Infinite photos and videos for every Wiki article · Find something interesting to watch in seconds
History
Page
Konstantin Stanislavski
Konstantin Stanislavski
Diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting in
Diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting in the pursuit of a character's overall "supertask" (top) in the drama.
Glikeriya Fedotova, a student of Shchepkin, encouraged Stanislavski to reject inspiration, embrace training and observation, and to "look your partner
Glikeriya Fedotova, a student of Shchepkin, encouraged Stanislavski to reject inspiration, embrace training and observation, and to "look your partner straight in the eyes, read his thoughts in his eyes, and reply to him in accordance with the expression of his eyes and face."
Stanislavski with his soon-to-be wife Maria Lilina in 1889 in Schiller's Intrigue and Love.
Stanislavski with his soon-to-be wife Maria Lilina in 1889 in Schiller's Intrigue and Love.
Page
A diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting i
A diagram of Stanislavski's system, based on his "Plan of Experiencing" (1935), showing the inner (left) and outer (right) aspects of a role uniting in the pursuit of a character's overall "supertask" (top) in the drama.
Gorky (seated, centre) with Vakhtangov (right of Gorky) and other members of the First Studio, an institution devoted to research and pedagogy, which
Gorky (seated, centre) with Vakhtangov (right of Gorky) and other members of the First Studio, an institution devoted to research and pedagogy, which emphasised experimentation, improvisation, and self-discovery.
Stanislavski's production of Chekhov's The Seagull in 1898, which gave the MAT its emblem, was staged without the use of his system; Stanislavski as T
Stanislavski's production of Chekhov's The Seagull in 1898, which gave the MAT its emblem, was staged without the use of his system; Stanislavski as Trigorin (seated far right) and Meyerhold as Konstantin (on floor), with Knipper (behind).
Stanislavski considered the Italian tragedian Salvini (pictured as Othello) to be the finest example of the "art of experiencing".
Stanislavski considered the Italian tragedian Salvini (pictured as Othello) to be the finest example of the "art of experiencing".