1.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
2.
French First Republic
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In the history of France, the First Republic, officially the French Republic, was founded on 21 September 1792 during the French Revolution. The First Republic lasted until the declaration of the First Empire in 1804 under Napoleon, under the Legislative Assembly, which was in power before the proclamation of the First Republic, France was engaged in war with Prussia and Austria. The foreign threat exacerbated Frances political turmoil amid the French Revolution and deepened the passion, in the violence of 10 August 1792, citizens stormed the Tuileries Palace, killing six hundred of the Kings Swiss guards and insisting on the removal of the king. A renewed fear of action prompted further violence, and in the first week of September 1792, mobs of Parisians broke into the citys prisons. This included nobles, clergymen, and political prisoners, but also numerous common criminals, such as prostitutes and petty thieves, many murdered in their cells—raped, stabbed and this became known as the September Massacres. The resulting Convention was founded with the purpose of abolishing the monarchy. The Conventions first act, on 10 August 1792, was to establish the French First Republic, the King, by then a private citizen bearing his family name of Capet, was subsequently put on trial for crimes of high treason starting in December 1792. On 16 January 1793 he was convicted, and on 21 January, throughout the winter of 1792 and spring of 1793, Paris was plagued by food riots and mass hunger. The new Convention did little to remedy the problem until late spring of 1793, despite growing discontent with the National Convention as a ruling body, in June the Convention drafted the Constitution of 1793, which was ratified by popular vote in early August. The Committees laws and policies took the revolution to unprecedented heights, after the arrest and execution of Robespierre in July 1794, the Jacobin club was closed, and the surviving Girondins were reinstated. A year later, the National Convention adopted the Constitution of the Year III and they reestablished freedom of worship, began releasing large numbers of prisoners, and most importantly, initiated elections for a new legislative body. On 3 November 1795, the Directory was established, the period known as the French Consulate began with the coup of 18 Brumaire in 1799. Members of the Directory itself planned the coup, indicating clearly the failing power of the Directory, Napoleon Bonaparte was a co-conspirator in the coup, and became head of the government as the First Consul. He would later proclaim himself Emperor of the French, ending the First French Republic and ushering in the French First Empire
3.
French Third Republic
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It came to an end on 10 July 1940. Harsh reparations exacted by the Prussians after the war resulted in the loss of the French regions of Alsace and Lorraine, social upheaval, and the establishment of the Paris Commune. The early governments of the Third Republic considered re-establishing the monarchy, but confusion as to the nature of that monarchy, thus, the Third Republic, which was originally intended as a provisional government, instead became the permanent government of France. The French Constitutional Laws of 1875 defined the composition of the Third Republic and it consisted of a Chamber of Deputies and a Senate to form the legislative branch of government and a president to serve as head of state. The period from the start of World War I to the late 1930s featured sharply polarized politics, Adolphe Thiers called republicanism in the 1870s the form of government that divides France least, however, politics under the Third Republic were sharply polarized. On the left stood Reformist France, heir to the French Revolution, on the right stood conservative France, rooted in the peasantry, the Roman Catholic Church and the army. The Franco-Prussian War of 1870–1871 resulted in the defeat of France, after Napoleons capture by the Prussians at the Battle of Sedan, Parisian deputies led by Léon Gambetta established the Government of National Defence as a provisional government on 4 September 1870. The deputies then selected General Louis-Jules Trochu to serve as its president and this first government of the Third Republic ruled during the Siege of Paris. After the French surrender in January 1871, the provisional Government of National Defence disbanded, French territories occupied by Prussia at this time did not participate. The resulting conservative National Assembly elected Adolphe Thiers as head of a provisional government, due to the revolutionary and left-wing political climate that prevailed in the Parisian population, the right-wing government chose the royal palace of Versailles as its headquarters. The new government negotiated a settlement with the newly proclaimed German Empire. To prompt the Prussians to leave France, the government passed a variety of laws, such as the controversial Law of Maturities. The following repression of the communards would have consequences for the labor movement. The Orléanists supported a descendant of King Louis Philippe I, the cousin of Charles X who replaced him as the French monarch in 1830, his grandson Louis-Philippe, Comte de Paris. The Bonapartists were marginalized due to the defeat of Napoléon III and were unable to advance the candidacy of any member of his family, the Bonaparte family. Legitimists and Orléanists came to a compromise, eventually, whereby the childless Comte de Chambord would be recognised as king, consequently, in 1871 the throne was offered to the Comte de Chambord. Chambord believed the monarchy had to eliminate all traces of the Revolution in order to restore the unity between the monarchy and the nation, which the revolution had sundered apart. Compromise on this was if the nation were to be made whole again
4.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
Romanticism
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Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
6.
Jean-Victor Bertin
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Jean-Victor Bertin was a French painter of historical landscapes, inspired by Italy and known for the minute detail of his classical style. The son of a master wig-maker, he became a pupil of the celebrated Valenciennes and he entered the Académie royale de peinture et de sculpture in 1785, as a pupil of Gabriel-François Doyen. Between 1785 and 1793 he participated in several concours démulation competitions and he won a prix dencouragement in 1799 and his work was recognised in 1808 by a gold medal, first class, with a value of 250 francs. He was granted the Légion dhonneur on 21 August 1822 and his old age was marked by financial problems and he was himself the master of Michallon, Coignet, Boisselier, Corot, Enfantin, and others. Several of his works were commissioned for the palais du Trianon, amongst his principal works may be cited, The Festival of Pan. Many of his works will be found in the galleries at Versailles, in the Louvre there is a View of the Island of Phoenos with the Temple of Minerva
7.
Prix de Rome
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The Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state, the prize was extended to architecture in 1720, music in 1803, and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, the Minister of Culture, the Prix de Rome was initially created for painters and sculptors in 1663 in France during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest, the prize, organised by the Académie Royale de Peinture et de Sculpture, was open to their students. From 1666, the winner could win a stay of three to five years at the Palazzo Mancini in Rome at the expense of the King of France. In 1720, the Académie Royale d’Architecture began a prize in architecture, six painters, four sculptors, and two architects would be sent to the French Academy in Rome founded by Jean-Baptiste Colbert from 1666. Expanded after 140 years into five categories, the contest started in 1663 as two categories, painting and sculpture, in 1803, music was added, and after 1804 there was a prix for engraving as well. The primary winner took the First Grand Prize and the Second Prizes were awarded to the runners-up, in 1803, Napoleon Bonaparte moved the French Academy in Rome to the Villa Medici with the intention of preserving an institution once threatened by the French Revolution. At first, the villa and its gardens were in a sad state, in this way, he hoped to retain for young French artists the opportunity to see and copy the masterpieces of antiquity and the Renaissance. Jacques-Louis David, having failed to win the three years in a row, considered suicide. Édouard Manet, Edgar Degas, Ernest Chausson and Maurice Ravel attempted the Prix de Rome, but did not gain recognition. Ravel tried a total of five times to win the prize, during World War II the prize winners were accommodated in the Villa Paradiso in Nice. The Prix de Rome was abolished in 1968 by André Malraux, since then, a number of contests have been created, and the academies, together with the Institut de France, were merged by the State and the Minister of Culture. Selected residents now have an opportunity for study during an 18-month stay at The Academy of France in Rome, the heyday of the Prix de Rome was during the late eighteenth and early nineteenth centuries. The Prix de Rome for Architecture was created in 1720, the engraving prize was created in 1804. A Prix de Rome was also established in the Kingdom of Holland by Lodewijk Napoleon to award young artists and architects, during the years 1807–1810 prize winners were sent to Paris and onwards to Rome for study. Suspended in 1851 it was reinstated in 1870 by William III of the Netherlands, since then the winners have been selected by the Rijksakademie in Amsterdam under the main headings of architecture and the visual arts. The Belgian Prix de Rome is an award for artists, created in 1832
Rines, George Edwin, ed. (1920). "Cogniet, Leon". Encyclopedia Americana.
Rines, George Edwin, ed. (1920). "
Media related to Léon Cogniet at Wikimedia Commons
