1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
Adamski
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Adamski is an English record producer, prominent at the time of acid house for his tracks N-R-G and Killer, a collaboration that was the only song by Seal. Tinley was born in Lymington, Hampshire, as a youngster, influenced by punk rock and John Peel, he formed his first band The Stupid Babies when he was 11 and living in New Forest in England. Persuaded by his 5-year-old brother Dominic, they sent a tape to the indie label Fast Product Records. Everyone thought that was a precocious and strange thing for an 11 year-old to do, Adamski recalls. The kiddie-punk tracks were released on a sampler, when alternative BBC Radio 1 DJ John Peel started playing their song Babysitters the band caused quite a stir, receiving positive write-ups in music mags like Smash Hits and Melody Maker. He performed with his brother Mark Tinley, and Johnny Slut of the band Specimen, the band was signed to SOHO GIRL Records and released one 12 E. P. The Tinley brothers continued to work even after the demise of Diskord Datkord. In the late 1980s, Adam Tinley adopted his name after the UFO enthusiast. Adamski was discovered by entrepreneur Phil Smith who ran the Le Petit Prince restaurant in London and he introduced Adamskis music to the rave scene and got him a deal with MCA Records, producing the first rave record on MCA called Liveandirect. The artist enjoyed modest success with this first release, which was a collection of recorded live at various venues in England. It contained a short, live version of his first single, NRG, as well as I Dream of You, the cover of the single NRG featured a mocked up Lucozade bottle with the word Lucozade replaced with N-R-G. I much prefer the positivity thing we have now, plus its a much easier environment to score in, Adamski toured many clubs with his portable keyboard set up, playing long sets, with an MC, Daddy Chester, and later with Seal. In front of his keyboard was a UK car number plate with the word ADAMSKI on it, early versions of future singles Killer and Future Love Paradise were played on some of the Seal dates. He played live at the party of Amnesia nightclub in Ibiza in 1989. Adamski continued to play at this club on and off throughout that summer including the party in October. Seal and Adamski met at the London nightclub Solaris and together they recorded Killer and it featured a collaboration with Nina Hagen on Get Your Body. and plenty of club tunes, expanding from the artists acid house roots into the pop and rock genres. The cover art featured Adamski with his head bare, hugging an umbrella. Commercially, this album was not a big success, the next album, Adamskis Thing, was issued in late 1998 on the ZTT Records label
3.
Seal (musician)
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Seal Henry Olusegun Olumide Adeola Samuel, better known by his stage name Seal, is an English singer and songwriter. He has sold more than 30 million records worldwide and is known for his hits, including Kiss from a Rose. He was a coach on The Voice Australia in 2012 and 2013, Seal has won multiple awards throughout his career, including three Brit Awards, he won Best British Male in 1992, as well as four Grammy Awards and an MTV Video Music Award. As a songwriter, he received the British Academys Ivor Novello Award, for Best Song Musically and Lyrically, in years for Killer. Seal was born Seal Henry Olusegun Olumide Adeola Samuel at Paddington General Hospital in Paddington, London, to a Nigerian mother, Adebisi Ogundeji, Seals first and middle names are in the Yoruba language. He was raised by a family in Westminster, London. He received a diploma in architecture and worked various jobs in the London area. In the 1980s, Seal spent a time singing in local clubs. In 1987 he joined Push, a British funk band and toured with them in Japan, in Thailand he joined a blues band for a while before separating from the group and journeying throughout India on his own. He returned to England, sleeping on the couch of friend Julian Bunster and he sometimes asked him do I sing well. To which he received the response that he sang better than most current artists. His first break came with SExpress sharing vocals with their UK top 10 hit and he then met the producer Adamski and was given the lyrics of the song Killer, which was a huge hit in 1990 and catapulted his career. Seal first came to attention as vocalist on the Adamski single Killer in 1990. The single eventually reached number one in the UK, Seal subsequently signed to ZTT Records and released his self-titled début album in 1991. Two versions of the album are known to be in circulation, the original premix version and this is attributed to the demand for a produced single rushing the final album edit and, as Seal puts it, his and producer Horns inability to let go. Seal was positively received by critics, the singles Crazy, Future Love Paradise and his own rendition of Killer performed well on the charts. In particular, Crazy became a hit in 1991, reaching number two in the UK Singles Chart and number seven on the Billboard Hot 100 in the US. Seal stole the show at the 1992 Brit Awards held at the Hammersmith Odeon, London and he won in three categories, Best British Male, Best British Video and Best British Album
4.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
5.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
6.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
7.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
8.
Acid house
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Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and squelching sounds of the Roland TB-303 electronic synthesizer-sequencer, Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, Acid house brought house music to a worldwide audience. The influence of house can be heard on later styles of dance music including trance, breakbeat hardcore, jungle, big beat, techno. Other elements, such as strings and stabs, were usually minimal. Some acid house fans used a smiley face with a streak on it. The origin of this usage was the bloodied smiley from Watchmen on the label of Beat Dis by Bomb the Bass, there are conflicting accounts about how the term acid came to be used to describe this style of house music. One account ties it to Phutures Acid Tracks, before the song was given a title for commercial release, it was played by DJ Ron Hardy at a nightclub where psychedelic drugs were reportedly used. The clubs patrons called the song Ron Hardys Acid Track, the song was released with the title Acid Trax on Larry Shermans label Trax Records in 1987. Regardless, after the release of Phutures song, the acid house came into common parlance. Some accounts say the reference to acid may be a reference to psychedelic drugs in general, such as LSD. According to Rietveld, it was the house sensibility of Chicago, in a club like Hardys The Music Box, that afforded it its initial meaning. In her view acid connotes the fragmentation of experience and dislocation of meaning due to the effects on thought patterns which the psycho-active drug LSD or Acid can bring about. In the context of the creation of Acid Tracks it indicated a concept rather than the use of drugs in itself. One theory, holding that acid was a reference towards the use of samples in acid house music, was repeated in the press. In this theory, the term came from the slang term acid burning. In 1991, UK Libertarian advocate Paul Staines claimed that he had coined this theory to discourage the government from adopting anti-rave party legislation. Several accounts claim that Genesis P-Orridge coined the term on the 1988 Psychic TV release “Tune In. ”By other accounts, while shopping in Chicago in 1986, P-Orridge came across a bin of records marked acid, indicating a corrosive liquid, and mistook it for a reference to LSD
9.
Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
10.
Intelligent dance music
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Intelligent dance music is a genre of electronic music that emerged in the early 1990s. Its creation was influenced by developments in dance music such as Detroit techno. Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific genres of dance music, the range of post-techno styles that emerged in the early 1990s were described variously as art techno, ambient techno, intelligent techno, and electronica. In the United States, the latter is used as a catchall term to describe not only downtempo or downbeat/non-dance electronic music. In 2014, music critic Sasha Frere-Jones observed that the term is widely reviled and he regards UK acts Aphex Twin and Autechre as central to the evolution of the genre. In 1992, Warp released Artificial Intelligence, the first album in the Artificial Intelligence series. Subtitled electronic listening music from Warp, the record was a collection of tracks from such as Autechre, B12, The Black Dog, Aphex Twin and The Orb. Steve Beckett, co-owner of Warp, has said the music that the label was releasing then was targeting a post-club. At the same time, the UK market was saturated with increasingly frenetic breakbeat, in 1993, a number of new intelligent techno/electronica record labels emerged, including New Electronica, Mille Plateaux, 100% Pure, and Ferox Records. In November 1991, the phrase intelligent techno appeared on Usenet in reference to Coils The Snow EP. Off the Internet, the phrase appeared in both the U. S. & UK music press in late 1992, in reference to Jam & Spoons Tales from a Danceographic Ocean. Another instance of the phrase appeared on Usenet in April 1993 in reference to The Black Dogs album Bytes, the first message, sent on 1 August 1993, was entitled Can Dumb People Enjoy IDM, Too. Kirk and The Future Sound of London, and even artists like System 7, William Orbit, Sabres of Paradise, Orbital, Plastikman and Björk. By the end of 1996, Boards of Canada and the Schematic Records label were among the topics of discussion, alongside perennial favorites like Aphex Twin. As of 2015, the mailing list is still active, warps second Artificial Intelligence compilation was released in 1994. The album featured fragments of posts from the IDM mailing list incorporated into typographic artwork by The Designers Republic, sleeve notes by David Toop acknowledged the genres multitude of musical and cultural influences and suggested none should be considered more important than any other. Lesser-known artists on the Likemind label and Kirk Degiorgios A. R. T, in the mid-1990s, North American audiences welcomed IDM, and many IDM record labels were founded, including Drop Beat, Isophlux, Suction, Schematic and Cytrax. In Miami, Florida, labels like Schematic, Merck Records, Nophi Recordings and The Beta Bodega Coalition released material by such as Phoenecia, Dino Felipe, Machinedrum
11.
Experimental rock
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Experimental rock is a subgenre of rock music which pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. From its inception, rock music was experimental, but it wasnt until the late 1960s that rock artists began creating extended, in 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with avant-garde, later in the 1970s, significant musical crossbreeding took place in tandem with the developments of punk and new wave, DIY experimentation, and electronic music. Funk, jazz-rock, and fusion rhythms became integrated into experimental rock music. The first wave of 1980s experimental rock groups had few precedents for their sound. Later in the decade, avant-rock pursued a psychedelic aesthetic that differed from the self-consciousness, during the 1990s, a loose movement known as post-rock became the dominant form of experimental rock. As of the 2010s, the experimental rock has fallen to indiscriminate use, with virtually every modern rock band being categorized under prefixes such as post-, kraut-, psych-. Although experimentation had always existed in music, it wasnt until the late 1960s that new openings were created from the aesthetic intersecting with the social. In 1966, the boundaries between pop music and the avant-garde began to blur as rock albums were conceived and executed as distinct, self-taught rock musicians in the middle and late 1960s drew from the work of composers such as John Cage, Karlheinz Stockhausen, and Luciano Berio. In addition, The Quietus Ben Graham described duos the Silver Apples, calling attention to the very recordedness of the album. This would also be reflected in contemporary experimental rock LPs, such as the Beach Boys Pet Sounds and Smile, the Whos The Who Sell Out and Tommy. The Velvet Underground were a group in experimental rock, according to Rosenberg. Peppers inspired a new consideration for experimental rock as commercially viable music, as progressive rock developed, experimental rock acquired notoriety alongside art rock. By 1970, most of the musicians which had been at the forefront of rock had incapacitated themselves. Groups such as Can, Faust, Neu, the ideas of minimalism and composers such as Stockhausen would be particularly influential. During this era, funk, jazz-rock, and fusion rhythms became integrated into experimental rock music, some groups who were categorized as post-punk considered themselves part of an experimental rock trajectory, with This Heat as one of the prominent players. Anderson claims that the no wave scene represented New York’s last stylistically cohesive avant-rock movement, steve Redhead noted the resuscitation of New Yorks avant-rock scene, including artists such as Sonic Youth and John Zorn, in the 1980s. In the late 1980s, avant-rock pursued a frazzled, psychedelia-tinged, blissed out aesthetic that differed from the self-consciousness, the UK shoegaze scene was seen by some as a continuation of an experimental rock tradition
12.
MCA Records
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MCA Records was an American-based record company owned by MCA Inc. which later gave way to the larger MCA Music Entertainment Group, of which MCA Records was still part. MCAs country division, MCA Nashville, is an active imprint of Universal Music Group Nashville. MCA was forced to exit the talent agency business in order to complete the merger, as American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into the top film studio in town, producing hit after hit. In 1966, MCA formed Uni Records and in 1967 purchased Kapp Records which was placed under Uni Records management. In 1937, the owner of Decca, E. R. Lewis, chose to split off the U. K. Decca company from the U. S. company, companies if the emerging hostilities of Nazi Germany should lead to war – correctly foreseeing World War II. Lewis sold the remainder of his U. S. Decca holdings when war did break out, MCAs U. S. -based Decca Records kept the rights to the Decca name in North and South America and parts of Asia including Japan. U. K. Decca owned the rights to the Decca name in the rest of the world, after the war, British Decca formed a new U. S. subsidiary, London Records. During this time U. S. Decca issued records outside North America on the Brunswick, in 1967, Brunswick and Coral were replaced by the MCA label to release U. S. Decca and Kapp label material outside North America. Initial activity as MCA Records was based in London and MCA Records UK was formally launched on February 16,1968. Among the early artists on the MCA label, around 1971, were groups Wishbone Ash, Osibisa, Stackridge and Budgie, early MCA releases were distributed by U. K. Decca but it moved to EMI in 1974. In 1979, distribution moved to CBS, while the last releases in the 1980s were self-distributed, as the U. S. division of MCA Records was not established until 1972, the earliest U. K. MCA Records material was released in the U. S. on either Kapp or Decca, Uni label material was issued on the Uni label worldwide. In 1970, MCA reorganized its Canadian record company Compo Company Ltd. into MCA Records, in April 1970, former Warner Bros. Records president Mike Maitland joined MCA and initially served as Deccas general manager. Maitland was unsuccessful in his attempt to consolidate Warner Bros. Records with co-owned Atlantic Records which led to his departure from Warner, the three labels maintained their identities for a short time but were retired in favor of the MCA label in 1973. Drift Away by Dobie Gray became the final Decca pop label release in the U. S in 1973. Beginning the same year the catalogs of Decca, Uni and Kapp were reissued in the U. S. on the MCA label under the supervision of veteran Decca producer Milt Gabler. The first MCA Records release in the U. S. was former Uni artist Elton Johns Crocodile Rock single in 1972, MCA label used a black with curved rainbow design until the late 1970s. This design was inspired by the U. S. Decca label of the 1960s
13.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
14.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
15.
Crazy (Seal song)
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Crazy is a song written by English soul artist Seal and Guy Sigsworth. The song was produced by Trevor Horn for Seals debut album Seal, released as his official debut single, Crazy became one of Seals biggest hits, reaching the top five in the United Kingdom while becoming his first top ten single in the United States. It has since covered by several artists, including Alanis Morissette. Seal wrote Crazy in 1990 inspired by the fall of the Berlin Wall, in 2015, Seal said of the songs conception in 1990, I felt the cycle had reached its apex. I felt the world changing and I felt profound things happening, according to the songs producer Trevor Horn, Crazy was made over the course of two months, Crazy wasnt an easy record to make, because we were aiming high. The songs signature is a mantra that continually swells and swirls, driven by bass-heavy beats. Its floating, ambient stylings established a sound years before The Politics of Dancing by Paul Van Dyk or William Orbits work with Madonna, orbit produced a remix of the track for the single release. Seals vocals are deeply melodic and soulful, at times with a characteristic rasp, the single sold over 200,000 copies, thus earning a BPI Silver certification. It won Seal a number of awards including the 1992 Ivor Novello award for songwriting and it reached the top five on the Modern Rock Tracks chart and the top twenty on the Hot Dance Music/Maxi-Singles Sales chart. It was the most commercially successful single from Seal and was Seals biggest hit in the U. S. until Kiss from a Rose, in August 2003 an acoustic version of Crazy charted at number four on Billboards Hot Digital Tracks chart. The singles music video, directed by Big TV, features multiple re-creations of Seal himself performing the song against a primarily white background. A female dancer appears just before the bridge of the song and it is also heard in the middle of True Calling, the second episode of Season 6 of TVs Cold Case. It was also used as a song for the ABC-TV series Murder One. It is also heard in the film Mystery Date, the song featured in the 1999 Robbie the Reindeer film Hooves of Fire, where it is performed by a seal. Seal is seen singing this song on an episode of the ABC series Eli Stone, the middle break of the song, In a sky full of people / Only some want to fly / Isnt that crazy. Is repeated towards the end of Seals 1996 hit interpretation of Fly Like An Eagle, the song is the fourth track on Just Say Anything, volume five of the Just Say Yes collection. British heavy metal band Panic Cell covered the song for their 2010 album Fire It Up and they have also been performing it live at various live shows. It has also announced that the song will be the first single taken from the new album
16.
British Phonographic Industry
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The BPI Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industrys trade association. Its membership comprises hundreds of companies including all three major record companies in the UK, and hundreds of independent music labels and small to medium-sized music businesses. It has represented the interests of British record companies since being formally incorporated in 1973 when the aim was to promote British music. In 2007, the legal name was changed from British Phonographic Industry Limited. It founded the annual BRIT Awards for the British music industry in 1977, the organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John, the BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992. In September 2008, the BPI became one of the members of UK Music. The BRIT Trust is the music charity actively supporting all types of education across the entire spectrum of music. Through the projects it supports, which include Nordoff-Robbins Music Therapy and the BRIT School, proceeds from the BRIT Awards and the Classic BRITs shows go to the BRIT Trust, which has donated almost £15m to charitable causes nationwide since its foundation. Opened in September 1991, the BRIT School is a joint venture between The BRIT Trust and the Department for Education and Skills, based at Selhurst in Croydon, the school is the only non fee-paying performing arts school in the UK. It teaches up to 1,100 students each year aged from 14–19 years in music, dance, drama, musical theatre, production, media and art & design. Students are from diverse backgrounds and are not required to stick to their own discipline, dancers learn songwriting. Nor do students have to work/perform in the evening to pay for the tuition, the BPI administers the Platinum, Gold and Silver awards scheme for music releases in the United Kingdom. The level of the award varies depending on the format of the release, member companies do, however, still have the option to certify titles based on shipment levels if they choose to. Since July 2014, audio streaming has also included for singles at a ratio of 100 streams equivalent to 1 unit. From June 2015, audio streams were added to album certifications, according to BPI, they would take the 12 most-streamed tracks from the standard version of an album, with the top two songs down-weighted in line with the average of the rest. The total of these streams will be divided by 1,000, additionally, personnel are also seconded to the City of London Police Intellectual Property Crime Unit top support anti-piracy operations
17.
The Guardian
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The Guardian is a British daily newspaper, known from 1821 until 1959 as the Manchester Guardian. Along with its sister papers The Observer and The Guardian Weekly, The Guardian is part of the Guardian Media Group, the Scott Trust became a limited company in 2008, with a constitution to maintain the same protections for The Guardian. Profits are reinvested in journalism rather than to the benefit of an owner or shareholders, the Guardian is edited by Katharine Viner, who succeeded Alan Rusbridger in 2015. In 2016, The Guardians print edition had a daily circulation of roughly 162,000 copies in the country, behind The Daily Telegraph. The newspaper has an online UK edition as well as two international websites, Guardian Australia and Guardian US, the newspapers online edition was the fifth most widely read in the world in October 2014, with over 42.6 million readers. Its combined print and online editions reach nearly 9 million British readers, notable scoops include the 2011 News International phone hacking scandal, in particular the hacking of murdered English teenager Milly Dowlers phone. The investigation led to the closure of the UKs biggest selling Sunday newspaper, and one of the highest circulation newspapers in the world, in 2016, it led the investigation into the Panama Papers, exposing the then British Prime Minister David Camerons links to offshore bank accounts. The Guardian has been named Newspaper of the Year four times at the annual British Press Awards, the paper is still occasionally referred to by its nickname of The Grauniad, given originally for the purported frequency of its typographical errors. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle and they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. They do not toil, neither do they spin, but they better than those that do. When the government closed down the Manchester Observer, the champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, the prospectus announcing the new publication proclaimed that it would zealously enforce the principles of civil and religious Liberty. Warmly advocate the cause of Reform, endeavour to assist in the diffusion of just principles of Political Economy and. Support, without reference to the party from which they emanate, in 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828. The working-class Manchester and Salford Advertiser called the Manchester Guardian the foul prostitute, the Manchester Guardian was generally hostile to labours claims. The Manchester Guardian dismissed strikes as the work of outside agitators –, if an accommodation can be effected, the occupation of the agents of the Union is gone. CP Scott made the newspaper nationally recognised and he was editor for 57 years from 1872, and became its owner when he bought the paper from the estate of Taylors son in 1907. Under Scott, the moderate editorial line became more radical, supporting William Gladstone when the Liberals split in 1886
18.
Free party
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See free festivals for the large events focusing on rock and pop in the 1960s. A free party is a party free from the restrictions of the club scene. It typically involves a sound system playing electronic music from late at night until the time when the organisers decide to go home. A free party can be composed of just one system or of many and if the party becomes a festival, the parties can be thought of as autonomous zones where all the people present create and enforce the rules. This typically means that drugs are available and noise levels are usually illegally high. The word free in this context is used both to describe the entry fee and the lack of restrictions and law enforcement, motivations for organisers range from political protest to simply wanting to have fun. An example of free parties as political protest was their prominence during the M11 link road protest, at most parties no money is asked for entrance since the aim is not to make profit. However at some events it is requested at the door to make a donation to cover costs, typically organisers make little profit or make a loss setting them up. The term free party is used widely in Europe than in the USA. In Canada and some parts of Europe they are referred to as Freetekno parties. A free party might have once described as a rave. Since the birth of nightclubs in town centres in Europe the use of the word rave had fallen out of fashion. The term squat party defines the free parties with secret indoor locations, the address is obtained on the day of the event personally from organizers as the buildings are squatted. The parties often last over 24 hours, after the emergence of the Acid House parties in the late 1980s up to 4,000 people were known to attend a rave. These events happened almost every weekend, the noise and disturbance of thousands of people appearing at parties in rural locations, such as Genesis 88, caused outrage in the national media. The British government made the fine for holding an illegal party £20,000, Police crackdowns on these often-illegal parties drove the scene into the countryside. The word rave somehow caught on to describe these semi-spontaneous weekend parties occurring at various locations outside the M25 Orbital motorway that now attracted up to 25000, sound systems from this time include Spiral Tribe and DiY. In the 1990s raves began to expand into a global phenomenon, around 1989-1992 people who had travelled to attend the first raves began setting up promotion companies in each region to organize their own parties
19.
Santa Pod Raceway
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Santa Pod Raceway, located in Podington, Bedfordshire, England, is Europes first permanent drag racing venue. It was built on a disused Second World War air base, the drag racing venue opened at Easter in 1966, and it is now the home of European drag racing and has grown substantially over its 40-year existence. It hosts both the first and last round of the FIA and FIM/UEM European Drag Racing Championship, along with the British National Drag Racing Championships and it is leased and operated by Trakbak Racing which is based in London. Santa Pod regularly takes its promotional units to major events in motor sport. Santa Pod is the venue in which the current world drag racing record, another record has also been set at Santa Pod, the worlds fastest jet car Fireforce 3 piloted by Martin Hill broke the record in Easter 2005 with a terminal speed of 336.10 mph. Several other European drag racing records have been set along with records unsurpassed outside the United States, in May 2010 Top Fuel dragster driver Urs Erbacher set a class speed record with a terminal speed of 314.87 mph reached in less than 5 seconds. Santa Pod remains the fastest all-asphalt dragstrip in the world since most North American tracks are partially or entirely concrete in construction, Podington airfield, near the villages of Hinwick and Podington, was formerly a Second World War airbase. In 1966 permission was obtained to use the airfield as a racing complex. Santa Pod was named after Santa Ana Drags a drag strip in California, USA, since then the name Santa Pod has become synonymous with the sport of drag racing in Europe. The sportsman classes, also popular with fans, are enriched by this inflow of new racers who fall in love with the sport after a fun weekend in their every day vehicles. Santa Pod Raceway has earned the reputation as the home of European drag racing.8 mph and he hopes this achievement, which bested a 92-mph sofa setting the world record in 2007, is officially recognized by Guinness World Records. John Bonham from Led Zeppelin, drove a drag racer at Santa Pod, shakespeare County Raceway Crazy horses, the history of British drag racing by Brian Taylor, foreword by Don Garlits, Haynes Pub
20.
Demo (music)
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A demo is a song or group of songs recorded for limited circulation or reference use rather than for general public release. Demos are typically recorded on relatively crude equipment such as boom box cassette recorders, small four-track or eight-track machines, songwriters and publishers demos are recorded with minimal instrumentation - usually just an acoustic guitar or piano, and the vocalist. Many unsigned bands and artists record demos in order to obtain a recording contract and these demos are usually sent to record labels in hopes that the artist will be signed onto the labels roster and allowed to record a full-length album in a professional recording studio. Many signed bands and artists record demos of new songs before recording an album, Demos may include as few as one or two songs or as many as would be contained on a full-length album. Demo recordings are heard by the public, although some artists do eventually release rough demos in rarities compilation albums or box sets. Other demo versions have been released as bootleg recordings, such as The Beatles The Beatles Bootleg Demos. Several artists have made official releases of demo versions of their songs as albums or companion pieces to albums, such as Florence. The event of a demo tape appearing on eBay has happened in the past, in more underground forms of music, such as noise music, black metal or punk, demos are often distributed by bands to fans as self-releases, or sold at a very low price. Collection of Demo Covers Music From the Demo Scene
21.
Blues
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Blues is a genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century. The genre developed from roots in African musical traditions, African-American work songs, spirituals, Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. Blue notes, usually thirds or fifths flattened in pitch, are also a part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove, Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times, Early blues frequently took the form of a loose narrative, often relating the troubles experienced in African-American society. Many elements, such as the format and the use of blue notes. The origins of the blues are closely related to the religious music of the Afro-American community. The first appearance of the blues is often dated to after the ending of slavery and, later and it is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century, the first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a variety of styles and subgenres. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues, World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a form called blues rock evolved. The term blues may have come from blue devils, meaning melancholy and sadness, the phrase blue devils may also have been derived from Britain in the 1600s, when the term referred to the intense visual hallucinations that can accompany severe alcohol withdrawal. As time went on, the phrase lost the reference to devils, by the 1800s in the United States, the term blues was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, in lyrics the phrase is often used to describe a depressed mood. The lyrics of traditional blues verses probably often consisted of a single line repeated four times. Two of the first published songs, Dallas Blues and Saint Louis Blues, were 12-bar blues with the AAB lyric structure. Handy wrote that he adopted this convention to avoid the monotony of lines repeated three times, the lines are often sung following a pattern closer to rhythmic talk than to a melody
22.
Rave
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A rave is a large dance party featuring performances by DJs and occasionally live performers playing electronic music. The music is amplified with a large, powerful sound reinforcement system, the music is accompanied by laser light shows, projected images, visual effects and fog machines. The word rave was first used in the late 1980s to describe the subculture grew out of the acid house movement. While some raves may be small parties held at nightclubs or private residences, some raves have grown to immense size, some electronic dance music festivals have features of raves, but on a large, often commercial scale. Raves may last for a time, with some events continuing for twenty-four hours. In the late 1950s in London the term rave was used to describe the wild bohemian parties of the Soho beatnik set, in 1958, Buddy Holly recorded the hit Rave On, citing the madness and frenzy of a feeling and the desire for it never to end. The word rave was used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. People who were gregarious party animals were described as ravers, pop musicians such as Steve Marriott of The Small Faces and Keith Moon of The Who were self-described ravers. Presaging the words subsequent 1980s association with music, the word rave was a common term used regarding the music of mid-1960s garage rock. It was later part of the title of a music performance event held on 28 January 1967 at Londons Roundhouse titled the Million Volt Light. The event featured the only public airing of an experimental sound collage created for the occasion by Paul McCartney of The Beatles – the legendary Carnival of Light recording. With the rapid change of British pop culture from the mod era of 1963–1966 to the era of 1967 and beyond. Its use during that era would have perceived as a quaint or ironic use of bygone slang. Also during the 1970s the Chicago house movement continued to expand along with a new club - Studio 54, Studio 54 was a world-famous New York nightclub and discothèque. Founded and created by Steve Rubell and Ian Schrager in 1977, Rubell and Schrager hired Scott Bromley as architect, Ron Doud as interior designer and Brian Thompson as lighting designer. Where formerly all clubs had very dark, at Studio 54 the crowd could be lit brightly. In the late 1970s, the club was arguably the best-known nightclub in the world, the perception of the word changed again in the late 1980s when the term was revived and adopted by a new youth culture, possibly inspired by the use of the term in Jamaica. In the late 1980s, the word rave was adopted to describe the subculture grew out of the acid house movement
23.
Trafalgar Square
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Trafalgar Square is a public square in the City of Westminster, Central London, built around the area formerly known as Charing Cross. Its name commemorates the Battle of Trafalgar, a British naval victory in the Napoleonic Wars with France and Spain that took place on 21 October 1805 off the coast of Cape Trafalgar, Spain. The site of Trafalgar Square had been a significant landmark since the 13th century, after George IV moved the mews to Buckingham Palace, the area was redeveloped by John Nash, but progress was slow after his death, and the square did not open until 1844. The 169-foot Nelsons Column at its centre is guarded by four lion statues, a number of commemorative statues and sculptures occupy the square, but the Fourth Plinth, left empty since 1840, has been host to contemporary art since 1999. The square has been used for community gatherings and political demonstrations, including Bloody Sunday, the first Aldermaston March, anti-war protests, a Christmas tree has been donated to the square by Norway since 1947 and is erected for twelve days before and after Christmas Day. The square is a centre of celebrations on New Years Eve. It was well known for its feral pigeons until their removal in the early 21st century, the square contains a large central area with roadways on three sides and a terrace to the north, in front of the National Gallery. The roads around the square part of the A4, a major road running west of the City of London. The square was surrounded by a one-way traffic system, but works completed in 2003 reduced the width of the roads. At the top of the column is a statue of Horatio Nelson who commanded the British Navy at the Battle of Trafalgar, surrounding the square are the National Gallery on the north side and St Martin-in-the-Fields Church to the east. To the south west is The Mall leading towards Buckingham Palace via Admiralty Arch, while Whitehall is to the south, Charing Cross Road passes between the National Gallery and the church. London Undergrounds Charing Cross tube station on the Northern and Bakerloo lines has an exit in the square, other nearby tube stations are Embankment connecting the District, Circle, Northern and Bakerloo lines, and Leicester Square on the Northern and Piccadilly lines. London bus routes 3,6,9,11,12,13,15,23,24,29,53,87,88,91,139,159,176,453 pass through Trafalgar Square. Building work on the side of the square in the late 1950s revealed deposits from the last interglacial. Among the findings were the remains of cave lion, rhinoceros, straight-tusked elephant, the site of Trafalgar Square has been a significant location since the 13th century. During Edward Is reign, the area was the site of the Kings Mews, running north from the original Charing Cross, from the reign of Richard II to that of Henry VII, the mews was at the western end of the Strand. The name Royal Mews comes from the practice of keeping hawks here for moulting, after a fire in 1534, the mews were rebuilt as stables, and remained here until George IV moved them to Buckingham Palace. After 1732, the Kings Mews were divided into the Great Mews and the smaller Green Mews to the north by the Crown Stables and its site is occupied by the National Gallery
24.
Roland TR-909
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The Roland TR-909 Rhythm Composer is a partially analog, partially sample-based, drum machine introduced by the Japanese Roland Corporation in 1984. The brainchild of Tadao Kikumoto, the engineer behind the Roland TB-303, it features a 16-step step sequencer and it is fully programmable, and like its predecessor, the TR-808, it can store entire songs with multiple sections, as opposed to simply storing patterns. It was the first MIDI-equipped drum machine, the 909 was launched three years after its 808 forebear, changing the game slightly by offering a part-analogue, part-sample-based sound generation hybrid. As with the 808, the 909 sounded a long way from the more realistic alternatives from Linn and Oberheim that had all, more expensive, sample-based drum computers were better at faithfully reproducing real drum sounds, while the TR-909 sounded synthetic. One of the first Roland instruments to be equipped with MIDI, but, like the TR808 before it, nobody could have predicted the reverence in which the TR909 would eventually come to be held. The TR909 soundset is part of Rolands AIRA TR-8 drum machine, on September 9,2016, 30+ years after the TR909 was introduced, Roland declared the day 909 Day. The event is being celebrated by the unveiling of over 30 new instruments, unlike its purely analog ancestor, the TR-09 is powered by the same analog modeling technology that powers the AIRA TR-8. The TR-09 is part of Rolands Boutique product line, the hi-hats and cymbals are 6-bit samples, compressed and combined with a volume envelope curve to allow slight modification. Thanks to the circuitry, various aspects of the drum sound can be modified. There is also a feature called accent—a primitive means of humanizing the drumbeat, in a simplified model of a drummer and a kit, the loudness of the sound created would basically depend on the velocity at which the drummer hits a given part of the kit. A human drummer can emphasize certain notes by playing louder. Part of the charm of the TR-909 comes from its 16-step sequencer — the 16 buttons along the bottom of the interface correspond to the 16th notes of a bar in 4/4 meter. For example, punching the buttons 1,5,9 and 13 on the drum part would create a simple four to the floor beat. While the sequencer is running, a light runs from step 1 to step 16, the TR-909 has several editing modes, pattern editing where one focuses solely on the 16 steps, and track editing, which allows for chaining various patterns in a row. Because it has MIDI, its possible to control other instruments with the sequencer. D16 Drumazon - software drum machine that emulates the TR-909, reBirth RB-338 - software synthesizer that emulates the TB-303, TR-808, and TR-909. 909 - A software drum machine for the Android operating system that emulates the TR-909
25.
Mixing console
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In the 2010s, a mixer is able to control analog or digital signals, depending on the type of mixer. The modified signals are summed to produce the output signals. A typical, simple application combines signals from two microphones into an amplifier that drives one set of speakers simultaneously, a DJ mixer may have only two channels, for mixing two record players. A coffeehouses tiny stage might only have a six channel mixer, a nightclub stages mixer for rock music shows may have 24 channels for mixing the signals from a rhythm section, lead guitar and several vocalists. A mixing console for a large concert may have 48 channels, a mixing console in a professional recording studio may have as many as 96 channels. In practice, mixers do more than simply mix signals, some mixers have onboard electronic effects, such as reverb. Some mixers intended for small venue live performance applications may include a power amplifier. A mixing console is also known as a mixer, audio console, mixing desk, sound mixer, sound board. A typical analog mixing board has three sections, Channel inputs Master controls Audio level metering The channel input strips are usually a bank of identical monaural or stereo input channels. Each channel has rotary knobs, buttons and/or faders for controlling the gain, the master control section is used to adjust the levels of the overall output of the mixer. The master control section has sub-group faders, master faders, master auxiliary mixing bus level controls, in addition it may have solo monitoring controls, a stage talk-back microphone control, muting controls and an output matrix mixer. On smaller mixers the inputs are on the left of the mixing board, in larger mixers, the master controls are in the center with input faders and channel strips on both sides. The audio level meters may be above the input and master sections or they may be integrated into the input, the audio level meters indicate when the signals are clipping. Each signal that is plugged into the mixer has its own channel, depending on the specific mixer, each channel is stereo or monaural. On most mixers, each channel has an XLR input, the smallest, least expensive mixers may only have one XLR input with the other inputs being line inputs. These can be used by a singer-guitarist or other small acts, below each input, there are usually several rotary controls. The first knob is typically a trim or gain control, the inputs buffer the signal from the external device and this controls the amount of amplification or attenuation needed to bring the signal to a nominal level for processing. This stage is where most noise of interference is picked up, balanced inputs and connectors, such as XLR or phone connectors, reduce interference problems
26.
Cambridge
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Cambridge is a university city and the county town of Cambridgeshire, England, on the River Cam about 50 miles north of London. At the United Kingdom Census 2011, its population was 123,867, there is archaeological evidence of settlement in the area in the Bronze Age and in Roman Britain, under Viking rule, Cambridge became an important trading centre. The first town charters were granted in the 12th century, although city status was not conferred until 1951, the University of Cambridge, founded in 1209, is one of the top five universities in the world. The university includes the Cavendish Laboratory, Kings College Chapel, the citys skyline is dominated by the last two buildings, along with the spire of the Our Lady and the English Martyrs Church, the chimney of Addenbrookes Hospital and St Johns College Chapel tower. Anglia Ruskin University, evolved from the Cambridge School of Art, Cambridge is at the heart of the high-technology Silicon Fen with industries such as software and bioscience and many start-up companies spun out of the university. More than 40% of the workforce has a higher education qualification, the Cambridge Biomedical Campus, one of the largest biomedical research clusters in the world, is soon to be home to AstraZeneca, a hotel and the relocated Papworth Hospital. Parkers Piece hosted the first ever game of Association football, the Strawberry Fair music and arts festival and Midsummer Fairs are held on Midsummer Common, and the annual Cambridge Beer Festival takes place on Jesus Green. The city is adjacent to the M11 and A14 roads, settlements have existed around the Cambridge area since prehistoric times. The earliest clear evidence of occupation is the remains of a 3, the principal Roman site is a small fort Duroliponte on Castle Hill, just northwest of the city centre around the location of the earlier British village. The fort was bounded on two sides by the lines formed by the present Mount Pleasant, continuing across Huntingdon Road into Clare Street, the eastern side followed Magrath Avenue, with the southern side running near to Chesterton Lane and Kettles Yard before turning northwest at Honey Hill. It was constructed around AD70 and converted to use around 50 years later. Evidence of more widespread Roman settlement has been discovered including numerous farmsteads, evidence exists that the invading Anglo-Saxons had begun occupying the area by the end of the century. Their settlement—also on and around Castle Hill—became known as Grantebrycge, Anglo-Saxon grave goods have been found in the area. During this period, Cambridge benefited from good trade links across the hard-to-travel fenlands, by the 7th century, the town was less significant and described by Bede as a little ruined city containing the burial site of Etheldreda. Cambridge was on the border between the East and Middle Anglian kingdoms and the settlement slowly expanded on both sides of the river, the arrival of the Vikings was recorded in the Anglo-Saxon Chronicle in 875. Viking rule, the Danelaw, had been imposed by 878 Their vigorous trading habits caused the town to grow rapidly. During this period the centre of the town shifted from Castle Hill on the bank of the river to the area now known as the Quayside on the right bank. In 1068, two years after his conquest of England, William of Normandy built a castle on Castle Hill, like the rest of the newly conquered kingdom, Cambridge fell under the control of the King and his deputies
27.
Bassline
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It is also used sometimes in classical music. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline, on organs, the bass line is typically played using the pedal keyboard and massive 16 and 32 bass pipes. Basslines in popular music often use riffs or grooves, which are simple, appealing musical motifs or phrases that are repeated, with variation. The bass differs from other voices because of the role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the harmonic organization of a entire work. Bassline riffs usually emphasize the chord tones of each chord, which helps to define a songs key, at the same time, basslines work along with the drum part and the other rhythm instruments to create a clear rhythmic pulse. The type of rhythmic pulse used in basslines varies widely in different types of music, in swing jazz and jump blues, basslines are often created from a continuous sequence of quarter notes in a mostly scalar, stepwise part called a walking bass line. In Latin, salsa music, jazz fusion, reggae, electronica, in bluegrass and traditional country music, basslines often emphasize the root and fifth of each chord. In classical music such as string quartets and symphonies, basslines play the same harmonic and rhythmic role, however, most popular musical ensembles include an instrument capable of playing bass notes. In the 1890s, a tuba was often used, from the 1920s to the 1940s, most popular music groups used the double bass as the bass instrument. Starting in the 1950s, the bass guitar began to replace the bass in most types of popular music, such as rock and roll, blues. By the 1970s and 1980s, the bass was used in most rock bands. The double bass was used in some types of popular music that recreated styles from the 1940s and 1950s such as jazz, traditional 1950s blues, jump blues, country. In some popular bands, keyboard instruments are used to play the bass line. In organ trios, for example, a Hammond organ player performs the basslines using the pedal keyboard. In some types of music, such as hip-hop or house music. Basslines are especially important in many forms of dance and electronic music, such as electro, drum and bass, dubstep, and most forms of house and trance. In these genres, basslines are almost always performed on synthesizers, either physical, such as the Minimoog, chinese orchestras use the zhōng ruǎn and dà ruǎn for creating basslines
28.
Future Love Paradise
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Future Love Paradise is a 1991 song recorded by the soul singer and songwriter Seal. As the lead track on Future Love EP, this was the single from his debut album Seal. The song achieved a success in several countries, including Switzerland, Ireland. It also hit #12 on the UK charts, the version of the lead track on Future Love EP contains an extended vamp and breakdown which fades out later. The album version is shorter and fades out before this takes place
29.
Seal (1991 album)
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Seal is the eponymous debut studio album by Seal, released in 1991. It contains singles Crazy, Future Love Paradise, The Beginning, the album debuted at #1 in the UK. Seals following album, released in 1994, was also named Seal and it is usually referred to as Seal II. Many of the songs were featured in the Greg Stump 1991 film Groove Requiem in the Key of Ski, later Seal tracks appeared in other Stump films as well. The track Killer was also featured on the American crime series Homicide, there are two versions of the album, with minor and major differences in three songs. The shorter version of Wild is more rock-based and heavy than the original, the shorter version of Violet contains no dialogue within the singing. Track lengths of both versions are given for each song affected, the album won Best British Album at the 1992 Brit Awards. All lyrics and music written by Seal, except where noted
30.
Only Fools and Horses
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Only Fools and Horses is a British television sitcom created and written by John Sullivan. Seven series were originally broadcast on BBC One in the United Kingdom from 1981 to 1991, episodes are regularly repeated on UKTV comedy channel Gold and occasionally repeated on BBC One. After Pearces death in 1984, his character was replaced by Del, backed by a strong supporting cast, the series follows the Trotters highs and lows in life, in particular their attempts to get rich. The show achieved high ratings, and the 1996 episode Time on Our Hands holds the record for the highest UK audience for a sitcom episode. It was voted Britains Best Sitcom in a 2004 BBC poll, the series influenced British culture, contributing several words and phrases to the English language. It spawned a range of merchandise, including books, videos, DVDs, toys. A spin-off series, The Green Green Grass, ran for four series in the UK from 2005 to 2009, a prequel, Rock & Chips, ran for three specials in 2010 and 2011. A special Sport Relief episode aired in March 2014, guest starring David Beckham, a new five-part documentary series titled The Story of Only Fools and Horses, will air later in 2017 on Gold. The new series features rare and unseen footage from the Trotter archives and specially re-created moments from Del Boys family and their mother, Joan, died when Rodney was young, and their father Reg absconded soon afterwards, so Del became Rodneys surrogate father and the family patriarch. Despite the difference in age, personality and outlook, the share a constant bond throughout. Initially, Del Boy, Rodney and Grandad were the only regulars, along with the occasional appearances of dopey roadsweeper Trigger. Over time, the cast expanded, mostly in the form of regulars at the local pub The Nags Head and these included pub landlord Mike, lorry driver Denzil, youthful spiv Mickey Pearce and Boycies flirtatious wife Marlene. Although the show centred on the Trotter family, these characters became popular in their own right, contributing to the plots. As the series progressed, the scope of the plots expanded, many early episodes were largely self-contained, with few plot-lines mentioned again, but the show developed a story arc and an ongoing episodic dimension. The character of Grandad died following the death of Lennard Pearce, after years of fruitless searching, both Del and Rodney find long-term love, in the form of Raquel and Cassandra respectively, Del also has a son with Raquel, Damien. Rodney and Cassandra marry, separate and then get together again. Cassandra miscarries, but then she and Rodney eventually have a baby, Rodney finds out who his real father was. The Trotters finally become millionaires, lose their fortune, and then some of it
31.
DJ Hero 2
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DJ Hero 2 is a rhythm video game and a sequel to DJ Hero, a spinoff of the Guitar Hero series. The game is developed by FreeStyleGames and is published by Activision, the game includes a new freestyle mode, giving the player the chance to freely crossfade between tracks, scratch a section of a mix, or add sample effects during marked sections. The game features 83 mixes on disc comprising over 100 different songs, a third player can also participate through singing the mix vocals. DJ Hero 2 was well received by critics, receiving praises for maintaining and improving upon the elements of the first game. However, sales for the title were low, failing to reach numbers as DJ Hero from the previous year. DJ Hero 2 follows from its predecessor in simulating the performance of a disc jockey mixing one or two songs using a special turntable controller and these actions are presented to the players through on-screen notation that scrolls in time with the music. Players score points by performing the actions correctly, but are not penalized otherwise, by successfully completing a consecutive set of actions, the player can increase their scoring multiplier up to 4x, the multiplier returns to 1x should they miss any actions. Certain marked sections, when played correctly, fill a Euphoria meter which can be unleashed using another button on the controller, the player can also earn the ability to rewind a song by a few seconds by playing a long string of consecutive notes. They can rewind the song by quickly spinning the turntable in reverse, the game will score vocals based on the matching of pitch, beat and rhythm. DJ Hero 2 features an improved single-player career mode called Empire, Empire provides more structure for the player to proceed through the game than the simple set lists used in DJ Hero. Completing certain setlists or battles unlock new characters, outfits for those characters, the primary focus of DJ Hero 2 has been the social aspects, according to FreeStyleGames creative director Jamie Jackson, as such, many of the games new modes feature multiplayer considerations. DJ Battles see two DJs performing call-and-response style along with open freestyle sections, the game does not include DJ vs Guitar mode that was featured in DJ Hero, where a second player could use a compatible guitar controller to play alongside the DJ player. DJ Hero 2 was officially announced in June 2010 for release in the last quarter of 2010, prior to the games announcement, Activision revealed a month before the games release that it is actively seeking artists for downloadable content and a sequel to the game. David Guetta has stated that he was set to work on the games sequel, Activision CEO Bobby Kotick stated that despite low sales of DJ Hero, they are committed to continuing the series, with the sequel due in 2010. Work on DJ Hero 2 started some months after the first game was completed, FreeStyleGames creative director Jamie Jackson said that DJ Hero 2 took about seven months to complete. They also wanted to clean up the interface, providing better feedback to the player. While DJ Hero 2 does not use Kinect or PlayStation Move motion-sensing technology, another step to move the game from the apparent hip-hop nature was through its song selection. Jackson felt the first game was weighted too heavily to the genre, the songs in DJ Hero 2 represent a wider variety of music, including dance, drum and bass, and techno, along with some contributions from hip-hop
32.
ITV (TV channel)
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ITV is a commercial television channel in the United Kingdom. Previously a network of regional television channels, ITV currently operates in England, Wales, Scotland, the Isle of Man. From 2001 until 2013, the channel was called ITV1, in 2004, Granada Television acquired Carlton Communications to form ITV plc. ITV is the biggest and most popular television channel in the United Kingdom. ITV and its channels have contended with BBC One for the status of the UKs most watched television channel since the 1950s. However, in line with other channels, ITVs audience share has fallen in the era of multi-channel television. Following the creation of the Television Act 1954, the establishment of a television service in the UK began. The Independent Television service, or ITV, was made up of regions, the three largest regions were subdivided into weekday and weekend services, with a different company running each. ITV existed in a form from its inception to the 2000s. ITV1 became the generic brand name used by the twelve franchises of the ITV Network in the United Kingdom. The brand was introduced in 2001 by Carlton- and Granada-owned franchises, however, it became the sole on-air identity in 2002 when the two companies decided to create a single unified playout of the channel, with regional references only used prior to regional programming. Carlton and Granada went on to merge in 2004, creating ITV plc which now owns thirteen of the fifteen regional ITV licences. The ITV1 name was used in England, Wales, Southern Scotland and Isle of Man until Channel Television adopted the name in January 2006. It should be noted, however, that as national continuity is used on Channel Television. ITV Wales & West was the exception, using the name ITV1 Wales at all times for the Welsh part of its broadcast area as it has a higher regional commitment. Latterly the ITV1 Wales name was used on breakbumpers and regionally advertised programmes till 2013. Non ITV plc-owned licencees on the network generally did not refer to the ITV name, the network production arms of the ITV-plc owned licencees have been gradually combined since 1993 to eventually form ITV Studios. ITV was formed by the unification of eleven of the ITV licences, the Broadcasting Act 1990 changed many of the rules regulating the ITV Network, which most notably relaxed franchise ownership and hours of production
33.
Emmerdale
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Emmerdale is a long-running British soap opera set in Emmerdale, a fictional village in the Yorkshire Dales. Created by Kevin Laffan, Emmerdale Farm was first broadcast on 16 October 1972, produced by ITV Yorkshire, it has been filmed at their Leeds studio since its inception. The programme has been broadcast in every ITV region, the series originally appeared during the afternoon until 1978, when it was moved to an early-evening time slot in most regions, London and Anglia followed during the mid-1980s. Until December 1988, Emmerdale took seasonal breaks, since then, episodes air on ITV weekday evenings at 19,00, with a second Thursday episode at 20,00. The programme began broadcasting in high definition on 10 October 2011, Emmerdale is the United Kingdoms second-longest-running television soap opera, and attracts an average of five to seven million viewers per episode. In October 2012, it was the 40th anniversary of the show, on the shows anniversary week, the show made a live episode to mark the anniversary. The premise of Emmerdale Farm was similar to the BBC radio soap opera The Archers, focusing on a family, the programmes farmyard filming was originally modelled on RTÉs The Riordans, an Irish soap opera which was broadcast from the mid-1960s to the end of the 1970s. The Riordans broke new ground for soap operas by being filmed largely outdoors rather than in a usual practice of British. The programme pioneered farmyard location shooting, with animals and equipment. During the 1960s and 1970s, outdoor filming of television programmes with outdoor broadcast units was in its due to higher costs. The Riordans success demonstrated that a soap opera could be filmed largely outdoors, Emmerdale has had a large number of characters since it began, with its cast gradually expanding in size. The programme has also had changing residences and businesses for its characters, including a bed-and-breakfast, the Miffield estate was the largest employer in the village of Beckindale,39 miles from Bradford and 52 miles from Leeds. Lord Miffield leased Emmerdale Farm, on the edge of the village, joshs grandson Joseph married Margaret Oldroyd and their son, Jacob, was born in January 1916. During the 1930s, Jacob Sugden purchased Emmerdale Farm, in 1945 he married Annie Pearson, daughter of farm labourer Sam Pearson. Margaret Sugden died in 1963, and Joseph died the following year, Jacob Sugden ran the farm into the ground, drinking away its profits. The badly-maintained farms future looked bleak at his death on 10 October 1972 and he was survived by his wife Annie, two sons and a daughter, Jack, the eldest, Peggy and Joe, the youngest of the three. These characters formed the basis of Emmerdale Farm, the show has had a number of matriarchs, including Diane Sugden, Viv Hope, Lisa Dingle, Annie Sugden and Moira Barton. Older characters in Emmerdale include Edna Birch, Betty Eagleton, Pearl Ladderbanks, Sandy Thomas, Seth Armstrong, Alan Turner, Sam Pearson, Lily Butterfield, the first episode of Emmerdale Farm, aired on 16 October 1972, began with Jacob Sugdens funeral
34.
Charity Tate
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Charity Dingle is a fictional character and the main antagonist from the British soap opera Emmerdale, played by Emma Atkins. Suranne Jones originally auditioned for the role of Charity, before Atkins was cast, the actress began filming her first scenes in February 2000 and she made her first screen appearance as Charity during the episode broadcast on 30 March 2000. Atkins returned to the role on 1 October 2009, after Charity and Cains relationship broke down, she went on to marry Jai. They later divorced when Charity discovered he had fathered a child with Rachel Breckle, Charity then married Declan Macey and became pregnant. However, not wanting another child, Charity had a secret abortion, Atkins took maternity leave in February 2015, and Charity was sentenced to prison. She returned briefly from June to July and again in December, Charity comes to Emmerdale for her cousin, Butchs funeral. It emerges that she is working as a prostitute and there is a warrant out for her arrest, Charity stays with Zak Dingle and his wife Lisa. Charity begins dating Chris Tate, which his sister, Zoe, is unhappy about and offers her money to end it, Zoe and Charity then have an affair but Charity ends it when Zoe gets too possessive. Chris proposes marriage and Charity accepts so Zoe records Charity taking about their affair, however, Charity tells Chris about her affair and Chris forgives her, tearing up the pre-nup and Zoe moves out. Chris and Charity marry and Charity helps Chris run his business empire, Chris and Charity eventually realize that Zoe is ill and she has to be sectioned. While in hospital, she is diagnosed with schizophrenia, Charity supports Zoe when she realizes she is pregnant and considers giving the baby up for adoption, revealing she had a baby girl that she put up for adoption. Charity is shocked when Paddy and Emily Kirks foster daughter, Debbie Jones, realizes that Charity is her birth mother, Charity initially refuses contact with Debbie but comforts her when her mother dies. Despite her reserve, she and Debbie bond so Charity files for custody and wins, much to Paddy, Charity is delighted when Chris and Debbie bond and he suggests adopting her. Cain later realizes that he is Debbies father and bonds with his daughter, leading him, Chris sees them and throws her out. A month later, Charity goes to Home Farm to discuss her marriage, however, Chris knows that he has an inoperable brain tumour and frames Charity for his murder, before committing suicide. The police arrest Charity after finding her fingerprints on Chriss glass and she and Cain blame each other so Charity is released on bail when she learns that she is pregnant and moves in with Marlon. After getting drunk, they sleep together, Charity realizes Zoe knows that Chris killed himself and kisses her but Zoe testifies that Charity killed Chris so Charity is found guilty and sentenced to life imprisonment. While in prison, she gives birth to a son who she names Noah, unsure of Noahs paternity, she arranges for Zoe, Cain and Marlon to do a DNA test and the results show that Chris is Noahs father
35.
ARIA Charts
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The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia, ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report which had been Australias national charts since 1974. The Go-Set charts were Australias first national singles and albums charts published from 5 October 1966 until 24 August 1974, succeeding Go-Set, the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australias national charts from 1940–1974 in a retrospective fashion using state based data, in mid 1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, ARIA began compiling its own charts in-house from the chart dated week ending 26 June 1988. Various artists compilation albums were included in the albums chart, as they had been on the Kent Report chart, until 2 July 1989. The ARIA Report, detailing the top 100 singles and albums charts, was first available via subscription in January 1990, the printed top 50 chart ceased publication in June 1998, but resumed publication later in the year. The printed top 50 chart again ceased publication at the end of 2000, the ARIA charts are based on data collected from physical and digital retailers in Australia. Data of physical sales come from such as Sanity and JB Hi-Fi, while data of digital sales come from online retailers such as iTunes, Bandit FM, GetMusic. Since 17 February 1997, all physical sales data contributing towards the chart has been recorded electronically at point of sale. In March 1991, Do the Bartman by The Simpsons was the first single to reach #1 in Australia that was not available on 7 inch vinyl, but cassingle only. Starting from 8 October 2006, due to low physical single sales at the time, in 2006, it was announced that the Brazin retailing group, comprising major retailers HMV, Sanity and Virgin music/DVD stores would no longer contribute sales data to the ARIA charts. However, after an absence, Brazin reportedly re-commenced contributing sales figures to the ARIA Charts on 26 November 2006. The ARIA website publishes the top 50 singles and albums charts, top 40 digital tracks chart, the ARIA Report lists all charts in full and is available via paid e-mail subscription each week. These reports are uploaded to the Pandora Archive periodically, on 5 February 2006, the ARIA Chart Show was a radio program launched on the Nova network and broadcast throughout Australia, playing the official ARIA top 50 singles. The live music program was hosted by Jabba each Sunday afternoon at 3, the show was aired before the top 50 chart, dated for the following Monday, is published on the ARIA website at 6,00 pm. The charts were published online at 6,00 pm each Sunday. The diamond certification was created for albums in November 2015 to mark 500,000 sales/shipments, for music DVDs, a gold accreditation originally represented 7,500 copies shipped, with a platinum accreditation representing 15,000 units shipped. co. uk
36.
GfK Entertainment Charts
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The GfK Entertainment Charts are the official music charts in Germany and are gathered and published by GfK Entertainment GmbH on behalf of Bundesverband Musikindustrie. Following a lawsuit in March 2014 by Media Control AG, Media Control® GfK International had to change its name, dissemination of the charts is conducted by various media outlets, some of which include VIVA music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and MIX1, furthermore, GfK Entertainment also runs a dedicated website providing chart-related news and access to most of the charts. Charts have been published in Germany since 1959, in a magazine called Der Musikmarkt, since 1959, the growing desire to have a well-developed music program has made Bundesverband Musikindustrie work together with charts providers to improve the way the charts are determined. For this purpose, different research institutes were tested, out of which Media Control, hence, the first official charts were made available in the magazine Der Musikmarkt in September 1977. Initially, there used to be 50 positions only, which later in January 1980, was extended to 75 slots, since 1989, however, GfK Entertainment has adapted the international standards providing 100 positions, now called Offizielle Top 100 Charts. In 2001, the Top-100 singles charts was modified to reflect the sales of the singles, Media Control developed Music Video charts in 2001, which later, in 2004, was renamed as DVD charts. While music-videos have their own charts, in 2001, GfK Entertainment made it possible for the music-video singles to have the ability to enter the Top-100 singles chart. Similarly, in 2002, it was available for music-video albums to chart on the Top-100 album chart. If not, then, the DVD album could qualify for the DVD chart only, in the same vein, if an audio CD contains at least 50% of video recording, then, it could qualify to chart on the DVD chart. In 2003, Media Control joined forces with GfK, thus the name officially being changed to Media Control GfK International GmbH. In 2004, Germany became one of the first music markets wherein sales charts were reflected by online digital downloads, digital-only releases came into existence on 13 July 2007, for online downloads only, which also altered the way the sales figures were conducted up to that point. Consequently, chart positions would no longer be affected by the number of music downloads as before. Thus, the albums would not necessarily be the ones ending up in the number-one position on the charts. In March 2014, GfK announced that the official chart providers name in Germany will change from Media Control GfK International GmbH to GfK Entertainment, there are currently 3,000 outlets that report their sales on weekly bases in Germany. The weekly sales data is transmitted to GfK Entertainment via communication network channel and this is the list of categories, for each of which charts are provided by GfK Entertainment
