Kyra Vaslavovna Nijinsky, was a ballet dancer of Polish and Hungarian ancestry, with a Russian dance and cultural heritage. She was the daughter of Vaslav Nijinsky and the niece of Bronislava Nijinska. In the 1930s she appeared in ballets mounted by Ida Rubinstein, Max Reinhardt, Marie Rambert, Frederick Ashton, Antony Tudor.
Kyra and her father Vaslav Nijinsky, c.1916.
Vaslav or Vatslav Nijinsky was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance en pointe, a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps.
Vaslav Nijinsky as Vayou in Nikolai Legat's revival of Marius Petipa's The Talisman, St. Petersburg, 1909
Nijinsky in Krasnoye Selo, 1907
Nijinsky as Armide's slave in Le Pavillon d'Armide. The middle act was originally choreographed by Michel Fokine as L'animation de Gobelins for the 1907 Imperial ballet school student show, and was performed by the new Ballets Russes on its opening night in Paris, 1909.
Nijinsky in Le Festin, a suite of classic dances performed on the opening night of the Ballets Russes in Paris, May 1909. The company's courier later described the audience's reaction to Nijinsky's performance with Tamara Karsavina in the Bluebird (ballet) pas de deux: "when those two came on, good Lord! I have never seen such a public. You would have thought their seats were on fire."