1.
Khepera mobile robot
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The Khepera is a small differential wheeled mobile robot that was developed at the LAMI laboratory of Prof. Jean-Daniel Nicoud at EPFL in the mid 90s. Franzi, Francesco Mondada, André Guignard and others, small, fast, and architectured around a Motorola 68331, it has served researchers for 10 years, widely used by over 500 universities worldwide. The Khepera was sold to a thousand research labs and featured on the cover of the 31 August 2000 issue of Nature and it appeared again in a 2003 article. A Google scholar search with khepera mobile robots returns 4800 hits, the Khepera helped in the emergence of evolutionary robotics. Diameter,55 mm Height,30 mm Empty weight,80 g Speed,0.02 to 1, in proceedings of First International Khepera Workshop, Paderborn, 10–11 December 1999. cfg – Khepera configuration file for Player Project robot simulator YAKS. – Yet Another Khepera Simulator Khepera III Toolbox – A software toolbox for the Khepera III robot KiKS is a Khepera Simulator – Matlab based Khepera/Khepera II simulator
2.
Scarab (artifact)
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Scarabs were popular amulets and impression seals in Ancient Egypt. They survive in numbers and, through their inscriptions and typology, they are an important source of information for archaeologists. They also represent a significant body of ancient art, during that long period the function of scarabs repeatedly changed. Primarily amulets, they were inscribed for use as personal or administrative seals or were incorporated into jewelry. Some scarabs were apparently created for political or diplomatic purposes to commemorate or advertise royal achievements, by the early New Kingdom, heart scarabs had become part of the battery of amulets protecting mummies. From the middle Bronze Age, other ancient peoples of the Mediterranean, Scarabs were produced in vast numbers for many centuries and many thousands have survived. They were generally intended to be worn or carried by the living and they were typically carved or moulded in the form of a scarab beetle with varying degrees of naturalism but usually at least indicating the head, wing case and legs but with a flat base. The base was inscribed with designs and/or hieroglyphs to form an impression seal. Scarabs were usually drilled from end to end to them to be strung on a thread or incorporated into a swivel ring. The most common of sizes for scarabs is from 6mm to 4 cm, larger scarabs were made from time to time for particular purposes. Heart scarabs were made for a funerary purpose and should be considered separately. Scarabs were generally carved from stone or moulded from Egyptian faience. Once carved, they would typically be glazed blue or green and then fired, the most common stone used for scarabs was a form of steatite, a soft stone which becomes hard when fired. Hardstone scarabs were made and the stones most commonly used were green jasper, amethyst. In ancient Egyptian religion, the sun god Ra is seen to roll across the sky each day, transforming bodies and souls. Beetles of the Scarabaeidae family roll dung into a ball as food and as a chamber in which to lay eggs, this way. For these reasons the scarab was seen as a symbol of this heavenly cycle, the Egyptian god Khepri, Ra as the rising sun, was often depicted as a scarab beetle or as a scarab beetle-headed man. The ancient Egyptians believed that Khepri renewed the sun every day before rolling it above the horizon, then carried it through the world after sunset, only to renew it, again
3.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
4.
Heliopolis (ancient Egypt)
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Heliopolis was a major city of ancient Egypt. It was the capital of the 13th or Heliopolite Nome of Lower Egypt and it is now located in Ayn Shams, a northeastern suburb of Cairo. Heliopolis was one of the oldest cities of ancient Egypt, occupied since the Predynastic Period and it greatly expanded under the Old and Middle Kingdoms but is today mostly destroyed, its temples and other buildings having been scavenged for the construction of medieval Cairo. Most information about the ancient city comes from surviving records, the major surviving remnant of Heliopolis is the obelisk of the Temple of Ra-Atum erected by Senusret I of Dynasty XII. It still stands in its position, now within Al-Masalla in Al-Matariyyah. The 21 m high red granite obelisk weighs 120 tons, Heliopolis is the latinized form of the Ptolemaic Greek name Hēlioúpolis, meaning City of the Sun. Helios, the personified and deified form of the sun, was identified by the Greeks with the native Egyptian gods Ra and Atum and its native name was I͗wnw, whose exact pronunciation is uncertain because ancient Egyptian recorded only consonantal values. Its traditional Egyptological transcription is Iunu but it appears in biblical Hebrew as Ôn and Āwen, variant transcriptions include Awnu and Annu. The city also appears in the Old Kingdom Pyramid Texts as the House of Ra, in ancient Egypt, Heliopolis was a regional center from predynastic times. It was principally notable as the center of the sun god Atum. The primary temple of the city was known as the Great House or House of Atum and its priests maintained that Atum or Ra was the first being, rising self-created from the primeval waters. A decline in the importance of Ras cult during Dynasty V led to the development of the Ennead, the high priests of Ra are not as well documented as those of other deities, although the high priests of Dynasty VI have been discovered and excavated. During the Amarna Period of Dynasty XVIII, Pharaoh Akhenaten introduced a kind of worship of Aten. As part of his projects, he built a Heliopolitan temple named Elevating Aten. The cult of the Mnevis bull, another embodiment of the Sun, had its altar here as well and their personal formal burial ground was situated north of the city. The store-city Pithom is mentioned once in the Hebrew Bible, and according to one theory, ptolemy II had Manetho, the chief priest of Heliopolis, collect his history of the ancient kings of Egypt from its archives. By the 1st century BC, in fact, Strabo found the deserted. In Roman Egypt, Heliopolis belonged to the province Augustamnica, causing it to appear as Heliopolis in Augustamnica when it needed to be distinguished from Baalbek and its population probably contained a considerable Arabian element
5.
Beetle
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Beetles are a group of insects that form the order Coleoptera, in the superorder Endopterygota. Their front pair of wings is hardened into wing-cases, elytra, the Coleoptera, with about 400,000 species, is the largest of all orders, constituting almost 40% of described insects and 25% of all known animal life-forms, new species are discovered frequently. The largest of all families, the Curculionidae with some 70,000 member species and they are found in almost every habitat except the sea and the polar regions. They interact with their ecosystems in several ways, beetles often feed on plants and fungi, break down animal and plant debris, and eat other invertebrates. Beetles typically have a hard exoskeleton including the elytra, though some such as the rove beetles have very short elytra while blister beetles have softer elytra. Some, such as, stag beetles have a sexual dimorphism. Many beetles are aposematic, with colours and patterns warning of their toxicity. Many beetles, including those that live in places, have effective camouflage. Beetles are prominent in human culture, from the sacred scarabs of ancient Egypt to beetlewing art and use as pets or fighting insects for entertainment, many beetle groups are brightly and attractively coloured making them objects of collection and decorative displays. Over 300 species are used as food, mostly as larvae, species widely consumed include mealworms, however, the major impact of beetles on human life is as agricultural, forestry, and horticultural pests. Serious pests include the boll weevil of cotton, the Colorado potato beetle, the coconut hispine beetle, most beetles, however, do not cause economic damage and many, such as the lady beetles and dung beetles are beneficial by helping to control insect pests. The name of the order, Coleoptera, comes from the Greek koleopteros, given to the group by Aristotle for their elytra, hardened shield-like forewings, from koleos, sheath. The English name beetle comes from the Old English word bitela, little biter, related to bītan, another Old English name for beetle is ceafor, chafer, used in names such as cockchafer, from the Proto-Germanic *kabraz-. Beetles are by far the largest order of insects, the roughly 400,000 species make up about 40% of all species so far described. The four estimates made use of host-specificity relationships, ratios with other taxa, plant, beetle ratios, and extrapolations based on body size by year of description. The heaviest beetle, indeed the heaviest insect stage, is the larva of the beetle, Goliathus goliatus, which can attain a mass of at least 115 g. Adult male goliath beetles are the heaviest beetle in its stage, weighing 70–100 g. Adult elephant beetles, Megasoma elephas and Megasoma actaeon often reach 50 g and 10 cm, the longest beetle is the Hercules beetle Dynastes hercules, with a maximum overall length of at least 16.7 cm including the very long pronotal horn
6.
Nymphaea caerulea
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Nymphaea caerulea, known primarily as blue lotus, but also blue water lily, and sacred blue lily, is a water lily in the genus Nymphaea. Like other species in the genus, the plant contains the psychoactive alkaloid apomorphine and it was known to the Ancient Egyptian civilizations. Its original habitat may have been along the Nile and other parts of East Africa and it spread more widely in ancient times, including to the Indian subcontinent and Thailand. The leaves are rounded, 25–40 cm across, with a notch at the leaf stem. The flowers are 10–15 cm in diameter, in fact, the flower buds rise to the surface over a period of two to three days, and when ready, open around 9,30 am and close about 3,00 pm. The flowers and buds do not rise above the water in the morning, the flowers have pale bluish-white to sky-blue or mauve petals, smoothly changing to a pale yellow in the centre of the flower. Along with the lotus, Nymphaea lotus are also native to Egypt. The plant and flower are very frequently depicted in Egyptian art, N. caerulea was considered extremely significant in Egyptian mythology, regarded as a symbol of the sun, since the flowers are closed at night and open again in the morning. At Heliopolis, the origin of the world was taught to have been when the sun god Ra emerged from a flower growing in primordial waters. At night, he was believed to retreat into the flower again. Due to its colour, it was identified, in some beliefs, as having been the original container, in a manner to an egg, of Atum. As such, its properties form the origin of the variant of the Ogdoad cosmogeny. It was the symbol of the Egyptian deity Nefertem, some evidence indicates the clinical effects of plants including N. caerulea that contain the psychoactive alkaloid apomorphine were known to both the Mayans and the Ancient Egyptians. The mildly sedating effects of N. caerulea makes it a candidate for the lotus plant eaten by the mythical Lotophagi in Homers Odyssey. This lotus has been used to produce perfumes since ancient times, N. caerulea is illegal in Latvia since November 2009. Possession of quantities up to 1 gram are fined up to 280 euros, possession of larger quantities can be punished by up to 15 years in prison. N. caerulea was banned in Poland in March 2009, possession and distribution lead to a criminal charge. N. caerulea is illegal in Russia since April 2009 along with spice and related products, Salvia divinorum, Argyreia nervosa, and others
7.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
8.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
9.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
10.
Scarabaeus sacer
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Scarabaeus sacer is a species of dung beetle belonging to the family Scarabaeidae. Scarabaeus sacer was described by Carl Linnaeus in his 1758 10th edition of Systema Naturae, Scarabaeus sacer occurs in coastal dunes and marshes around the Mediterranean Basin. It can be found across North Africa, southern Europe and parts of Asia, in the Camargue, the Scarabaeus sacer is almost exclusively a coastal species, living only in dunes and coastal marshes. The head of Scarabaeus sacer has an array of six projections. The projections are uniform with four more projections on each of the tibiae of the front legs, functionally the projections are adaptations for digging and for shaping the ball of dung. There is only a vestigial claw-like structure that might be of assistance in digging. The mid- and hind-legs of Scarabaeus have normal, well-developed 5-segmented tarsi, among the coprophagous species of beetles, Scarabaeus sacer is typical of those that collect dung into balls. Such a beetle rolls its ball to a location, where it digs an underground chamber in which it hides the ball. It then eats the ball itself, a process that may take several days, when the female is ready to breed she selects especially fine-textured dung to make her breeding ball, and digs an especially deep and large chamber for it. There she sculpts it into a pear-shape with a cavity in the narrow part. In that cavity she lays a large egg. She then seals the cavity and departs to repeat the process elsewhere, typically a successful female Scarabaeus sacer will produce only about half a dozen young in her life. The larva feeds on the ball of dung after the egg hatches, Scarabaeus sacer serves as the host for the phoretic mite Macrocheles saceri. Scarabaeus sacer is the most famous of the scarab beetles and they accordingly held the species to be sacred. From this, they drew parallels with their god Atum, who also begat children alone, Scarabaeus sacer was the species which first piqued the interest of William Sharp Macleay and drew him into a career in entomology. Scarab in Ancient Egypt Scarab Commemorative scarabs of Amenhotep III Media related to Scarabaeus sacer at Wikimedia Commons Chisholm, Hugh, ed. Scarab
11.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
12.
Ancient Egyptian creation myths
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Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world. The Pyramid Texts, tomb wall decorations and writings, dating back to the Old Kingdom have given us most of our information regarding early Egyptian creation myths and these myths also form the earliest religious compilations in the world. The ancient Egyptians had many gods and associated legends. Thus the world or more specifically Egypt was created in diverse ways according to different parts of the country. In all of these myths, the world was said to have emerged from an infinite, lifeless sea when the sun rose for the first time, in a distant period known as zp tpj, the first occasion. While these differing cosmogonies competed to some extent, in ways they were complementary. The different creation myths have some elements in common and they all held that the world had arisen out of the lifeless waters of chaos, called Nu. They also included a pyramid-shaped mound, called the benben, which was the first thing to emerge from the waters, the imagery of the pyramidal mound derived from the highest mounds of earth emerging as the river receded. The sun was also associated with creation, and it was said to have first risen from the mound, as the general sun-god Ra or as the god Khepri. Another common element of Egyptian cosmogonies is the figure of the cosmic egg. One variant of the cosmic egg version teaches that the sun god, as power, emerged from the primeval mound. The different creation accounts were each associated with the cult of a god in one of the major cities of Egypt, Hermopolis, Heliopolis, Memphis. To some degree these myths represent competing theologies, but they represent different aspects of the process of creation. The creation myth promulgated in the city of Hermopolis focused on the nature of the universe before the creation of the world, the inherent qualities of the primeval waters were represented by a set of eight gods, called the Ogdoad. The primeval waters were part of the creation process, therefore. According to the myth, the eight gods were divided into male and female groups. They were symbolically depicted as aquatic creatures because they dwelt within the water, the males were represented as frogs, and these two groups eventually converged, resulting in a great upheaval, which produced the pyramidal mound. From it emerged the sun, which rose into the sky to light the world, in Heliopolis, the creation was attributed to Atum, a deity closely associated with Ra, who was said to have existed in the waters of Nu as an inert potential being
13.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
14.
Atum
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Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
15.
Papyrus
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The word papyrus /pəˈpaɪrəs/ refers to a thick precursor to modern paper made from the pith of the papyrus plant, Cyperus papyrus. Papyrus can also refer to a document written on sheets of papyrus joined together side by side and rolled up into a scroll, the plural for such documents is papyri. Papyrus is first known to have used in ancient Egypt. It was also used throughout the Mediterranean region and in Kingdom of Kush, the Ancient Egyptians used papyrus as a writing material, as well as employing it commonly in the construction of other artifacts such as reed boats, mats, rope, sandals, and baskets. Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE, the earliest archaeological evidence of papyrus was excavated in 2012 and 2013 at Wadi al-Jarf, an ancient Egyptian harbor located on the Red Sea coast. The papyrus rolls describe the last years of building the Great Pyramid of Giza, in the first centuries BCE and CE, papyrus scrolls gained a rival as a writing surface in the form of parchment, which was prepared from animal skins. Sheets of parchment were folded to form quires from which book-form codices were fashioned, early Christian writers soon adopted the codex form, and in the Græco-Roman world, it became common to cut sheets from papyrus rolls to form codices. Codices were an improvement on the scroll, as the papyrus was not pliable enough to fold without cracking. Papyrus had the advantage of being cheap and easy to produce. Unless the papyrus was of quality, the writing surface was irregular. Its last appearance in the Merovingian chancery is with a document of 692, the latest certain dates for the use of papyrus are 1057 for a papal decree, under Pope Victor II, and 1087 for an Arabic document. Its use in Egypt continued until it was replaced by more inexpensive paper introduced by Arabs who originally learned of it from the Chinese, by the 12th century, parchment and paper were in use in the Byzantine Empire, but papyrus was still an option. Papyrus was made in several qualities and prices, pliny the Elder and Isidore of Seville described six variations of papyrus which were sold in the Roman market of the day. These were graded by quality based on how fine, firm, white, grades ranged from the superfine Augustan, which was produced in sheets of 13 digits wide, to the least expensive and most coarse, measuring six digits wide. Materials deemed unusable for writing or less than six digits were considered commercial quality and were pasted edge to edge to be used only for wrapping, until the middle of the 19th century, only some isolated documents written on papyrus were known. They did not contain literary works, the first modern discovery of papyri rolls was made at Herculaneum in 1752. Until then, the papyri known had been a few surviving from medieval times. The English word papyrus derives, via Latin, from Greek πάπυρος, Greek has a second word for it, βύβλος
16.
Barque
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A barque, barc, or bark is a type of sailing vessel with three or more masts having the fore- and mainmasts rigged square and only the mizzen rigged fore-and-aft. The word barque entered English via French, which in came from the Latin barca by way of Occitan. The Latin barca may stem from Celtic barc or Greek baris, the Oxford English Dictionary considers the latter improbable. The word barc appears to have come from Celtic languages, the form adopted by English, perhaps from Irish, was bark, while that adopted by Latin as barca very early, which gave rise to the French barge and barque. In Latin, Spanish and Italian the term refers to a small boat. French influence in England led to the use in English of both words, although their meanings now are not the same, well before the 19th century a barge had become interpreted as a small vessel of coastal or inland waters. Somewhat later, a became a sailing vessel of a distinctive rig as detailed below. In Britain, by the century, the spelling had taken on the French form of barque. Francis Bacon used this form of the word as early as 1592, throughout the period of sail, the word was used also as a shortening of the barca-longa of the Mediterranean Sea. The usual convention is that spelling barque refers to a ship and bark to tree hide, barcarole in music shares the same etymology, being originally a folk song sung by Venetian gondolier and derived from barca - boat in Italian. In the 18th century, the British Royal Navy used the bark for a nondescript vessel that did not fit any of its usual categories. She happened to be a sailing vessel with a plain bluff bow. Our Northern Mariners, who are trained in the coal-trade, apply this distinction to a broad-sterned ship, hon. the Earl of Sussex, Lord Deputy of Ireland. By the end of the 18th century, the term came to refer to any vessel with a particular type of sail-plan. This comprises three masts, fore-and-aft sails on the aftermost mast and square sails on all other masts, barques were the workhorse of the Golden Age of Sail in the mid-19th century as they attained passages that nearly matched full rigged ships but could operate with smaller crews. Conversely, the ship rig tended to be retained for training vessels where the larger the crew, another advantage is that a barque can outperform a schooner or barkentine, and is both easier to handle and better at going to windward than a full-rigged ship. Usually the main mast was the tallest, that of Moshulu extends to 58 m off the deck, the four-masted barque can be handled with a surprisingly small crew—at minimum, ten—and while the usual crew was around thirty, almost half of them could be apprentices. Today many sailing ships are barques
17.
Nu (mythology)
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Nu, feminine Nut, is the deification of the primordial watery abyss in the Hermopolitan Ogdoad cosmogony of ancient Egyptian religion. The name is paralleled with nen inactivity in a play of words in, I raised them up out of the watery mass. The name has also been compared Coptic noun abyss, deep, Nut is also the name of the sky goddess of the Ennead of Heliopolis. The Ancient Egyptians envisaged the oceanic abyss of the Nun as surrounding a bubble in which the sphere of life is encapsulated, in Ancient Egyptian creation accounts the original mound of land comes forth from the waters of the Nun. The Nun is the source of all that appears in a world, encompassing all aspects of divine. In the Ennead cosmogony Nun is perceived as transcendent at the point of creation alongside Atum the creator god, beginning with the Middle Kingdom Nun is described as the Father of the Gods and he is depicted on temple walls throughout the rest of Ancient Egyptian religious history. The Ogdoad includes along with Naunet and Nun, Amaunet and Amun, Hauhet and Heh, like the other Ogdoad deities, Nu did not have temples or any center of worship. Even so, Nu was sometimes represented by a lake, or, as at Abydos. In the 12th Hour of the Book of Gates Nu is depicted with upraised arms holding a solar bark, the boat is occupied by eight deities, with the scarab deity Khepri standing in the middle surrounded by the seven other deities. During the late period when Egypt became occupied, the aspect of the Nun became the dominant perception. Abzu Benben stone E. A. Wallis Budge, The Gods of the Egyptians, Or, Studies in Egyptian Mythology, vol
18.
Seal (emblem)
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A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, a wrapper for one such as a modern envelope, the seal-making device is also referred to as the seal matrix or die, the imprint it creates as the seal impression. In most traditional forms of dry seal the design on the matrix is in intaglio. The design on the impression will reverse that of the matrix and this will not be the case if paper is embossed from behind, where the matrix and impression read the same way, and both matrix and impression are in relief. However engraved gems were carved in relief, called cameo in this context. The process is essentially that of a mould and these pendent seal impressions dangled below the documents they authenticated, to which the attachment tag was sewn or otherwise attached. Some jurisdictions consider rubber stamps or specified signature-accompanying words such as seal or L. S. to be the equivalent of, i. e. an equally effective substitute for. In Europe, although coats of arms and heraldic badges may well feature in such contexts as well as on seals, the study of seals is known as sigillography or sphragistics. Seals were used in the earliest civilizations and are of importance in archaeology. In ancient Mesopotamia carved or engraved cylinder seals in stone or other materials were used and these could be rolled along to create an impression on clay, and used as labels on consignments of trade goods, or for other purposes. They are normally hollow and it is presumed that they were worn on a string or chain round the neck, many have only images, often very finely carved, with no writing, while others have both. From Ancient Egypt seals in the form of signet-rings, including some with the names of kings, have been found, recently, seals have come to light in South Arabia datable to the Himyarite age. One example shows a name written in Aramaic engraved in reverse so as to read correctly in the impression, from the beginning of the 3rd millennium BC until the Middle Ages, seals of various kinds were in production in the Aegean islands and mainland Greece. In the Early Minoan age these were formed of stone and ivory. By the Middle Minoan age a new set for seal forms, motifs, hard stone requires new rotary carving techniques. The Late Bronze Age is the par excellence of the lens-shaped seal and the seal ring. These were a luxury art form and became keenly collected. His collection fell as booty to Pompey the Great, who deposited it in a temple in Rome, engraved gems continued to be produced and collected until the 19th century
19.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
20.
Egyptian mythology
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Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
21.
Paganism
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Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
22.
Pantheism
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Pantheism is the belief that all reality is identical with divinity, or that everything composes an all-encompassing, immanent god. Pantheists thus do not believe in a personal or anthropomorphic god. The term pantheism was not coined until after Spinozas death, and his work, Ethics, was the major source from which Western pantheism spread. Pantheistic concepts may date back thousands of years, and some religions in the East continue to contain pantheistic elements, Pantheism derives from the Greek πᾶν pan and θεός theos. There are a variety of definitions of pantheism, some consider it a theological and philosophical position concerning God. As a religious position, some describe pantheism as the polar opposite of atheism, from this standpoint, pantheism is the view that everything is part of an all-encompassing, immanent God. All forms of reality may then be considered either modes of that Being, some hold that pantheism is a non-religious philosophical position. To them, pantheism is the view that the Universe and God are identical, pantheistic tendencies existed in a number of early Gnostic groups, with pantheistic thought appearing throughout the Middle Ages. These included a section of Johannes Scotus Eriugenas 9th-century work De divisione naturae, the Roman Catholic Church has long regarded pantheistic ideas as heresy. Giordano Bruno, an Italian monk who evangelized about an immanent and he has since become known as a celebrated pantheist and martyr of science. Bruno influenced many later thinkers including Baruch Spinoza, in the West, pantheism was formalized as a separate theology and philosophy based on the work of the 17th-century philosopher Baruch Spinoza. Spinoza was a Dutch philosopher of Sephardi Portuguese origin, whose book Ethics was an answer to Descartes famous dualist theory that the body, Spinoza held the monist view that the two are the same, and monism is a fundamental part of his philosophy. He was described as a God-intoxicated man, and used the word God to describe the unity of all substance, although the term pantheism was not coined until after his death, Spinoza is regarded as its most celebrated advocate. His work, Ethics, was the source from which Western pantheism spread. The breadth and importance of Spinozas work was not fully realized until years after his death. Spinozas magnum opus, the posthumous Ethics, in which he opposed Descartes mind–body dualism, has earned him recognition as one of Western philosophys most important thinkers, Hegel said, You are either a Spinozist or not a philosopher at all. His philosophical accomplishments and moral character prompted 20th-century philosopher Gilles Deleuze to name him the prince of philosophers, Spinoza was raised in the Portuguese Jewish community in Amsterdam. He developed highly controversial ideas regarding the authenticity of the Hebrew Bible, the Jewish religious authorities issued a cherem against him, effectively excluding him from Jewish society at age 23
23.
Polytheism
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Polytheism is the worship of or belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religions and rituals. Polytheism is a type of theism, within theism, it contrasts with monotheism, the belief in a singular God, in most cases transcendent. Polytheists do not always worship all the gods equally, but they can be henotheists, other polytheists can be kathenotheists, worshiping different deities at different times. Polytheism was the form of religion during the Bronze Age and Iron Age up to the Axial Age and the development of Abrahamic religions. Important polytheistic religions practiced today include Chinese traditional religion, Hinduism, Japanese Shinto, the term comes from the Greek πολύ poly and θεός theos and was first invented by the Jewish writer Philo of Alexandria to argue with the Greeks. When Christianity spread throughout Europe and the Mediterranean, non-Christians were just called Gentiles or pagans or by the pejorative term idolaters. The modern usage of the term is first revived in French through Jean Bodin in 1580, a central, main division in polytheism is between soft polytheism and hard polytheism. Hard polytheism is the belief that gods are distinct, separate, real divine beings, hard polytheists reject the idea that all gods are one god. Hard polytheists do not necessarily consider the gods of all cultures as being equally real, Polytheism cannot be cleanly separated from the animist beliefs prevalent in most folk religions. The gods of polytheism are in cases the highest order of a continuum of supernatural beings or spirits. In some cases these spirits are divided into celestial or chthonic classes, since divinity is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of divinity. Myths may be regarded physically when they express the activities of gods in the world, the psychological way is to regard the activities of the soul itself and or the souls acts of thought. The material is to regard material objects to actually be gods, for example, to call the earth Gaia, ocean Okeanos, Some well-known historical polytheistic pantheons include the Sumerian gods and the Egyptian gods, and the classical-attested pantheon which includes the ancient Greek religion and Roman religion. Post-classical polytheistic religions include Norse Æsir and Vanir, the Yoruba Orisha, the Aztec gods, an example of a religious notion from this shared past is the concept of *dyēus, which is attested in several distinct religious systems. In many civilizations, pantheons tended to grow over time, deities first worshipped as the patrons of cities or places came to be collected together as empires extended over larger territories. Conquests could lead to the subordination of the elder cultures pantheon to a one, as in the Greek Titanomachia. Most ancient belief systems held that gods influenced human lives, epicurus believed that these gods were material, human-like, and that they inhabited the empty spaces between worlds. Though it is suggested that Hestia stepped down when Dionysus was invited to Mount Olympus, robert Graves The Greek Myths cites two sources that obviously do not suggest Hestia surrendered her seat, though he suggests she did
24.
Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
25.
Ancient Egyptian funerary practices
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The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
26.
Mortuary temple
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Mortuary temples were temples that were erected adjacent to, or in the vicinity of, royal tombs in Ancient Egypt. The temples were designed to commemorate the reign of the Pharaoh by whom they were constructed, mortuary temples were built around pyramids in the Old Kingdom and Middle Kingdom. However, once the New Kingdom pharaohs began constructing tombs in the Valley of the Kings and these New Kingdom temples were called mansions of millions of years by the Egyptians. These temples were used as a resting place for the boat of Amun at the time of the Beautiful Festival of the Valley. The first mortuary temple was built for Amenhotep I of the 18th dynasty during the New Kingdom, later rulers of the 18th Dynasty either failed to build here at all or, in the case of Tutankhamun, Ay and Horemheb, their construction was not completed. The 19th Dynasty ruler Seti I constructed his temple at what is now known as Gurna. Ramesses II constructed his own temple, referred to as the Ramesseum, Temple of a years of Usermaatre Setepenre which is linked with Thebes-the-Quoted in the Field of Amun. Much later, during the 20th Dynasty, Ramesses III constructed his own temple at Medinet Habu
27.
Ancient Egyptian offering formula
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The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
28.
Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
29.
Veneration of the dead
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The veneration of the dead, including ones ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, the social or non-religious function of ancestor veneration is to cultivate kinship values, such as filial piety, family loyalty, and continuity of the family lineage. Ancestor veneration occurs in societies with every degree of social, political, and technological complexity, ancestor reverence is not the same as the worship of a deity or deities. In some Afro-diasporic cultures, ancestors are seen as being able to intercede on behalf of the living, as spirits who were once human themselves, they are seen as being better able to understand human needs than would a divine being. In other cultures, the purpose of ancestor veneration is not to ask for favors, some cultures believe that their ancestors actually need to be provided for by their descendants, and their practices include offerings of food and other provisions. Others do not believe that the ancestors are even aware of what their descendants do for them, most cultures who practice ancestor veneration do not call it ancestor worship. In English, the word usually refers to the reverent love. However, in cultures, this act of worship does not confer any belief that the departed ancestors have become some kind of deity. Rather, the act is a way to respect, honor, in this regard, many cultures and religions have similar practices. Some may visit the graves of their parents or other ancestors, leave flowers and pray to them in order to honor and remember them, however, this would not be considered as worshipping them since the term worship shows no such meaning. This is consistent with the meaning of the veneration in English. Although there is no accepted theory concerning the origins of ancestor veneration. Although some historians claim that ancient Egyptian society was a “death cult” because of its tombs and mummification rituals. The philosophy that “this world is but a vale of tears” and this was not to say that they were unacquainted with the harshness of life, rather, their ethos included a sense of continuity between this life and the next. Tombs were housing in the Hereafter and so they were constructed and decorated. Mummification was a way to preserve the corpse so the ka of the deceased could return to receive offerings of the things s/he enjoyed while alive, if mummification was not affordable, a “ka-statue” in the likeness of the deceased was carved for this purpose. The Blessed Dead were collectively called the akhu, or “shining ones” and they were described as “shining as gold in the belly of Nut and were indeed depicted as golden stars on the roofs of many tombs and temples. If the heart was in balance with the Feather of Maat, at this point only was the ka deemed worthy to be venerated by the living through rites and offerings
30.
Ogdoad (Egyptian)
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In Egyptian mythology, the Ogdoad were eight primordial deities worshipped in Hermopolis during the Old Kingdom period. Budge compares the concept to a group of four pairs of primeval gods mentioned in the Babylonian Enûma Eliš, texts of the Late Period describe them as having the heads of frogs and serpents, and they are often depicted in this way in reliefs of the Greco-Roman period. The eight deities were arranged in four pairs, as follows. The names of Nu and Nut are written with the determiners for sky and water, but from the context of a number of passages in which Ḥeḥu is mentioned, Brugsch also suggested that he may be a personification of the atmosphere between heaven and earth. The fourth pair appears with varying names, sometimes the name Qerḥ is replaced by Ni, Nenu, Nut, or Amun, the common meaning of qerḥ is night, but the determinative also suggests the principle of inactivity or repose. There is no way to attribute four functions to the four pairs of gods. Ennead Butler, Edward P. Hermopolitan Ogdoad
31.
Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
32.
Amunet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
33.
Heh (god)
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Ḥeḥ was in Egyptian mythology, the deification of infinity or eternity in the Ogdoad, his name itself meaning endlessness. His female counterpart was known as Hauhet, which is simply the feminine form of his name, like the other concepts in the Ogdoad, his male form was often depicted as a frog, or a frog-headed human, and his female form as a snake or snake-headed human. Depictions of this also had a shen ring at the base of each palm stem. Depictions of Huh were also used in hieroglyphs to represent one million, thus this deity is also known as the god of millions of years. The primary meaning of the term ḥeḥ was million or millions, subsequently, together with his female counterpart Ḥauḥet, Ḥeḥ represented a member of the Ogdoad of eight primeval deities whose worship was centred at Hermopolis Magna. The other members of the Ogdoad are Nu and Naunet, Amun and Amaunet, Kuk, the god Ḥeḥ was usually depicted anthropomorphically, as in the hieroglyphic character, as a male figure with divine beard and lappet wig. Normally kneeling, the god typically holds in each hand a palm branch. Occasionally, a palm branch is worn on the gods head. The personified, somewhat abstract god of eternity Ḥeḥ possessed no known cult centre or sanctuary, rather, his veneration revolved around symbolism, barta, Winfried, Die Bedeutung der Personifikation Huh im Unterschied zu den Personifikationen Hah und Nun, Göttinger Miszellen 127, pp. 7–12
34.
Kek (mythology)
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Kek is the deification of the concept of primordial darkness in the Ancient Egyptian Ogdoad cosmogony. As a concept, Kek was viewed as androgynous, his form being known as Keket. Kek and Keket in some aspects also represent night and day, and were called raiser up of the light, the name is written as kk or kkwy with a variant of the sky hieroglyph in ligature with the staff associated with the word for darkness kkw. In the oldest representations, Kekui is given the head of a serpent, and Kekuit the head of either a frog or a cat. In one scene, they are identified with Ka and Kait, in this scene, Ka-Kekui has the head of a frog surmounted by a beetle and Kait-Kekuit has the head of a serpent surmounted by a disk. In the Greco-Roman period, Keks male form was depicted as a man. In relation to the 2016 United States presidential election, individuals associated with message boards, such as 4chan. This resulted in a resurgence of interest of the ancient deity, some members of 4chan jokingly attribute the victory of Donald J. Trump in the 2016 United States presidential election to meme magic. Kek and Kauket, Deities of Darkness, Obscurity and Night
35.
Ennead
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The Great Ennead was only one of several such groupings of nine deities in ancient Egypt and its claims to preëminence by its Heliopolitan priests were not respected throughout Egypt. As close as Memphis, the priests of Ptah celebrated him as superior to the Nine, Ennead is borrowing via Latin of the Greek name Enneás, meaning the Nine. The term was a calque of the Egyptian name, written Psḏt and its original pronunciation is uncertain, since hieroglyphs do not record vowels, but Egyptologists conventionally transcribe it as Pesedjet. The ancient Egyptians created several enneads as their unification under Dynasty I brought numerous local cults into contact with one another, the Pyramid Texts of Dynasties V and VI mention the Great Ennead, the Lesser Ennead, the Dual Ennead, and the Seven Enneads. Some pharaohs established enneads that incorporated themselves as gods, the most notable case is Seti I of Dynasty XIX, whose temple at Redesiyah celebrated an ennead of six major gods and three deified forms of himself. In the Calendar of Lucky and Unlucky Days, the ennead mentioned may reference the Pleiades, the most important was the Great or Heliopolitan Ennead of Awanu, known under the Greeks and Romans as Heliopolis. It celebrated the family of the sun god Atum and thrived from the Old Kingdom to the Ptolemaic period and its development remains uncertain, although it appears to have first appeared when Ras cult—supreme under Dynasty V—declined in importance under Dynasty VI. The most prominent of such deities was Osiris, god of vegetation and the afterlife, however, in the 20th century, some Egyptologists question the whole scenario. After the Great Ennead was well established, the cult of Ra—identified with Atum—recovered much of its importance until superseded by the cult of Horus, the two were then combined as Ra–Horus of the Horizons. According to the story of the Heliopolitan priests, the world originally consisted of the primeval waters personified as Nun. From it arose a mound, separately identified by the Memphite priests as Ptah, upon the mound sat the self-begotten god Atum, who was equated with the sun god Ra. Bored and alone, Atum either spat or masturbated, producing air personified as Shu, the siblings Shu and Tefnut mated to produce the earth personified as Geb and the nighttime sky personified as Nut. These siblings engaged in continuous copulation until separated by their father Shu, Geb and Nut were the parents of Osiris and Isis and of Set and Nephthys, who became respective couples in turn. Shifting Milestones of Natural Sciences, The Ancient Egyptian Discovery of Algols Period Confirmed, PLOS One, Vol.10, No
36.
Shu (Egyptian god)
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Shu was one of the primordial Egyptian gods, a personification of air, one of the Ennead of Heliopolis. In some myths, Shu was the son of Atum and Iusaaset, in other versions, Shu and his sister Tefnut were created by Atum alone, via parthenogenesis. With Tefnut, Shu was the father of Nut and Geb and grandfather of Osiris, Isis, Set and his great-grandsons are Horus and Anubis. As the air, Shu was considered to be cooling, and thus calming, influence, due to the association with air, calm, and thus Maat, Shu was portrayed in art as wearing an ostrich feather. Shu was seen with one and four feathers. The ostrich feather was symbolic of lightness and emptiness, fog and clouds were also Shus elements and they were often called his bones. Because of his position between the sky and earth, he was known as the wind. In a much later myth, representing a terrible weather disaster at the end of the Old Kingdom, it was said that Tefnut and Shu once argued, and Tefnut left Egypt for Nubia. It was said that Shu quickly decided that he missed her, thoth, disguised, eventually succeeded in convincing her to return. The Greeks associated Shu with Atlas, the primordial Titan who held up the celestial spheres, according to the Heliopolitan cosmology, Shu and Tefnut, the first pair of cosmic elements, created the sky goddess, Nut, and the earth god, Geb. Shu separated Nut from Geb as they were in the act of love, creating duality in the manifest world, above and below, light and dark, good and evil. Prior to their separation, however, Nut had given birth to the gods Isis, Osiris, Nephthys, the Egyptians believed that if Shu did not hold Nut and Geb apart there would be no way for physically-manifest life to exist. Shu is mostly represented as a man, only in his function as a fighter and defender as the sun god does he sometimes receive a lions head. He carries an ankh, the symbol of life
37.
Tefnut
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Tefnut is a goddess of moisture, moist air, dew and rain in Ancient Egyptian religion. She is the sister and consort of the air god Shu, like most Egyptian deities, including her brother, Tefnut has no single ideograph or symbol. Her name in hieroglyphics consists of four single phonogram symbols t-f-n-t, although the n phonogram is a representation of waves on the surface of water, it was never used as an ideogram or determinative for the word water, or for anything associated with water. Tefnut is a daughter of the solar god Ra-Atum, married to her brother, Shu, she is mother of Nut, the sky and Geb, the earth. Tefnuts grandchildren were Osiris, Isis, Set, Nephthys, and in some versions and she was also a great grandmother of Horus the Younger. Alongside her father, brother, children, grandchildren, and great-grandchild, there are a number of variants to the myth of the creation of Tefnut and her twin brother Shu. In all versions, Tefnut is the product of parthenogenesis, in the Heliopolitan creation myth, the solar god Atum masturbates to produce Tefnut and Shu. Atum was creative in that he proceeded to himself in Heliopolis. He took his penis in his hand so that he obtain the pleasure of orgasm thereby. And brother and sister were born - that is Shu and Tefnut, Pyramid Text 527 In some versions of this myth, Atum also swallows his semen, and spits it out to form the twins, or else the spitting of his saliva forms the act of procreation. Both of these contain a play on words, the tef sound which forms the first syllable of the name Tefnut also constitutes a word meaning to spit or to expectorate. The Coffin Texts contain references to Shu being sneezed out by Atum from his nose, the Bremner-Rind Papyrus and the Memphite Theology describe Atum masturbating into his mouth, before spitting out his semen to form the twins. Tefnut is a deity, and appears as human with a lioness head when depicted as part of the Great Ennead of Heliopolis. The other frequent depiction is as a lioness, but Tefnut can also be depicted as fully human. In her fully or semi anthropomorphic form, she is depicted wearing a wig, topped either with a serpent, or a uraeus and solar disk. Her face is used in a double headed form with that of her brother Shu on collar counterpoises. During the 18th and 19th Dynasties, particularly during the Amarna period, Tefnut was depicted in human form wearing a low flat headdress, akhenatens mother, Tiye was depicted wearing a similar headdress, and identifying with Hathor-Tefnut. The iconic blue crown of Nefertiti is thought by archaeologist Joyce Tyldesley to be derived from Tiyes headdress, Heliopolis and Leontopolis were the primary cult centres
38.
Geb
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Geb was the Egyptian god of the Earth and later a member of the Ennead of Heliopolis. He had a snake around his head and was also considered the father of snakes. It was believed in ancient Egypt that Gebs laughter created earthquakes, the name was pronounced as such from the Greek period onward and was originally read as Seb or some guess as Keb. The original Egyptian was perhaps Seb/Keb and it was spelled with either initial -g-, or with -k-point. g. in a 30th Dynasty papyrus text in the Brooklyn Museum dealing with descriptions of and remedies against snakes. In later times he could also be depicted as a ram, Geb was frequently described mythologically as father of snakes. In a Coffin Texts spell Geb was described as father of the snake Nehebkau, in the latter case, one of his otherworldly attributes was an ominous jackal-headed stave rising from the ground onto which enemies could be bound. In this context, Geb was believed to have originally been engaged with Nut and had to be separated from her by Shu, consequently, in mythological depictions, Geb was shown as a man reclining, sometimes with his phallus still pointed towards Nut. As time progressed, the deity became more associated with the land of Egypt. He is also equated by classical authors as the Greek Titan Cronus, ptah and Ra, creator deities, usually begin the list of divine ancestors. There is speculation between Shu and Geb and who was the first god-king of Egypt, the story of how Shu, Geb, and Nut were separated in order to create the cosmos is now being interpreted in more human terms, exposing the hostility and sexual jealousy. Between the father son jealously and Shu rebelling against the divine order, Geb takes Shu’s mother, Tefnut, as his chief queen, separating Shu from his sister-wife. Just as Shu had previously done to him, in the book of the Heavenly Cow, it is implied that Geb is the heir of the departing sun god. After Geb passed on the throne to Osiris, his youngest son, some Egyptologists, have stated that Geb was associated with a mythological divine creator goose who had laid a world egg from which the sun and/or the world had sprung. This theory is assumed to be incorrect and to be a result of confusing the divine name Geb with that of a Whitefronted Goose, also called originally gb, lame one and this bird-sign is used only as a phonogram in order to spell the name of the god. An alternative ancient name for this species was trp meaning similarly walk like a drunk. The Whitefronted Goose is never found as a symbol or holy bird of Geb. A coloured vignet irrefutably depicts a Nile Goose with a beak in a context of solar creation on a mythological papyrus dating from the 21st Dynasty. Similar images of this bird are to be found on temple walls, showing a scene of the king standing on a papyrus raft
39.
Nut (goddess)
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Nut, also known by various other transcriptions, is the goddess of the sky in the Ennead of ancient Egyptian religion. She was seen as a nude woman arching over the earth. The pronunciation of ancient Egyptian is uncertain because vowels were long omitted from its writing and her name Nwt, itself also meaning Sky, is usually transcribed as Nut but also sometimes appears as Nunut, Nenet, Naunet, Newet, and the certainly erroneous Nuit. She also appears in the record by a number of epithets. Nut is a daughter of Shu and Tefnut and her brother and husband is Geb. She had four or five children, Osiris, Set, Isis, Nephthys and she is considered one of the oldest deities among the Egyptian pantheon, with her origin being found on the creation story of Heliopolis. She was originally the goddess of the sky, but eventually became referred to as simply the sky goddess. Her headdress was the hieroglyphic of part of her name, a pot, which may also symbolize the uterus. Mostly depicted in human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens. A sacred symbol of Nut was the used by Osiris to enter her heavenly skies. This ladder-symbol was called maqet and was placed in tombs to protect the deceased, Nut and her brother, Geb, may be considered enigmas in the world of mythology. In direct contrast to most other mythologies which usually develop a sky father associated with an Earth mother, she personified the sky, Osiris is killed by his brother Set and scattered over the Earth in 14 pieces which Isis gathers up and puts back together. Osiris then climbs a ladder into his mother Nut for safety, a huge cult developed about Osiris that lasted well into Roman times. Isis was her husbands queen in the underworld and the basis for the role of the queen on earth. It can be said that she was a version of the great goddess Hathor, like Hathor she not only had death and rebirth associations, but was the protector of children and the goddess of childbirth. Ra, the sun god, was the second to rule the world, Ra was a strong ruler but he feared anyone taking his throne. When he discovered that Nut was to have children, he was furious and he decreed, Nut shall not give birth any day of the year. At that time, the year was only 360 days, Nut spoke to Thoth, god of wisdom, and he had a plan
40.
Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
41.
Isis
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Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
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Set (deity)
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Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
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Nephthys
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Nephthys or Nebthet or Neber-Het was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut, Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Nephthys is the Greek form of an epithet and this is a pervasive error repeated in many commentaries concerning this deity. Her name means specifically, Lady of the Enclosure which associates her with the role of priestess. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff and this entrance way symbolised the horizon or akhet. At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead and she is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a goddess who symbolizes the death experience. Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the Useful Goddess or the Excellent Goddess and these late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship. Nephthys is regarded as the mother of the funerary-deity Anubis in some myths, alternatively Anubis appears as the son of Bastet or Isis. As the primary nursing mother of the incarnate Pharaonic-god, Horus, though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a ferocious and dangerous divinity. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of noted scholars. Ascend and descend, descend with Nephthys, sink into darkness with the Night-bark, ascend and descend, ascend with Isis, rise with the Day-bark. Pyramid Text Utterance 222 line 210, in the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthyss association with the kite or the Egyptian hawk evidently reminded the ancients of the lamentations usually offered for the dead by wailing women, in this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. Nephthys was clearly viewed as a force of heavenly transition, i. e. the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis. The same divine power could be applied later to all of the dead and it should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality, eternal life in transition
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