1.
Vienna
–
Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
Vienna
Vienna
Vienna
Vienna
2.
Austria-Hungary
–
The union was a result of the Austro-Hungarian Compromise of 1867 and came into existence on 30 March 1867. Austria-Hungary consisted of two monarchies, and one region, the Kingdom of Croatia-Slavonia under the Hungarian crown. It was ruled by the House of Habsburg, and constituted the last phase in the evolution of the Habsburg Monarchy. Following the 1867 reforms, the Austrian and the Hungarian states were co-equal, Foreign affairs and the military came under joint oversight, but all other governmental faculties were divided between respective states. Austria-Hungary was a state and one of the worlds great powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at 621,538 km2, the Empire built up the fourth-largest machine building industry of the world, after the United States, Germany, and the United Kingdom. After 1878, Bosnia and Herzegovina was under Austro-Hungarian military and civilian rule until it was annexed in 1908. The annexation of Bosnia also led to Islam being recognized as a state religion due to Bosnias Muslim population. Austria-Hungary was one of the Central Powers in World War I and it was already effectively dissolved by the time the military authorities signed the armistice of Villa Giusti on 3 November 1918. The realms full, official name was The Kingdoms and Lands Represented in the Imperial Council, each enjoyed considerable sovereignty with only a few joint affairs. Certain regions, such as Polish Galicia within Cisleithania and Croatia within Transleithania, enjoyed autonomous status, the division between Austria and Hungary was so marked that there was no common citizenship, one was either an Austrian citizen or a Hungarian citizen, never both. This also meant that there were always separate Austrian and Hungarian passports, however, neither Austrian nor Hungarian passports were used in the Kingdom of Croatia-Slavonia-Dalmatia. Instead, the Kingdom issued its own passports which were written in Croatian and French and it is not known what kind of passports were used in Bosnia-Herzegovina, which was under the control of both Austria and Hungary. The Kingdom of Hungary had always maintained a separate parliament, the Diet of Hungary, the administration and government of the Kingdom of Hungary remained largely untouched by the government structure of the overarching Austrian Empire. Hungarys central government structures remained well separated from the Austrian imperial government, the country was governed by the Council of Lieutenancy of Hungary – located in Pressburg and later in Pest – and by the Hungarian Royal Court Chancellery in Vienna. The Hungarian government and Hungarian parliament were suspended after the Hungarian revolution of 1848, despite Austria and Hungary sharing a common currency, they were fiscally sovereign and independent entities. Since the beginnings of the union, the government of the Kingdom of Hungary could preserve its separated. After the revolution of 1848–1849, the Hungarian budget was amalgamated with the Austrian, from 1527 to 1851, the Kingdom of Hungary maintained its own customs controls, which separated her from the other parts of the Habsburg-ruled territories
Austria-Hungary
–
Franz Joseph I. (1885)
Austria-Hungary
–
Civil Ensign
Austria-Hungary
–
Austrian Parliament Building
Austria-Hungary
–
Hungarian Parliament Building
3.
Academy of Fine Arts Vienna
–
The Academy of Fine Arts Vienna is a public art school of higher education in Vienna, Austria. In 1701 he was ennobled by Emperor Joseph I as Freiherr of the Empire, with his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, hofakademie der Maler, Bildhauer und Baukunst. Upon Charles death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige of the academy grew during the deanships of Michelangelo Unterberger and Paul Troger, in 1772, there were further reforms to the organisational structure. Chancellor Wenzel Anton Kaunitz integrated all existing art schools into the k. k. vereinigten Akademie der bildenden Künste, the word vereinigten was later dropped. In 1822 the art cabinet grew significantly with the bequest of honorary member Anton Franz de Paula Graf Lamberg-Sprinzenstein and his collection still forms the backbone of the art on display. In 1872 Emperor Franz Joseph I of Austria approved a statute making the academy the supreme government authority for the arts, a new building was constructed according to plans designed by the faculty Theophil Hansen in the course of the layout of the Ringstraße boulevard. On 3 April 1877, the building on Schillerplatz in the Innere Stadt district was inaugurated. In 1907 and 1908, young Adolf Hitler, who had come from Linz, was denied admission to the drawing class. He stayed in Vienna, subsisting on his allowance. Soon he had withdrawn into poverty and started selling amateur paintings, mostly watercolours, during the Austrian Anschluss to Nazi Germany from 1938–1945, the academy was forced to heavily reduce its number of Jewish staff. After World War II, the academy was reconstituted in 1955 and it has had university status since 1998, but retained its original name. It is currently the only Austrian university that doesnt have the university in its name. The Academy currently has about 900 students, almost a quarter of which are foreign students and its faculty includes stars such as Peter Sloterdijk. 110,000 volumes and its etching cabinet has about 150,000 drawings, the collection is one of the biggest in Austria, and is used for academic purposes, although portions are also open to the general public. Official website website of the Media Server Study in Austria, A Guide
Academy of Fine Arts Vienna
–
Main entrance on Schillerplatz
Academy of Fine Arts Vienna
–
Life drawing room at the Vienna academy,
Martin Ferdinand Quadal, 1787
Academy of Fine Arts Vienna
–
Anatomical room of the Akademie
4.
University of Applied Arts Vienna
–
The University of Applied Arts Vienna is an institution of higher education in Vienna, the capital of Austria. It has had university status since 1970, the predecessor of the Angewandte was founded in 1867 as the k. k. It was closely associated with the Österreichischen Museums für Kunst und Industrie and it was the first school of its kind on the continent. In 1941 it became an institution of higher education, in 1970 it was awarded the title of a university and in 1998 the school was renamed the Universität für angewandte Künste. Today its faculty includes many distinguished artists and teachers, such as Judith Eisler, Erwin Wurm, Hartmut Esslinger, Greg Lynn, Wolf D Prix, the university has currently c.1,800 students and c.340 faculty. The students come from 49 different countries to study in the 29 disciplines of the school and they form their creative ideas in 56 different languages. The outcome of their processes is made public in 200 exhibitions a year, Applied arts live art and technology as symbiosis. Applied arts live art and society in interaction, Applied arts live art as an experimental approach towards science
University of Applied Arts Vienna
–
University of Applied Arts Vienna
5.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
6.
Drawing
–
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. A drawing instrument releases small amount of material onto a surface, the most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything, the medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas, the wide availability of drawing instruments makes drawing one of the most common artistic activities. In addition to its artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering. A quick, freehand drawing, usually not intended as a work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, traditional drawings were monochrome, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks, dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a medium, applied with brushes or pens. Drawing is often exploratory, with emphasis on observation, problem-solving. Drawing is also used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies, there are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as drawing, stippling, shading, the surrealist method of entopic graphomania. A quick, unrefined drawing may be called a sketch, in fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called drawings even when they have been transferred to another medium by printing. Drawing as a Form of Communication Drawing is one of the oldest forms of human expression and these drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced in prehistoric times were eventually stylised and simplified, Drawing in the Arts Drawing is used to express ones creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise, initially, artists used and reused wooden tablets for the production of their drawings
Drawing
–
Pen and wash lion by
Rembrandt in the
Louvre
Drawing
–
A person drawing the
Barberini Faun in Munich
Drawing
–
Madame Palmyre with Her Dog, 1897.
Henri de Toulouse-Lautrec
Drawing
–
André Masson. Automatic Drawing. 1924. Ink on paper, 23.5 x 20.6 cm.
Museum of Modern Art, New York
7.
Postage Stamp
–
Postage stamp may also refer to a formatting artifact in the display of film or video, Windowbox. A postage stamp is a piece of paper that is purchased and displayed on an item of mail as evidence of payment of postage. Typically, stamps are printed on special paper, show a national designation and a denomination on the front. They are sometimes a source of net profit to the issuing agency, stamps are usually rectangular, but triangles or other shapes are occasionally used. The stamp is affixed to an envelope or other postal cover the customer wishes to send, the item is then processed by the postal system, where a postmark, sometimes known as a cancellation mark, is usually applied in overlapping manner to stamp and cover. This procedure marks the stamp as used to prevent its reuse, in modern usage, postmarks generally indicate the date and point of origin of the mailing. The mailed item is delivered to the address the customer has applied to the envelope or parcel. Postage stamps have facilitated the delivery of mail since the 1840s, before then, ink and hand-stamps, usually made from wood or cork, were often used to frank the mail and confirm the payment of postage. The first adhesive postage stamp, commonly referred to as the Penny Black, was issued in the United Kingdom in 1840, there are varying accounts of the inventor or inventors of the stamp. The postage stamp resolved this issue in a simple and elegant manner, concurrently with the first stamps, the UK offered wrappers for mail. S. Postal service for priority or express mailing, the postage stamp afforded convenience for both the mailer and postal officials, more effectively recovered costs for the postal service, and ultimately resulted in a better, faster postal system. With the conveniences stamps offered, their use resulted in greatly increased mailings during the 19th and 20th centuries, as postage stamps with their engraved imagery began to appear on a widespread basis, historians and collectors began to take notice. The study of stamps and their use is referred to as philately. Stamp collecting can be both a hobby and a form of study and reference, as government-issued postage stamps. The postage for the item was prepaid by the use of a hand-stamp to frank the mailed item. Though this stamp was applied to a letter instead of a piece of paper it is considered by many historians as the worlds first postage stamp. Rowland Hill The Englishman Sir Rowland Hill began interest in postal reform in 1835, in 1836, a Member of Parliament, Robert Wallace, provided Hill with numerous books and documents, which Hill described as a half hundred weight of material. Hill commenced a study of these documents, leading him to the 1837 publication of a pamphlet entitled Post Office Reform its Importance
Postage Stamp
–
The main components of a stamp: 1.
Image 2.
Perforations 3.
Denomination 4. Country name
Postage Stamp
–
Rowland Hill
Postage Stamp
–
The
Penny Black, the world’s first postage stamp.
Postage Stamp
–
Rows of perforations in a sheet of postage stamps.
8.
Printmaking
–
Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
Printmaking
–
Rembrandt,
Self-portrait,
etching, c.1630.
Printmaking
–
Mount Fuji, from the
Thirty-six Views of Mount Fuji, color
woodcut by
Katsushika Hokusai
Printmaking
–
Francisco Goya, There is No One To Help Them,
Disasters of War series,
aquatint c.1810.
Printmaking
–
External video
9.
Ceramic art
–
Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts, while some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology, Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture, products from a pottery are sometimes referred to as art pottery. In a one-person pottery studio, ceramists or potters produce studio pottery, the word ceramics comes from the Greek keramikos, meaning pottery, which in turn comes from keramos meaning potters clay. Most traditional ceramic products were made from clay, shaped and subjected to heat, in modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae, cultures especially noted for ceramics include the Chinese, Cretan, Greek, Persian, Mayan, Japanese, and Korean cultures, as well as the modern Western cultures. Different types of clay, when used with different minerals and firing conditions, are used to produce earthenware, stoneware, porcelain, earthenware is pottery that has not been fired to vitrification and is thus permeable to water. Many types of pottery have been made from it from the earliest times, earthenware is often made from clay, quartz and feldspar. Terracotta, a type of earthenware, is a clay-based unglazed or glazed ceramic and its uses include vessels, water and waste water pipes, bricks, and surface embellishment in building construction. Terracotta has been a medium for ceramic art. Stoneware is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay, stoneware is fired at high temperatures. Vitrified or not, it is nonporous, it may or may not be glazed and it may be vitreous or semi-vitreous. It is usually coloured grey or brownish because of impurities in the used for its manufacture. Porcelain is a material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C. Porcelain has been described as being completely vitrified, hard, impermeable, white or artificially coloured, translucent and it has been defined as ware with a translucent body containing a minimum of 30% of phosphate derived from animal bone and calculated calcium phosphate. Developed by English potter Josiah Spode, bone china is known for its levels of whiteness and translucency
Ceramic art
–
Etruscan: Diomedes and Polyxena, from the Etruscan amphora of the Pontic group, ca. 540–530 BC. From
Vulci.
Ceramic art
–
Venus of Dolní Věstonice, before 25,000 BCE
Ceramic art
–
Vessel from
Mesopotamia, late
Ubaid period (4,500-4,000 BCE)
Ceramic art
–
Hexagonal Tile, mid 15th century.
Brooklyn Museum.
10.
Stained glass
–
The term stained glass can refer to coloured glass as a material or to works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches, mosques, although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has extended the term stained glass to include domestic leadlight. As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. The coloured glass is crafted into stained glass windows in which pieces of glass are arranged to form patterns or pictures, held together by strips of lead. Painted details and yellow stain are used to enhance the design. The term stained glass is applied to windows in which the colours have been painted onto the glass. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the space for which it is made, must resist wind and rain, Many large windows have withstood the test of time and remained substantially intact since the late Middle Ages. In Western Europe they constitute the form of pictorial art to have survived. In this context, the purpose of a glass window is not to allow those within a building to see the world outside or even primarily to admit light. For this reason stained glass windows have been described as illuminated wall decorations, Stained glass is still popular today, but often referred to as art glass. It is prevalent in luxury homes, commercial buildings, and places of worship, artists and companies are contracted to create beautiful art glass ranging from domes, windows, backsplashes, etc. During the late Medieval period, glass factories were set up there was a ready supply of silica. Silica requires very high heat to become molten, something not all glass factories were able to achieve, such materials as potash, soda, and lead can be added to lower the melting temperature. Other substances, such as lime, are added to rebuild the weakened network, Glass is coloured by adding metallic oxide powders or finely divided metals while it is in a molten state. Copper oxides produce green or bluish green, cobalt makes deep blue, much modern red glass is produced using copper, which is less expensive than gold and gives a brighter, more vermilion shade of red. Glass coloured while in the pot in the furnace is known as pot metal glass
Stained glass
–
The north transept rose of
Chartres Cathedral donated by
Blanche of Castile. It represents the Virgin Mary as Queen of Heaven, surrounded by Biblical kings and prophets. Below is
St Anne, mother of the Virgin, with four righteous leaders. The window includes the arms of France and Castile.
Stained glass
–
Stained glass window at
Süleymaniye Mosque.
Stained glass
–
13th-century window from Chartres showing extensive use of the ubiquitous cobalt blue with green and purple-brown glass, details of amber and borders of flashed red glass.
Stained glass
–
A 19th-century window illustrates the range of colours common in both Medieval and Gothic Revival glass, Lucien Begule, Lyon (1896)
11.
Kirche am Steinhof
–
Kirche am Steinhof, also called the Church of St. Leopold, is the Roman Catholic oratory of the Steinhof Psychiatric Hospital in Vienna, Austria. The building designed by Otto Wagner is considered one of the most important Art Nouveau churches in the world and it is located on a hillside below the Galitzinberg in the 14th Vienna district, Penzing. It has a status as part of the surrounding hospital. The great majority of the smaller details are the work of Otto Wagner himself. The statues on the two towers represent Saint Leopold and Saint Severin and are the work of the Viennese sculptor Richard Luksch. Unusually the church lies on a North-South axis, at the centre-top of the hospital complex, Otto Wagner incorporated numerous features specifically related to its function within an asylum, e. g. There were toilet facilities easily accessible within the church in case of patient need, originally the pews were of different widths to accommodate different categories of patient, calm / restless / disturbed. The floor is raked as in a theatre though not as steeply,26 centimetres, standing at the back the view to the altar is thus less obstructed. The central ceiling below the dome bears images relating to the four evangelists, the man for Matthew, the lion for Mark, the calf for Luke. Among the numerous saints attending the ceremony is Saint Dymphna the patron saint of those afflicted by epilepsy or mental illness, also visible is St. Clement Hofbauer or Clemens Maria Hofbauer, the patron saint of Vienna. The dome of the church is not visible from inside the building, even so, the church seats 800 people when full. The Church of St. Leopold, better known as the Kirche am Steinhof, was built during the construction of the Steinhof Psychiatric Hospital, on October 8,1907, the church was opened by Archduke Franz Ferdinand. The Archduke and Wagner were at odds on a variety of issues, but opinions regarding Wagners unusual design were varied. The most recent, and most extensive, restoration began in June 2000. All told,22 construction companies and 15 consultants worked on the restoration and their first undertaking was to completely re-gild the exterior dome using 2 kg of. 01mm-thin sheets of gold leaf. The base of the dome was renewed with copper sheets that, between 2002 and 2004, the entirety of the churchs 1, 800m² façade was replaced with 3000 plates of Carrara marble, each tile having been examined by ultrasound to ensure quality. The angelic and holy figures were removed and transported to a workshop where they were restored, construction began on the interior of the church in 2005. Among other projects, each of the mosaic windowpanes were glazed and remounted in a specially designed support structure, the windows, which have been valued at 5 million Euro, are now better protected from the elements and vandalism
Kirche am Steinhof
–
Kirche am Steinhof, Vienna, Austria
Kirche am Steinhof
–
Kirche
12.
Vienna Secession
–
The Vienna Secession was an art movement formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus. This movement included painters, sculptors, and architects, the first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president. Its official magazine was called Ver Sacrum, the Vienna Secession was founded on 3 April 1897 by artists Gustav Klimt, Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich, Max Kurzweil, Wilhelm Bernatzik and others. Although Otto Wagner is widely recognised as an important member of the Vienna Secession he was not a founding member, the Secession artists objected to the prevailing conservatism of the Vienna Künstlerhaus with its traditional orientation toward Historicism. The Berlin and Munich Secession movements preceded the Vienna Secession, which held its first exhibition in 1898, the group earned considerable credit for its exhibition policy, which made the French Impressionists somewhat familiar to the Viennese public. The 14th Secession exhibition, designed by Josef Hoffmann and dedicated to Ludwig van Beethoven, was especially famous, a statue of Beethoven by Max Klinger stood at the center, with Klimts Beethoven frieze mounted around it. The Klimt frieze has been restored and can be seen in the gallery today, in 1903, Hoffmann and Moser founded the Wiener Werkstätte as a fine-arts society with the goal of reforming the applied arts. On 14 June 1905 Gustav Klimt and other artists seceded from the Vienna Secession due to differences of opinion over artistic concepts, unlike other movements, there is not one style that unites the work of all artists who were part of the Vienna Secession. The Secession building could be considered the icon of the movement, above its entrance was placed the phrase Der Zeit ihre Kunst. Secession artists were concerned, above all else, with exploring the possibilities of art outside the confines of academic tradition and they hoped to create a new style that owed nothing to historical influence. In this way they were much in keeping with the iconoclastic spirit of turn-of-the-century Vienna. The Secessionist style was exhibited in a magazine that the group produced, called Ver Sacrum, along with painters and sculptors, there were several prominent architects who became associated with the Vienna Secession. During this time, architects focused on bringing purer geometric forms into the designs of their buildings, even though they had their own type of design, the inspiration came from neoclassical architecture, with the addition of leaves and natural motifs. The three main architects of this movement were Josef Hoffmann, Joseph Maria Olbrich, and Otto Wagner, in 1898, the groups exhibition house was built in the vicinity of Karlsplatz. Designed by Joseph Maria Olbrich, the building soon became known simply as the Secession. The secession building displayed art from other influential artists such as Max Klinger, Eugène Grasset, Charles Rennie Mackintosh. Otto Wagners Majolika Haus in Vienna is a significant example of the Austrian use of line, other significant works of Otto Wagner include The Karlsplatz Stadtbahn Station in Vienna, and Austrian Postal Savings Bank in Vienna. Wagners way of modifying Art Nouveau decoration in a classical manner did not find favour with some of his pupils who broke away to form the Secessionists, one was Josef Hoffmann who left to form the Wiener Werkstätte
Vienna Secession
–
The
secession building at Vienna, built in 1897 by
Joseph Maria Olbrich for exhibitions of the secession group
Vienna Secession
–
Jugendstil owls - Detail of the facade of the Viennese Secession Building. These designs for the building’s facade decoration are attributed to
Koloman Moser.
Vienna Secession
–
The
Beethovenfries, created by
Gustav Klimt, is housed in the lower floor.
Vienna Secession
–
The Secession coin
13.
Jugendstil
–
Art Nouveau is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants. English uses the French name Art Nouveau, according to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, artists desired to combine the fine arts and applied arts, even for utilitarian objects. By 1910, Art Nouveau was already out of style and it was replaced as the dominant European architectural and decorative style first by Art Deco and then by Modernism. Art Nouveau took its name from the Maison de lArt Nouveau, in France, Art Nouveau was also sometimes called by the British term Modern Style due to its roots in the Arts and Crafts Movement, Style moderne, or Style 1900. It was also sometimes called Style Jules Verne, Le Style Métro, Art Belle Époque, in Belgium, where the architectural movement began, it was sometimes termed Style nouille or Style coup de fouet. In Britain, it was known as the Modern Style, or, because of the arts and crafts movement led by Charles Rennie Mackintosh in Glasgow, as the Glasgow style. In Italy, because of the popularity in Italy of designs from Londons Liberty & Co department store, in the United States, due to its association with Louis Comfort Tiffany, it was often called the Tiffany style. In Germany and Scandinavia, a style emerged at about the same time, it was called Jugendstil. In Catalonia the related style was known as Modernisme, in Spain as Modernismo, Arte joven, in Russia, it was called Modern, and Jugendstil, and Nieuwe Kunst in the Netherlands. Some names refer specifically to the forms that were popular with the Art Nouveau artists, Stile Floreal in France, Paling Stijl in the Netherlands. The new art movement had its roots in Britain, in the designs of William Morris. Early prototypes of the include the Red House of Morris. In France, the style combined several different tendencies, in architecture, it was influenced by the architectural theorist and historian Eugène Viollet-le-Duc, a declared enemy of the historical Beaux-Arts architectural style. For each function its material, for each material its form and this book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard, and Antoni Gaudí. The French painters Maurice Denis, Pierre Bonnard and Édouard Vuillard played an important part in integrating fine arts painting with decoration, I believe that before everything a painting must decorate, Denis wrote in 1891. The choice of subjects or scenes is nothing and it is by the value of tones, the colored surface and the harmony of lines that I can reach the spirit and wake up the emotions
Jugendstil
–
Table Lamp by
François-Raoul Larche in
gilt bronze, with the dancer
Loïe Fuller as model
Jugendstil
–
Louis Majorelle, wall cabinet
Jugendstil
–
Art Nouveau interior at the 1900 Paris Universal Exhibition by Bruno Möhring, German pavilion.
Jugendstil
–
Art Nouveau sculpture, detail of facade in
Metz, France
14.
Austro-Hungarian krone
–
The Krone or korona was the official currency of the Austro-Hungarian Empire from 1892 until the dissolution of the empire in 1918. The subunit was one hundredth of the unit, and was called a Heller in the Austrian. The official name of the currency was Krone in Austria and Osztrák–magyar korona in Hungary, the Latin form Corona, abbreviated to Cor. on the smaller coins, was used for the coinage of the mostly German-speaking part of the empire known as Cisleithania. These terms all translate to the English word crown, the symbol of the currency was the abbreviation K. or sometimes Kr. After several earlier attempts the Austro-Hungarian Empire adopted the standard in 1892 according to a plan drawn up by Minister of Finance Sándor Wekerle. This plan included the introduction of the new currency, the Krone and it consisted of 100 Heller or Fillér. The value of the Krone was set at 2 Kronen =1 Gulden of the previous silver-based currency, from 1900 onward, Krone notes were the only legal banknotes of the Empire. The currency depreciated sharply as a result of the First World War, Czechoslovakia followed suit in February 1919, and on 12 March 1919 the new Republic of Austria stamped the notes circulating in its territory with DEUTSCHÖSTERREICH. In August 1922 consumer prices were 14,000 times greater than before the start of the war eight years earlier, the highest-denomination banknote issued was the 500,000 Kronen note, issued in 1922. Faith in the currency had been lost, and people spent money as fast as they received it, in October 1922 Austria secured a loan of 650 million gold Kronen from the League of Nations, with a League of Nations Commissioner supervising the countrys finances. This stabilized the currency at a rate of 14,400 paper Kronen to 1 gold Krone, on 2 January 1923 the Austrian National Bank began operations, taking over control of the currency from the Austro-Hungarian Bank which had gone into liquidation. In December 1923 the Austrian Parliament authorised the government to issue silver 5,000,10,000, and 20, 000-kronen coins which were to be designated half-Schilling, Schilling, and double Schilling. The Schilling became the currency of Austria currency on 20 December 1924. In 1920 this was replaced by the dinar at a rate of 1 dinar =4 Kronen, in Czechoslovakia the currency was superseded by the koruna, at par. The names of the koruna and haléř and the pre-Euro koruna and halier are derived from the Austro-Hungarian Krone. The Fiume Krone - was introduced on 18 April 1919 by over-printing the existing Austro-Hungarian Krone notes, there were two issues, the 1919/21 Issue, and the 1920 Issue. The over-printed notes were in circulation from April 1919 to February 1921, in September 1920 the Italian Lira was introduced as the official currency. The unofficial exchange rate to the lira was 2.5 FiuK to 1 Lira, in Hungary the Austro-Hungarian currency was overstamped and then replaced by the Hungarian korona at par
Austro-Hungarian krone
–
100 K banknote (1912)
Austro-Hungarian krone
Austro-Hungarian krone
–
Indication of value in eight languages on a 50 Krone note of 1914
Austro-Hungarian krone
–
Two coronæ coin, 1913
15.
Paper money of the Hungarian korona
–
The paper money of the Hungarian korona was part of the circulating currency in the post-World War I Kingdom of Hungary until the introduction of the pengő in 1927. The variety of the banknotes and treasury notes and the variety of issuing authorities reflect the chaotic situation in the country. The Oesterreichisch-ungarische Bank / Osztrák-magyar Bank, the joint bank of the Monarchy had the patent to print banknotes throughout the Austro-Hungarian Empire. Banknotes were printed in Vienna, Hungary was supplied from there, during the First World War, the chief secretary of the Vienna headquarters intentionally suspended the delivery of banknotes to Hungary. The banknotes printed in Budapest under the Károlyi government and then under the Soviet Republic were distinguished with a different serial number, after the fall of the Soviet Republic, Vienna declared these banknotes to be counterfeits. The prewar high denomination banknotes of the Austro-Hungarian Bank were deposited at par to prevent inflation, Hungary was the last country among the successor states of the Monarchy to execute overstamping of the common money. The Károlyi government planned to start it on 21 March 1919, finally, the banknotes were overstamped from 18 March 1920. Hungary used a red, round stamp to mark the banknotes, state notes were first issued in 1921. The banknotes were first printed in Switzerland by Orell Füssli, Zürich then in Hungary by the newly founded Banknote Printing Co. in Budapest. The banknote size was increasing with the denominations, which prompted the press to resize the banknotes, from 1923. Main state note printing mark variations, Low denomination bills, no mark Large size bills, ORELL FÜSSLI ZÜRICH Small size bills, a korona-fillér pénzrendszer - Magyarország fém- és papírpénzei 1892-1925
Paper money of the Hungarian korona
–
1 Krone / korona
Paper money of the Hungarian korona
Paper money of the Hungarian korona
–
25 Kronen / korona
16.
Austria
–
Austria, officially the Republic of Austria, is a federal republic and a landlocked country of over 8.7 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Hungary and Slovakia to the east, Slovenia and Italy to the south, the territory of Austria covers 83,879 km2. The terrain is mountainous, lying within the Alps, only 32% of the country is below 500 m. The majority of the population speaks local Bavarian dialects of German as their native language, other local official languages are Hungarian, Burgenland Croatian, and Slovene. The origins of modern-day Austria date back to the time of the Habsburg dynasty, from the time of the Reformation, many northern German princes, resenting the authority of the Emperor, used Protestantism as a flag of rebellion. Following Napoleons defeat, Prussia emerged as Austrias chief competitor for rule of a greater Germany, Austrias defeat by Prussia at the Battle of Königgrätz, during the Austro-Prussian War of 1866, cleared the way for Prussia to assert control over the rest of Germany. In 1867, the empire was reformed into Austria-Hungary, Austria was thus the first to go to war in the July Crisis, which would ultimately escalate into World War I. The First Austrian Republic was established in 1919, in 1938 Nazi Germany annexed Austria in the Anschluss. This lasted until the end of World War II in 1945, after which Germany was occupied by the Allies, in 1955, the Austrian State Treaty re-established Austria as a sovereign state, ending the occupation. In the same year, the Austrian Parliament created the Declaration of Neutrality which declared that the Second Austrian Republic would become permanently neutral, today, Austria is a parliamentary representative democracy comprising nine federal states. The capital and largest city, with a population exceeding 1.7 million, is Vienna, other major urban areas of Austria include Graz, Linz, Salzburg and Innsbruck. Austria is one of the richest countries in the world, with a nominal per capita GDP of $43,724, the country has developed a high standard of living and in 2014 was ranked 21st in the world for its Human Development Index. Austria has been a member of the United Nations since 1955, joined the European Union in 1995, Austria also signed the Schengen Agreement in 1995, and adopted the euro currency in 1999. The German name for Austria, Österreich, meant eastern realm in Old High German, and is cognate with the word Ostarrîchi and this word is probably a translation of Medieval Latin Marchia orientalis into a local dialect. Austria was a prefecture of Bavaria created in 976, the word Austria is a Latinisation of the German name and was first recorded in the 12th century. Accordingly, Norig would essentially mean the same as Ostarrîchi and Österreich, the Celtic name was eventually Latinised to Noricum after the Romans conquered the area that encloses most of modern-day Austria, around 15 BC. Noricum later became a Roman province in the mid-first century AD, heers hypothesis is not accepted by linguists. Settled in ancient times, the Central European land that is now Austria was occupied in pre-Roman times by various Celtic tribes, the Celtic kingdom of Noricum was later claimed by the Roman Empire and made a province
Austria
–
First appearance of the word "ostarrichi", circled in red. Modern Austria honours this document, dated 996, as the founding of the nation.
Austria
–
Flag
Austria
–
Venus of Willendorf, 28,000 to 25,000 BC.
Museum of Natural History Vienna
Austria
–
"Heidentor" – Remains of the
Roman military city of
Carnuntum
17.
Postage stamp
–
Postage stamp may also refer to a formatting artifact in the display of film or video, Windowbox. A postage stamp is a piece of paper that is purchased and displayed on an item of mail as evidence of payment of postage. Typically, stamps are printed on special paper, show a national designation and a denomination on the front. They are sometimes a source of net profit to the issuing agency, stamps are usually rectangular, but triangles or other shapes are occasionally used. The stamp is affixed to an envelope or other postal cover the customer wishes to send, the item is then processed by the postal system, where a postmark, sometimes known as a cancellation mark, is usually applied in overlapping manner to stamp and cover. This procedure marks the stamp as used to prevent its reuse, in modern usage, postmarks generally indicate the date and point of origin of the mailing. The mailed item is delivered to the address the customer has applied to the envelope or parcel. Postage stamps have facilitated the delivery of mail since the 1840s, before then, ink and hand-stamps, usually made from wood or cork, were often used to frank the mail and confirm the payment of postage. The first adhesive postage stamp, commonly referred to as the Penny Black, was issued in the United Kingdom in 1840, there are varying accounts of the inventor or inventors of the stamp. The postage stamp resolved this issue in a simple and elegant manner, concurrently with the first stamps, the UK offered wrappers for mail. S. Postal service for priority or express mailing, the postage stamp afforded convenience for both the mailer and postal officials, more effectively recovered costs for the postal service, and ultimately resulted in a better, faster postal system. With the conveniences stamps offered, their use resulted in greatly increased mailings during the 19th and 20th centuries, as postage stamps with their engraved imagery began to appear on a widespread basis, historians and collectors began to take notice. The study of stamps and their use is referred to as philately. Stamp collecting can be both a hobby and a form of study and reference, as government-issued postage stamps. The postage for the item was prepaid by the use of a hand-stamp to frank the mailed item. Though this stamp was applied to a letter instead of a piece of paper it is considered by many historians as the worlds first postage stamp. Rowland Hill The Englishman Sir Rowland Hill began interest in postal reform in 1835, in 1836, a Member of Parliament, Robert Wallace, provided Hill with numerous books and documents, which Hill described as a half hundred weight of material. Hill commenced a study of these documents, leading him to the 1837 publication of a pamphlet entitled Post Office Reform its Importance
Postage stamp
–
The main components of a stamp: 1.
Image 2.
Perforations 3.
Denomination 4. Country name
Postage stamp
–
Rowland Hill
Postage stamp
–
The
Penny Black, the world’s first postage stamp.
Postage stamp
–
Rows of perforations in a sheet of postage stamps.
18.
Euro gold and silver commemorative coins (Austria)
–
Euro gold and silver commemorative coins are special euro coins minted and issued by member states of the Eurozone. They are minted mainly in gold and silver, although other metals are also used on rare occasions. Austria was one of the first twelve countries in the Eurozone to introduce the euro, since then, the Austrian Mint has been minting both normal issues of Austrian euro coins and commemorative euro coins in gold and silver. These commemorative coins are legal only in Austria, unlike the normal issues of the Austrian euro coins. This means that the coins made of gold and silver cannot be used as money in other countries. For this reason, they are usually named Collectors coins, such coins usually commemorate the anniversaries of historical events. They can also draw attention to current events of special importance, Austria mints more than ten of these coins on average per year, in gold, silver and niobium, with face values ranging from €1.50 to €100. The following table shows the number of coins minted per year, in the first section, the coins are grouped by the metal used, while in the second section they are grouped by their face value. See article Vienna Philharmonic The following is the schedule for next year issues
Euro gold and silver commemorative coins (Austria)
–
The front of an Austrian gold bullion coin
Euro gold and silver commemorative coins (Austria)
–
A 150 Years
Semmering Alpine Railway coin made of niobium and silver, of 2004
19.
Josef Hoffmann
–
Josef Hoffmann was an Austrian architect and designer of consumer goods. Hoffmann was born in Pirnitz / Brtnice, Moravia, Austria-Hungary and he studied at the Higher State Crafts School in Brno / Brünn beginning in 1887 and then worked with the local military planning authority in Würzburg, Germany. Thereafter he studied at the Academy of Fine Arts Vienna with Karl Freiherr von Hasenauer and Otto Wagner, in Wagners office, he met Joseph Maria Olbrich, and together they founded the Vienna Secession in 1897 along with artists Gustav Klimt, and Koloman Moser. Beginning of 1899, he taught at the Kunstgewerbeschule, now University of Applied Arts Vienna, with the Secession, Hoffmann developed strong connections with other artists. He designed installation spaces for Secession exhibitions and a house for Moser which was built from 1901-1903, with the banker Fritz Wärndorfer and the artist Koloman Moser he established the Wiener Werkstätte, which was to last until 1932. Hoffmanns style eventually became sober and abstract and it was limited increasingly to functional structures. In 1906, Hoffmann built his first great work on the outskirts of Vienna, compared to the Moser House, with its rusticated vernacular roof, this was a great advancement towards abstraction and a move away from traditional Arts and Crafts and historicism. This project served as a precedent and inspiration for the modern architecture that would develop in the first half of the 20th century. It had the clarity, simplicity, and logic that foreshadowed Neue Sachlichkeit and this masterpiece of Secession Style, was an example of Gesamtkunstwerk, replete with murals in the dining room by Klimt and four copper figures on the tower by Franz Metzner. In 1907, Hoffmann was co-founder of the Deutscher Werkbund, after World War II, he took on official tasks, that of an Austrian general commissioner with the Venice Biennale and a membership in the art senate. Some of Hoffmanns domestic designs can still be found in production today, originally produced in silver the range is now produced in high quality stainless steel. Another example of Hoffmann’s strict geometrical lines and the theme is the iconic Kubus Armchair. Designed in 1910, it was presented at the International Exhibition held in Buenos Aires on the centennial of Argentinean Independence known as May Revolution, Hoffmanns constant use of squares and cubes earned him the nickname Quadratl-Hoffmann. Although he said little to his students, Hoffmann was an esteemed and admired teacher. He tried to bring out the best in each member of his class by means of challenging assignments, and Gladys Aschermann and Louise Brigham. German designer Anni Schaad was another of his students, Le Corbusier was offered a job in his office, Schiele was helped financially and Kokoschka was given work in the Wiener Werkstätte. Hoffmann had voted for the union of Austria with Germany and, following its use by the British Government from 1945 to 1955 it was demolished. Hoffmann died in Vienna, aged 85, the critical reception of Hoffmann’s oeuvre has faithfully mirrored the changing tastes and ideologies in the history of 20th-century architecture
Josef Hoffmann
–
Josef Franz Maria Hoffmann
Josef Hoffmann
–
Sanatorium Purkersdorf
Josef Hoffmann
–
Kubus armchair
Josef Hoffmann
–
Kabarett Fledermaus in Vienna
20.
Apse
–
In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
Apse
–
Typical early Christian Byzantine apse with a hemispherical
semi-dome in the
Basilica of Sant'Apollinare in Classe.
Apse
–
Triple apse of
Basilica di Santa Giulia, northern
Italy.
Apse
–
East end of the
abbey church of Saint-Ouen, showing the chevet, Rouen,
Seine-Maritime.
Apse
–
A chevet apse vault.
21.
Mosaic
–
A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
Mosaic
–
Irano-Roman floor mosaic detail from the palace of
Shapur I at
Bishapur.
Mosaic
–
Cone mosaic courtyard from
Uruk in
Mesopotamia 3000 BC
Mosaic
–
Ancient Greek mosaic of a deer hunt, in the House of the Abduction of Helen at
Pella, late 4th century BC
Mosaic
–
Roman mosaic of
Ulysses, from Carthage. Now in the
Bardo Museum,
Tunisia
22.
Gustav Klimt
–
Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, Klimts primary subject was the female body, and his works are marked by a frank eroticism. In addition to his works, which include allegories and portraits. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art, early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. He subsequently accepted no more commissions, but achieved a new success with the paintings of his golden phase. Klimts work was an important influence on his younger contemporary Egon Schiele, Gustav Klimt was born in Baumgarten, near Vienna in Austria-Hungary, the second of seven children—three boys and four girls. His mother, Anna Klimt, had an ambition to be a musical performer. His father, Ernst Klimt the Elder, formerly from Bohemia, was a gold engraver, all three of their sons displayed artistic talent early on. Klimts younger brothers were Ernst Klimt and Georg Klimt, Klimt lived in poverty while attending the Vienna School of Arts and Crafts, where he studied architectural painting until 1883. He revered Viennas foremost history painter of the time, Hans Makart, Klimt readily accepted the principles of a conservative training, his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, the two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the Company of Artists. They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna, Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of Allegories and Emblems. In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna and he also became an honorary member of the University of Munich and the University of Vienna. In 1892 Klimts father and brother Ernst both died, and he had to assume responsibility for his fathers and brothers families. The tragedies also affected his vision and soon he would move towards a new personal style. Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge who was to be his companion until the end of his life and his painting, The Kiss, is thought to be an image of them as lovers. He designed many costumes she created and modeled in his works, during this period Klimt fathered at least fourteen children
Gustav Klimt
–
Photographic portrait from 1914
Gustav Klimt
–
Klimt in a light Blue Smock by
Egon Schiele, 1913
Gustav Klimt
–
A section of the
Beethoven Frieze, at
Secession Building,
Vienna (1902)
Gustav Klimt
–
Judith II (1909)
23.
Shepard Fairey
–
Frank Shepard Fairey is an American contemporary street artist, graphic designer, activist, illustrator and founder of OBEY Clothing who emerged from the skateboarding scene. He became widely known during the 2008 U. S. presidential election for his Barack Obama Hope poster, the Institute of Contemporary Art, Boston has described him as one the best known and most influential street artists. C. The Virginia Museum of Fine Arts in Richmond, and the Victoria, Shepard Fairey was born and raised in Charleston, South Carolina. His father, Strait Fairey, is a doctor, and his mother, Charlotte, Fairey became involved with art in 1984, when he started to place his drawings on skateboards and T-shirts. In 1988 he graduated from Idyllwild Arts Academy in California, in 1992 he earned a Bachelor of Fine Arts in Illustration from the Rhode Island School of Design. Faireys first art exhibition, titled Supply & Demand, was held in Boston at the Institute of Contemporary Art during the summer of 2009. The exhibition featured more than 250 works in a variety of media, screen prints, stencils, stickers, rubylith illustrations, collages. As a complement to the ICA exhibition, Fairey created public art works around Boston, the artist explains his driving motivation, The real message behind most of my work is question everything. Fairey sits on the board of Reaching to Embrace the Arts. Fairey created the André the Giant Has a Posse sticker campaign in 1989 and this later evolved into the Obey Giant campaign, which has grown via an international network of collaborators replicating Faireys original designs. Fairey intended the Obey Giant to inspire curiosity and cause people to question their relationship with their surroundings, according to the Obey Giant website, The sticker has no meaning but exists only to cause people to react, to contemplate and search for meaning in the sticker. The fact that a segment of the public would not only notice, but investigate. In a manifesto he wrote in 1990, and since posted on his website, Fairey has also spun off the OBEY clothing line from the original sticker campaign. He also uses the slogan The Medium is the Message borrowed from Marshall McLuhan, Shepard Fairey has also stated in an interview that part of his work is inspired by other street artists. While residing in Providence in 1994, Fairey met American filmmaker Helen Stickler, the following spring, Stickler completed a short documentary film about Shepard and his work, titled Andre the Giant has a Posse. The film premiered in the 1995 New York Underground Film Festival and it has been seen in more than 70 festivals and museums internationally. Clients included Pepsi, Hasbro and Netscape, in 2003 he founded the Studio Number One design agency with his wife Amanda Fairey. The agency produced the work for The Black Eyed Peas album Monkey Business
Shepard Fairey
–
Shepard Fairey
Shepard Fairey
Shepard Fairey
–
Obey Giant street art in
Berlin,
Germany, 2014
Shepard Fairey
–
OBEY Giant clothing sold at a
Nordstrom department store
24.
Othmar Schimkowitz
–
Othmar Schimkowitz was a Hungarian-born architectural sculptor who worked on the greatest landmarks of the Vienna Secession. Schimkowitz studied at the Academy of Fine Arts Vienna, lived for three years in New York as friends with the Austrian-American sculptor Karl Bitter, and returned to Vienna in 1895 and he joined the Vienna Secession in 1898. On the reverse of the coin, the Koloman Moser stained glass window over the entrance can be seen. In the center of the window is God the Father seated on a throne, the window is flanked by a pair of bronze angels in Jugendstil style, originally designed by Othmar Schimkowitz
Othmar Schimkowitz
–
Tárts,
Hungary
Othmar Schimkowitz
–
Steinhof Church commemorative coin
Othmar Schimkowitz
–
The 1898 Secession Building
Othmar Schimkowitz
–
Wienzeile 38 apartment block, Vienna
25.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
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A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
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