1.
Piazza della Scala
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Piazza della Scala is a pedestrian central square of Milan, Italy, connected to the main square of Milan, Piazza del Duomo, by the Galleria Vittorio Emanuele II passage. On the opposite side to La Scala, to the south-east, is the facade of Palazzo Marino, another relevant building on the square, on the north-eastern side, is the Palazzo della Banca Commerciale Italiana. The south-western side of the square has the entry to the Galleria Vittorio Emanuele as well as Palazzo Beltrami. Most of the architecture of the square is due to architect Luca Beltrami, who designed the palace, the facade of Palazzo Marino. The centre of the square is marked by the monument of Leonardo da Vinci by sculptor Pietro Magni, Piazza della Scala is a relatively recent addition to the plan of Milans centre. The oldest building on the square, Palazzo Marino, dates back to the 16th century, at the time, nevertheless, in fact, the main facade of Palazzo Marino was originally the one facing Piazza San Fedele, to the south-east. Likewise, when La Scala was built, it was facing a rather than a square. It was only in the late 19th Century that the authorities of Milan initiated a renovation of the area. Luca Beltrami first contributed with Palazzo Beltrami, then with the new facade of Palazzo Marino, and, much later, with the Banca Commerciale building
2.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
3.
Opera house
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An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building. While some venues are constructed specifically for operas, other houses are part of larger performing arts centers. In contrast, there was no house in London when Henry Purcell was composing. Early United States opera houses served a variety of functions in towns and cities, hosting community dances, fairs, plays, with the rise of bourgeois and capitalist social forms in the 19th century, European culture moved away from its patronage system to a publicly supported system. In the 2000s, most opera and theatre companies raise funds from a combination of government and institutional grants, ticket sales, the Teatro San Carlo in Naples introduces the plant horseshoe, the oldest in the world, a model for the Italian theater. On this model were built following theaters of Italy and Europe, among others, the theater of the Palace of Caserta. Given the popularity of opera in 18th and 19th century Europe, opera houses are large, with generally more than 1,000 seats. Modern opera houses of the century such as New Yorks Metropolitan Opera. Many operas are better suited to being presented in smaller theatres, in a traditional opera house, the auditorium is U-shaped, with the length of the sides determining the audience capacity. Around this are tiers of balconies, and often, nearer to the stage, are boxes and this is especially true of Wagners Bayreuth Festspielhaus where the pit is almost completely covered. The size of an opera orchestra varies, but for some operas, oratorios and other works, it may be large, for some romantic period works. Similarly, an opera may have a large cast of characters, chorus, dancers, therefore, a major opera house will have extensive dressing room facilities. Opera houses often have on-premises set and costume building shops and facilities for storage of costumes, make-up, masks, and stage properties, major opera houses throughout the world often have highly mechanized stages, with large stage elevators permitting heavy sets to be changed rapidly. At the Metropolitan Opera, for instance, sets are changed during the action, as the audience watches. This occurs in the Mets productions of such as Aida. Much the same happened in the remodeling of Milans La Scala opera house between 2002 and 2004, since the 1990s, however, many opera houses have begun using a subtle form of sound reinforcement called acoustic enhancement. Often, operas are presented in their languages, which may be different from the first language of the audience. For example, a Wagnerian opera presented in London may be in German, therefore, since the 1980s modern opera houses have assisted the audience by providing translated supertitles, projections of the words above or near to the stage
4.
Ambrose
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Aurelius Ambrosius, better known in English as Saint Ambrose, was a bishop of Milan who became one of the most influential ecclesiastical figures of the 4th century. He was the Roman governor of Liguria and Emilia, headquartered in Milan, Ambrose was a staunch opponent of Arianism, and has been accused of fostering persecutions of Arians, Jews, and pagans. Ambrose was one of the four original Doctors of the Church and he is notable for his influence on Augustine of Hippo. Ambrose was born into a Roman Christian family about 340 and was raised in Gallia Belgica and his mother was a woman of intellect and piety. Ambroses siblings, Satyrus and Marcellina, are venerated as saints. There is a legend that as an infant, a swarm of bees settled on his face while he lay in his cradle and his father considered this a sign of his future eloquence and honeyed tongue. For this reason, bees and beehives often appear in the saints symbology, after the early death of his father, Ambrose followed his fathers career. He was educated in Rome, studying literature, law, Ambrose was the Governor of Aemilia-Liguria in northern Italy until 374, when he became the Bishop of Milan. He was a popular political figure, and since he was the Governor in the effective capital in the Roman West. In the late 4th century there was a conflict in the diocese of Milan between the Nicene Church and Arians. In 374 the bishop of Milan, Auxentius, an Arian, died, Ambrose went to the church where the election was to take place, to prevent an uproar, which was probable in this crisis. His address was interrupted by a call Ambrose, bishop, which was taken up by the whole assembly. Ambrose was known to be Nicene Christian in belief, but also acceptable to Arians due to the charity shown in matters in this regard. At first he refused the office, for which he was in no way prepared. Upon his appointment, Ambrose fled to a colleagues home seeking to hide, upon receiving a letter from the Emperor Gratian praising the appropriateness of Rome appointing individuals evidently worthy of holy positions, Ambroses host gave him up. Within a week, he was baptized, ordained and duly consecrated bishop of Milan and this raised his popularity even further, giving him considerable political leverage over even the emperor. Ambrose also wrote a treatise by the name of The Goodness of Death, according to legend, Ambrose immediately and forcefully stopped Arianism in Milan. He studied theology with Simplician, a presbyter of Rome, in the confrontation with Arians, Ambrose sought to theologically refute their propositions, which were contrary to the Nicene creed and thus to the officially defined orthodoxy
5.
Carnival
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Carnival is a Western Christian festive season that occurs before the liturgical season of Lent. The main events occur during February or early March, during the period historically known as Shrovetide. Carnival typically involves a public celebration and/or parade combining some elements of a circus, masks, people wear masks and costumes during many such celebrations, allowing them to lose their everyday individuality and experience a heightened sense of social unity. Excessive consumption of alcohol, meat, and other foods proscribed during Lent is extremely common, the term Carnival is traditionally used in areas with a large Catholic presence. However, the Philippines, a predominantly Roman Catholic country, does not celebrate Carnival anymore since the dissolution of the Manila Carnival after 1939, in Slavic Eastern Orthodox nations, Maslenitsa is celebrated during the last week before Great Lent. In German-speaking Europe and the Netherlands, the Carnival season traditionally opens on 11/11 and this dates back to celebrations before the Advent season or with harvest celebrations of St. Martins Day. Rio de Janeiro in Brazil is the biggest in the world, followed jointly by Barranquilla, Colombia, alternative names are used for regional and local celebrations. The origin may be from the Italian word carne or carrus, the former suggests an origin within Christianity, while the alternative links to earlier religions. Folk etymologies state that the word comes from the Late Latin expression carne vale, the word carne may also be translated as flesh, producing a farewell to the flesh, a phrase embraced by certain carnival celebrants to embolden the festivals carefree spirit. However, this interpretation is not supported by philological evidence, the Italian carne levare is one possible origin, meaning to remove meat, since meat is prohibited during Lent. Other scholars argue for the origin from the Roman name for the festival of the Navigium Isidis, the festival consisted of a parade of masks following an adorned wooden boat, possibly source of the floats. From the anthropological point of view, carnival is a ritual, in which social roles are reversed. Winter was thought of as the reign of the winter spirits, Carnival can thus be regarded as a rite of passage from darkness to light, from winter to summer, a fertility celebration, the first spring festival of the new year. Traditionally, a carnival feast was the last opportunity for people to eat well. Until spring produce was available, people were limited to the necessary meals during this period. On what nowadays is called vastenavond, all the winter stores of lard, butter. The selected livestock had already been slaughtered in November and the meat would be no longer preservable, all the food that had survived the winter had to be eaten to assure that everyone was fed enough to survive until the coming spring would provide new food sources. Several Germanic tribes celebrated the returning of the daylight, the winter would be driven out, to make sure that fertility could return in spring
6.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
7.
Lombardy
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Lombardy is one of the twenty administrative regions of Italy, in the northwest of the country, with an area of 23,844 square kilometres. Milan, Lombardys capital, is the second-largest city and the largest metropolitan area in Italy, the word Lombardy comes from Lombard, which in turn is derived from Late Latin Longobardus, Langobardus, derived from the Proto-Germanic elements *langaz + *bardaz, equivalent to long beard. Some sources derive the second element instead from Proto-Germanic *bardǭ, *barduz, Lombardy referred during the early Middle Ages to the entire territory of Italy ruled by the Lombards, a Germanic tribe who conquered much of the Italian peninsula beginning in the 6th century. During the late Middle Ages, the term shifted meaning and was used to identify the whole of Northern Italy, with a surface of 23,861 km2, Lombardy is the 4th largest region of Italy. It is bordered by Switzerland and by the Italian regions of Trentino-Alto Adige/Südtirol and Veneto, Emilia-Romagna, three distinct natural zones can be fairly easily distinguished in the Lombardy region, mountains, hills and plains – the latter being divided in Alta and Bassa. Inconsistent with the three distinctions above made is the subregion of Oltrepò Pavese, formed by the Apennine foothills beyond the Po River. The mighty Po river marks the border of the region for a length of about 210 km. In its progress it receives the waters of the Ticino River, the other streams which contribute to the great river are, the Olona, the Lambro, the Adda, the Oglio and the Mincio. The numerous lakes of Lombardy, all of glacial origin, lie in the northern highlands, from west to east these are Lake Maggiore, Lake Lugano, Lake Como, Lake Iseo, Lake Idro, then Lake Garda, the largest in Italy. A minor mountainous area, the Oltrepò Pavese, lies south of the Po, in the plains, intensively cultivated for centuries, little of the original environment remains. The most commons trees are elm, alder, sycamore, poplar, willow, in the area of the foothills lakes, however, grow olive trees, cypresses and larches, as well as varieties of subtropical flora such as magnolias, azaleas, acacias. Numerous species of flora in the Prealpine area include some kinds of saxifrage, the Lombard garlic, groundsels bellflowers. The highlands are characterized by the vegetation of the whole range of the Italian Alps. At a lower levels oak woods or broadleafed trees grow, on the slopes beech trees grow at the lowest limits. Shrubs such as rhododendron, dwarf pine and juniper are native to the summital zone, Lombardy has a wide array of climates, due to local variances in elevation, proximity to inland water basins, and large metropolitan areas. In addition, there is a seasonal temperature variation. A peculiarity of the climate is the thick fog that covers the plains between October and February. In the Alpine foothills, characterised by an Oceanic climate, numerous lakes exercise a mitigating influence, in the hills and mountains, the climate is humid continental
8.
Maria Theresa
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Maria Theresa Walburga Amalia Christina was the only female ruler of the Habsburg dominions and the last of the House of Habsburg. She was the sovereign of Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, by marriage, she was Duchess of Lorraine, Grand Duchess of Tuscany and Holy Roman Empress. She started her 40-year reign when her father, Emperor Charles VI, Charles VI paved the way for her accession with the Pragmatic Sanction of 1713 and spent his entire reign securing it. Upon the death of her father, Saxony, Prussia, Bavaria, Prussia proceeded to invade the affluent Habsburg province of Silesia, sparking a nine-year conflict known as the War of the Austrian Succession, and subsequently conquered it. Maria Theresa would later try to reconquer Silesia during the Seven Years War. Of the sixteen, ten survived to adulthood and she had eleven daughters and five sons. She criticised and disapproved of many of Josephs actions, Maria Theresa understood the importance of her public persona and was able to simultaneously evoke both esteem and affection from her subjects. However, she refused to allow religious toleration and contemporary travelers thought her regime was bigoted and superstitious. As a young monarch who fought two wars, she believed that her cause should be the cause of her subjects. The dowager empresses, her aunt Wilhelmine Amalia of Brunswick-Lüneburg and grandmother Eleonor Magdalene of the Palatinate-Neuburg, were her godmothers and her father was the only surviving male member of the House of Habsburg and hoped for a son who would prevent the extinction of his dynasty and succeed him. Thus, the birth of Maria Theresa was a disappointment to him. Charles sought the other European powers approval for disinheriting his nieces and they exacted harsh terms, in the Treaty of Vienna, Great Britain demanded that Austria abolish the Ostend Company in return for its recognition of the Pragmatic Sanction. France, Spain, Saxony-Poland, Bavaria and Prussia later reneged, little more than a year after her birth, Maria Theresa was joined by a sister, Maria Anna, and another one, named Maria Amalia, was born in 1724. The portraits of the family show that Maria Theresa resembled Elisabeth Christine. The Prussian ambassador noted that she had blue eyes, fair hair with a slight tinge of red, a wide mouth. Unlike many other members of the House of Habsburg, neither Maria Theresas parents nor her grandparents were closely related to each other, Maria Theresa was a serious and reserved child who enjoyed singing and archery. She was barred from riding by her father, but she would later learn the basics for the sake of her Hungarian coronation ceremony. The imperial family staged opera productions, often conducted by Charles VI and her education was overseen by Jesuits
9.
Aida
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Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairos Khedivial Opera House on 24 December 1871, ghislanzonis scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Aida eventually premiered in Cairo in late 1871, contrary to popular belief, the opera was not written to celebrate the opening of the Suez Canal in 1869, for which Verdi had been invited to write an inaugural hymn, but had declined. The plot bears striking, though similarities to Metastasios libretto La Nitteti. Verdi originally chose to write an orchestral prelude instead of a full overture for the opera. He then composed an overture of the variety to replace the original prelude. However, in the end he decided not to have the overture performed because of its—his own words—pretentious insipidity and this overture, never used today, was given a rare broadcast performance by Arturo Toscanini and the NBC Symphony Orchestra on 30 March 1940, but was never commercially issued. Aida met with acclaim when it finally opened in Cairo on 24 December 1871. He therefore considered the Italian premiere, held at La Scala, Milan on 8 February 1872, Verdi had also written the role of Aida for the voice of Teresa Stolz, who sang it for the first time at the Milan premiere. Verdi had asked her fiancé, Angelo Mariani, to conduct the Cairo premiere, the Milan Amneris, Maria Waldmann, was his favourite in the role and she repeated it a number of times at his request. Aida was received with enthusiasm at its Milan premiere. With Polish translation Aida was performed for the first time 9 June 1877, france,22 April 1876, Théâtre-Lyrique Italien, Salle Ventadour, Paris, with almost the same cast as the Milan premiere, but with Édouard de Reszke making his debut as the King. Rio de Janeiro,30 June 1886, Theatro Lyrico Fluminense, Arturo Toscanini, at the time a 19-year-old cellist who was assistant chorus master, was persuaded to take up the baton for the performance. Toscanini conducted the opera from memory, with great success. This would be the start of a promising career, laibach, Austrian Empire,1 October 1898, conducted by Hilarion Benišek A complete concert version of the opera was given in New York City in 1949. Conducted by Toscanini with Herva Nelli as Aida and Richard Tucker as Radamès, due to the length of the opera, it was divided into two telecasts, preserved on kinescopes, and later released on video by RCA and Testament. The audio portion of the broadcast, including some remakes in June 1954, was released on LP, La Scala mounted a lavish new production of Aida designed by Franco Zeffirelli for the opening night of its 2006/2007 season. The production starred Violeta Urmana in the role and Roberto Alagna as Radamès
10.
Mary Shelley
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Mary Wollstonecraft Shelley was an English novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein, or, The Modern Prometheus. She also edited and promoted the works of her husband, the Romantic poet and her father was the political philosopher William Godwin, and her mother was the philosopher and feminist Mary Wollstonecraft. When Mary was four, her father married a neighbour, with whom, as her stepmother, in 1814, Mary began a romance with one of her fathers political followers, Percy Bysshe Shelley, whom she eventually married. Together with Marys stepsister Claire Clairmont, Mary and Shelley left for France, upon their return to England, Mary was pregnant with Percys child. Over the next two years, she and Percy faced ostracism, constant debt, and the death of their prematurely born daughter and they married in late 1816, after the suicide of Percy Shelleys first wife, Harriet. In 1816, the couple spent a summer with Lord Byron, John William Polidori, and Claire Clairmont near Geneva, Switzerland. The Shelleys left Britain in 1818 for Italy, where their second and third died before Mary Shelley gave birth to her last and only surviving child. In 1822, her husband drowned when his boat sank during a storm near Viareggio. A year later, Mary Shelley returned to England and from then on devoted herself to the upbringing of her son, the last decade of her life was dogged by illness, probably caused by the brain tumour that was to kill her at the age of 53. Recent scholarship has yielded a comprehensive view of Mary Shelley’s achievements. Mary Shelleys works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a challenge to the individualistic Romantic ethos promoted by Percy Shelley. Mary Shelley was born as Mary Wollstonecraft Godwin in Somers Town, London and she was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft, and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, a year after Wollstonecrafts death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman, which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecrafts affairs and her illegitimate child, Mary Godwin read these memoirs and her mothers books, and was brought up to cherish her mothers memory. Marys earliest years were happy ones, judging from the letters of William Godwins housekeeper and nurse, but Godwin was often deeply in debt, feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a woman with two young children of her own—Charles and Claire
11.
Arturo Toscanini
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Arturo Toscanini was an Italian conductor. He was one of the most acclaimed musicians of the late 19th and of the 20th century, renowned for his intensity, his perfectionism, his ear for detail and sonority. He was at times the music director of La Scala in Milan, the Metropolitan Opera in New York. Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the music conservatory. Living conditions at the conservatory were harsh, for example, his diet consisted almost completely of fish. When he became successful, he never ate anything that came from the sea and he joined the orchestra of an opera company, with which he toured South America in 1886. Carlo Superti and Aristide Venturi tried unsuccessfully to finish the work, in desperation, the singers suggested the name of their assistant Chorus Master, who knew the whole opera from memory. The public was taken by surprise, at first by the youth and sheer aplomb of this unknown conductor, for the rest of that season, Toscanini conducted eighteen operas, all with absolute success. Thus began his career as a conductor, at age 19, upon returning to Italy, Toscanini set out on a dual path for some time. He continued to conduct, his first appearance in Italy being at the Teatro Carignano in Turin, on November 4,1886, in the world premiere of the revised version of Alfredo Catalanis Edmea. This was the beginning of Toscaninis lifelong friendship and championing of Catalani, however, he also returned to his chair in the cello section, and participated as cellist in the world premiere of Verdis Otello under the composers supervision. The composer was impressed when Toscanini consulted him personally about Verdis Te Deum. Verdi said that he had left it out for fear that certain interpreters would have exaggerated the marking, gradually, Toscaninis reputation as an operatic conductor of unusual authority and skill supplanted his cello career. In the following decade, he consolidated his career in Italy, entrusted with the premieres of Puccinis La bohème. In 1896, Toscanini conducted his first symphonic concert and he exhibited a considerable capacity for hard work, conducting 43 concerts in Turin in 1898. By 1898, Toscanini was Principal Conductor at La Scala, where he remained until 1908, returning as Music Director and he brought the La Scala Orchestra to the United States on a concert tour in 1920/21, during which he made his first recordings. Outside Europe, Toscanini conducted at the Metropolitan Opera in New York as well as the New York Philharmonic Orchestra and he toured Europe with the New York Philharmonic in 1930. At each performance, he and the orchestra were acclaimed by critics, Toscanini was the first non-German conductor to appear at Bayreuth, and the New York Philharmonic was the first non-German orchestra to play there
12.
Giuseppe Verdi
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Giuseppe Fortunino Francesco Verdi was an Italian opera composer. Verdi was born near Busseto to a family of moderate means. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works influenced him. In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy and he also participated briefly as an elected politician. He surprised the world by returning, after his success with the opera Aida. The baptismal register, prepared on 11 October 1813, lists his parents Carlo, additionally, it lists Verdi as being born yesterday, but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. Verdi himself, following his mother, always celebrated his birthday on 9 October, Verdi had a younger sister, Giuseppa, who died aged 17 in 1833. From the age of four, Verdi was given lessons in Latin and Italian by the village schoolmaster, Baistrocchi. After learning to play the organ, he showed so much interest in music that his parents provided him with a spinet. Verdis gift for music was apparent by 1820–21 when he began his association with the local church, serving in the choir, acting as an altar boy for a while. After Baistrocchis death, Verdi, at the age of eight, Carlo Verdi was energetic in furthering his sons education. something which Verdi tended to hide in later life. He picture emerges of youthful precocity eagerly nurtured by a father and of a sustained, sophisticated. Verdi returned to Busseto regularly to play the organ on Sundays, at age 11, Verdi received schooling in Italian, Latin, the humanities, and rhetoric. By the time he was 12, he began lessons with Ferdinando Provesi, maestro di cappella at San Bartolomeo, director of the music school. This information comes from the Autobiographical Sketch which Verdi dictated to the publisher Giulio Ricordi late in life, in 1879, written, understandably, with the benefit of hindsight, it is not always reliable when dealing with issues more contentious than those of his childhood. The other director of the Philharmonic Society was Antonio Barezzi, a grocer and distiller. The young Verdi did not immediately become involved with the Philharmonic, by June 1827, he had graduated with honours from the Ginnasio and was able to focus solely on music under Provesi. By 1829–30, Verdi had established himself as a leader of the Philharmonic, none of us could rival him reported the secretary of the organisation, Giuseppe Demaldè
