1.
French literature
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This article is a general introduction to French literature. For detailed information on French literature in specific periods, see the separate historical articles in the template to the right. Literature written in French language, by citizens of nations such as Belgium, Switzerland, Canada, Senegal, Algeria, Morocco. As of 2006, French writers have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country, France itself ranks first in the list of Nobel Prizes in literature by country. French literature has been for French people an object of pride for centuries. The French language is a dialect derived from Latin and heavily influenced principally by Celtic. Today, French schools emphasize the study of novels, theater, the literary arts are heavily sponsored by the state and literary prizes are major news. The Académie française and the Institut de France are important linguistic and artistic institutions in France, Literature matters deeply to the people of France and plays an important role in their sense of identity. As of 2006, French literary people have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country, a writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form. For most of the 20th century, French authors had more Literature Nobel Prizes than those of any other nation. M. G, le Clézio 2014 – Patrick Modiano Grand Prix de Littérature Policière – created in 1948, for crime and detective fiction. Grand Prix du roman de lAcadémie française – created 1918, Prix Décembre – created in 1989. Prix Femina – created 1904, decided each year by an exclusively female jury, Prix Goncourt – created 1903, given to the author of the best and most imaginative prose work of the year. Prix Goncourt des Lycéens – created in 1987, Prix Littéraire Valery Larbaud – created in 1957. Prix Médicis – created 1958, awarded to an author whose fame does not yet match their talent, Prix Renaudot – created in 1926. Prix Tour-Apollo Award – 1972–1990, given to the best science fiction published in French during the preceding year. Prix des Deux Magots – created in 1933, a short history of French literature Burgwinkle, William, Nicholas Hammond, and Emma Wilson, eds. The Cambridge history of French literature Cobb, Richard, Promenades, an appreciation of modern French literature Harvey, Paul. The Oxford companion to French literature Denis Hollier, ed, a New History of French Literature, Harvard University Press,1989,1150 pp. France, Peter
2.
Medieval French literature
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Medieval French literature is, for the purpose of this article, literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century. For historical background, see History of France, France in the Middle Ages or Middle Ages, for other national literary traditions, see Medieval literature. The language in southern France is known as langue doc or the Occitan language family, also known under the name of one of iys dialects, the Western peninsula of Brittany spoke Breton, a Celtic language. Catalan was spoken in the South, and Germanic languages and Franco-Provençal were spoken in the East, the various dialects of Old French developed into what are recognised as regional languages today. Languages which developed from dialects of Old French include Bourguignon, Champenois, Franc-Comtois, Francien, Gallo, Lorrain, Norman, Anglo-Norman, Picard, Poitevin, Saintongeais and Walloon. From 1340 to the beginning of the century, a generalized French language became clearly distinguished from the other competing Oïl languages. This is referred to as Middle French, the vast majority of literary production in Old French is in verse, the development of prose as a literary form was a late phenomenon. The French language does not have a significant stress accent or long and this means that the French metric line is not determined by the number of beats, but by the number of syllables. The most common lengths are the ten-syllable line, the eight-syllable line. Verses could be combined in a variety of ways, blocks of assonanced lines are called laisses, the choice of verse form was generally dictated by the genre. The Old French epics are written in ten-syllable assonanced laisses. The earliest extant French literary texts date from the ninth century, the first literary works written in Old French were saints lives. The Canticle of Saint Eulalie, written in the half of the ninth century, is generally accepted as the first such text. It is a poem that recounts the martyrdom of a young girl. The best known of the early Old French saints lives is the Vie de Saint Alexis, the life of Saint Alexis, a translation/rewriting of a Latin legend. Saint Alexis fled from his familys home in Rome on his wedding night and dwelled as a hermit in Syria until a mystical voice began telling people of his holiness. In order to avoid the earthly honor that came with such fame, he left Syria and was back to Rome. He was only identified later when the pope read his name in a letter held in the saints hand
3.
17th-century French literature
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In reality, 17th-century French literature encompasses far more than just the classicist masterpieces of Jean Racine and Madame de La Fayette. In Renaissance France, literature was largely the product of encyclopaedic humanism, a new conception of nobility, modelled on the Italian Renaissance courts and their concept of the perfect courtier, was beginning to evolve through French literature. In the mid-17th century, there were an estimated 2,200 authors in France, under Cardinal Richelieu, patronage of the arts and literary academies increasingly came under the control of the monarchy. Henry IVs court was considered by contemporaries a rude one, lacking the Italianate sophistication of the court of the Valois kings, the court also lacked a queen, who traditionally served as a focus of a nations authors and poets. Henrys literary tastes were largely limited to the chivalric novel Amadis of Gaul, in the 1620s, the most famous salon was held at the Hôtel de Rambouillet by Madame de Rambouillet, a rival gathering was organized by Madeleine de Scudéry. The word salon first appeared in French in 1664 from the Italian word sala, before 1664, literary gatherings were often called by the name of the room in which they occurred -- cabinet, réduit, alcôve, and ruelle. For instance, the term derives from literary gatherings held in the bedroom. Nobles, lying on their beds, would receive close friends, ruelle refers to the space between a bed and the wall in a bedroom, it became a name for these gatherings, often under the wing of educated women in the first half of the 17th century. In the context of French scholastica, academies were scholarly societies which monitored, fostered, academies first appeared in France during the Renaissance, when Jean-Antoine de Baïf created one devoted to poetry and music, inspired by the academy of Italian Marsilio Ficino. The first half of the 17th century was marked by a growth in private academies. Academies were generally more formal and more focused on criticism and analysis than salons, however, certain salons were closer to the academic spirit. In the mid-17th century, academies gradually came under government control and sponsorship, the first private academy to fall under governmental control was LAcadémie française, which remains the most prestigious governmental academy in France. Founded in 1634 by Cardinal Richelieu, LAcadémie française focuses on the French language, in certain instances, the values of 17th-century nobility played a major part in the literature of the era. Most notable of these values are the aristocratic obsession with glory, the spectacle of power, prestige and luxury found in 17th-century literature may be distasteful or even offensive. The château of Versailles, court ballets, noble portraits, triumphal arches – all of these were representations of glory, the notion of glory was not vanity or boastfulness or hubris, but rather a moral imperative for the aristocracy. Nobles were required to be generous, magnanimous and to great deeds disinterestedly. Ones status in the world demanded appropriate externalisation, nobles indebted themselves to build prestigious urban mansions and to buy clothes, paintings, silverware, dishes and other furnishings befitting their rank. They were also required to show generosity by hosting sumptuous parties, conversely, social parvenus who took on the external trappings of the noble classes were severely criticised, sometimes by legal action
4.
18th-century French literature
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In common with a similar movement in England at the same time, the writers of 18th century France were critical, skeptical and innovative. Their lasting contributions were the ideas of liberty, toleration, humanitarianism, equality, and progress, the 18th century saw the gradual weakening of the absolute monarchy constructed by Louis XIV. France was forced to recognize the power of England and Prussia. The Monarchy finally ended with King Louis XVI, who was unable to understand or control the forces of the French Revolution. The new class began to challenge the cultural and social monopoly of the aristocracy, French cities began to have their own theaters, coffee houses and salons, the Rise of the Third Estate culminated in their political victory in the French Revolution. Faith in science and progress was the force behind the first French Encyclopedia of Denis Diderot. The Protestants achieved legal status in France in 1787, the exchange of ideas with other countries also increased. British ideas were important, particularly such ideas as constitutional monarchy and romanticism. Toward the end of the century, a sober style appeared, aimed at illustrating scenery, work. These writers, and others such as the Abbé Sieyès, one of the authors of the Declaration of the Rights of Man and of the Citizen. They came from the upper class or Third Estate, sought a society founded upon talent and merit. Their ideas were influenced by those of John Locke in England. They introduced the values of liberty and equality which became the ideals of the French Republic founded at the end of the century and they defended the freedom of conscience and challenged the role of religious institutions in society. For them, tolerance was a value of society. When the Convention placed the ashes of Voltaire in the Pantheon in Paris, while the philosophes had widely different approaches, they all had as a common objective, both for mankind and for individuals, the ideal of happiness. Some, like Rousseau, dreamed of the happiness of the savage, rapidly disappearing, others, like Voltaire. The philosophes were optimists, and they saw their mission clearly, they did not simply observe, the comedies of Marivaux and of Beaumarchais also played a part in this debate about and diffusion of great ideas. The relaxing of morals under the French Regency brought the return in 1716 of the Comédie-Italienne and his major works include Les Fausses Confidences, le Jeu de lamour et du hasard, and lÎle des esclaves
5.
19th-century French literature
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19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. French literature enjoyed enormous prestige and success in the 19th century. The first part of the century was dominated by Romanticism, until around the mid-century Realism emerged, in the last half of the century, naturalism, parnassian poetry, and symbolism, among other styles, were often competing tendencies at the same time. Some writers did form into literary groups defined by a name, in other cases, these expressions were merely pejorative terms given by critics to certain writers or have been used by modern literary historians to group writers of divergent projects or methods. Nevertheless, these labels can be useful in describing broad historical developments in the arts and their influence was felt in theatre, poetry, prose fiction. Foreign influences played a big part in this, especially those of Shakespeare, Sir Walter Scott, Byron, Goethe, Le mal du siècle, a sense of loss, disillusion, and aporia, typified by melancholy and lassitude. Romanticism in England and Germany largely predate French romanticism, although there was a kind of pre-romanticism in the works of Senancour and Jean-Jacques Rousseau at the end of the 18th century. French Romanticism took definite form in the works of François-René de Chateaubriand and Benjamin Constant and it found early expression also in the sentimental poetry of Alphonse de Lamartine. The major battles of romanticism in France was in the theater, the dramatic unities of time and place were abolished, tragic and comic elements appeared together and metrical freedom was won. Marked by the plays of Friedrich Schiller, the romantics often chose subjects from historic periods, victor Hugo was the outstanding genius of the Romantic School and its recognized leader. He was prolific alike in poetry, drama, and fiction, all three also wrote novels and short stories, and Musset won a belated success with his plays. Alexandre Dumas, père wrote The Three Musketeers and other novels in an historical setting. Prosper Mérimée and Charles Nodier were masters of shorter fiction, Romanticism is associated with a number of literary salons and groups, the Arsenal, the Cénacle, the salon of Louis Charles Delescluze, the salon of Antoine Deschamps, the salon of Madame de Staël. Romanticism in France defied political affiliation, one finds both liberal, conservative and socialist strains, the expression Realism, when applied to literature of the 19th century, implies the attempt to depict contemporary life and society. The growth of realism is linked to the development of science, history, honoré de Balzac is the most prominent representative of 19th century realism in fiction. His La Comédie humaine, a vast collection of nearly 100 novels, was the most ambitious scheme ever devised by a writer of fiction—nothing less than a contemporary history of his countrymen. Realism also appears in the works of Alexandre Dumas, fils, similar tendencies appeared in the theatrical melodramas of the period and, in an even more lurid and gruesome light, in the Grand Guignol at the end of the century. In addition to melodramas, popular and bourgeois theater in the mid-century turned to realism in the well-made bourgeois farces of Eugène Marin Labiche, from the 1860s on, critics increasingly speak of literary Naturalism
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French Renaissance
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The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European Renaissance, a word first used by the French historian Jules Michelet to define the artistic, the French Renaissance traditionally extends from the French invasion of Italy in 1494 during the reign of Charles VIII until the death of Henry IV in 1610. The reigns of Francis I of France and his son Henry II are generally considered the apex of the French Renaissance, the word Renaissance is a French word, whose literal translation into English is Rebirth. The word Renaissance was first used and defined by French historian Jules Michelet, in his 1855 work, as a French citizen and historian, Michelet also claimed the Renaissance as a French movement. His work is at the origin of the use of the French word Renaissance in other languages, for a chronological list of French Renaissance artists, see List of French Renaissance artists. In 1516, Francis I of France invited Leonardo da Vinci to the Château dAmboise and provided him with the Château du Clos Lucé, then called Château de Cloux, as a place to stay and work. Leonardo, a painter and inventor, arrived with three of his paintings, namely the Mona Lisa, Sainte Anne, and Saint Jean Baptiste. There are a number of French artists of talent in this period including the painter Jean Fouquet of Tours. Marie de Medici, Henry IVs queen, invited the Flemish painter Peter Paul Rubens to France, another Flemish artist working for the court was Frans Pourbus the younger. Outside France, working for the dukes of Lorraine, one finds a very different late mannerist style in the artists Jacques Bellange, Claude Deruet and Jacques Callot. Having little contact with the French artists of the period, they developed a heightened, extreme, and often erotic mannerism, the old Louvre castle in Paris was also rebuilt under the direction of Pierre Lescot and would become the core of a brand new Renaissance château. To the west of the Louvre, Catherine de Medici had built for her the Tuileries palace with extensive gardens and they became an extension of the chateaux that they surrounded, and were designed to illustrate the Renaissance ideals of measure and proportion. Burgundy, the mostly French-speaking area unified with the Kingdom of France in 1477, was the center of Europe in the early. The Burgundian style gave birth to the Franco-Flemish style of polyphony which dominated European music in the late 15th and early 16th centuries. However, by the end of the 15th century, a French national character was becoming distinct in music of the French royal and aristocratic courts, guillaume Dufay and Gilles Binchois are two notable examples from the Burgundian school during the early Renaissance period. The most renowned composer in Europe, Josquin des Prez, worked for a time in the court of Louis XII, Francis I, who became king that year, made the creation of an opulent musical establishment a priority. By far the most significant contribution of France to music in the Renaissance period was the chanson, the chanson in the early 16th century was characterised by a dactylic opening and contrapuntal style which was later adopted by the Italian canzona, the predecessor of the sonata. Typically chansons were for three or four voices, without accompaniment, but the most popular examples were inevitably made into instrumental versions as well
7.
Pierre de Ronsard
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Pierre de Ronsard was a French poet or, as his own generation in France called him, a prince of poets. Pierre de Ronsard was born at the Manoir de la Possonnière, in the village of Couture-sur-Loir, baudouin de Ronsard or Rossart was the founder of the French branch of the house, and made his mark in the early stages of the Hundred Years War. The poets father was Louis de Ronsard, and his mother was Jeanne de Chaudrier, loys de Ronsard was maître dhôtel du roi to Francis I, whose captivity after Pavia had just been softened by treaty, and he had to quit his home shortly after Pierres birth. The future poet was educated at home in his earliest years, a year after the death of the queen, he returned to France, travelling back through England. Afterwards he was attached in the way to the suite of the cardinal du Bellay-Langey. His apparently promising diplomatic career was, however, cut short by an attack of deafness that no physician could cure, antoine de Baïf, Daurats pupil, accompanied Ronsard, Belleau shortly followed, Joachim du Bellay, the second of the seven, joined not much later. Muretus, a scholar and by means of his Latin plays a great influence in the creation of French tragedy, was also a student here. The Défense et illustration de la langue française of the latter appeared in 1549, Ronsards own work came a little later, and a rather idle story is told of a trick of Du Bellays which at last determined him to publish. These books excited a violent literary quarrel and his popularity in his own time was overwhelming and immediate, and his prosperity was unbroken. To this same year belongs his most important and interesting Abrégé de lart poétique français, the rapid change of sovereigns did Ronsard no harm. Charles IX, King of France, who succeeded his brother after a short time, was even better inclined to him than Henry. He gave him rooms in the palace, he bestowed upon him diverse abbacies and priories, neither was Charles IX a bad poet. This royal patronage, however, had its disagreeable side, according to some words of his own, they were not contented with this variety of argument, but attempted to have him assassinated. One party in the state were certain to look coldly on the work of a minion of the court at such a juncture, the other had something else to think of. The death of Charles made little difference in the favour which Ronsard enjoyed. It seems also that he had a house of his own in the Fauhourg Saint-Marcel. At any rate his preferments made him in perfectly easy circumstances, on the other hand, he received not merely gifts and endowments from his own sovereign but presents from many others, including Elizabeth I of England. Mary, Queen of Scots addressed him from her prison, and his last years were saddened not merely by the death of many of his closest friends, but by increasing ill-health
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Joachim du Bellay
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Joachim du Bellay was a French poet, critic, and a member of the Pléiade. His mother was Renée Chabot, daughter of Perceval Chabot and heiress of La Turmelière. Both his parents died while he was still a child, and he was left to the guardianship of his brother, René du Bellay. When he was twenty-three, however, he received permission to study law at the University of Poitiers, at Poitiers he came in contact with the humanist Marc Antoine Muret, and with Jean Salmon Macrin, a Latin poet famous in his day. It was probably in 1547 that du Bellay met Ronsard in an inn on the way to Poitiers, the two had much in common, and became fast friends. Du Bellay returned with Ronsard to Paris to join the circle of students of the attached to Jean Dorat at the Collège de Coqueret. The famous manifesto of the Pléiade, the Défense et illustration de la langue française, was at once a complement and a refutation of Sébillets treatise. This book was the expression of the principles of the Pléiade as a whole. This work also bolstered French political debate as a means of learned men to reform their country, to obtain a clear view of the reforms aimed at by the Pléiade, the Defence should be further considered in connection with Ronsards Abrégé dart poétique and his preface to the Franciade. He condemned those who despaired of their tongue, and used Latin for their more serious and ambitious work. For translations from the ancients he would substitute imitations, though he does not in the Defense explain precisely how one is to go about this. Not only were the forms of poetry to be imitated. The French language was to be enriched by a development of its resources and by discreet borrowing from Italian, Latin. Both du Bellay and Ronsard laid stress on the necessity of prudence in these borrowings, the book was a spirited defence of poetry and of the possibilities of the French language, it was also a declaration of war on those writers who held less heroic views. The violent attacks made by du Bellay on Marot and his followers, aneau pointed out the obvious inconsistency of inculcating imitation of the ancients and depreciating native poets in a work professing to be a defence of the French language. Olive, a collection of modeled after the poetry of Petrarch, Ariosto. With it were printed thirteen odes entitled Vers lyriques, Du Bellay did not actually introduce the sonnet into French poetry, but he acclimatized it, and when the fashion of sonneteering became a mania he was one of the first to ridicule its excesses. About this time du Bellay had an illness of two years duration, from which dates the beginning of his deafness
9.
Alexandria
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Alexandria is the second largest city and a major economic centre in Egypt, extending about 32 km along the coast of the Mediterranean Sea in the north central part of the country. Its low elevation on the Nile delta makes it vulnerable to rising sea levels. Alexandria is Egypts largest seaport, serving approximately 80% of Egypts imports and exports and it is an important industrial center because of its natural gas and oil pipelines from Suez. Alexandria is also an important tourist destination, Alexandria was founded around a small Ancient Egyptian town c.331 BC by Alexander the Great. Alexandria was the second most powerful city of the ancient world after Rome, Alexandria is believed to have been founded by Alexander the Great in April 331 BC as Ἀλεξάνδρεια. Alexanders chief architect for the project was Dinocrates, Alexandria was intended to supersede Naucratis as a Hellenistic center in Egypt, and to be the link between Greece and the rich Nile valley. The city and its museum attracted many of the greatest scholars, including Greeks, Jews, the city was later plundered and lost its significance. Just east of Alexandria, there was in ancient times marshland, as early as the 7th century BC, there existed important port cities of Canopus and Heracleion. The latter was rediscovered under water. An Egyptian city, Rhakotis, already existed on the shore also and it continued to exist as the Egyptian quarter of the city. A few months after the foundation, Alexander left Egypt and never returned to his city, after Alexanders departure, his viceroy, Cleomenes, continued the expansion. Although Cleomenes was mainly in charge of overseeing Alexandrias continuous development, the Heptastadion, inheriting the trade of ruined Tyre and becoming the center of the new commerce between Europe and the Arabian and Indian East, the city grew in less than a generation to be larger than Carthage. In a century, Alexandria had become the largest city in the world and and it became Egypts main Greek city, with Greek people from diverse backgrounds. Alexandria was not only a center of Hellenism, but was home to the largest urban Jewish community in the world. The Septuagint, a Greek version of the Tanakh, was produced there, in AD115, large parts of Alexandria were destroyed during the Kitos War, which gave Hadrian and his architect, Decriannus, an opportunity to rebuild it. On 21 July 365, Alexandria was devastated by a tsunami, the Islamic prophet, Muhammads first interaction with the people of Egypt occurred in 628, during the Expedition of Zaid ibn Haritha. He sent Hatib bin Abi Baltaeh with a letter to the king of Egypt and Alexandria called Muqawqis In the letter Muhammad said, I invite you to accept Islam, Allah the sublime, shall reward you doubly. But if you refuse to do so, you bear the burden of the transgression of all the Copts
10.
Pleiades
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In astronomy, the Pleiades, or Seven Sisters, is an open star cluster containing middle-aged, hot B-type stars located in the constellation of Taurus. It is among the nearest star clusters to Earth and is the cluster most obvious to the eye in the night sky. The celestial entity has several meanings in different cultures and traditions, the cluster is dominated by hot blue and extremely luminous stars that have formed within the last 100 million years. Computer simulations have shown that the Pleiades was probably formed from a configuration that resembled the Orion Nebula. Astronomers estimate that the cluster will survive for about another 250 million years, the name of the Pleiades comes from Ancient Greek. It probably derives from plein because of the importance in delimiting the sailing season in the Mediterranean Sea. However, the name was later mythologised as the name of seven sisters, whose name was imagined to derive from that of their mother Pleione. In reality, the name of the star cluster almost certainly came first, in Hinduism, the Pleiades are known as Krittika and are associated with the war-god Kartikeya, who derives his name from them. The god is raised by the six Krittika sisters, also known as the Matrikas and he is said to have developed a face for each of them. The Ancient Egyptians may have used the names Followers and Ennead in the texts of the Calendar of Lucky and Unlucky Days of papyrus Cairo 86637. The earliest known depiction of the Pleiades is likely a bronze age known as the Nebra sky disk. Some Greek astronomers considered them to be a constellation, and they are mentioned by Hesiods Works and Days. They are also mentioned three times in the Bible, some scholars of Islam suggested that the Pleiades are the stars mentioned in the sura Najm of the Quran. In Japan, the constellation is mentioned under the name Mutsuraboshi in the 8th century Kojiki, the constellation is now known in Japan as Subaru. It was chosen as the name of Subaru automobiles to reflect the origins of the firm as the joining of five companies. The rising of the Pleiades is mentioned in the Ancient Greek text Geoponica, the Greeks oriented the Hecatompedon temple of 550 BC and the Parthenon of 438 BC to their rising. The rising of the Pleiades before dawn has long regarded as the start of the new year in Māori culture. The rising of Matariki is celebrated as a festival in New Zealand
11.
Star cluster
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Star clusters or star clouds are groups of stars. Star clusters visible to the eye include Pleiades, Hyades. Globular clusters, or GC, are roughly spherical groupings of from 10,000 to several million stars packed into regions of from 10 to 30 light years across. They commonly consist of very old Population II stars—just a few hundred years younger than the universe itself—which are mostly yellow and red. Such stars predominate within clusters because hotter and more stars have exploded as supernovae. Yet a few rare blue stars exist in globulars, thought to be formed by mergers in their dense inner regions. In our galaxy, globular clusters are distributed roughly spherically in the halo, around the galactic centre. Super star clusters, such as Westerlund 1 in the Milky Way, may be the precursors of globular clusters. Our galaxy has about 150 globular clusters, some of which may have captured from small galaxies disrupted by the Milky Way. Some galaxies are much richer in globulars, the giant elliptical galaxy M87 contains over a thousand. A few of the brightest globular clusters are visible to the eye, with the brightest, Omega Centauri, having been known since antiquity. The best known globular cluster in the northern hemisphere is M13, in 2005, astronomers discovered a completely new type of star cluster in the Andromeda Galaxy, which is, in several ways, very similar to globular clusters. Currently, there are not any intermediate clusters discovered in the Milky Way, the three discovered in Andromeda Galaxy are M31WFS C1 M31WFS C2, and M31WFS C3. These new-found star clusters contain hundreds of thousands of stars, a number of stars that can be found in globular clusters. The clusters also share characteristics with globular clusters, e. g. the stellar populations. What distinguishes them from the clusters is that they are much larger – several hundred light-years across –. The distances between the stars are, therefore, much greater within the newly discovered extended clusters, parametrically, these clusters lie somewhere between a globular cluster and a dwarf spheroidal galaxy. How these clusters are formed is not yet known, but their formation might well be related to that of globular clusters, why M31 has such clusters, while the Milky Way has not, is not yet known
12.
Toulouse
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Toulouse is the capital city of the southwestern French department of Haute-Garonne, as well as of the Occitanie region. The city lies on the banks of the River Garonne,150 kilometres from the Mediterranean Sea,230 km from the Atlantic Ocean and it is the fourth-largest city in France with 466,297 inhabitants in January 2014. The Toulouse Metro area is, with 1312304 inhabitants as of 2014, Frances 4th metropolitan area after Paris, Lyon and Marseille and ahead of Lille and Bordeaux. Toulouse is the centre of the European aerospace industry, with the headquarters of Airbus, the Galileo positioning system, the SPOT satellite system, the Airbus Group, ATR and the Aerospace Valley. The city also hosts the European headquarters of Intel and CNESs Toulouse Space Centre, thales Alenia Space, and Astrium Satellites, Airbus Groups satellite system subsidiary, also have a significant presence in Toulouse. The University of Toulouse is one of the oldest in Europe and, with more than 103,000 students, is the fourth-largest university campus in France, after the Universities of Paris, Lyon and Lille. The air route between Toulouse Blagnac and Paris Orly is the busiest in Europe, transporting 2.4 million passengers in 2014, according to the rankings of LExpress and Challenges, Toulouse is the most dynamic French city. It is now the capital of the Occitanie region, the largest region in metropolitan France, sernin, the largest remaining Romanesque building in Europe, designated in 1998 because of its significance to the Santiago de Compostela pilgrimage route. Toulouse is in the south of France, north of the department of Haute-Garonne, the city is traversed by the Canal de Brienne, the Canal du Midi and the rivers Garonne, Touch and Hers-Mort. Toulouse has a subtropical climate which can be qualified as submediterranean due to its proximity to the Mediterranean climate zone. The Garonne Valley was a point for trade between the Pyrenees, the Mediterranean and the Atlantic since at least the Iron Age. The historical name of the city, Tolosa, it is of unknown meaning or origin, possibly from Aquitanian, or from Iberian, Tolosa enters the historical period in the 2nd century BC, when it became a Roman military outpost. After the conquest of Gaul, it was developed as a Roman city of Gallia Narbonensis. In the 5th century, Tolosa fell to the Visigothic kingdom and became one of its cities, in the early 6th century even serving as its capital. From this time, Toulouse was the capital of Aquitaine within the Frankish realm, in 721, Duke Odo of Aquitaine defeated an invading Umayyad Muslim army at the Battle of Toulouse. Odos victory was an obstacle to Muslim expansion into Christian Europe. Charles Martel, a later, won the Battle of Tours. The Frankish conquest of Septimania followed in the 750s, and a quasi-independent County of Toulouse emerged within the Carolingian sub-kingdom of Aquitaine by the late 8th century
13.
Jean Daurat
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Jean Daurat was a French poet, scholar and a member of a group known as The Pléiade. He was born Joan Dinemandy in Limoges and was a member of a noble family, after studying at the College of Limoges, he came to Paris to be presented to King Francis I of France, who made him tutor to his pages. He rapidly gained an reputation as a classical scholar. As a private tutor in the house of Lazare de Baif and his son, Louis, showed great precocity and at the age of ten, translated into French verse one of his fathers Latin pieces. His poems were published with his fathers, Daurat became director of the College de Coqueret, where he had among his pupils Antoine de Baif, Pierre de Ronsard, Remy Belleau, and Pontus de Tyard. Joachim du Bellay was added by Ronsard to this group, and they increased their number to seven by the initiation of the dramatist Étienne Jodelle, and thereupon they named themselves La Pléiade, in emulation of the seven Greek poets of Alexandria. Meanwhile, he collected around him a sort of Academy, and encouraged the students in a study of Greek. He himself wrote incessantly in both languages, and was styled the modern Pindar. His influence extended beyond the bounds of his own country, and he was famous as a scholar in England, Italy, in 1556 he was appointed professor of Greek at the Collège Royal. In 1567, he resigned the post in favour of his nephew, King Charles IX gave him the title of poeta regius. His prolific output was the wonder of his time, he is said to have composed more than 15,000 Greek, the best of these he published at Paris in 1586. He died at Paris, having survived all his illustrious pupils of the Pléiade, the Œuvres poétiques in the vernacular of Jean Daurat were edited in 1875 with biographical notice and bibliography by Charles Marty-Laveaux in his Pléiade française. Daurat has been credited with the development of the claque in the French theatre, in which professional applauders are paid to ensure the success of plays, playwrights. Daurat is described by Eduard Fraenkel as the initiator of the study of Greek poetry in France
14.
Petrarch
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Francesco Petrarca, commonly anglicized as Petrarch, was an Italian scholar and poet in Renaissance Italy, and one of the earliest humanists. Petrarchs rediscovery of Ciceros letters is often credited with initiating the 14th-century Renaissance, Petrarch is often considered the founder of Humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarchs works, as well as those of Giovanni Boccaccio, Petrarch would be later endorsed as a model for Italian style by the Accademia della Crusca. Petrarchs sonnets were admired and imitated throughout Europe during the Renaissance and he is also known for being the first to develop the concept of the Dark Ages. This standing back from his time was possible because he straddled two worlds—the classical and his own modern day, Petrarch was born in the Tuscan city of Arezzo in 1304. He was the son of Ser Petracco and his wife Eletta Canigiani and his given name was Francesco Petracco. The name was Latinized to Petrarca, Petrarchs younger brother was born in Incisa in Val dArno in 1307. Dante was a friend of his father, Petrarch spent his early childhood in the village of Incisa, near Florence. He spent much of his life at Avignon and nearby Carpentras. He studied law at the University of Montpellier and Bologna with a lifelong friend, because his father was in the profession of law he insisted that Petrarch and his brother study law also. Petrarch however was interested in writing and Latin literature and considered these seven years wasted. Additionally he proclaimed that through legal manipulation his guardians robbed him of his small property inheritance in Florence and he protested, I couldnt face making a merchandise of my mind, as he viewed the legal system as the art of selling justice. Petrarch was a letter writer and counted Boccaccio among his notable friends to whom he wrote often. After the death of their parents, Petrarch and his brother Gherardo went back to Avignon in 1326 and this work gave him much time to devote to his writing. With his first large work, Africa, an epic in Latin about the great Roman general Scipio Africanus. On April 8,1341, he became the poet laureate since antiquity and was crowned by Roman Senatori Giordano Orsini. He traveled widely in Europe, served as an ambassador, and has called the first tourist because he traveled just for pleasure. During his travels, he collected crumbling Latin manuscripts and was a mover in the recovery of knowledge from writers of Rome
15.
Dante Alighieri
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Durante degli Alighieri, simply called Dante, was a major Italian poet of the Late Middle Ages. In the late Middle Ages, the majority of poetry was written in Latin. In De vulgari eloquentia, however, Dante defended use of the vernacular in literature, as a result, Dante played an instrumental role in establishing the national language of Italy. In addition, the first use of the interlocking three-line rhyme scheme, Dante has been called the Father of the Italian language and one of the greatest poets of world literature. In Italy, Dante is often referred to as il Sommo Poeta and il Poeta, he, Petrarch, Dante was born in Florence, Republic of Florence, present-day Italy. The exact date of his birth is unknown, although it is believed to be around 1265. This can be deduced from autobiographic allusions in the Divine Comedy, in 1265, the sun was in Gemini between approximately May 11 and June 11. Dante claimed that his family descended from the ancient Romans, but the earliest relative he could mention by name was Cacciaguida degli Elisei, born no earlier than about 1100. Dantes father, Alaghiero or Alighiero di Bellincione, was a White Guelph who suffered no reprisals after the Ghibellines won the Battle of Montaperti in the middle of the 13th century. Dantes family had loyalties to the Guelphs, an alliance that supported the Papacy and which was involved in complex opposition to the Ghibellines. The poets mother was Bella, likely a member of the Abati family and she died when Dante was not yet ten years old, and Alighiero soon married again, to Lapa di Chiarissimo Cialuffi. When Dante was 12, he was promised in marriage to Gemma di Manetto Donati, daughter of Manetto Donati, contracting marriages at this early age was quite common and involved a formal ceremony, including contracts signed before a notary. But by this time Dante had fallen in love with another, Beatrice Portinari, years after his marriage to Gemma he claims to have met Beatrice again, he wrote several sonnets to Beatrice but never mentioned Gemma in any of his poems. The exact date of his marriage is not known, the certain information is that, before his exile in 1301. Dante fought with the Guelph cavalry at the Battle of Campaldino and this victory brought about a reformation of the Florentine constitution. To take any part in life, one had to enroll in one of the citys many commercial or artisan guilds, so Dante entered the Physicians. In the following years, his name is recorded as speaking or voting in the various councils of the republic. A substantial portion of minutes from meetings in the years 1298–1300 was lost, however
16.
Vernacular
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Some linguists use vernacular and nonstandard dialect as synonyms. The use of vernacular is not recent, here vernacular, mother language and dialect are already in use in a modern sense. The figurative meaning was broadened from the diminutive extended words vernaculus, varro, the classical Latin grammarian, used the term vocabula vernacula, termes de la langue nationale or vocabulary of the national language as opposed to foreign words. In general linguistics, a vernacular is contrasted with a lingua franca, for instance, in Western Europe until the 17th century, most scholarly works had been written in Latin, which was serving as a lingua franca. Works written in Romance languages are said to be in the vernacular, the Divina Commedia, the Cantar de Mio Cid, and The Song of Roland are examples of early vernacular literature in Italian, Spanish, and French, respectively. In Europe, Latin was used instead of vernacular languages in varying forms until c. 1701, in its latter stage as New Latin, in Catholicism, vernacular bibles were later provided, but Latin was used at Tridentine Mass until the Second Vatican Council of 1965. Certain groups, notably Traditionalist Catholics, continue to practice Latin Mass, in India, the 12th century Bhakti movement led to the translation of Sanskrit texts to the vernacular. In science, a user of the vernacular was Galileo. 1600, though some of his works remained in Latin, a later example is Isaac Newton, whose 1687 Principia was in Latin, but whose 1704 Opticks was in English. Latin continues to be used in fields of science, notably binomial nomenclature in biology, while other fields such as mathematics use vernacular. In diplomacy, French displaced Latin in Europe in the 1710s, certain languages have both a classical form and various vernacular forms, with two widely used examples being Arabic and Chinese, see Varieties of Arabic and Chinese language. In the 1920s, due to the May Fourth Movement, Classical Chinese was replaced by written vernacular Chinese, the vernacular is also often contrasted with a liturgical language, a specialized use of a former lingua franca. Similarly, in Hindu culture, traditionally religious or scholarly works were written in Sanskrit or in Tamil in Tamil country. With the rise of the movement from the 12th century onwards, religious works were created in the other languages, Hindi, Kannada, Telugu. These circumstances are a contrast between a vernacular and language variant used by the same speakers, according to one school of linguistic thought, all such variants are examples of a linguistic phenomenon termed diglossia. In it, the language is bifurcated, i. e. the speaker learns two forms of the language and ordinarily uses one but under special circumstances the other. The one most frequently used is the low variant, equivalent to the vernacular, the concept was introduced to linguistics by Charles A. Ferguson, but Ferguson explicitly excluded variants as divergent as dialects or different languages or as similar as styles or registers
17.
Pindar
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Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved and his poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they are reduced to silence by the disinclination of the multitude for elegant learning. His poetry, while admired by critics, still challenges the casual reader, Pindar was the first Greek poet to reflect on the nature of poetry and on the poets role. A dream of a shadow Is our mortal being, but when there comes to men A gleam of splendour given of heaven, Then rests on them a light of glory And blessed are their days. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the classical period, five ancient sources contain all the recorded details of Pindars life. One of them is a short biography discovered in 1961 on an Egyptian papyrus dating from at least 200 AD and it has been claimed that biographical interpretations of the poems are due to a fatal conjunction of historicism and Romanticism. In other words, we know almost nothing about Pindars life based on traditional sources or his own poems. However, the pendulum of fashion has begun to change direction again. He was probably born in 522 BC or 518 BC in Cynoscephalae and his fathers name is variously given as Daiphantus, Pagondas or Scopelinus, and his mothers name was Cleodice. It is reported that he was stung on the mouth by a bee in his youth, Pindar was about twenty years old in 498 BC when he was commissioned by the ruling family in Thessaly to compose his first victory ode. He studied the art of poetry in Athens, where his tutor was Lasos of Hermione. The early-to-middle years of Pindars career coincided with the Persian invasions of Greece in the reigns of Darius and it is possible that Pindar spent much of this time at Aegina. Thrasybulus had driven the winning chariot and he and Pindar were to form a lasting friendship, Pindar seems to have used his odes to advance his, and his friends, personal interests. In 462 BC he composed two odes in honour of Arcesilas, king of Cyrene, pleading for the return from exile of a friend, Demophilus. In the latter ode Pindar proudly mentions his own ancestry, which he shared with the king, as an Aegeid or descendent of Aegeus, the historian Herodotus considered the clan important enough to deserve mention. Pindar might not actually claim to be an Aegeid since his I statements do not necessarily refer to himself. He was possibly the Theban proxenos or consul for Aegina and/or Molossia, as indicated in another of his odes, Nemean 7, in which he glorifies Neoptolemus, a national hero of Aegina and Molossia
18.
Anacreon
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Anacreon was a Greek lyric poet, notable for his drinking songs and hymns. Later Greeks included him in the canonical list of nine lyric poets, Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, Anacreons poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals and the observations of everyday people and life. Anacreon was born at Teos, an Ionian city on the coast of Asia Minor, the name and identity of his father is a matter of dispute, with different authorities naming four possibilities, Scythianus, Eumelus, Parthenius, or Aristocritus. It is likely that Anacreon fled into exile with most of his fellow-townsmen who sailed to Thrace when their homeland was attacked by the Persians, there they founded a colony at Abdera, rather than remaining behind to surrender their city to Harpagus, one of Cyrus the Greats generals. Cyrus was, at the time, besieging the Greek cities of Asia Minor, Anacreon seems to have taken part in the fighting, in which, by his own admission, he did not distinguish himself. From Thrace he travelled to the court of Polycrates of Samos, in return for his favour and protection, Anacreon wrote many complimentary odes about his patron. Like his fellow-lyric poet, Horace, who was one of his great admirers, John Addison, writing in 1735, relates a story told by Stobaeus about Anacreon. Having received a treasure of five gold talents from Polycrates, Anacreon couldnt sleep for two nights in a row and he then returned it to his patron, saying, However considerable the sum might be, its not an equal price for the trouble of keeping it. In Athens he became acquainted with the poet Simonides, and other members of the brilliant circle which had gathered around Hipparchus, according to others, before returning to Teos, he accompanied Simonides to the court of Echecrates, a Thessalian dynast of the house of the Aleuadae. Lucian mentions Anacreon amongst his instances of the longevity of eminent men, for a long time, Anacreon was popular in Athens, where his statue was to be seen on the Acropolis, together with that of his friend Xanthippus, the father of Pericles. On several coins from Teos he is represented holding a lyre in his hand, sometimes sitting, a marble statue found in 1835 in the Sabine district, and now in the Galleria Borghese, is said to represent Anacreon. Anacreon wrote all of his poetry in the ancient Ionic dialect, like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, usually the lyre. Anacreons verses were primarily in the form of monody rather than for a chorus, in keeping with Greek poetic tradition, his poetry relied on meter for its construction. Metrical poetry is a rhythmic form, deriving its structure from patterns of phonetic features within. The phonetic patterning in Anacreons poetry, like all the Greek poetry of the day, is found in the alternation of long. The Ionic dialect also had an aspect to it that lends a natural melodic quality to the recitation. The Greek language is well suited to this metrical style of poetry
19.
Alcaeus of Mytilene
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Alcaeus of Mytilene was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria and he was an older contemporary and an alleged lover of Sappho, with whom he may have exchanged poems. He was born into the governing class of Mytilene, the main city of Lesbos. The broad outlines of the life are well known. Alcaeus and his brothers were passionately involved in the struggle. Sometime before 600 BC, Mytilene fought Athens for control of Sigeion and it is thought that Alcaeus travelled widely during his years in exile, including at least one visit to Egypt. His older brother, Antimenidas, appears to have served as a mercenary in the army of Nebuchadnezzar II, Alcaeus reference to Sappho in terms more typical of a divinity, as holy/pure, honey-smiling Sappho, may owe its inspiration to her performances at the festival. Alexandrian scholars numbered him in their canonic nine, among these, Pindar was held by many ancient critics to be pre-eminent, but some gave precedence to Alcaeus instead. Even the private reflections of Alcaeus, ostensibly sung at dinner parties, critics often seek to understand Alcaeus in comparison with Sappho, The Roman poet, Horace, also compared the two, describing Alcaeus as more full-throatedly singing — see Horaces tribute below. The works of Alcaeus are conventionally grouped according to five genres, commenting on Alcaeus as a political poet, the scholar Dionysius of Halicarnassus once observed that. if you removed the meter you would find political rhetoric. Drinking songs, According to the grammarian Athenaeus, Alcaeus made every occasion an excuse for drinking, the latter poem in fact paraphrases verses from Hesiod, re-casting them in Asclepiad meter and Aeolian dialect. Hymns, Alcaeus sang about the gods in the spirit of the Homeric hymns, to entertain his companions rather than to glorify the gods, there are for example fragments in Sapphic meter praising the Dioscuri, Hermes and the river Hebrus. According to Porphyrion, the hymn to Hermes was imitated by Horace in one of his own sapphic odes, love songs, Almost all Alcaeus amorous verses, mentioned with disapproval by Quintilian above, have vanished without trace. There is a reference to his love poetry in a passage by Cicero. Horace, who wrote in imitation of Alcaeus, sketches in verse one of the Lesbian poets favourite subjects — Lycus of the black hair. It is possible that Alcaeus wrote amorously about Sappho, as indicated in an earlier quote, miscellaneous, Alcaeus wrote on such a wide variety of subjects and themes that contradictions in his character emerge. — possibly imitated by Horace in an ode in the same meter and he also wrote Sapphic stanzas on Homeric themes but in unHomeric style, comparing Helen of Troy unfavourably with Thetis, the mother of Akhilles. Like many of his poems, it begins with a verb, Alcaeus rarely used metaphor or simile and yet he had a fondness for the allegory of the storm-tossed ship of state
20.
Greek Anthology
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The Greek Anthology is a collection of poems, mostly epigrams, that span the classical and Byzantine periods of Greek literature. Most of the material of the Greek Anthology comes from two manuscripts, the Palatine Anthology of the 10th century and the Anthology of Planudes of the 14th century and it contained poems by the compiler himself and forty-six other poets, including Archilochus, Alcaeus, Anacreon, and Simonides. Meleagers Anthology was popular enough that it attracted later additions, prefaces to the editions of Philippus of Thessalonica and Agathias were preserved in the Greek Anthology to attest to their additions of later poems. The scholar Maximus Planudes also made an edition of the Greek Anthology and his anthology was the only one known to Western Europe until 1606 when Claudius Salmasius found in the library at Heidelberg a fuller collection based on Cephalas. The copy made by Salmasius was not, however, published until 1776, the first critical edition was that of F. Jacobs. Since its transmission to the rest of Europe, the Greek Anthology has left an impression on its readers. Its influence can be seen on writers as diverse as Propertius, Ezra Pound, since full and uncensored English translations became available at the end of the 20th century, its influence has widened still further. e. The modern use of the word is a departure from the original sense, the term was soon extended to any piece by which these conditions were fulfilled. These causes came into operation during the Alexandrian era, in which we find every description of epigrammatic composition perfectly developed. About 60 BC, the sophist and poet Meleager of Gadara undertook to combine the choicest effusions of his predecessors into a body of fugitive poetry. The arrangement of his collection was alphabetical, according to the letter of each epigram. In the age of the emperor Tiberius the work of Meleager was continued by another epigrammatist, Philippus of Thessalonica and his collection, which included the compositions of thirteen writers subsequent to Meleager, was also arranged alphabetically, and contained an introductory poem. It was of quality to Meleagers. These and other collections made during the Middle Ages are now lost, of his compilation extant, but who probably lived during the temporary revival of letters under Constantine Porphyrogenitus, at the beginning of the 10th century. His arrangement, to which we shall have to recur, is founded on a principle of classification and his principle of selection is unknown, it is only certain that while he omitted much that he should have retained, he has preserved much that would otherwise have perished. We are, however, indebted to him for the preservation of the epigrams on works of art, the Planudean Anthology was the only recension of the anthology known at the revival of classical literature, and was first published at Florence, by Janus Lascaris, in 1494. The manuscript itself had changed its quarters. In 1816 it went back to Heidelberg, but in an incomplete state and it is now represented at Heidelberg by a photographic facsimile
21.
Virgil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
22.
Horace
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Quintus Horatius Flaccus, known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. Horace also crafted elegant hexameter verses and caustic iambic poetry and his career coincided with Romes momentous change from a republic to an empire. An officer in the army defeated at the Battle of Philippi in 42 BC, he was befriended by Octavians right-hand man in civil affairs, Maecenas. Some of the writings contained in his writings can be supplemented from the short. He was born on 8 December 65 BC in the Samnite south of Italy and his home town, Venusia, lay on a trade route in the border region between Apulia and Lucania. Various Italic dialects were spoken in the area and this perhaps enriched his feeling for language and he could have been familiar with Greek words even as a young boy and later he poked fun at the jargon of mixed Greek and Oscan spoken in neighbouring Canusium. Literary Latin must have sounded to him like a semi-foreign language, one of the works he probably studied in school was the Odyssia of Livius Andronicus, crammed into Italian boys with threats and floggings by teachers like the Orbilius mentioned in one of his poems. School was made particularly irksome by a number of his fellow pupils, the army veterans could have been settled there at the expense of local families uprooted by Rome as punishment for their part in the Social War. Such state-sponsored migration must have added still more variety to the area. According to a tradition reported by Horace, a colony of Romans or Latins had been installed in Venusia after the Samnites had been driven out early in the third century. In that case, young Horace could have felt himself to be a Roman though there are indications that he regarded himself as a Samnite or Sabellus by birth. Italians in modern and ancient times have always been devoted to their towns, even after success in the wider world. Images of his setting and references to it are found throughout his poems. Horaces father was probably a Venutian taken captive by Romans in the Social War, either way, he was a slave for at least part of his life. He was evidently a man of strong abilities however and managed to gain his freedom, thus Horace claimed to be the free-born son of a prosperous coactor. The father spent a fortune on his sons education, eventually accompanying him to Rome to oversee his schooling. The poet later paid tribute to him in a poem that one scholar considers the best memorial by any son to his father. As it is now, he deserves from me unstinting gratitude, I could never be ashamed of such a father, nor do I feel any need, as many people do, to apologize for being a freedmans son
23.
Ovid
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Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
24.
Muses
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The Muses are the inspirational goddesses of literature, science, and the arts in Greek mythology. They were considered the source of the knowledge embodied in the poetry, lyric songs and they were later adopted by the Romans as a part of their pantheon. In current English usage, muse can refer in general to a person who inspires an artist, writer, the earliest known records of the Nine Muses are from Boeotia, the homeland of Hesiod. Some ancient authorities thought that the Nine Muses were of Thracian origin, there, a tradition persisted that the Muses had once been three in number. They were again called Melete or Practice, Mneme or Memory, three ancient Muses were also reported in Plutarchs Quaestiones Convivales. According to Pausanias in the second century AD, there were three original Muses, worshiped on Mount Helicon in Boeotia, Aoidḗ, Melétē, and Mnḗmē. Together, these three form the picture of the preconditions of poetic art in cult practice. In Delphi three Muses were worshiped as well, but with other names, Nḗtē, Mésē, and Hýpatē, alternatively they later were called Kēphisṓ, Apollōnís, and Borysthenís, which names characterize them as daughters of Apollo. In later tradition, a set of four Muses were recognized, Thelxinóē, Aoidḗ Archē, one of the people frequently associated with the Muses was Pierus. By some he was called the father of a total of seven Muses, called Neilṓ, Tritṓnē, Asōpṓ, Heptápora, Achelōís, Tipoplṓ, and Rhodía. According to Hesiods Theogony, they were daughters of Zeus, the second king of the gods. For Alcman and Mimnermus, they were even more primordial, springing from the deities, Uranus. Sometimes the Muses are referred to as water nymphs, associated with the springs of Helicon and it was said that the winged horse Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the muses were born. Athena later tamed the horse and presented him to the muses, classical writers set Apollo as their leader, Apollon Mousagetēs. In one myth, the Muses judged a contest between Apollo and Marsyas and they also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. In a later myth, Thamyris challenged them to a singing contest and they won and punished Thamyris by blinding him and robbing him of his singing ability. He thus challenged the Muses to a match, resulting in his daughters, Pausanias records a tradition of two generations of Muses, the first are the daughters of Uranus and Gaia, the second of Zeus and Mnemosyne. Another, rarer genealogy is that they are daughters of Harmonia, some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope
25.
Carpe diem
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Carpe diem is a Latin aphorism, usually translated seize the day, taken from book 1 of the Roman poet Horaces work Odes. Carpe is the second-person singular present active imperative of carpō pick or pluck used by Horace to mean enjoy, seize, use, Diem is the accusative case of the noun dies day. A more literal translation of carpe diem would thus be pluck the day —that is, in Horace, the phrase is part of the longer carpe diem, quam minimum credula postero, which can be translated as Seize the day, put very little trust in tomorrow. The ode says that the future is unforeseen and that one should not leave to chance future happenings and this phrase is usually understood against Horaces Epicurean background. The meaning of carpe diem as used by Horace is not to ignore the future, the phrase. ואם לא עכשיו, אימתי And if not now, then when. Collige, virgo, rosas appears at the end of the poem De rosis nascentibus attributed to Ausonius or Virgil. It encourages youth to life before it is too late, compare Gather ye rosebuds while ye may from Robert Herricks 1648 poem To the Virgins. De Brevitate Vitae, often referred to as Gaudeamus igitur, is a popular academic commercium song, on taking joy in student life and it is medieval Latin, dating to 1287. Related but distinct is the expression memento mori which carries some of the same connotation as carpe diem, for Horace, mindfulness of our own mortality is key in making us realize the importance of the moment. Remember that you are mortal, so seize the day, over time the phrase memento mori also came to be associated with penitence, as suggested in many vanitas paintings. Today many listeners will take the two phrases as representing almost opposite approaches, with carpe diem urging us to savour life and this is not the original sense of the memento mori phrase as used by Horace. In the 1989 movie Dead Poets Society, the English teacher John Keating, played by Robin Williams, famously says, later, this line was voted as the 95th greatest movie quote by the American Film Institute. The American progressive metal band Dream Theater released the 23-minute epic A Change of Seasons on their 1995 EP of the same name, the song numerously references the carpe diem or Seize the Day aphorism as part of its storyline. The American heavy metal band Metallica produced a song called Carpe Diem Baby on their 1997 album Reload, the chorus contains the line Come squeeze and suck the day. The soundtrack to the 2011 animated film Phineas and Ferb the Movie, the American punk rock band, Green Day, produced a song called Carpe Diem on their 2012 album ¡Uno. The chorus is Carpe Diem, a cry, are we all too young to die. Ask for reason, and no reply, are we all too young to die, the English alternative rock band, You Me at Six, produced a song called Carpe Diem on their 2014 album Cavalier Youth. The chorus is Carpe diem til the very end, Carpe diem til the bitter end
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Epic poetry
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An epic poem, epic, epos, or epopee is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Milman Parry and Albert Lord have argued that the Homeric epics and these works form the basis of the epic genre in Western literature. Nearly all Western epic self-consciously presents itself as a continuation of the tradition begun by these poems, classical epic employs dactylic hexameter and recounts a journey, either physical or mental or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, another type of epic poetry is epyllion, which is a brief narrative poem with a romantic or mythological theme. The term, which means little epic, came into use in the nineteenth century, the most famous example of classical epyllion is perhaps Catullus 64. The first epics were products of preliterate societies and oral history poetic traditions, in these traditions, poetry is transmitted to the audience and from performer to performer by purely oral means. Early twentieth-century study of living oral traditions in the Balkans by Milman Parry. What they demonstrated was that oral epics tend to be constructed in short episodes, each of equal status, interest and this facilitates memorization, as the poet is recalling each episode in turn and using the completed episodes to recreate the entire epic as he performs it. Parry and Lord also contend that the most likely source for written texts of the epics of Homer was dictation from an oral performance, poets in literate societies have sometimes copied the epic format. The earliest surviving European examples are the Argonautica of Apollonius of Rhodes and Virgils Aeneid, other obvious examples are Nonnus Dionysiaca, Tulsidas Sri Ramacharit Manas. In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry, an attempt to delineate ten main characteristics of an epic, Begins in medias res. The setting is vast, covering many nations, the world or the universe, Begins with an invocation to a muse. Begins with a statement of the theme, contains long lists, called an epic catalogue. Shows divine intervention on human affairs, features heroes that embody the values of the civilization. Often features the tragic heros descent into the Underworld or hell, the hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from, many epic heroes are recurring characters in the legends of their native culture. Conventions of epics, Preposition, Opens by stating the theme or cause of the epic and this may take the form of a purpose, of a question, or of a situation. Invocation, Writer invokes a Muse, one of the nine daughters of Zeus, the poet prays to the Muses to provide him with divine inspiration to tell the story of a great hero
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Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
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Mythology
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Mythology refers variously to the collected myths of a group of people or to the study of such myths. Myths are the people tell to explain nature, history. Myth is a feature of every culture, mythologizing continues, as shown in contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A cultures collective mythology helps convey belonging, shared and religious experiences, behavioral models, the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus, Plato and Sallustius were developed by the Neoplatonists, the nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science, a disease of language, or a misinterpretation of magical ritual. Recent approaches often view myths as manifestations of psychological, cultural, or societal truths, the term mythology predates the word myth by centuries. It first appeared in the fifteenth-century, borrowed from the Middle French term mythologie, the word mythology, comes from Middle French mythologie, from Late Latin mythologia, from Greek μυθολογία mythología from μῦθος mythos and -λογία -logia. The word mythología appears in Plato, but was used as a term for fiction or story-telling of any kind, combining mỹthos. From Lydgate until the seventeenth or eighteenth-century, mythology was similarly used to mean a moral, fable, from its earliest use in reference to a collection of traditional stories or beliefs, mythology implied the falsehood of the stories being described. It came to be applied by analogy with similar bodies of traditional stories among other cultures around the world. The Greek loanword mythos and Latinate mythus both appeared in English before the first example of myth in 1830, in present use, mythology usually refers to the collected myths of a group of people, but may also mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures, dundes defined myth as a sacred narrative that explains how the world and humanity evolved into their present form. Lincoln defined myth as ideology in narrative form, scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, due to this pejorative sense, some scholars opted for the term mythos. Its use was similarly pejorative and now commonly refers to its Aristotelian sense as a plot point or to a collective mythology. The term is distinguished from didactic literature such as fables. Main characters in myths are usually gods, demigods or supernatural humans, however, many exceptions or combinations exist, as in the Iliad, Odyssey and Aeneid. Myths are often endorsed by rulers and priests and are linked to religion or spirituality
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Guillaume Desautels
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Guillaume Desautels was a French poet of the sixteenth century associated with La Pleiade. He was born in 1529 in Burgundy, the exact place of birth is not formally known. Some sources gives Montcenis, Charolles, Vernoble in a château of his father near Genouilly and Le Puley in Les Hôtels House and he was the son of Syacre Desautels and Anne de la Vesure. He died about 1599 in Lyon, various sources give the years 1570,1576,1579 and 1581 as well as after 1584. One source says he lived to be 70 years of age and he was married in 1548 to Jeanne de Bruyere. Other researchers give the name of Jane de Salle and it is not known if there were any children from this marriage or if, in fact, there were two distinct marriages. His maternal grandmother, also named Anne, was the sister of Etienne de Tyard, father of Pontus de Tyard, Guillaumes mother, Anne de la Vesure would thus have been the first cousin of Etienne. The family was prominent in Burgundy, they married into the Tyard family. Also, another Anne de la Vesure is recorded as the Abbess of an Ursuline convent in the capital city of Burgundy. As a youth, Guillaume studied under his governor, Jean Tullerius and at the college of Burgundy where he studied the humanities, at the age of 15 he went to Lyon from 1544 to 1546 where he studied with Fontaine and Ancais at the school of Marat. He studied law at the university of Valence in Dauphiné from 1546 until 1549 under Coras and he never practiced the legal profession although he would have had need for it as Judge Magistrate at Cluny in later years. While in Valence he made the acquaintance of Cardinal Berthelemy Des Places, Melin de St. Gelais and his own cousin and it was during this period he was married to Jeanne de Bruyere whom he left at Montcenis to stay with his father. Guillaume did not leave her as it would seem a new bride in a strange house, the town of Bruyere is about 5 miles west of Vichy and only about 50 miles from Montcenis. It is more likely that she had many friends and family in the area while Guillaume was away studying. Apparently lonely in Valence and only 20 years of age, he met a woman named Denise Lhoste and her husband Jean Chabert of the town of Romans. He took up residence with them in October 1549 and lived there for seven months during which time he and she referred to him as Sainte. It would have been during this period that he probably met Michel de Nostredame, in 1547 Nostradamus lived at Salon-de-Provence which is less than a hundred miles from Guillaumes school at Valence. Nostradamus was quite familiar with Guillaumes friend and fellow poet, Ronsard and was well known
30.
Huguenots
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Huguenots are the ethnoreligious group of French Protestants who follow the Reformed tradition. It was used frequently to members of the French Reformed Church until the beginning of the 19th century. The term has its origin in 16th-century France, Huguenot numbers peaked near an estimated two million by 1562, concentrated mainly in the southern and western parts of France. As Huguenots gained influence and more openly displayed their faith, Catholic hostility grew, in spite of political concessions, a series of religious conflicts followed, known as the French Wars of Religion, fought intermittently from 1562 to 1598. The Huguenots were led by Jeanne dAlbret, her son, the future Henry IV, the wars ended with the Edict of Nantes, which granted the Huguenots substantial religious, political, and military autonomy. Huguenot rebellions in the 1620s prompted the abolishment of their political and they retained religious provisions of the Edict of Nantes until the rule of Louis XIV. Nevertheless, a minority of Huguenots remained and faced continued persecution under Louis XV. By the death of Louis XV in 1774, French Calvinism was almost completely wiped out, persecution of Protestants officially ended with the Edict of Versailles, signed by Louis XVI in 1787. Two years later, with the Declaration of the Rights of Man and Citizen of 1789 and they also spread to the Dutch Cape Colony in South Africa, the Dutch East Indies, the Caribbean, New Netherland, and several of the English colonies in North America. Small contingents of families went to Orthodox Russia and Catholic Quebec, a term used originally in derision, Huguenot has unclear origins. Geneva was John Calvins adopted home and the centre of the Calvinist movement, the label Huguenot was purportedly first applied in France to those conspirators involved in the Amboise plot of 1560, a foiled attempt to wrest power in France from the influential House of Guise. The move would have had the effect of fostering relations with the Swiss. Thus, Hugues plus Eidgenosse by way of Huisgenoten supposedly became Huguenot, a version of this complex hypothesis is promoted by O. I. A. Roche, who writes in his book, The Days of the Upright, A History of the Huguenots, that Huguenot is, a combination of a Dutch and a German word. Gallicised into Huguenot, often used deprecatingly, the word became, Some disagree with such double or triple non-French linguistic origins, arguing that for the word to have spread into common use in France, it must have originated in the French language. The Hugues hypothesis argues that the name was derived by association with Hugues Capet, king of France and he was regarded by the Gallicans and Protestants as a noble man who respected peoples dignity and lives. Janet Gray and other supporters of the hypothesis suggest that the name huguenote would be equivalent to little Hugos. It was in place in Tours that the prétendus réformés habitually gathered at night
31.
Consistori del Gay Saber
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The Consistori del Gay Saber was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours. Also known as the Acadèmia dels Jòcs Florals, it is the most ancient literary institution of the western world and it was founded in 1323 in Toulouse and later restored by Clémence Isaure as the Consistori del Gay Saber with the goal of encouraging Occitan poetry. The best verses were given prizes at the games in the form of different flowers, made of gold or silver, such as violets, rose hips, calendula officinalis. It was renewed by Louis XIV in 1694 and still exists today, the Académie des Jeux Floraux has had such prestigious members as Ronsard, Marmontel, Chateaubriand, Voltaire, Alfred de Vigny, Victor Hugo and Frédéric Mistral. The academy was called the Consistori dels Sept Trobadors or Sobregaya Companhia dels Set Trobadors de Tolosa. Chaytor believed that the Consistori arose out of meetings of poets held in earlier years. The Consistori was governed by a chancellor and seven judges or mantenedors, in 1390 John I of Aragon, one of the earliest Renaissance humanists to sit on a European throne, established the Consistori de Barcelona in imitation of the Toulousain academy. The Consistori held a poetry contest at which one contestant. The other prizes, awarded for particular forms, were similarly floral. The best dança earned its creator a flor de gaug dargen fi, the first prize was rewarded on 3 May 1324 to Arnaut Vidal de Castelnou dAri for a sirventes in praise of the Virgin Mary. The contests were held intermittently until 1484, when the last prize was awarded to Arnaut Bernart de Tarascon, from this period of 160 years survive the record of around a hundred prizes. During that century and a half, the Consistori saw participants from both south of the Pyrenees and north of Occitania, both men and women, in an unknown year, possibly 1385, an anonymous Catalan woman submitted a planh to the seven maintainers for judgement. The planh is that of a woman for her lover. It was in order to judge these contests that the Consistori first commissioned an Occitan grammar, including the laws of poetry, the first compiler was Guilhem Molinier, whose Leys damor was completed between 1328 and 1337. It went through two subsequent redactions, several other grammatical treatises and glosses were produced by poets associated with the Consistori. By 1471 the Consistori was losing its Occitan character, in 1513 the Consistori was transformed into the Collège de rhétorique et de poésie françaises, the College of French Rhetoric and Poetry. In 1554 the College awarded a silver rose to none other than Pierre de Ronsard. During the Enlightenment, Fabre dÉglantine received his name from the dog rose the academy bestowed on him at the jeux floraux, in 1694 the Consistori was reborn as the Académie des Jeux Floraux, founded by Louix XIV
