1.
Holkham Hall
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Holkham Hall is an 18th-century country house located adjacent to the village of Holkham, Norfolk, England. The house was constructed in the Palladian style for Thomas Coke, 1st Earl of Leicester by the architect William Kent, aided by the architect, the Holkham Estate, had been built up by Sir Edward Coke, the founder of his family fortune. He bought Neales manor in 1609, though never lived there and his fourth son, John, inherited the land and married heiress Meriel Wheatley in 1612. They made Hill Hall their home and by 1659 John had complete ownership of all three Holkham manors and it is the ancestral home of the Coke family, the Earls of Leicester of Holkham. The interior of the hall is opulently, but by the standards of the day, ornament is used with such restraint that it was possible to decorate both private and state rooms in the same style, without oppressing the former. The principal entrance is through the Marble Hall, which is in fact made of pink Derbyshire alabaster, this leads to the piano nobile, or the first floor, the most impressive of these rooms is the Saloon, which has walls lined with red velvet. Each of the state rooms is symmetrical in its layout and design, in some rooms. Holkham was built by 1st Earl of Leicester, Thomas Coke, a cultivated and wealthy man, Coke made the Grand Tour in his youth and was away from England for six years between 1712 and 1718. Coke returned to England, not only with a newly acquired library, however, after his return, he lived a feckless life, preoccupying himself with drinking, gambling and hunting, and being a leading supporter of cockfighting. He made an investment in the South Sea Company and when the South Sea Bubble burst in 1720. Coke, who had been made Earl of Leicester in 1744, thomass wife, Lady Margaret Tufton, Countess of Leicester, would oversee the finishing and furnishing of the house. These followed the guidelines and ideals for the house as defined by Kent, the Palladian revival style chosen was at this time making its return in England. The style made a appearance in England before the Civil War. However, following the Restoration it was replaced in favour by the Baroque style. The Palladian revival, popular in the 18th century, was based on the appearance of the works of the 16th-century Italian architect Andrea Palladio. However it did not adhere to Palladios strict rules of proportion, the style eventually evolved into what is generally referred to as Georgian, still popular in England today. Although Thomas Coke oversaw the project, he delegated the on-site architectural duties to the local Norfolk architect Matthew Brettingham, Brettingham was already the estate architect, and was in receipt of £50 a year in return for taking care of his Lordships buildings. William Kent was mainly responsible for the interiors of the Southwest pavilion, or family wing block, Kent produced a variety of alternative exteriors, suggesting a far richer decoration than Coke wanted
2.
Robert Adam
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Robert Adam FRSE FRS FSA FSA FRSA was a British neoclassical architect, interior designer and furniture designer. He was the son of William Adam, Scotlands foremost architect of the time, with his older brother John, Robert took on the family business, which included lucrative work for the Board of Ordnance, after Williams death. In 1754, he left for Rome, spending five years on the continent studying architecture under Charles-Louis Clérisseau. On his return to Britain he established a practice in London, here he developed the Adam Style, and his theory of movement in architecture, based on his studies of antiquity and became one of the most successful and fashionable architects in the country. Adam held the post of Architect of the Kings Works from 1761 to 1769, Robert Adam was a leader of the first phase of the classical revival in England and Scotland from around 1760 until his death. He influenced the development of Western architecture, both in Europe and in North America, Adam designed interiors and fittings as well as houses. He served as the member of Parliament for Kinross-shire from 1768 to 1774, Adam was born on 3 July 1728 at Gladney House in Kirkcaldy, Fife, although the family moved to Edinburgh later that same year. As a child he was noted as having a feeble constitution, in autumn 1743 he matriculated at Edinburgh University, and compulsory classes for all students were, the Greek language, logic, metaphysics and Natural philosophy. Students could choose three subjects, Adam attended classes in mathematics, taught by Colin Maclaurin, and anatomy. His studies were interrupted by the arrival of Bonnie Prince Charlie and his Highlanders, at the end of the year, Robert fell seriously ill for some months, and it seems unlikely that he returned to university, having completed only two years of study. On his recovery from illness in 1746, he joined his elder brother John as apprentice to his father and he assisted William Adam on projects such as the building of Inveraray Castle and the continuing extensions of Hopetoun House. Williams position as Master Mason to the Board of Ordnance also began to generate much work, William Adam died in June 1748, and left Dowhill, a part of the Blair Adam estate which included a tower house, to Robert. On William Adams death, John Adam inherited both the business and the position of Master Mason to the Board of Ordnance. He immediately took Robert into partnership, later to be joined by James Adam, the Adam Brothers first major commission was the decoration of the grand state apartments on the first floor at Hopetoun House, followed by their first new build at Dumfries House. For the Board of Ordnance, the brothers were the contractor at Fort George. In the winter of 1749–1750, Adam travelled to London with his friend and he took the opportunity for architectural study, visiting Wilton, designed by Inigo Jones, and the Queens Hermitage in Richmond by Roger Morris. His sketchbook of the trip shows an continuing interest in gothic architecture. Among his friends at Edinburgh were the philosophers Adam Ferguson and David Hume, other Edinburgh acquaintances included Gilbert Elliot, William Wilkie, John Home and Alexander Wedderburn
3.
Portico
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A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
4.
English country house
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An English country house is a large house or mansion in the English countryside. Such houses were owned by individuals who also owned a town house. This allowed them to time in the country and in the city—hence, for these people. However, the term also encompasses houses that were, and often still are, frequently, the formal business of the counties was transacted in these country houses. With large numbers of indoor and outdoor staff, country houses were important as places of employment for rural communities. In turn, until the agricultural depressions of the 1870s, the estates, of country houses were the hub. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle, increased taxation and the effects of World War I led to the demolition of hundreds of houses, those that remained had to adapt to survive. While a château or a schloss can be a fortified or unfortified building, if fortified, it is called a castle, but not all buildings with the name castle are fortified. The term stately home is subject to debate, and avoided by historians, as a description of a country house, the term was first used in a poem by Felicia Hemans, The Homes of England, originally published in Blackwoods Magazine in 1827. In the 20th century, the term was popularised in a song by Noël Coward. The books collection of homes also includes George IVs Brighton town palace. The country houses of England have evolved over the last five hundred years, before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords, de facto overlords of their manors. The Tudor period of stability in the saw the building of the first of the unfortified great houses. Henry VIIIs Dissolution of the Monasteries saw many former ecclesiastical properties granted to the Kings favourites, woburn Abbey, Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in the names of houses to describe their origin or importance include palace, castle, court, hall, mansion, park, house, manor, and place. Burghley House, Longleat House, and Hatfield House are among the best known examples of the prodigy house. Some of the best known of Englands country houses were built by one architect at one time, Montacute House, Chatsworth House. They finally ran out of funds in the early 20th century, an example of this is Brympton dEvercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone
5.
Derbyshire
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Derbyshire is a county in the East Midlands of England. A substantial portion of the Peak District National Park lies within Derbyshire, in 2003 the Ordnance Survey placed Church Flatts Farm at Coton in the Elms as the furthest point from the sea in Great Britain. The city of Derby is a unitary authority area, but remains part of the county of Derbyshire. The non-metropolitan county contains 30 towns with between 10,000 and 100,000 inhabitants, there is a large amount of sparsely populated agricultural upland, 75% of the population live in 25% of the area. Further occupation came with the Upper Paleolithic and Neolithic periods of the Stone Age when Mesolithic hunter gatherers roamed the hilly tundra, evidence of these nomadic tribes has been found in limestone caves located on the Nottinghamshire border. Deposits left in the date the occupancy at around 12,000 to 7,000 BCE. Burial mounds of Neolithic settlers are also situated throughout the county and these chambered tombs were designed for collective burial and are mostly located in the central Derbyshire region. There are tombs at Minninglow and Five Wells that date back to between 2000 and 2500 BCE, three miles west of Youlgreave lies the Neolithic henge monument of Arbor Low, which has been dated to 2500 BCE. It is not until the Bronze Age that real signs of agriculture, in the moors of the Peak District signs of clearance, arable fields and hut circles were discovered after archaeological investigation. However this area and another settlement at Swarkestone are all that have been found, during the Roman invasion the invaders were attracted to Derbyshire because of the lead ore in the limestone hills of the area. They settled throughout the county with forts built near Brough in the Hope Valley, later they settled around Buxton, famed for its warm springs, and set up a fort near modern-day Derby in an area now known as Little Chester. Several kings of Mercia are buried in the Repton area, following the Norman Conquest, much of the county was subject to the forest laws. To the northwest was the Forest of High Peak under the custodianship of William Peverel, the rest of the county was bestowed upon Henry de Ferrers, a part of it becoming Duffield Frith. In time the area was given to the Duchy of Lancaster. Meanwhile, the Forest of East Derbyshire covered the county to the east of the River Derwent from the reign of Henry II to that of Edward I. The main rivers in the county are the River Derwent and the River Dove which both join the River Trent in the south. The varied landscapes within Derbyshires have been formed mainly as a consequence of the underlying geology, the oldest rocks occur in the northern, more upland half of the county, and are mostly of Carboniferous age, comprising limestones, gritstones, sandstones and shales. In its north-east corner to the east of Bolsover there are also Magnesian Limestone rocks of Permian age, across both regions can be found drift deposits of Quaternary age – mainly terrace and river gravel deposits and boulder clays
6.
Derby
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Derby is a city and unitary authority area in Derbyshire, England. It lies on the banks of the River Derwent in the south of Derbyshire, at the 2011 census, the population was 248,700. Derby gained city status in 1977, Derby was settled by Romans – who established the town of Derventio – Saxons and Vikings, who made Derby one of the Five Boroughs of the Danelaw. Initially a market town, Derby grew rapidly in the industrial era, home to Lombes Mill, an early British factory, Derby has a claim to be one of the birthplaces of the Industrial Revolution. It contains the part of the Derwent Valley Mills World Heritage Site. With the arrival of the railways in the 19th century, Derby became a centre of the British rail industry, Toyota Manufacturing UKs automobile headquarters is south west of the city at Burnaston. The Roman camp of Derventio was probably at Little Chester/Chester Green, later the town was one of the Five Boroughs of the Danelaw, until it was captured by Lady Aethelflaed of Mercia in July 917, subsequent to which the town was annexed into the Kingdom of Mercia. The Viking name Djúra-bý, recorded in Old English as Deoraby and this popular belief is asserted by Tim Lambert who states, The name Derby is derived from the Danish words deor by meaning deer settlement. The name Derwent is Celtic and means a valley thick with oaks, the town name appears, nevertheless, as Darby or Darbye on early modern maps, such as that of Speed. Modern research into the history and archaeology of Derby has provided evidence that the Vikings and Anglo-Saxons probably co-existed, the Anglo-Saxon Chronicle says that Derby is divided by water. These areas of land were known as Norþworþig and Deoraby, and were at the Irongate side of Derby, during the Civil War of 1642–1646, Derby was garrisoned by Parliamentary troops commanded by Sir John Gell, 1st Baronet, who was appointed Governor of Derby in 1643. A hundred years later, Bonnie Prince Charlie set up camp at Derby on 4 December 1745, the prince called at The George Inn on Irongate, where the Duke of Devonshire had set up his headquarters, and demanded billets for his 9,000 troops. He stayed at Exeter House, Full Street where he held his council of war, a replica of the room is on display at Derby Museum in the city centre. He had received misleading information about a coming to meet him south of Derby. Although he wished to continue with his quest, he was over-ruled by his fellow officers and he abandoned his invasion at Swarkestone Bridge on the River Trent just a few miles south of Derby. Derby and Derbyshire were among the centres of Britains Industrial Revolution, in 1759, Jedediah Strutt patented and built a machine called the Derby Rib Attachment that revolutionised the manufacture of hose. This attachment was used on the Rev. Lees Framework Knitting Machine, it was placed in front of – and worked in unison with – Lees Frame, the partners were Jedediah Strutt, William Woollatt. The patent was obtained in January 1759, after three years, Bloodworth and Stafford were paid off, and Samuel Need – a hosier of Nottingham – joined the partnership
7.
Manor house
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A manor house was historically the main residence of the lord of the manor. The term is loosely applied to various country houses, frequently dating from the late medieval era. They were sometimes fortified, but this was intended more for show than for defence. Manor houses existed in most European countries where feudalism existed, where they were known as castles, palaces. Many buildings, such as schools, are named Manor, the reason behind this is because the building was or is close to a manor house. The lord of the manor may have several properties within a county or, for example in the case of a feudal baron, spread across a kingdom. A large and suitable building was required within the manor for such purpose, generally in the form of a hall. This also gave the opportunity for the manor house to be cleaned, especially important in the days of the cess-pit. Thus such non-resident lords needed to appoint a steward or seneschal to act as their deputy in such matters, the day-to-day administration was carried out by a resident official in authority at each manor, who in England was called a bailiff, or reeve. Although not typically built with strong fortifications as were castles, many manor-houses were fortified and they were often enclosed within walls or ditches which often also included agricultural buildings. The primary feature of the house was its great hall. A late 16th-century transformation produced many of the smaller Renaissance châteaux of France, the Tudor period of stability in England saw the building of the first of the unfortified great houses, for example Sutton Place in Surrey, circa 1521. During the second half of the reign of Queen Elizabeth I and under her successor King James I the first mansions designed by architects not by mere masons or builders, began to make their appearance. Such houses as Burghley House, Longleat House, and Hatfield House are among the best known of this period, nearly every large mediaeval manor house had its own deer-park adjoining, emparked by royal licence, which served primarily as a store of food in the form of venison. Within these licensed parks deer could not be hunted by royalty and this gave them more privacy and space. Court was a suffix which came into use in the 16th century, the obvious origin of the suffix would appear to be that the building was the location where the manorial courts were held. True castles, when not royal castles, were generally the residences of feudal barons, the manor on which the castle was situated was termed the caput of the barony, thus every true ancient defensive castle was also the manor house of its own manor. The suffix -Park came into use in the 18th and 19th centuries, the usage is often a modern catch-all suffix for an old house on an estate, true manor or not
8.
Palladian architecture
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Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
9.
James Paine (architect)
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James Paine was an English architect. From the 1750s, he had his own practice, and designed many villas, usually consisting of a building, often with a fine staircase. At around the time he designed the very grand stables at Chatsworth House in the same county. He was an architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall in Essex for Lord Petre and his house on Park Lane, from 1770 to 1776, he built New Wardour Castle in Wiltshire. Paine held various posts, some sinecures, in the Office of Works culminating in appointment as one of the two Architects of the Works in 1780 but lost the post in a reorganisation in 1782 and he was appointed High Sheriff of Surrey for 1783. His practice declined in his years as he refused to participate in the Neoclassical fashions established by the Adam brothers. He published much of his own work in his two volumes of Plans, elevations and sections of Noblemen and Gentlemens Houses and his son James Paine was a sculptor
10.
Matthew Brettingham
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Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, as Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam. Brettingham was born in 1699, the son of Launcelot Brettingham, a bricklayer or stonemason from Norwich. He married Martha Bunn at St. Augustines Church, Norwich, on 17 May 1721 and they had nine children together. His early life is documented, and one of the earliest recorded references to him is in 1719. A critic of Brettinghams at this time claimed that his work was so poor that it was not worth the nine shillings a week he was paid as a craftsman bricklayer, whatever the quality of his bricklaying, he soon advanced himself and became a building contractor. During the early century, a building contractor had far more responsibilities than the title suggests today. A contractor often designed, built, and oversaw all details of construction to completion, Architects, often called surveyors, were employed only for the grandest and largest of buildings. By 1730, Brettingham is referred to as a surveyor, working on more important structures than cottages, in 1731, it is recorded that he was paid £112 for his work on Norwich Gaol. From then, he appears to have worked regularly as the surveyor to the Justices on public buildings, margarets Church, Kings Lynn, which had been severely damaged by the collapse of its spire in 1742. Brettinghams brief flirtation with the Gothic style, in the words of Robin Lucas, the Shirehouse was demolished in 1822. Brettingham was appointed Clerk of Works, at a salary of £50. He retained the position until the Earls death in 1759 and it was at Holkham that Brettingham first worked with the fashionable Palladian style, which was to be his trademark. Brettingham was commissioned in 1742 to redesign Langley Hall, a standing in its own parkland in South Norfolk. His design was much in the Palladian style of Holkham, though much smaller. The corner towers, while similar to those designed by Brettingham at Euston Hall, were the work of a later owner. The neoclassical entrance lodges were an addition, by Sir John Soane. In 1743, Brettingham began work on the construction of Hanworth Hall, Norfolk, also in the Palladian style, in 1745, Brettingham designed Gunton Hall in Norfolk for Sir William Harbord, three years after the former house on the site was gutted by fire
11.
Andrea Palladio
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Andrea Palladio was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is considered to be the most influential individual in the history of architecture. All of his buildings are located in what was the Venetian Republic, the city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites. Palladio was born on 30 November 1508 in Padua and was given the name and his father, Pietro, called Della Gondola, was a miller. From early on, Andrea Palladio was introduced into the work of building, in Padua he gained his first experiences as a stonecutter in the sculpture workshop of Bartolomeo Cavazza da Sossano, who is said to have imposed particularly hard working conditions. At the age of sixteen he moved to Vicenza where he would reside for most of his life, here he became an assistant in the Pedemuro studio, a leading workshop of stonecutters and masons. He joined a guild of stonemasons and bricklayers and he was employed as a stonemason to make monuments and decorative sculptures. These sculptures reflected the Mannerist style of the architect Michele Sanmicheli, perhaps the key moment that sparked Palladios career was being employed by the Humanist poet and scholar, Gian Giorgio Trissino, from 1538 to 1539. While Trissino was reconstructing the Villa Cricoli, he took interest in Palladios work, Trissino was heavily influenced by the studies of Vitruvius, who later influenced Palladios own ideals and attitudes toward classical architecture. It was also Trissino who gave him the name by which he became known, Palladio, indeed, the word Palladio means Wise one. The powerful Barbaros introduced Palladio to Venice, where he finally became Proto della Serenissima after Jacopo Sansovino, in addition to the Barbaros, the Corner, Foscari, and Pisani families supported Palladios career. Andrea Palladio began to develop his own architectural style around 1541, the Palladian style, named after him, adhered to classical Roman principles he rediscovered, applied, and explained in his works. Andrea Palladio is known to be one of the most influential architects in Western architecture and his architectural works have been valued for centuries as the quintessence of High Renaissance calm and harmony. He designed many palaces, villas, and churches, but Palladios reputation, initially, the palladian villas are located mainly in the province of Vicenza, while the palazzi are concentrated in the city of Vicenza and the churches in Venice. A number of his works are now protected as part of the World Heritage Site City of Vicenza, other buildings by Palladio are to be found within the Venice and its Lagoon World Heritage Site. Palladios first major public project began when his designs for building the loggias for the town hall and he proposed an addition of two-storey stone buttresses reflecting the Gothic style of the existing hall while using classical proportions. The construction was completed in 1617 after Palladios death, aside from Palladios designs, his publications contributed to Palladianism. During the second half of his life, Palladio published many books, above all, Palladio is most known for his designs of villas and palaces as well as his books
