1.
Goddess
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A goddess is a female deity in polytheistic religions. Goddesses most often have characteristics that are apotheosize in their pure form. However, in some cases goddesses may embody neutral forms personifying both male and female characteristics, or they may even exhibit traits that are associated with the male gender. In some faiths, a female figure holds a central place in religious prayer. For example, Shaktism, the worship of the force that animates the world, is one of the three major sects of Hinduism. Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods and these deities may be part of a pantheon, or different regions may have tutelary deities. The reconstructionists, like their ancient forebears, honour the deities particular to their country of origin, the noun goddess is a secondary formation, combining the Germanic god with the Latinate -ess suffix. It first appeared in Middle English, from about 1350, the English word follows the linguistic precedent of a number of languages—including Egyptian, Classical Greek, and several Semitic languages—that add a feminine ending to the languages word for god. Joseph Campbell in The Power of Myth, a 1988 interview with Bill Moyers, links the image of the Earth or Mother Goddess to symbols of fertility and reproduction. For example, Campbell states that, There have been systems of religion where the mother is the prime parent, and in Egypt you have the Mother Heavens, the Goddess Nut, who is represented as the whole heavenly sphere. Joseph Campbell, Well that was associated primarily with agriculture and the agricultural societies and it has to do with the earth. The human woman gives birth just as the earth gives birth to the plants. so woman magic, and the personification of the energy that gives birth to forms and nourishes forms is properly female. It is in the world of ancient Mesopotamia, the Egyptian Nile. Campbell also argues that the image of the Virgin Mary was derived from the image of Isis and her child Horus, other Mesopotamian goddesses include Ninhursag, Ninlil, Antu, Gaga Goddesses of the Canaanite religion, Baalat Gebal, Astarte, Anat. Cybele, Her Hittite name was Kubaba, but her name changed to Cybele in Phrygian and Roman culture and her effect can be also seen on Artemis as the Lady of Ephesus. Hebat, Mother Goddess of the Hittite pantheon and wife of the sky god. She was the origin of the Hurrian cult, arinniti, Hittite Goddess of the sun. She became patron of the Hittite Empire and monarchy, leto, A mother Goddess figure in Lykia
2.
Historical Slavic religion
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Slavic mythology is the mythological aspect of the polytheistic religion that was practised by the Slavs before Christianisation. Unlike ancient Greek, Hindu, Chinese or Egyptian mythology, there are no records for the study of Slavic mythology. It has not been proven that the Slavs had any sort of writing system before the arrival of Saints Cyril, fragments of old mythological beliefs and pagan festivals survive up to this day in folk customs, songs, stories and folk-tales of all the Slavic nations. Although Herodotus is himself not convinced by this rumour, he stresses that he has heard some swear it, the identification of Neuri with Proto-Slavs remains controversial, however. According to Procopius, these Slavs worshipped a single deity, who crafted lightning, though not named explicitly, it can be deduced this is a reference to the deity known as Perun in later historic sources, as in many Slavic languages today. Perun simply means thunder or lightning bolt and he also mentions the belief in various demons and nymphs, but does not mention any other names. The Slavic Primary Chronicle is a work with many valuable references to the pagan beliefs of Eastern Slavs. The chronicle treats the history of the early Eastern Slavic state, even though the manuscript was compiled at the beginning of the 12th century, it contains references to and copies of older documents, and describes events predating the Baptism of Kiev. Two deities, Perun and Veles/Volos, are mentioned in the text of the early 10th century peace treaties between pagan rulers of East Slavs and Byzantine Emperors, later, Nestor the Chronicler describes a state pantheon introduced by Prince Vladimir in Kiev in 980 CE. Vladimirs pantheon included Perun, Hors, Dažbog, Stribog, Simargl, the Hypatian Codex of the Primary Chronicle also mentions Svarog, compared to Greek Hephaestus. Also very interesting are the passages in the East Slavic epic The Tale of Igors Campaign referring to Veles, Dažbog, the original epic has been dated to the end of the 12th century, although there are marginal disputes over the authenticity of this work. The most numerous and richest written records are of West Slavic paganism, particularly of Wendish and Polabian tribes, the German missionaries and priests who criticized pagan religion left extensive records of old mythological systems they sought to overcome. However, they restrained themselves from pious lies, claiming pagan Slavs were idolatrous. As none of those missionaries learned any Slavic language, their records are confused and exaggerated, major works include a chronicle of Thietmar of Merseburg from the beginning of the 11th century, who described a temple in the city of Riedegost where the great deity Zuarasic was worshipped. According to Thietmar, this was the most sacred place in the land of pagan Slavs, another very valuable document is the Chronica Slavorum written in the late 12th century by Helmold, a German priest. Saxo meticulously described the worship of Svantevit, the associated with it. He also mentioned multi-headed deities of other Slavic tribes, Rugievit, Porewit, according to the manuscript, the most important Slavic deity was Triglav, whose temples in the city of Szczecin were respected oracles. In the cities of Wolgast and Havelberg, the war god Gerovit was worshiped, a corruption of Jarovit
3.
Beauty
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Beauty is a characteristic of an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, culture, social psychology and sociology, an ideal beauty is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection. The experience of beauty often involves an interpretation of some entity as being in balance and harmony with nature, because this can be a subjective experience, it is often said that beauty is in the eye of the beholder. The classical Greek noun that best translates to the English beauty or beautiful was κάλλος, kallos, however, kalos may and is also translated as ″good″ or ″of fine quality″ and thus has a broader meaning than only beautiful. Similarly, kallos was used differently from the English word beauty in that it first and foremost applied to humans, the Koine Greek word for beautiful was ὡραῖος, hōraios, an adjective etymologically coming from the word ὥρα, hōra, meaning hour. In Koine Greek, beauty was associated with being of ones hour. Thus, a ripe fruit was considered beautiful, whereas a woman trying to appear older or an older woman trying to appear younger would not be considered beautiful. In Attic Greek, hōraios had many meanings, including youthful, the earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive, ancient Greek architecture is based on this view of symmetry and proportion. Plato considered beauty to be the Idea above all other Ideas, aristotle saw a relationship between the beautiful and virtue, arguing that Virtue aims at the beautiful. During the Gothic era, the classical canon of beauty was rejected as sinful. Later, Renaissance and Humanist thinkers rejected this view, and considered beauty to be the product of rational order, Renaissance artists and architects criticised the Gothic period as irrational and barbarian. This point of view of Gothic art lasted until Romanticism, in the 19th century, the Age of Reason saw a rise in an interest in beauty as a philosophical subject. For example, Scottish philosopher Francis Hutcheson argued that beauty is unity in variety and variety in unity. The Romantic poets, too, became concerned with the nature of beauty, with John Keats arguing in Ode on a Grecian Urn that Beauty is truth, truth beauty. Ye know on earth, and all ye need to know, in the Romantic period, Edmund Burke postulated a difference between beauty in its classical meaning and the sublime. The concept of the sublime, as explicated by Burke and Kant, suggested viewing Gothic art and architecture, though not in accordance with the standard of beauty
4.
Russia
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Russia, also officially the Russian Federation, is a country in Eurasia. The European western part of the country is more populated and urbanised than the eastern. Russias capital Moscow is one of the largest cities in the world, other urban centers include Saint Petersburg, Novosibirsk, Yekaterinburg, Nizhny Novgorod. Extending across the entirety of Northern Asia and much of Eastern Europe, Russia spans eleven time zones and incorporates a range of environments. It shares maritime borders with Japan by the Sea of Okhotsk, the East Slavs emerged as a recognizable group in Europe between the 3rd and 8th centuries AD. Founded and ruled by a Varangian warrior elite and their descendants, in 988 it adopted Orthodox Christianity from the Byzantine Empire, beginning the synthesis of Byzantine and Slavic cultures that defined Russian culture for the next millennium. Rus ultimately disintegrated into a number of states, most of the Rus lands were overrun by the Mongol invasion. The Soviet Union played a role in the Allied victory in World War II. The Soviet era saw some of the most significant technological achievements of the 20th century, including the worlds first human-made satellite and the launching of the first humans in space. By the end of 1990, the Soviet Union had the second largest economy, largest standing military in the world. It is governed as a federal semi-presidential republic, the Russian economy ranks as the twelfth largest by nominal GDP and sixth largest by purchasing power parity in 2015. Russias extensive mineral and energy resources are the largest such reserves in the world, making it one of the producers of oil. The country is one of the five recognized nuclear weapons states and possesses the largest stockpile of weapons of mass destruction, Russia is a great power as well as a regional power and has been characterised as a potential superpower. The name Russia is derived from Rus, a state populated mostly by the East Slavs. However, this name became more prominent in the later history, and the country typically was called by its inhabitants Русская Земля. In order to distinguish this state from other states derived from it, it is denoted as Kievan Rus by modern historiography, an old Latin version of the name Rus was Ruthenia, mostly applied to the western and southern regions of Rus that were adjacent to Catholic Europe. The current name of the country, Россия, comes from the Byzantine Greek designation of the Kievan Rus, the standard way to refer to citizens of Russia is Russians in English and rossiyane in Russian. There are two Russian words which are translated into English as Russians
5.
Paganism
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Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
6.
Leto
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In Greek mythology, Leto is a daughter of the Titans Coeus and Phoebe, the sister of Asteria, and the mother, by Zeus, of Apollo and Artemis. The island of Kos is claimed as her birthplace, in the Olympian scheme, Zeus is the father of her twins, Apollo and Artemis, the Letoides, which Leto conceived after her hidden beauty accidentally caught the eyes of Zeus. Finally, she finds an island that is not attached to the floor so it is not considered land. This is her one active mythic role, once Apollo and Artemis are grown, Leto withdraws, to remain a dim and benevolent matronly figure upon Olympus, in Roman mythology, Letos equivalent is Latona, a Latinization of her name, influenced by Etruscan Letun. Walter Burkert notes that in Phaistos she appears in connection with an initiation cult, Leto was identified from the fourth century onwards with the principal local mother goddess of Anatolian Lycia, as the region became Hellenized. In Greek inscriptions, the Letoides are referred to as the gods of the country. Her sanctuary, the Letoon near Xanthos predated Hellenic influence in the region, however, the Hellenes of Kos also claimed Leto as their own. Another sanctuary, more recently identified, was at Oenoanda in the north of Lycia, there was, of course, a further Letoon at Delos. Letos primal nature may be deduced from the natures of her father and mother, the name of Letos mother, Phoebe, is identical to the epithet of her son Apollo, Φοῖβος Ἀπόλλων, throughout Homer. Several explanations have been put forward to explain the origin of the goddess, older sources speculated that the name is related to the Greek λήθη lḗthē and λωτός lotus. It would thus mean the hidden one, in 20th-century sources Leto is traditionally derived from Lycian lada, wife, as her earliest cult was centered in Lycia. Lycian lada may also be the origin of the Greek name Λήδα Leda, other scholars have suggested a Pre-Greek origin. She was powerless to stop the flow of events, Latona for her intrigue with Zeus was hunted by Hera over the whole earth, till she came to Delos and brought forth first Artemis, by the help of whose midwifery she afterwards gave birth to Apollo. Hera banned Leto from giving birth on terra firma, the mainland, any island at sea, the island was surrounded by swans. As a gesture of gratitude, Delos was secured with four pillars and it is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself. Only Hera kept apart, perhaps to kidnap Eileithyia, the goddess of childbirth, instead Artemis, having been born first, assisted with the birth of Apollo. The dynastic rite of the witnessed birth must have been familiar to the hymns hearers, demeter is not present, her mother Rhea attends. The goddess Dione is sometimes taken by later mythographers as a feminine form of Zeus, if this were so
7.
Dionysus
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Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by Mycenean Greeks, traces of Dionysian-type cult have also been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms, some are described by ancient sources as Thracian, in some cults, he arrives from the east, as an Asiatic foreigner, in others, from Ethiopia in the South. He is a god of epiphany, the god that comes and his festivals were the driving force behind the development of Greek theatre. The earliest cult images of Dionysus show a male, bearded and robed. He holds a staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth, in its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession is made up of female followers and bearded satyrs with erect penises, some are armed with the thyrsus. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers and this procession is presumed to be the cult model for the followers of his Dionysian Mysteries. He is also known as Bacchus, the adopted by the Romans. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios, his wine, music and ecstatic dance free his followers from self-conscious fear and care and those who partake of his mysteries are possessed and empowered by the god himself. The cult of Dionysus is also a cult of the souls, his maenads feed the dead through blood-offerings and he is sometimes categorised as a dying-and-rising god. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity, Dionysus had a strange birth that evokes the difficulty in fitting him into the Olympian pantheon. His mother was a woman, Semele, the daughter of king Cadmus of Thebes, and his father was Zeus. Zeus wife, Hera, discovered the affair while Semele was pregnant, appearing as an old crone, Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semeles mind, curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood
8.
Deities of Slavic religion
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Since Ukrainian independence in 1991, she has undergone a fakeloric metamorphosis, and today is identified as a combination of the hearth-mother and the rusalka. This metamorphosis has its roots in the late 1980s, as several Ukrainian writers sought to personify their vision of an ideal Ukrainian woman, consequently, Berehynia today also has a place in Ukrainian nationalism, feminism, and neopaganism. In 2001, a column with a monument to Berehynia on top, as a protector of Kiev, was erected at Maidan Nezalezhnosti in the center of the city, kievs historic protector Archangel Michael older monument is located just across at the same square. Goddess of the Orange Revolution by Marian J. Rubchak, compares Berehynia with Yulia Tymoshenko, oksana Kis Who is protected by Berehynia, or Matriarchy as a mens invention, Zerkalo Nedeli, April 26 - May 6,2005
9.
Neolithic
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It ended when metal tools became widespread. The Neolithic is a progression of behavioral and cultural characteristics and changes, including the use of wild and domestic crops, the beginning of the Neolithic culture is considered to be in the Levant about 10, 200–8800 BC. It developed directly from the Epipaleolithic Natufian culture in the region, whose people pioneered the use of wild cereals, which then evolved into true farming. The Natufian period was between 12,000 and 10,200 BC, and the so-called proto-Neolithic is now included in the Pre-Pottery Neolithic between 10,200 and 8800 BC. By 10, 200–8800 BC, farming communities arose in the Levant and spread to Asia Minor, North Africa, Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. Early Neolithic farming was limited to a range of plants, both wild and domesticated, which included einkorn wheat, millet and spelt, and the keeping of dogs, sheep. By about 6900–6400 BC, it included domesticated cattle and pigs, the establishment of permanently or seasonally inhabited settlements, not all of these cultural elements characteristic of the Neolithic appeared everywhere in the same order, the earliest farming societies in the Near East did not use pottery. Early Japanese societies and other East Asian cultures used pottery before developing agriculture, unlike the Paleolithic, when more than one human species existed, only one human species reached the Neolithic. The term Neolithic derives from the Greek νέος néos, new and λίθος líthos, stone, the term was invented by Sir John Lubbock in 1865 as a refinement of the three-age system. In the Middle East, cultures identified as Neolithic began appearing in the 10th millennium BC, early development occurred in the Levant and from there spread eastwards and westwards. Neolithic cultures are attested in southeastern Anatolia and northern Mesopotamia by around 8000 BC. The total excavated area is more than 1,200 square yards, the Neolithic 1 period began roughly 10,000 years ago in the Levant. A temple area in southeastern Turkey at Göbekli Tepe dated around 9500 BC may be regarded as the beginning of the period. This site was developed by nomadic tribes, evidenced by the lack of permanent housing in the vicinity. At least seven stone circles, covering 25 acres, contain limestone pillars carved with animals, insects, Stone tools were used by perhaps as many as hundreds of people to create the pillars, which might have supported roofs. Other early PPNA sites dating to around 9500–9000 BC have been found in Jericho, Israel, Gilgal in the Jordan Valley, the start of Neolithic 1 overlaps the Tahunian and Heavy Neolithic periods to some degree. The major advance of Neolithic 1 was true farming, in the proto-Neolithic Natufian cultures, wild cereals were harvested, and perhaps early seed selection and re-seeding occurred. The grain was ground into flour, emmer wheat was domesticated, and animals were herded and domesticated
10.
Castor and Pollux
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In Greek and Roman mythology, Castor and Pollux, or Kastor and Polydeuces, were twin brothers, together known as the Dioscuri or Dioskouroi. Their mother was Leda, but they had different fathers, Castor was the son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus. Though accounts of their birth are varied, they are said to have been born from an egg, along with their twin sisters or half-sisters Helen of Troy. In Latin the twins are known as the Gemini or Castores. When Castor was killed, Pollux asked Zeus to let him share his own immortality with his twin to keep them together, the pair were regarded as the patrons of sailors, to whom they appeared as St. Elmos fire, and were also associated with horsemanship. They are sometimes called the Tyndaridae or Tyndarids, later seen as a reference to their father and stepfather Tyndareus, the best-known story of the twins birth is that Zeus disguised himself as a swan and seduced Leda. Thus Ledas children are said to have hatched from two eggs that she then produced. The Dioscuri can be recognized in vase-paintings by the skull-cap they wear, the pilos, whether the children are thus mortal or half-immortal is not consistent among accounts, nor is whether the twins hatched together from one egg. In some accounts, only Pollux was fathered by Zeus, while Leda and this explains why they were granted an alternate immortality. It is a belief that one would live among the gods. Castor and Pollux are sometimes both mortal, sometimes both divine, one consistent point is that if only one of them is immortal, it is Pollux. In Homers Iliad, Helen looks down from the walls of Troy, the narrator remarks that they are both already dead and buried back in their homeland of Lacedaemon, thus suggesting that at least in some early traditions, both were mortal. Their death and shared immortality offered by Zeus was material of the lost Cypria in the Epic cycle, the Dioscuri were regarded as helpers of humankind and held to be patrons of travellers and of sailors in particular, who invoked them to seek favourable winds. Their role as horsemen and boxers also led to them being regarded as the patrons of athletes and they characteristically intervened at the moment of crisis, aiding those who honoured or trusted them. Ancient Greek authors tell a number of versions of the story of Castor, homer portrays them initially as ordinary mortals, treating them as dead in the Iliad, but in the Odyssey they are treated as alive even though the corn-bearing earth holds them. The author describes them as having honour equal to gods, living on alternate days due to the intervention of Zeus, in both the Odyssey and in Hesiod, they are described as the sons of Tyndareus and Leda. In Pindar, Pollux is the son of Zeus while Castor is the son of the mortal Tyndareus, the theme of ambiguous parentage is not unique to Castor and Pollux, similar characterisations appear in the stories of Hercules and Theseus. The Dioscuri are also invoked in Alcaeus Fragment 34a, though whether this poem antedates the Homeric Hymn to the twins is unknown and they appear together in two plays by Euripides, Helen and Elektra
11.
Dying-and-rising god
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A dying-and-rising, death-rebirth, or resurrection deity is a religious motif in which a god dies and is resurrected. Death or departure of the gods is motif A192 in Stith Thompsons Motif-Index of Folk-Literature, the concept of a dying-and-rising god was first proposed in comparative mythology by James Frazers seminal The Golden Bough. Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation, Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Dionysus and Jesus Christ. These examples range from Baldr in Norse mythology to the feathered serpent Quetzalcoatl in Aztec mythology to the Japanese Izanami. The methods of death vary, e. g. Baldr does not come back to life because not all living creatures shed tears for him, and his death then leads to the doom of the gods. In contrast, in most variations of his story, Quetzalcoatl is tricked by Tezcatlipoca to over-drink, hawaiian deities can die and depart the world in a number of ways, e. g. some gods who were killed on Lanai by Lanikuala departed for the skies. In contrast, Kaili leaves the world by a canoe which is never seen again, examples include Ishtar and Persephone, who die every year. The yearly death of Ishtar when she goes underground represents the lack of growth, the term dying god is associated with the works of James Frazer, Jane Ellen Harrison, and their fellow Cambridge Ritualists. Early in the 20th century, Gerald Massey argued that there are similarities between the Egyptian dying-and-rising god myths and Jesus and he also proposed that the myths of the pagan gods who symbolically died and resurrected foreshadowed Christs literal/physical death and resurrection. The overall view of Jung regarding religious themes and stories is that they are expressions of events occurring in the unconscious of the individuals - regardless of their historicity. In Jungs view, a story such as the resurrection of Jesus may be true or not, but that has no relevance to the psychological analysis of the process. The analysis of Osiris permeates the later religious psychology of Carl Jung more than any other element, Jung believed that Christianity itself derived its significance from the archetypal relationship between Osiris and Horus versus God the Father and Jesus, his son. However, Jung also postulated that the applied to Osiris, and not Horus. The cutting down of barley and wheat was related to the death of Osiris, in general rebirth analogies based on the vegetation cycle are viewed as the weakest elements in the death-rebirth analogies. In Greek mythology Dionysus, the son of Zeus was a child who was torn to pieces by Titans who lured him with toys, then boiled. Zeus then destroyed the Titans by thunderbolt as a result of their action against Dionysus, however, Dionysus grandmother Rhea managed to put some of his pieces back together and brought him back to life. Scholars such as Barry Powell have suggested Dionysus as an example of resurrection, the category dying-and-rising-god was debated throughout the 20th century, most modern scholars questioning its ubiquity in the worlds mythologies. By the end of the 20th century the scholarly consensus had emerged against the category, given its limited applicability outside of Ancient Near Eastern religions
12.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
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