1.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
2.
Giacomo Puccini
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Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian opera composer who has been called the greatest composer of Italian opera after Verdi. Puccinis early work was rooted in traditional late-19th-century romantic Italian opera, later, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents. Puccinis most renowned works are La bohème, Tosca, and Madama Butterfly, Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi, the Puccini family was established in Lucca as a local musical dynasty by Puccinis great-great grandfather – also named Giacomo. This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca and he was succeeded in this position by his son, Antonio Puccini, and then by Antonios son Domenico, and Domenicos son Michele. Each of these men studied music at Bologna, and some additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello, each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera, Puccinis father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem. However, when Michele Puccini died in 1864, his son Giacomo was only six years old, as a child, he nevertheless participated in the musical life of the Cattedrale di San Martino, as a member of the boys choir and later as a substitute organist. Puccini was given an education at the seminary of San Michele in Lucca. One of Puccinis uncles, Fortunato Magi, supervised his musical education, Puccini got a diploma from the Pacini School of Music in Lucca in 1880, having studied there with his uncle Fortunato, and later with Carlo Angeloni, who had also instructed Alfredo Catalani. Puccini studied at the conservatory for three years, sharing a room with Pietro Mascagni, in 1880, at the age of 21, Puccini composed his Mass, which marks the culmination of his familys long association with church music in his native Lucca. Puccini wrote a piece called the Capriccio sinfonica as a thesis composition for the Milan Conservatory. Puccinis teachers Ponchielli and Bazzini were impressed by the work, and it was performed at a student concert at the conservatory on 14 July 1883, conducted by Franco Faccio. Puccinis work was reviewed in the Milanese publication Perseveranza. After the premiere of the Capriccio sinfonica, Ponchielli and Puccini discussed the possibility that Puccinis next work might be an opera, Ponchielli invited Puccini to stay at his villa, where Puccini was introduced to another young man named Fernando Fontana. Puccini and Fontana agreed to collaborate on an opera, for which Fontana would provide the libretto, the work, Le Villi, was entered into a competition sponsored by the Sozogno music publishing company in 1883. Although it did not win, Le Villi was later staged at the Teatro Dal Verme, G. Ricordi & Co. music publishers assisted with the premier by printing the libretto without charge
3.
Giuseppe Adami
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Giuseppe Adami was an Italian librettist, known for his collaboration with Giacomo Puccini on the operas La rondine, Il tabarro and Turandot. Adami also wrote plays, such as I fioi di Goldoni, Una capanna e il tuo cuore, Capelli bianchi, Felicità Colombo. The latter was adapted into a film in 1938 by director Mario Mattoli and he graduated at the University of Padua in Law but dedicated his career as a writer, theatre playwright, and then music critic. After the death of Puccini, Adami published a collection of the letters in Epistolario. He also published his recollections, Giacomo Puccini, which was one of the earliest biographies of the composer. He wrote a second biography Il romanzo della vita di Giacomo Puccini in 1942, Adami also wrote librettos for other composers including Riccardo Zandonais La via della finestra, and Franco Vittadinis Anima allegra and Nazareth. He was a critic for La sera and for the review La comedia from 1931 to 1934. Adami acted as publicist with the house of Ricordi to the end of his life and he died in Milan aged 67. Giuseppe Adami biography Giuseppe Adami at the Internet Movie Database La via della finestra Vocal score from Sibley Music Library Digital Scores Collection
4.
Libretto
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A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata. Libretto, from Italian, is the diminutive of the word libro, sometimes other language equivalents are used for libretti in that language, livret for French works and Textbuch for German. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. The relationship of the librettist to the composer in the creation of a work has varied over the centuries, as have the sources. In the context of a modern English language musical theatre piece, Libretti for operas, oratorios and cantatas in the 17th and 18th centuries generally were written by someone other than the composer, often a well-known poet. Metastasio was one of the most highly regarded librettists in Europe and his libretti were set many times by many different composers. Another noted 18th-century librettist was Lorenzo Da Ponte, who wrote the libretti for three of Mozarts greatest operas, as well as for other composers. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer, Auber, Bellini, Donizetti, Rossini and Verdi. The French writers duo Henri Meilhac and Ludovic Halévy wrote a number of opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli, the libretto is not always written before the music. Some composers wrote their own libretti, Richard Wagner is perhaps most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas. Hector Berlioz, too, wrote the libretti for two of his works, La Damnation de Faust and Les Troyens. Alban Berg adapted Georg Büchners play Woyzeck for the libretto of Wozzeck, sometimes the libretto is written in close collaboration with the composer, this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Belsky, or an entirely original work. In the case of musicals, the music, the lyrics, thus, a musical such as Fiddler on the Roof has a composer, a lyricist and the writer of the book. In rare cases, the composer writes everything except the dance arrangements - music, lyrics and libretto, Other matters in the process of developing a libretto parallel those of spoken dramas for stage or screen. A famous case of the latter is Wagners 1861 revision of the original 1845 Dresden version of his opera Tannhäuser for Paris, since the late 19th century some opera composers have written music to prose or free verse libretti. The libretto of a musical, on the hand, is almost always written in prose
5.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
6.
Carltheater
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The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31 and it was the successor to the Leopoldstädter Theater. After a series of difficulties, that theater had been sold in 1838 to the director, Carl Carl. The theatre was opened under the name Carltheater in the year,1847. Many Alt-Wiener Volkstheater pieces by Johann Nepomuk Nestroy premiered here, between 1854 and 1860, Nestroy was the director of the theatre, in subsequent years, many well-known Viennese playwrights wrote pieces for the Carltheater and reinforced its reputation as the favoured opera house for Viennese folk-pieces and operettas. After a rapid changeover of directors in the 20th century, the theatre became unprofitable, in 1944, the auditorium of the theatre was almost entirely destroyed in a bomb attack. The artistically valuable facade was, however, still intact after the war. In 1951 it was demolished, with neighbouring building which had not been damaged in the war, nowadays, the site is host to the Galaxy-building. A few years ago there was a plaque in Praterstraße, marking the location of the theatre. Die schlimmen Buben in der Schule, burlesque in one act, by Johann Nestroy, freiheit in Krähwinkel, farce with song by Johann Nestroy, on July 1,1848. Judith und Holofernes, travesty with song by Johann Nestroy, on March 13,1849, Vienna,2002 Dieter Klein, Martin Kupf, Robert Schediwy, Stadtbildverluste Wien — Ein Rückblick auf fünf Jahrzehnte. LIT, Vienna 2005, ISBN 978-3-8258-7754-5 Birgit Peter, Nestroytheater, in, Julia Danielczyk, Nestroy — weder Lorbeerbaum noch Bettelstab
7.
Operetta
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Operetta is a genre of light opera, light in terms both of music and subject matter. By this time, the part of the genre name had become misleading. With this new connotation, opéra comique had dominated the French operatic stage since the decline of tragédie lyrique, most researchers acknowledge that the credit for creating the operetta form should go to Hervé, a singer, composer, librettist, conductor, and scene painter. In 1842 he wrote the little opérette, LOurs et le pacha, based on the vaudeville show by Scribe. In 1848, Hervé made his first notable appearance on the Parisian stage, with Don Quichotte et Sancho Pança, hervés most famous works are the Gounod-parody Le Petit Faust and Mamzelle Nitouche. Jacques Offenbach further developed and popularized operetta, giving it its enormous vogue during the Second Empire, Offenbachs earliest one-act pieces included Les deux aveugles, Le violoneux and Ba-ta-clan, and his first full-length operetta success was Orphée aux enfers. Offenbachs tradition was carried on by Robert Planquette, André Messager. What characterizes Offenbachs operettas is both the way they portray life, and the extremely frivolous way this is done. The character was modeled after Offenbachs female star Hortense Schneider. Considering how Zolas Nana describes an Offenbach-style operetta performance in Paris, it is not surprising that the mostly male, upper-class audiences in other cities like Vienna and Berlin longed to see these shows in their home towns as well, which inspired worldwide performance of Offenbachs works. The highly erotic way Offenbachs operettas were originally played, with stars like Hortense Schneider created a reaction from certain parts of the general public. Operetta was considered an art form. Indeed, together with its grotesque qualities, frivolity is one of the elements of authentic operetta à la Offenbach. It was only later, when audiences widened and became more middle and lower class, the most significant composer of operetta in the German language was the Austrian Johann Strauss II. His first operetta was Indigo und die vierzig Räuber and his third operetta, Die Fledermaus, became the most performed operetta in the world, and remains his most popular stage work. Its libretto was based on a written by Offenbachs librettists. In all, Strauss wrote 16 operettas and one opera, most with great success when first premiered, many of his lesser operettas are now largely forgotten, since his later librettists were less talented and he often composed independently of the plot. Strausss operettas, waltzes, polkas, and marches often have a strongly Viennese style, the Theater an der Wien never failed to draw huge crowds when his stage works were first performed
8.
Der Rosenkavalier
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Der Rosenkavalier, Op.59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and it was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere the working title was Ochs von Lerchenau, at the Marschallins suggestion Ochs gets Octavian to act as his Rosenkavalier and present the ceremonial silver rose to Sophie. But when Octavian meets Sophie they fall in love at first sight, by a comic intrigue they get rid of Ochs with the help of the Marschallin, who then yields Octavian to the younger woman. Although a comic opera, Der Rosenkavalier also operates at a deeper level, conscious of the difference in age between herself and Octavian, the Marschallin muses in bittersweet fashion over the passing of time, growing old and mens inconstancy. There are many recordings of the opera and it is regularly performed, the event was a pinnacle in the career of soprano Margarethe Siems who portrayed the Marschallin. Minnie Nast played Sophie, and Eva von der Osten was Octavian, the reaction to the 1911 premiere was nothing short of triumphant. The opera was a success with the public and was a great financial boon for the house, it is reported that at the time of the première. Despite this, the opera one of the composers most popular works during his lifetime. Der Rosenkavalier quickly became an important part of the opera repertoire. Less than two months after its premiere, the work was performed for the first time in Italy at La Scala on 1 March 1911 using an Italian translation. The cast, led by conductor Tullio Serafin, included Lucrezia Bori in the role of Octavian, Ines Maria Ferraris as Sophie. The operas Austrian premiere was given by the Vienna State Opera on the following 8 April under the baton of Schuch with Marie Gutheil-Schoder as Octavian, and Richard Mayr as Baron Ochs. The work reached the Teatro Costanzi in Rome seven months later on 14 November with Egisto Tango conducting Hariclea Darclée as the Marschallin, the United Kingdom premiere of Der Rosenkavalier occurred at the Royal Opera House in London on 29 January 1913. Thomas Beecham conducted the performance and the cast included Margarethe Siems as the Marschallin, the United States premiere took place at the Metropolitan Opera on the following 9 December in a production conducted by Alfred Hertz. The cast included Frieda Hempel as the Marschallin, Margarethe Arndt-Ober as Octavian, and Anna Case as Sophie. A number of Italian theatres produced the work for the first time in the 1920s, including the Teatro Lirico Giuseppe Verdi, Teatro Regio di Torino, Teatro di San Carlo, and the Teatro Carlo Felice. Der Rosenkavalier reached Monaco on 21 March 1926 when it was performed by the Opéra de Monte-Carlo at the Salle Garnier in a French translation, the performance starred Gabrielle Ritter-Ciampi as the Marschallin and Vanni Marcoux as Faninal
9.
World War I
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World War I, also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history and it was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The war drew in all the worlds great powers, assembled in two opposing alliances, the Allies versus the Central Powers of Germany and Austria-Hungary. These alliances were reorganised and expanded as more nations entered the war, Italy, Japan, the trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. This set off a crisis when Austria-Hungary delivered an ultimatum to the Kingdom of Serbia. Within weeks, the powers were at war and the conflict soon spread around the world. On 25 July Russia began mobilisation and on 28 July, the Austro-Hungarians declared war on Serbia, Germany presented an ultimatum to Russia to demobilise, and when this was refused, declared war on Russia on 1 August. Germany then invaded neutral Belgium and Luxembourg before moving towards France, after the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that changed little until 1917. On the Eastern Front, the Russian army was successful against the Austro-Hungarians, in November 1914, the Ottoman Empire joined the Central Powers, opening fronts in the Caucasus, Mesopotamia and the Sinai. In 1915, Italy joined the Allies and Bulgaria joined the Central Powers, Romania joined the Allies in 1916, after a stunning German offensive along the Western Front in the spring of 1918, the Allies rallied and drove back the Germans in a series of successful offensives. By the end of the war or soon after, the German Empire, Russian Empire, Austro-Hungarian Empire, national borders were redrawn, with several independent nations restored or created, and Germanys colonies were parceled out among the victors. During the Paris Peace Conference of 1919, the Big Four imposed their terms in a series of treaties, the League of Nations was formed with the aim of preventing any repetition of such a conflict. This effort failed, and economic depression, renewed nationalism, weakened successor states, and feelings of humiliation eventually contributed to World War II. From the time of its start until the approach of World War II, at the time, it was also sometimes called the war to end war or the war to end all wars due to its then-unparalleled scale and devastation. In Canada, Macleans magazine in October 1914 wrote, Some wars name themselves, during the interwar period, the war was most often called the World War and the Great War in English-speaking countries. Will become the first world war in the sense of the word. These began in 1815, with the Holy Alliance between Prussia, Russia, and Austria, when Germany was united in 1871, Prussia became part of the new German nation. Soon after, in October 1873, German Chancellor Otto von Bismarck negotiated the League of the Three Emperors between the monarchs of Austria-Hungary, Russia and Germany
10.
Austria-Hungary
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The union was a result of the Austro-Hungarian Compromise of 1867 and came into existence on 30 March 1867. Austria-Hungary consisted of two monarchies, and one region, the Kingdom of Croatia-Slavonia under the Hungarian crown. It was ruled by the House of Habsburg, and constituted the last phase in the evolution of the Habsburg Monarchy. Following the 1867 reforms, the Austrian and the Hungarian states were co-equal, Foreign affairs and the military came under joint oversight, but all other governmental faculties were divided between respective states. Austria-Hungary was a state and one of the worlds great powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at 621,538 km2, the Empire built up the fourth-largest machine building industry of the world, after the United States, Germany, and the United Kingdom. After 1878, Bosnia and Herzegovina was under Austro-Hungarian military and civilian rule until it was annexed in 1908. The annexation of Bosnia also led to Islam being recognized as a state religion due to Bosnias Muslim population. Austria-Hungary was one of the Central Powers in World War I and it was already effectively dissolved by the time the military authorities signed the armistice of Villa Giusti on 3 November 1918. The realms full, official name was The Kingdoms and Lands Represented in the Imperial Council, each enjoyed considerable sovereignty with only a few joint affairs. Certain regions, such as Polish Galicia within Cisleithania and Croatia within Transleithania, enjoyed autonomous status, the division between Austria and Hungary was so marked that there was no common citizenship, one was either an Austrian citizen or a Hungarian citizen, never both. This also meant that there were always separate Austrian and Hungarian passports, however, neither Austrian nor Hungarian passports were used in the Kingdom of Croatia-Slavonia-Dalmatia. Instead, the Kingdom issued its own passports which were written in Croatian and French and it is not known what kind of passports were used in Bosnia-Herzegovina, which was under the control of both Austria and Hungary. The Kingdom of Hungary had always maintained a separate parliament, the Diet of Hungary, the administration and government of the Kingdom of Hungary remained largely untouched by the government structure of the overarching Austrian Empire. Hungarys central government structures remained well separated from the Austrian imperial government, the country was governed by the Council of Lieutenancy of Hungary – located in Pressburg and later in Pest – and by the Hungarian Royal Court Chancellery in Vienna. The Hungarian government and Hungarian parliament were suspended after the Hungarian revolution of 1848, despite Austria and Hungary sharing a common currency, they were fiscally sovereign and independent entities. Since the beginnings of the union, the government of the Kingdom of Hungary could preserve its separated. After the revolution of 1848–1849, the Hungarian budget was amalgamated with the Austrian, from 1527 to 1851, the Kingdom of Hungary maintained its own customs controls, which separated her from the other parts of the Habsburg-ruled territories
11.
Gilda dalla Rizza
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Gilda Dalla Rizza was an important Italian soprano. Born in Verona, she made her debut in Bologna in 1912. Especially acclaimed in the repertory, she was regarded as being Giacomo Puccinis favorite soprano. Although he composed the part of Minnie in La fanciulla del West for another soprano and she also gave the first European performances of his Suor Angelica and Gianni Schicchi, at Rome in 1919. He also had her in mind for Liù in Turandot, though her voice proved too heavy for the part of the young slave-girl by the time of the premiere. Dalla Rizza appeared at the theatres in Rome, Florence, Turin, São Paulo, Buenos Aires, Rio de Janeiro, Verona, Naples, Monte-Carlo, Bologna, Lima, Parma, Santiago, Barcelona, Amsterdam. She never appeared in the United States and she also sang the soprano solo of Beethovens Ninth Symphony. Dalla Rizza appeared, in 1920, at Covent Garden, in Manon Lescaut, Madama Butterfly, La bohème, Suor Angelica, Gianni Schicchi, the singing-actress bade farewell to the stage in 1939, though she returned for a final Suor Angelica, at Vicenza in 1942. In 1926, she married the tenor Agostino Capuzzo, and, from 1939 to 1955, the prima donna died at Milans Casa Verdi in 1975. In 1931, for Columbia, she participated in the first recording of Fedora, le grandi voci, edited by Rodolfo Celletti, Istituto per la collaborazione culturale - Roma,1964. Gilda Dalla Rizza, Verismo e Bel Canto, by F. G, the Last Prima Donnas, by Lanfranco Rasponi, Alfred A. Knopf,1982. ISBN 978-0-394-52153-4 Gilda Dalla Rizza, La cantante prediletta di Giacomo Puccini, by Paolo Badoer, Gilda Dalla Rizza in an excerpt from La traviata on YouTube. Gilda Dalla Rizza in an excerpt from Tosca on YouTube, the Gilda Dalla Rizza Appreciation Society
12.
Tito Schipa
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Tito Schipa was an Italian tenore di grazia. Schipa was born Raffaele Attilio Amedeo Schipa in Lecce into an Arbëreshë family and he studied in Milan and made his operatic debut at age 21 in 1910 at Vercelli. He subsequently appeared throughout Italy and in Buenos Aires, Argentina, in 1917, he created the role of Ruggiero in Puccinis La rondine. In 1919, Schipa traveled to the United States, joining the Chicago Opera Company and he remained with the Chicago company until 1932, whereupon he appeared at the New York Metropolitan Opera from 1932 to 1935, and again in 1941. He also sang at the San Francisco Opera, beginning in 1924, from 1929 to 1949 he performed regularly in Italy, including at La Scala, Milan and the Rome Opera. He returned to Buenos Aires to sing in 1954, in 1957, he toured the Soviet Union. Schipas artistry is preserved on film, for example, in 1929 he appeared in a Vitaphone movie short, singing Mappari tuttamor from Flotows opera Martha. In concert, Schipa performed an array of lyrical operatic arias and songs, including Neapolitan. Schipa made numerous recordings of arias and songs during his career. His recorded output included a famous 78-rpm set of Donizettis Don Pasquale and this is still in circulation on CD. He also recorded several tangos, some of which were composed by him in Spanish, mostly in Buenos Aires, thanks to his early Latin American tours, Schipa was a very popular tenor in Latin America. Like his contemporary Richard Tauber, Tito Schipa was also a conductor, although a few contemporary critics considered Schipas voice to be small in size, restricted in range and slightly husky in timbre, he was still extremely popular with the public. Yet it has often noted that this is probably the worst recording Schipa ever made. Although he undertook concert engagements until 1962, Schipa retired from the stage in 1958 to teach voice. He died from diabetes in 1965 at the age of 77 in New York City and he was a National Patron of Delta Omicron, an international professional music fraternity. His son Tito Schipa Jr. is a composer, singer-songwriter, producer, writer, three Lucky Fools To Live Mad About Opera Tito Schipa - Opera Vivràs biography on Schipa. TitoSchipa. it - English version of the Italian site run by the Schipa family, Tito Schipa at the Internet Movie Database. Tito Schipa sings Una furtiva lagrima from Lelisir Damore on YouTube - A1929 video of Schipa singing the aria Una furtiva lagrima from Gaetano Donizettis Lelisir Damore, history of the Tenor - Sound Clips and Narration Илка Попова
13.
Casa Ricordi
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Casa Ricordi is a publisher of primarily classical music and opera. Founded in Milan in 1808 as G. Ricordi & Co. by violinist Giovanni Ricordi, the Ricordi company became a totally family-run organization until 1919, four generations of Ricordis were at the helm of the company, Giovanni being succeeded in 1853 by his son Tito. He had also worked for his father, beginning full-time in 1863, finally Giulios son, also named Tito, replaced his father until 1919. They also established branches of the company within Italy — in 1864 it expanded to Naples and then to Florence, Rome and Palermo, as well as in London, with this expansion under the elder Tito, another of his accomplishments was in modernizing printing methods. With the acquisition of rival publishers, by 1886 Ricordi handled 40,000 editions as well as the Italian rights to Wagners operas. In the 20th century, the expansion continued with acquisitions and new branches, which included those in New York, São Paulo, Toronto, Sydney. However, these premises suffered severe damage from bombardment during World War II. Following reconstruction after the war, Ricordi was converted to a corporation by the family in 1952. With 135,500 editions by 1991, Ricordi was acquired in 1994 by BMG Music Publishing and it is now Italys largest music publisher. He entered into what became a partnership with Felice Festa, an engraver and music seller. The first work which the new company published in 1808 was a piece for guitar by Antonio Nava, and this was followed in 1814 by the first catalogue, which contained 143 items. Throughout these years he was aware of the limitations of copyright law. In Rome in the 1820s and a single Bellini opera, Beatrice di Tenda, published by Pittarrelli about 1833, in contrast, many of Ricordis competitors produced hackwork manuscripts in no way based on the composers autographs. However, although Ricordi began to publish full scores from the 1850s, they were never available for sale. With the nickname Jules Burgmein, Giulio Ricordi contributed a great deal to the prestige of the Casa Ricordi as it also produced several magazines. The Ricordi company was also publisher of the operas of Giuseppe Verdi. The revised Boccanegra was presented in March 1881, in alliance with Verdis wife and Verdis friend, the conductor Franco Faccio, Ricordis strategy was to lure the aging composer out of retirement to compose another opera. While this strategy took some years to achieve, it proved to be successful, as was the opera and it was followed by Falstaff in 1893, both set to libretti by Boito
14.
Monaco
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Monaco, officially the Principality of Monaco, is a sovereign city-state and microstate, located on the French Riviera in Western Europe. France borders the country on three sides while the other side borders the Mediterranean Sea, Monaco has an area of 2.02 km2 and a population of about 38,400 according to the last census of 2015. With 19,009 inhabitants per km², it is the second smallest, Monaco has a land border of 5.47 km, a coastline of 3.83 km, and a width that varies between 1,700 and 349 m. The highest point in the country is a pathway named Chemin des Révoires on the slopes of Mont Agel, in the Les Révoires Ward. Monacos most populous Quartier is Monte Carlo and the most populous Ward is Larvotto/Bas Moulins, through land reclamation, Monacos land mass has expanded by twenty percent, in 2005, it had an area of only 1.974 km2. Monaco is known as a playground for the rich and famous, in 2014, it was noted about 30% of the population was made up of millionaires, more than in Zürich or Geneva. Monaco is a principality governed under a form of constitutional monarchy, although Prince Albert II is a constitutional monarch, he wields immense political power. The House of Grimaldi have ruled Monaco, with brief interruptions, the official language is French, but Monégasque, Italian, and English are widely spoken and understood. The states sovereignty was recognized by the Franco-Monegasque Treaty of 1861. Despite Monacos independence and separate foreign policy, its defense is the responsibility of France, however, Monaco does maintain two small military units. Economic development was spurred in the late 19th century with the opening of the countrys first casino, Monte Carlo, since then, Monacos mild climate, scenery, and gambling facilities have contributed to the principalitys status as a tourist destination and recreation center for the rich. In more recent years, Monaco has become a major banking center and has sought to diversify its economy into services and small, high-value-added, the state has no income tax, low business taxes, and is well known for being a tax haven. It is also the host of the street circuit motor race Monaco Grand Prix. Monaco is not formally a part of the European Union, but it participates in certain EU policies, including customs, through its relationship with France, Monaco uses the euro as its sole currency. Monaco joined the Council of Europe in 2004 and it is a member of the Organisation Internationale de la Francophonie. Monacos name comes from the nearby 6th-century BC Phocaean Greek colony, according to an ancient myth, Hercules passed through the Monaco area and turned away the previous gods. As a result, a temple was constructed there, the temple of Hercules Monoikos, because the only temple of this area was the House of Hercules, the city was called Monoikos. It ended up in the hands of the Holy Roman Empire, an ousted branch of a Genoese family, the Grimaldi, contested it for a hundred years before actually gaining control
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Monte Carlo
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Monte Carlo /ˈmɒnti ˈkɑːrloʊ/ officially refers to an administrative area of the Principality of Monaco, specifically the ward of Monte Carlo/Spélugues, where the Monte Carlo Casino is located. The permanent population of the ward of Monte Carlo is about 3,500, from west to east they are, Fontvieille, Monaco-Ville, La Condamine, and Monte Carlo. Monte Carlo is situated on a prominent escarpment at the base of the Maritime Alps along the French Riviera and it is also the location of the Hôtel de Paris, the Café de Paris, and the Salle Garnier. The eastern part of the quarter includes the community of Larvotto with Monacos only public beach, as well as its new center. At the quarters eastern border, one crosses into the French town of Beausoleil, at the time, a number of small towns in Europe were growing prosperous from the establishment of casinos, notably in German towns such as Baden-Baden and Homburg. The success of the casino grew slowly, largely due to the areas inaccessibility from much of Europe, the installation of the railway in 1868, however, brought with it an influx of people into Monte Carlo and saw it grow in wealth. Saint-Charles Church on Monte Carlos Avenue Sainte-Charles was completed in 1883 and it was restored in its centenary year. The municipalities were merged into one in 1917, after accusations that the government was acting according to the divide and conquer. Today, Monaco is divided into 10 wards, with an eleventh ward planned to land reclaimed from the sea. The quarter of Monte Carlo was served by tramways from 1900 to 1953, in 2003 a new cruise ship pier was completed in the harbour at Monte Carlo. Monte Carlo is host to most of the Circuit de Monaco and it also hosts world championship boxing bouts, the European Poker Tour Grand Final and the World Backgammon Championship as well as the Monaco International Auto Show, fashion shows and other events. Although the Monte Carlo Masters tennis tournament is billed as taking place in the community, Monte Carlo has been visited by royalty as well as the general public and movie stars for decades. The rally, however, takes place outside the Monte Carlo quarter and is run mostly on French roads, the Opéra de Monte-Carlo or Salle Garnier was built to designs of the architect Charles Garnier, who also designed the Paris opera house now known as the Palais Garnier. Although much smaller, the Salle Garnier is very similar in style with decorations in red and gold and it was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquettes Le Chevalier Gaston on 8 February 1879, gunsbourg had remained for sixty years. This production formed part of an association between the company and Massenet and his operas, two of which were presented there posthumously. Other famous twentieth-century singers to appear at Monte Carlo included Titta Ruffo, Geraldine Farrar, Mary Garden, Tito Schipa, Beniamino Gigli, Claudia Muzio, Georges Thill, and Lily Pons. Apart from Massenet, composers whose works had their first performances at Monte Carlo included, Saint-Saëns, Mascagni, indeed, since its inauguration, the theatre has hosted 45 world premiere productions of operas
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Teatro Massimo
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The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II and it is the biggest in Italy, and one of the largest of Europe, renowned for its perfect acoustics. An international competition for the creation of the house was announced by the Palermo Council in 1864 at the instigation of the mayor. Following G. B. F. Basiles death in 1891, construction was overseen by his son. He was also responsible for all the decorations of the building. Rutelli initially designed a tower crane machine which was then successfully able to lift large stone blocks. This style required the use of thick stone, all of which was part of the structural design. Construction started on 12 January 1874, but was stopped for eight years from 1882 until 1890, busts of famous composers were carved for the theatre by the Italian sculptor, Giusto Liva and several of his sons. The Teatro Massimo is the largest theatre in Italy, the opera season started again in 1999, although Verdis Aida was performed in 1998 while work in progress continued. During the restoration regular opera seasons were performed in Teatro Politeama, in summer a few performances, usually concerts, ballet and operetta, are held in Teatro della Verdura. 2013-2014 was a two-year hiatus under the leadership of the comissario straordinario Fabio Carapezza Guttuso, under Carapezza Guttusos leadership the theatre offered a varied programme including Richard Strausss Feuersnot, Hans Werner Henzes Gisela. Jaromir Weinbergers Schwanda the bagpiper and an increased ballet activity, the current intendant is the experienced Francesco Giambrone and the musical director is Gabriele Ferro. The final scenes of the film The Godfather Part III were filmed at the theatre, Teatro Massimo official website Teatro Massimo, Its Art and History City of Palermo official website
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Palermo
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Palermo is a city of Southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence, Palermo is located in the northwest of the island of Sicily, right by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as Ziz, Palermo then became a possession of Carthage, before becoming part of the Roman Republic, the Roman Empire and eventually part of the Byzantine Empire, for over a thousand years. The Greeks named the city Panormus meaning complete port, from 831 to 1072 the city was under Arab rule during the Emirate of Sicily when the city first became a capital. The Arabs shifted the Greek name into Balarme, the root for Palermos present-day name, eventually Sicily would be united with the Kingdom of Naples to form the Kingdom of the Two Sicilies until the Italian unification of 1860. The population of Palermo urban area is estimated by Eurostat to be 855,285, in the central area, the city has a population of around 676,000 people. The inhabitants are known as Palermitani or, poetically, panormiti, the languages spoken by its inhabitants are the Italian language, Sicilian language and the Palermitano dialect. Palermo is Sicilys cultural, economic and touristic capital and it is a city rich in history, culture, art, music and food. Palermo is the main Sicilian industrial and commercial center, the industrial sectors include tourism, services, commerce. Palermo currently has an airport, and a significant underground economy. In fact, for cultural, artistic and economic reasons, Palermo was one of the largest cities in the Mediterranean and is now among the top tourist destinations in both Italy and Europe. It is the seat of the UNESCO World Heritage Site of Arab-Norman Palermo. The city is going through careful redevelopment, preparing to become one of the major cities of the Euro-Mediterranean area. Roman Catholicism is highly important in Palermitano culture, the Patron Saint of Palermo is Santa Rosalia whose Feast Day is celebrated on 15 July. The area attracts significant numbers of each year and is widely known for its colourful fruit, vegetable and fish markets at the heart of Palermo, known as Vucciria, Ballarò. Palermo lies in a basin, formed by the Papireto, Kemonia, the basin was named the Conca dOro by the Arabs in the 9th century. The city is surrounded by a range which is named after the city itself. These mountains face the Tyrrhenian Sea, Palermo is home to a natural port and offers excellent views to the sea, especially from Monte Pellegrino
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Turin
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Turin is a city and an important business and cultural centre in northern Italy, capital of the Piedmont region and was the first capital city of Italy. The city is located mainly on the bank of the Po River, in front of Susa Valley and surrounded by the western Alpine arch. The population of the city proper is 892,649 while the population of the area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million, in 1997 a part of the historical center of Torino was inscribed in the World Heritage List under the name Residences of the Royal House of Savoy. Turin is well known for its Renaissance, Baroque, Rococo, Neo-classical, many of Turins public squares, castles, gardens and elegant palazzi such as Palazzo Madama, were built between the 16th and 18th centuries. This was after the capital of the Duchy of Savoy was moved to Turin from Chambery as part of the urban expansion, the city used to be a major European political center. Turin was Italys first capital city in 1861 and home to the House of Savoy, from 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the Royal House of Savoy and finally the first capital of the unified Italy. Turin is sometimes called the cradle of Italian liberty for having been the birthplace and home of notable politicians and people who contributed to the Risorgimento, such as Cavour. The city currently hosts some of Italys best universities, colleges, academies, lycea and gymnasia, such as the University of Turin, founded in the 15th century, in addition, the city is home to museums such as the Museo Egizio and the Mole Antonelliana. Turins attractions make it one of the worlds top 250 tourist destinations, Turin is ranked third in Italy, after Milan and Rome, for economic strength. With a GDP of $58 billion, Turin is the worlds 78th richest city by purchasing power, as of 2010, the city has been ranked by GaWC as a Gamma World city. Turin is also home to much of the Italian automotive industry, the Taurini were an ancient Celto-Ligurian Alpine people, who occupied the upper valley of the Po River, in the center of modern Piedmont. In 218 BC, they were attacked by Hannibal as he was allied with their long-standing enemies, the Taurini chief town was captured by Hannibals forces after a three-day siege. As a people they are mentioned in history. It is believed that a Roman colony was established in 27 BC under the name of Castra Taurinorum, both Livy and Strabo mention the Taurinis country as including one of the passes of the Alps, which points to a wider use of the name in earlier times. In the 1st century BC, the Romans created a military camp, the typical Roman street grid can still be seen in the modern city, especially in the neighborhood known as the Quadrilatero Romano. Via Garibaldi traces the path of the Roman citys decumanus which began at the Porta Decumani. The Porta Palatina, on the side of the current city centre, is still preserved in a park near the Cathedral
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Lorenzo Ferrero
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Lorenzo Ferrero is a contemporary Italian composer, librettist, author, and book editor. His musical idiom is characterized by eclecticism, stylistic versatility, and his most popular compositions include the operas Marilyn, La figlia del mago, Salvatore Giuliano, Charlotte Corday, La Conquista, and Risorgimento. In 1986 he participated in the Prix Italia with his work La fuga di Foscolo and his music is published by Casa Ricordi, Milan. As an active manager of art events, he has served as director of the Festival Puccini in Torre del Lago, Unione Musicale in Turin, Arena di Verona Festival. In 1999 he co-founded and coordinated the Festa della Musica, a showcase of classical, jazz and world music held in Milan, in 2007 Lorenzo Ferrero was appointed to the board of directors and elected vice-president of SIAE, the Italian Authors and Publishers Association. In 2008 he translated, edited and published Lo studio dellorchestrazione, the Italian edition of Samuel Adlers The Study of Orchestration, Lorenzo Ferrero has been professor of composition at Milan Conservatory since 1980. His teaching appointments also include positions at St. Marys College of Maryland and LUISS Business School, a division of LUISS Guido Carli University of Rome. With a group of six other Italian composers he wrote the Requiem per le vittime della mafia, the requiem was first performed in the Palermo Cathedral on 27 March 1993. Furthermore, he wrote the music for the Sestriere Alpine World Ski Championships opening ceremony of 1997 including the anthem, incidental music for stage productions. British musicologist David Osmond-Smith described his style as a synthesis of classical traditions. Prima variazione, for organ and orchestra Concerto for Piano and Orchestra No.2 Fantasy Suite No, Ferrero, Lorenzo, ed. Lo studio dellorchestrazione. Ostali, Piero, ed. Il Piccolo Marat, Storia e rivoluzione nel melodramma verista, atti del terzo convegno di studi su Pietro Mascagni. Harpner, S, ed. Über Musiktheater, Eine Festschrift, Il suono e lanima, Il paesaggio invisibile del melodramma. La musica sacra nelle chiese cristiane, Donati, P, and Pacetti, E, eds. Lo studio di fonologia della Rai di Milano nello sviluppo della nuova musica in Italia, Rome, RAI Teche, Milano, Scuole civiche di Milano, Fondazione di partecipazione, Accademia internazionale della musica, Istituto di ricerca musicale, Rome, RAI-ERI. Maurizi, P, ed. Quattordici interviste sul «nuovo teatro musicale» in Italia, galileo e il segreto dei Maya. The New Grove Dictionary of Opera, un bel dì vedremo, Il festival di Giacomo Puccini. ISBN 978-88-6800-040-0 Anon. Lorenzo Ferrero Marilyn—Anmerkungen zur Oper, in Neuland, Ansätze zur Musik der Gegenwart, edited by Herbert Henck Vol.3, pp 142–146
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Teatro Regio (Turin)
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The Teatro Regio is a prominent opera house and opera company in Turin, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each, however, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarras death. The work was supervised by Benedetto Alfieri until the theatre was completed, the Teatro Regio was inaugurated on 26 December 1740 with Francesco Feos Arsace. It was a sumptuously built facility, seating 1,500, however, the theatre was closed on royal order in 1792 and it became a warehouse. With the French occupation of Turin during the Napoleonic War the theatre was renamed the Teatro Nazionale and finally, after Napoleons ascent to Emperor, Napoleons fall in 1814 saw the theatre returned to its original name, the Regio. In the following years the house went through several periods of financial crisis. Other theatres were built and presented seasons of opera in Turin, among them was the restored Teatro Carignano in 1824. Even before it burnt down, discussions about whether to rebuild the Regio or create a new theatre preoccupied Turin in the early twentieth century. Two plans were presented and the one selected expanded the capacity to 2,415 by removing the fourth and fifth levels of boxes. Work was completed in 1905 but the theatre closed during the First World War, until February 1936, seasons of opera were presented until fire destroyed all but the facade of the Teatro Regio. It remained closed for thirty-seven years, arturo Toscanini was the conductor of the Turin Opera from 1895 to 1898, during which time several productions of the works of Wagner were given Italian premieres. Following the fire, a competition was launched to find an architect. However, due to the war and the financial situation. Even then, work did not start until September 1967 under architect Carlo Mollino, the new house seats 1,750 and is elliptical in shape with a large orchestra level and 37 boxes around its perimeter. An acoustic shell was added to improve its sound, lynn, Karyl Charna, Italian Opera Houses and Festivals, Lanham, Maryland, The Scarecrow Press, Inc.2005. ISBN 0-8108-5359-0 Plantamura, Carol, The Opera Lovers Guide to Europe, New York, ISBN 0-8065-1842-1 Teatro Regio Torino website Category, Opera world premieres at the Teatro Regio
