Modernism
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Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief, the poet Ezra Pounds 1934 injunction to Make it new. Was the touchstone of the approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the novel, atonal and twelve-tone music, divisionist painting and abstract art. Modernism explicitly rejected the ideology of realism and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision, others focus on modernism as an aesthetic introspection. While J. M. W. Art critic Clement Greenberg describes the Pre-Raphaelite Brotherhood as proto-Modernists, There the proto-Modernists were, of all people, the Pre-Raphaelites actually foreshadowed Manet, with whom Modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, rationalism has also had opponents in the philosophers Søren Kierkegaard and later Friedrich Nietzsche, both of whom had significant influence on existentialism. A major 19th-century engineering achievement was The Crystal Palace, the huge cast-iron, Glass and iron were used in a similar monumental style in the construction of major railway terminals in London, such as Paddington Station and Kings Cross Station. These technological advances led to the building of structures like the Brooklyn Bridge. The latter broke all previous limitations on how tall man-made objects could be and these engineering marvels radically altered the 19th-century urban environment and the daily lives of people. Arguments arose that the values of the artist and those of society were not merely different, but that Society was antithetical to Progress, the philosopher Schopenhauer called into question the previous optimism, and his ideas had an important influence on later thinkers, including Nietzsche. Darwins theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness, in particular, the notion that human beings were driven by the same impulses as lower animals proved to be difficult to reconcile with the idea of an ennobling spirituality. Karl Marx argued that there were fundamental contradictions within the capitalist system, historians, and writers in different disciplines, have suggested various dates as starting points for modernism. Everdell also thinks modernism in painting began in 1885–86 with Seurats Divisionism, the poet Baudelaires Les Fleurs du mal, and Flauberts novel Madame Bovary were both published in 1857. In the arts and letters, two important approaches developed separately in France, the first was Impressionism, a school of painting that initially focused on work done, not in studios, but outdoors. Impressionist paintings demonstrated that human beings do not see objects, the school gathered adherents despite internal divisions among its leading practitioners, and became increasingly influential. A significant event of 1863 was the Salon des Refusés, created by Emperor Napoleon III to display all of the paintings rejected by the Paris Salon. While most were in standard styles, but by artists, the work of Manet attracted tremendous attention
24.
Arts and Crafts movement
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It stood for traditional craftsmanship using simple forms, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was essentially anti-industrial and it had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards. It was inspired by the ideas of architect Augustus Pugin, writer John Ruskin, the movement developed earliest and most fully in the British Isles, and spread across the British Empire and to the rest of Europe and North America. It was largely a reaction against the perceived impoverished state of the arts at the time. The Arts and Crafts style emerged from the attempt to reform design, but it was as much a movement of social reform as design reform and its leading practitioners did not separate the two. The art historian Nikolaus Pevsner has said that exhibits in the Great Exhibition showed ignorance of basic need in creating patterns. Owen Jones, for example, declared that Ornament, fiona MacCarthy says that unlike later zealots like Gandhi, William Morris had no practical objections to the use of machinery per se so long as the machines produced the quality he needed. Morriss followers also had differing views or changed their minds over time. C. R. Ashbee, for example, a figure in the Arts and Crafts Movement. At the time of his Guild of Handicraft, initiated in 1888, he said, We do not reject the machine, but we would desire to see it mastered. Morris insisted that the artist should be a working by hand and advocated a society of free craftspeople. Because craftsmen took pleasure in their work, he wrote, the Middle Ages was a period of greatness in the art of the common people. The treasures in our museums now are only the common used in households of that age. Medieval art was the model for much Arts and Crafts design and medieval life, before capitalism, the founders of the Arts and Crafts Exhibition Society did not insist that the designer should also be the maker. Peter Floud, writing in the 1950s, said that The founders of the Society, never executed their own designs, but invariably turned them over to commercial firms. The Arts and Crafts Movement was associated with socialist ideas in the persons of Morris, T. J. Cobden Sanderson, Walter Crane, Ashbee, in the early 1880s Morris was spending more of his time on socialist propaganda than on designing and making. Ashbee established a community of craftsmen, the Guild of Handicraft, in east London and those adherents who were not socialists, for example, Alfred Hoare Powell, advocated a more humane and personal relationship between employer and employee. Lewis Foreman Day, a successful and influential Arts and Crafts designer, was not a socialist either
25.
Dada
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Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire, in New York, and after 1920, in Paris. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left. Others note that it suggests the first words of a child, evoking a childishness, still others speculate that the word might have been chosen to evoke a similar meaning in any language, reflecting the movements internationalism. The roots of Dada lay in pre-war avant-garde, the term anti-art, a precursor to Dada, was coined by Marcel Duchamp around 1913 to characterize works which challenge accepted definitions of art. Cubism and the development of collage and abstract art would inform the movements detachment from the constraints of reality, the work of French poets, Italian Futurists and the German Expressionists would influence Dadas rejection of the tight correlation between words and meaning. Works such as Ubu Roi by Alfred Jarry, and the ballet Parade by Erik Satie would also be characterized as proto-Dadaist works, the Dada movements principles were first collected in Hugo Balls Dada Manifesto in 1916. The movement influenced later styles like the avant-garde and downtown music movements, Dada was an informal international movement, with participants in Europe and North America. The beginnings of Dada correspond to the outbreak of World War I, avant-garde circles outside France knew of pre-war Parisian developments. Futurism developed in response to the work of various artists, many Dadaists believed that the reason and logic of bourgeois capitalist society had led people into war. They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos, for example, George Grosz later recalled that his Dadaist art was intended as a protest against this world of mutual destruction. According to Hans Richter Dada was not art, it was anti-art, Dada represented the opposite of everything which art stood for. Where art was concerned with aesthetics, Dada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend, as Hugo Ball expressed it, For us, art is not an end in itself. But it is an opportunity for the perception and criticism of the times we live in. A reviewer from the American Art News stated at the time that Dada philosophy is the sickest, most paralyzing and most destructive thing that has ever originated from the brain of man. Art historians have described Dada as being, in large part, a systematic work of destruction and demoralization. In the end it became nothing but an act of sacrilege, to quote Dona Budds The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of the First World War. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich, Dada rejected reason and logic, prizing nonsense, irrationality and intuition
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Surrealism
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Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to resolve the previously contradictory conditions of dream, leader André Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. Surrealism developed out of the Dada activities during World War I, the word surrealist was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was written in 1903 and first performed in 1917. The Dadaists protested with anti-art gatherings, performances, writings and art works, after the war, when they returned to Paris, the Dada activities continued. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the son of writer. He admired the young writers anti-social attitude and disdain for established artistic tradition, later Breton wrote, In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most. Back in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and they began experimenting with automatic writing—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault delved deeper into automatism and wrote The Magnetic Fields, continuing to write, they came to believe that automatism was a better tactic for societal change than the Dada form of attack on prevailing values. They also looked to the Marxist dialectic and the work of such theorists as Walter Benjamin, freuds work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced idiosyncrasy, while rejecting the idea of an underlying madness, as Salvador Dalí later proclaimed, There is only one difference between a madman and me. Beside the use of analysis, they emphasized that one could combine inside the same frame, elements not normally found together to produce illogical. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power, the group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to people from false rationality, and restrictive customs. Breton proclaimed that the aim of Surrealism was long live the social revolution. To this goal, at various times Surrealists aligned with communism and anarchism, in 1924 two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the Bureau of Surrealist Research was established, leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire, the other group, led by Breton, included Louis Aragon, Robert Desnos, Paul Éluard, Jacques Baron, Jacques-André Boiffard, Jean Carrive, René Crevel and Georges Malkine, among others. Goll and Breton clashed openly, at one point literally fighting, at the Comédie des Champs-Élysées, in the end, Breton won the battle through tactical and numerical superiority
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Man Ray
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Man Ray was an American visual artist who spent most of his career in France. He was a significant contributor to the Dada and Surrealist movements and he produced major works in a variety of media but considered himself a painter above all. He was best known for his photography, and he was a renowned fashion, Man Ray is also noted for his work with photograms, which he called rayographs in reference to himself. During his career as an artist, Man Ray allowed few details of his life or family background to be known to the public. He even refused to acknowledge that he ever had an other than Man Ray. Man Ray was born as Emmanuel Radnitzky in South Philadelphia, Pennsylvania and he was the eldest child of Russian Jewish immigrants. He had a brother and two sisters, the youngest born in 1897 shortly after settled in the Williamsburg neighborhood of Brooklyn. In early 1912, the Radnitzky family changed their surname to Ray, Man Rays brother chose the surname in reaction to the ethnic discrimination and antisemitism prevalent at the time. Emmanuel, who was called Manny as a nickname, changed his first name to Man, Man Rays father worked in a garment factory and ran a small tailoring business out of the family home. He enlisted his children to assist him from an early age, Man Rays mother enjoyed designing the familys clothes and inventing patchwork items from scraps of fabric. Man Ray wished to disassociate himself from his background. Mannequins, flat irons, sewing machines, needles, pins, threads, swatches of fabric, Art historians have noted similarities between Rays collage and painting techniques and styles used for tailoring. Mason Klein, curator of a Man Ray exhibition at the Jewish Museum, titled Alias Man Ray, The Art of Reinvention, Man Ray was the uncle of the photographer Naomi Savage, who learned some of his techniques and incorporated them into her own work. Man Ray displayed artistic and mechanical abilities during childhood and his education at Brooklyns Boys High School from 1904 to 1909 provided him with solid grounding in drafting and other basic art techniques. While he attended school, he educated himself with frequent visits to the art museums. After his graduation, Ray was offered a scholarship to study architecture, Man Rays parents were disappointed by their sons decision to pursue art, but they agreed to rearrange the familys modest living quarters so that Rays room could be his studio. The artist remained in the home over the next four years. During this time, he worked steadily towards becoming a professional painter, Man Ray earned money as a commercial artist and was a technical illustrator at several Manhattan companies
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Cubism
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Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century, the term is broadly used in association with a wide variety of art produced in Paris during the 1910s and extending through the 1920s. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. A primary influence that led to Cubism was the representation of form in the late works of Paul Cézanne. The impact of Cubism was far-reaching and wide-ranging, Cubism spread rapidly across the globe and in doing so evolved to a greater or lesser extent. In essence, Cubism was the origin of a process that produced diversity. In France, offshoots of Cubism developed, including Orphism, Abstract art, in other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. Other common threads between these movements include the faceting or simplification of geometric forms, and the association of mechanization. Cubism began between 1907 and 1911, Pablo Picassos 1907 painting Les Demoiselles dAvignon has often been considered a proto-Cubist work. Georges Braques 1908 Houses at L’Estaque prompted the critic Louis Vauxcelles to refer to bizarreries cubiques, Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. A second phase, Synthetic Cubism, remained vital until around 1919, english art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch. Douglas Coopers restrictive use of terms to distinguish the work of Braque, Picasso, Gris. Alternative interpretations of Cubism have therefore developed, wider views of Cubism include artists who were later associated with the Salle 41 artists, e. g. John Berger identifies the essence of Cubism with the mechanical diagram. The metaphorical model of Cubism is the diagram, The diagram being a symbolic representation of invisible processes, forces, structures. A diagram need not eschew certain aspects of appearance but these too will be treated as not as imitations or recreations. During the late 19th and early 20th centuries, Europeans were discovering African, Polynesian, Micronesian, artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures. Around 1906, Picasso met Matisse through Gertrude Stein, at a time when artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. Picassos paintings of 1907 have been characterized as Protocubism, as seen in Les Demoiselles dAvignon
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Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
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Futurism
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Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
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Bauhaus
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The Bauhaus was founded by Walter Gropius in Weimar. Nonetheless, it was founded with the idea of creating a work of art in which all arts, including architecture. The Bauhaus style later became one of the most influential currents in modern design, Modernist architecture and art, design, the Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Although the school was closed, the continued to spread its idealistic precepts as they left Germany. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, many Germans of left-wing views were influenced by the cultural experimentation that followed the Russian Revolution, such as constructivism. Such influences can be overstated, Gropius did not share these radical views, thus, the Bauhaus style, also known as the International Style, was marked by the absence of ornamentation and by harmony between the function of an object or a building and its design. In its first seven years, the Werkbund came to be regarded as the body on questions of design in Germany. The entire movement of German architectural modernism was known as Neues Bauen, beginning in June 1907, Peter Behrens pioneering industrial design work for the German electrical company AEG successfully integrated art and mass production on a large scale. Behrens was a member of the Werkbund, and both Walter Gropius and Adolf Meyer worked for him in this period. The Bauhaus was founded at a time when the German zeitgeist had turned from emotional Expressionism to the matter-of-fact New Objectivity, beyond the Bauhaus, many other significant German-speaking architects in the 1920s responded to the same aesthetic issues and material possibilities as the school. They also responded to the promise of a minimal dwelling written into the new Weimar Constitution, ernst May, Bruno Taut, and Martin Wagner, among others, built large housing blocks in Frankfurt and Berlin. The acceptance of modernist design into everyday life was the subject of publicity campaigns, well-attended public exhibitions like the Weissenhof Estate, films, the Vkhutemas, the Russian state art and technical school founded in 1920 in Moscow, has been compared to Bauhaus. Founded a year after the Bauhaus school, Vkhutemas has close parallels to the German Bauhaus in its intent, organization, the two schools were the first to train artist-designers in a modern manner. Vkhutemas was a school than the Bauhaus, but it was less publicised outside the Soviet Union. With the internationalism of modern architecture and design, there were exchanges between the Vkhutemas and the Bauhaus. In addition, El Lissitzkys book Russia, an Architecture for World Revolution published in German in 1930 featured several illustrations of Vkhutemas/Vkhutein projects there. The school was founded by Walter Gropius in Weimar in 1919 as a merger of the Grand Ducal School of Arts and Crafts and the Weimar Academy of Fine Art. Its roots lay in the arts and crafts founded by the Grand Duke of Saxe-Weimar-Eisenach in 1906
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Paul Klee
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Paul Klee was a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism and he and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. First of all, the art of living, then as my ideal profession, poetry and philosophy, Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Klee and Swiss singer Ida Marie Klee, née Frick. His sister Mathilde was born on 28 January 1876 in Walzenhausen and their father came from Tann and studied at the Stuttgart Conservatory singing, piano, organ and violin, meeting there his future wife Ida Frick. Hans Wilhelm Klee was active as a teacher at the Bern State Seminary in Hofwil near Bern until 1931. Klee was able to develop his skills as his parents encouraged and inspired him until his death. In 1880, his family moved to Bern, where they moved 17 years later after numerous changes of residence into a house at the Kirchenfeld district. From 1886 to 1890, Klee visited primary school and received, at the age of 7 and he was so talented on violin that, aged 11, he received an invitation to play as an extraordinary member of the Bern Music Association. He stated, I didnt find the idea of going in for music creatively particularly attractive in view of the decline in the history of musical achievement. As a musician, he played and felt emotionally bound to traditional works of the eighteenth and nineteenth century, at sixteen, Klee’s landscape drawings already show considerable skill. Around 1897, Klee started his diary, which he kept until 1918, during his school years, he avidly drew in his school books, in particular drawing caricatures, and already demonstrating skill with line and volume. He barely passed his exams at the Gymnasium of Bern. With his characteristic dry wit, he wrote, After all, it’s rather difficult to achieve the exact minimum, and it involves risks. On his own time, in addition to his interests in music and art, Klee was a great reader of literature. With his parents reluctant permission, in 1898 Klee began studying art at the Academy of Fine Arts in Munich with Heinrich Knirr and he excelled at drawing but seemed to lack any natural color sense. He later recalled, During the third winter I even realized that I probably would never learn to paint, during these times of youthful adventure, Klee spent much time in pubs and had affairs with lower class women and artists models. He had a son in 1900 who died several weeks after birth
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Stanton Macdonald-Wright
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Stanton MacDonald-Wright, was a modern American artist. He was a co-founder of Synchromism, an abstract, color-based mode of painting. Stanton MacDonald-Wright was born in Charlottesville, Virginia in 1890 and he spent a privileged adolescence in Santa Monica, California, where his father ran a seaside hotel. An amateur artist as well as a businessman, Macdonald-Wrights father encouraged his development from a young age. Stantons older brother, Willard Huntington Wright, was a writer and he and fellow student Morgan Russell studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913. MacDonald-Wright collaborated with Russell in painting abstract synchromies and staged Synchromist exhibitions in Munich in June 1913, in Paris in October 1913, and in New York in March 1914. While in Europe, Macdonald-Wright met Matisse, Rodin, and Gertrude and Leo Stein, and Thomas Hart Benton, who called Stanton the most gifted all-around fellow I ever knew. He and Russell returned to the United States hopeful of acclaim, however, I still adhered to the fundamental laws of compsiition and created my pictures by means of color-form, which, by its organization in three dimensions, resulted in rhythm. They held another Synchromist exhibition in New York in 1916 and received significant promotion, in 1916, Willard and Stanton were key organizers of the prestigious Forum Exhibition of Modern American Painters in New York. Macdonald-Wright exhibited his work at Alfred Stieglitzs famed 291 gallery in New York in 1917, yet the sales and the renown that he had hoped for did not materialize, and his financial situation grew desperate. Acknowledging that he would never be able to secure a living in New York, in 1922, he became the head of the Los Angeles Art Students League. He also became involved in theater, serving as the director of the Santa Monica Theater Guild as well as writing and directing plays, designing sets. Macdonald-Wright was a significant presence and a personality in the Los Angeles art scene for the next several decades. After World War II, MacDonald-Wright became interested in Japanese art and culture and he taught art for many years at UCLA and also kept studios in Kyoto and Florence. By the early 1950s, Macdonald-Wrights work had fallen into relative obscurity. C. in 1967, married three times, MacDonald-Wright died in Pacific Palisades, California in 1973, at the age of eighty-three. Hoopes, Donelson F. Stanton Macdonald-Wright, Paintings, 1903-1973, Los Angeles, Arco Center for Visual Art,1979. New York, Hudson Hills Press,1990, Synchromism and American Color Abstraction, 1910-1925. Color, Myth, and Music, Stanton Macdonald-Wright and Synchromism, raleigh, North Carolina Museum of Art,2001
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Wassily Kandinsky
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Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. He is credited with painting one of the first recognised purely abstract works, born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics, successful in his profession—he was offered a professorship at the University of Dorpat—Kandinsky began painting studies at the age of 30. In 1896 Kandinsky settled in Munich, studying first at Anton Ažbes private school and he returned to Moscow in 1914, after the outbreak of World War I. Kandinsky was unsympathetic to the theories on art in Communist Moscow. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and he died at Neuilly-sur-Seine in 1944. Kandinskys creation of work followed a long period of development. He called this devotion to beauty, fervor of spirit. Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics, later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew, in 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them and this experience, and his study of the regions folk art, was reflected in much of his early work. The artist is the hand plays, touching one key or another. Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève, in 1896, at the age of 30, Kandinsky gave up a promising career teaching law and economics to enroll in the Munich Academy where his teachers would eventually include Franz von Stuck. He was not immediately granted admission, and began learning art on his own and that same year, before leaving Moscow, he saw an exhibit of paintings by Monet. He was particularly taken with the style of Haystacks, this. Later, he would write about this experience, That it was a haystack the catalogue informed me and this non-recognition was painful to me
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David Burliuk
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David Davidovich Burliuk was a Russian and Ukrainian Futurist, Neo-Primitivist, book illustrator, publicist, and author associated with Russian Futurism. Burliuk is often described as the father of Russian Futurism and his mother, Ludmila Mikhnevich, was of ethnic Belarusian descent. Because of his name of David, Burliuk was frequently mistaken for being Jewish. From 1898 to 1904 he studied at Kazan and Odessa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, in 1909 Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks on the Crimean coast. Many times thereafter he would set the image of his wife to canvas, without question two dreams possessed his heart all his life, the face of his wife and the portrait of his homeland - first Ukraine and then his adopted country, the United States. After 1911 David concentrated on poetry, in 1913 he was expelled from the Academy. In the same year D. Burliuk founded the venture of the futuristic writers group Hylaea. In 1915 David Burliuk published the book The Support of the Muses in Spring, with illustrations by Lentulov, from 1915 to 1917 he resided in the Urals with frequent trips to Moscow and Petrograd. In 1917 he participated in an exhibition with the group Jack of Diamonds in the salon in Moscow. In 1916 his brother Wladimir Burliuk was drafted into military service, the next year Burliuk began traveling to the United States, a process that took him through Siberia, Japan, and Canada and wasnt complete until 1922. In 1927 he participated in an exhibition of the Latest Artistic Trends in the Russian Museum in Leningrad, together with Kazimir Malevich, Aleksandr Shevchenko, David Burliuk was author of autobiographical sketches My Ancestors, Forty Years, 1890–1930. In 1940, Burliuk petitioned the Soviet government for a request to visit his homeland and he was allowed to visit the Soviet Union only in 1956 and 1965. In 1945 an exhibit was mounted at Irving Place Theater in New York City In 1962 he and his wife traveled to Australia where he held an exhibition at Moreton Galleries and it was his only Australian exhibition. During his stay there David Burliuk painted some sketches and works with Australian views, from 1937 to 1966 Burliuk and his wife, Marusia, published Color & Rhyme, a journal primarily concerned with charting Burliuks activities. David Burliuk lived in Hampton Bays on Long Island for approximately 20 years until he died on Long Island and his house and studio still remain. In Russian poetry, Burliuk is regarded as a trailblazer, in 1990, the Russian Academy of Futurist Poetry established the David Burliuk Prize for experimental poetry awarded annually. A painting by Burliuk appears in the novel Chapayev and Void by Viktor Pelevin, the painting is described as a black writing though a stencil of the word GOD
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Kazimir Malevich
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Kazimir Severinovich Malevich was a Russian painter and art theoretician. He was a pioneer of abstract art and the originator of the avant-garde Suprematist movement. He was a devout Christian mystic who believed the central task of an artist was that of rendering spiritual feeling, Kazimir Malevich was born Kazimierz Malewicz to a Polish family, who settled near Kiev in Kiev Governorate of the Russian Empire during the partitions of Poland. His parents, Ludwika and Seweryn Malewicz, were Roman Catholic like most ethnic Poles and they both had fled from the former eastern territories of the Commonwealth to Kiev in the aftermath of the failed Polish January Uprising of 1863 against the tsarist army. His native language was Polish though he spoke Ukrainian in public, subsequently, Malevich even wrote a series of articles about art in Ukrainian. Kazimirs father managed a sugar factory, Kazimir was the first of fourteen children, only nine of whom survived into adulthood. His family moved often and he spent most of his childhood in the villages of Ukraine, amidst sugar-beet plantations, until age twelve he knew nothing of professional artists, although art had surrounded him in childhood. He delighted in peasant embroidery, and in decorated walls and stoves and he was able to paint in the peasant style. He studied drawing in Kiev from 1895 to 1896, from 1896 to 1904 Kazimir Malevich lived in Kursk. In 1904, after the death of his father, he moved to Moscow and he studied at the Moscow School of Painting, Sculpture, and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow. In the same year he participated in an exhibition by the collective, by that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters, who were particularly interested in Russian folk art called lubok. Malevich described himself as painting in a Cubo-Futuristic style in 1912, in March 1913 a major exhibition of Aristarkh Lentulovs paintings opened in Moscow. Already in the year the Cubo-Futurist opera, Victory Over the Sun, with Malevichs stage-set. In 1914 Malevich exhibited his works in the Salon des Indépendants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster, Malevich also co-illustrated, with Pavel Filonov, Selected Poems with Postscript, 1907–1914 by Velimir Khlebnikov and another work by Khlebnikov in 1914 titled Roar. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto, in 1915–1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916–1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk, Aleksandra Ekster, famous examples of his Suprematist works include Black Square and White On White. Malevich exhibited his first Black Square, now at the Tretyakov Gallery in Moscow, a black square placed against the sun appeared for the first time in the 1913 scenery designs for the Futurist opera Victory over the Sun. The second Black Square was painted around 1923, some believe that the third Black Square was painted in 1929 for Malevichs solo exhibition, because of the poor condition of the 1915 square
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New School for Social Research
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The New School for Social Research, also known by the abbreviation NSSR, is an educational institution that is part of The New School. The schools dedication to freedom and intellectual inquiry reaches back to the university’s founding in 1919 as a home for progressive thinkers. The New School for Social Research explores and promotes peace and justice as more than theoretical ideals. The New School for Social Research, enrolls more than 1,000 students from all regions of the United States, the program was founded with the start of the college in 1919. In 1933, what became known as the University in Exile, had become a haven for scholars who had dismissed from teaching positions by the Italian fascists or had to flee Nazi Germany. The University in Exile was initially founded by the director of the New School, Alvin Johnson, through the financial contributions of Hiram Halle. The University in Exile and its subsequent incarnations have been the heart of the New School. Following the collapse of totalitarian regimes in Europe, the University in Exile was renamed the Graduate Faculty of Political and Social Science and it was renamed the New School for Social Research in 2005 this time taking the original name of the university. It is worthwhile to note that The New School in its days in 1919 was actually known as The New School for Social Research. This name continued until 1997, when the university adopted a new name and this continued until 2005, when a big new rebranding occurred, with the school in general turning to The New School, its present name. Its various colleges were regrouped under various names like College of Performing Arts, Eugene Lang College of Liberal Arts, Parsons School of Design, the university also continued with a separate new institution The New School for Social Research under the general banner of The New School
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Rand School of Social Science
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The Rand School of Social Science was formed in 1906 in New York City by adherents of the Socialist Party of America. The school changed its name to the Tamiment Institute and Library in 1935 and its collection became a key component of todays Tamiment Library and Robert F. Wagner Archives at New York University in 1963. The Rand School of Social Science had no connection to the RAND Corporation, another similarly short-lived institution called the Karl Marx School was established in that same city at around that same time. Neither managed to leave much of a mark upon the historical record, a more successful effort at worker education was made in England with the establishment of Ruskin College in Oxford, England, also in 1899. Three Americans were instrumental in the formation of this entity, Mr. and Mrs. Walter Vrooman and Charles A. Beard, the latter a young graduate student at Oxford University. Shortly after the establishment of the Socialist Party of America in August 1901 an effort was made to establish an institution called the Workmens Educational League in New York City. Established through the initiative of party founders Morris Hillquit and Henry L. Slobodin, party newspaper editor Algernon Lee, Chase, the training school conducted evening courses in history, economics, and philosophy over a 21-week period, offering lectures one night per week. Secretary of this Board of Instructors was prominent socialist writer John Spargo, the school was established in 1906, made possible by a $200,000 endowment by Mrs. Rand at the time of her sudden death in 1905. The fund was administered by Rands daughter, Carrie Rand Herron, a total of about 250 students were enrolled for courses during the schools first year. But when she became aware that it would be impossible to establish such foundation, especially following my enforced resignation, formal direction of the school was conducted by a Secretary, originally author and publicist W. J. Ghent. Ghent was succeeded late in 1909 by Algernon Lee, a reorganization in about 1911 replaced the position of Secretary with an Education Director and an Executive Secretary, both responsible to the Board of Directors. Lee was retained in the role, while Cornell University graduate Bertha H. Mailly was employed in the latter position. In its early years, the school conducted regular lectures and night courses, the first location of the school was at 112 East 19th Street — a one family house converted to use as a school. To help reduce overhead costs some of the rooms of this dwelling were rented out to tenants, the school remained in this brownstone for six years, before losing the lease and being forced to move to a similar building down the block at 140 East 19th Street in 1912. During the first four years of the existence of the course,38 men and 8 women completed the program. Starting in 1913, the Rand School established a Correspondence Department, conducting coursework by mail with socialists, some 5,000 people took courses by mail from the Rand School by 1916. In addition to classes and public lectures, the Rand School also maintained a reading library, in the fall of 1917, with the assistance of a significant financial gift from international gem merchant A. A. Heller, the Rand School moved into a new facility located a 7 East 15th Street in Manhattans Union Square neighborhood — a building which it purchased from the YWCA
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Ted Shawn
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Ted Shawn, originally Edwin Myers Shawn, was one of the first notable male pioneers of American modern dance. Along with creating Denishawn with former wife Ruth St. Denis he is responsible for the creation of the well known all-male company Ted Shawn. With his innovative ideas of masculine movement, he is one of the most influential choreographers and dancers of his day. He is also the founder and creator of Jacobs Pillow Dance Festival in Massachusetts, Ted Shawn was born in Kansas City, Missouri on October 21,1891. Originally intending to become a minister of religion, he attended the University of Denver, while attending the University, he caught diphtheria at the age of 19 causing him temporary paralysis from the waist down. It was during his therapy for the disease that Shawn was first introduced to dance by way of studying with Hazel Wallack in 1910. In 1912, Shawn relocated to Los Angeles where he became part of a ballroom dance troupe. It wasnt until moving to New York in 1914 that Shawn realized his potential as an artist upon meeting Ruth St. Denis. The two were married within 2 months on August 13th,1914, St. Denis served not only as partner but an extremely valuable creative outlet to Shawn. Both artists believed strongly in the potential for dance as an art form becoming integrated into every day life, in addition to spawning the careers of Weidman and Graham, the Denishawn school also housed Doris Humphrey as a student. Together, Shawn and Ruth St. Denis established an eclectic grouping of dance including ballet. To add to St. Denis mainly eastern influence, Shawn brought the spirit of North African, Spanish, due to marital problems of Ruth St. Denis and Ted Shawn and financial difficulties, Denishawn concluded in the early 1930s. Consequently, Shawn went on to form a dance company. Shawns mission in creating this company was to fight for acceptance of the American male dancer, the all-male company was based out of a farm that Shawn purchased near his hometown Lee, Massachusetts. On July 14,1933, Ted Shawn and His Men Dancers had their performance at Shawns farm. Through these creative works Shawn showcased athletic and masculine movement that soon would gain popularity, the company performed in the United States and Canada, touring more than 750 cities, in addition to international success in London and Havana. Ted Shawn and His Men Dancers concluded at Jacobs Pillow on August 31,1940 with a homecoming performance, one of the leading stars of the company, Barton Mumaw would emerge onto the dance industry and be considered the American Nijinsky. While with Shawn, Mumaw began a relationship with a John Christian, later, Shawn formed a partnership with John Christian, with whom he stayed from 1949 until his death in 1972
