1.
Wenceslaus Hollar
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Václav Hollar, was a Czech etcher from Kingdom of Bohemia, known in England as Wenceslaus or Wenceslas and in Germany as Wenzel Hollar. He was born in Prague, and died in London, being buried at St Margarets Church, after his family was ruined by the Sack of Prague in the Thirty Years War, the young Hollar, who had been destined for the law, determined to become an artist. In 1627 he was in Frankfurt where he was apprenticed to the renowned engraver Matthäus Merian, in 1630 he lived in Strasbourg, Mainz and Koblenz, where Hollar portrayed the towns, castles, and landscapes of the Middle Rhine Valley. In 1633 he moved to Cologne and it was in 1636 that he attracted the notice of the famous nobleman and art collector Thomas Howard, 21st Earl of Arundel, then on an embassy to the imperial court of Emperor Ferdinand II. Employed as a draftsman he travelled with Arundel to Vienna and Prague, in Cologne in 1635, Hollar published his first book. In 1637 he returned him to England where he remained in the Earls household for many years. In around 1650, probably at the request of Hendrik van der Borcht, he etched a commemorative print done after a design by Cornelius Schut in Arundels honour and dedicated to his widow, Aletheia. Arundel is seated in melancholy mode on his tomb in front of an obelisk, in 1745, George Vertue paid homage to their association in the vignette he published on page one of his Description of the Works of the Ingenious Delineator and Engraver Wenceslaus Hollar. It featured a bust of Arundel in front of a pyramid, symbolizing immortality, surrounded by illustrated books, during his first year in England he created View of Greenwich, later issued by Peter Stent, the print-seller. Nearly 3 feet long, he received thirty shillings for the plate, afterwards he fixed the price of his work at fourpence an hour, and measured his time by a sand-glass. On July 4,1641 Hollar married a servant of the Countess of Norfolk and her name was Tracy, they had two children. Lord Arundel left England in 1642, and Hollar passed into the service of the Duke of York and he continued to produce works prolifically throughout the English Civil War, but it adversely affected his income. Hollar took his setting, presumably symbolizing longer term values, directly from an engraving published in George Sandys Relation of a Journey begun An, Hollar joined the Royalist Regiment and was captured by parliamentary forces in 1645 during the siege of Basing House. After a short time he managed to escape, in Antwerp in 1646, he again met with the Earl of Arundel. In 1652 he returned to London, and lived for a time with Faithorne the engraver near Temple Bar, during the following years many books were published which he illustrated, Ogilbys Virgil and Homer, Stapyltons Juvenal, and Dugdales Warwickshire, St Pauls and Monasticon. His income fell as booksellers continued to decline his work, during this time he lost his young son, also reputed to have artistic ability, to the plague. He lived eight years after his return, still working for the booksellers and he died in extreme poverty, his last recorded words being a request to the bailiffs that they would not carry away the bed on which he was dying. Hollar is interred in St Margarets Church in Westminster and he was one of the best and most prolific artists of his time
2.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
3.
Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
4.
Aeneid
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The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter, the hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. The Aeneid is widely regarded as Virgils masterpiece and one of the greatest works of Latin literature, the Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12. These two halves are commonly regarded as reflecting Virgils ambition to rival Homer by treating both the Odysseys wandering theme and the Iliads warfare themes and this is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse and he then explains the reason for the principal conflict in the story, the resentment held by the goddess Juno against the Trojan people. This is consistent with her throughout the Homeric epics. Also in the manner of Homer, the story begins in medias res, with the Trojan fleet in the eastern Mediterranean. The fleet, led by Aeneas, is on a voyage to find a second home and it has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, also, Ganymede, a Trojan prince, was chosen to be the cup bearer to her husband, Jupiter—replacing Junos daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe, Aeolus does not accept the bribe, but agrees to carry out Junos orders, the storm then devastates the fleet. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, There, Aeneass mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and recounts to him the history of Carthage. At a banquet given in honour of the Trojans, Aeneas sadly recounts the events that occasioned the Trojans arrival. He begins the tale shortly after the war described in the Iliad, Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse. The Greeks pretended to sail away, leaving a warrior, Sinon, to inform the Trojans that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through the Greek plot and urged the horses destruction, then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the walls, and after nightfall the armed Greeks emerged from it. In a dream, Hector, the fallen Trojan prince, advised Aeneas to flee with his family, Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was alone to fend off the Greeks
5.
Hesiod
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Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded as the first written poet in the Western tradition to regard himself as a persona with an active role to play in his subject. Ancient authors credited Hesiod and Homer with establishing Greek religious customs, modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. The dating of his life is an issue in scholarly circles. Epic narrative allowed poets like Homer no opportunity for personal revelations, however, Hesiods extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three references in Works and Days, as well as some passages in his Theogony that support inferences made by scholars. Some scholars have seen Perses as a creation, a foil for the moralizing that Hesiod develops in Works and Days. Gregory Nagy, on the hand, sees both Persēs and Hēsiodos as fictitious names for poetical personae. The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, however, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time, Ionian. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore and it certainly wasnt in a quest for immortal fame since poets in his era had no such notions. However, some suspect the presence of large-scale changes in the text. Possibly he composed his verses during idle times on the farm and he was in fact a misogynist of the same calibre as the later poet, Semonides. He resembles Solon in his preoccupation with issues of good versus evil and how a just and he resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer. Yet the fact that he could eulogise kings in Theogony and denounce them as corrupt in Works, two different—yet early—traditions record the site of Hesiods grave. This tradition follows a familiar ironic convention, the oracle that predicts accurately after all, the other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC claims that Hesiod lies buried at Orchomenus, a town in Boeotia. Eventually they came to regard Hesiod too as their hearth-founder, later writers attempted to harmonize these two accounts. Greeks in the fifth and early 4th centuries BC considered their oldest poets to be Orpheus, Musaeus, Hesiod
6.
Odysseus
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Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries
7.
Circe
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Circe (/ˈsɜːrsiː/, is a goddess of magic or sometimes a nymph, witch, enchantress or sorceress in Greek mythology. By most accounts, she was the daughter of the sungod Helios, and Perse and her brothers were Aeetes, keeper of the Golden Fleece, and Perses. Her sister was Pasiphaë, the wife of King Minos and mother of the Minotaur, other accounts make her the daughter of Hecate, the goddess of witchcraft. Circe was renowned for her vast knowledge of potions and herbs, through the use of these and a magic wand or staff, she transformed her enemies, or those who offended her, into animals. Some say she was exiled to the island of Aeaea by her subjects and her father Helios for killing her husband. Later traditions tell of her leaving or even destroying the island and moving to Italy, in Homers Odyssey, Circe is described as living in a mansion that stands in the middle of a clearing in a dense wood. Around the house prowled strangely docile lions and wolves, the victims of her magic, they were not dangerous. Circe worked at a huge loom, thus so she turned them all into swine with her magic wand or staff after they gorged themselves on it. Only drunken Eurylochus, suspecting treachery from the outset, escaped to warn Odysseus, Odysseus set out to rescue his men, but was intercepted by the messenger god, Hermes, who had been sent by Athena. Hermes told Odysseus to use the holy herb moly to protect himself from Circes wizardry and, having resisted it, to draw his sword, from there, Circe would ask him to bed, but Hermes advised caution, for even there the goddess would be treacherous. She would take his manhood unless he had her swear by the names of the gods that she would not, Odysseus followed Hermes advice, freeing his men and then remained on the island for one year, feasting and drinking wine. She also advised Odysseus to go to the Underworld and gave him directions, towards the end of Hesiods Theogony, it is stated that Circe bore Odysseus three sons, Ardeas or Agrius, Latinus, and Telegonus, who ruled over the Tyrsenoi, that is the Etruscans. The Telegony, a now lost, relates the later history of the last of these. Circe eventually informed him who his absent father was and, when he set out to find Odysseus, with this he killed his father unknowingly. Telegonus then brought back his fathers corpse, together with Penelope and Odysseus other son Telemachus, after burying Odysseus, Circe made the others immortal. According to Lycophrons Alexandra and John Tzetzes scholia on the poem, however, Odysseus then gave Telemachus to Circes daughter Cassiphone in marriage. Some time later, Telemachus had a quarrel with his mother-in-law and killed her, on hearing of this, Odysseus died of grief. In a very late Alexandrian epic from the 5th century AD, in the 3rd century BC epic, the Argonautica, Apollonius Rhodius relates that Circe purified the Argonauts for the death of Absyrtus, maybe reflecting an early tradition
8.
Etruscan civilization
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The Etruscan civilization is the modern name given to a powerful and wealthy civilization of ancient Italy in the area corresponding roughly to Tuscany, western Umbria, and northern Lazio. Culture that is identifiably Etruscan developed in Italy after about 800 BC, the latter gave way in the 7th century BC to a culture that was influenced by ancient Greece, Magna Graecia, and Phoenicia. The decline was gradual, but by 500 BC the political destiny of Italy had passed out of Etruscan hands, the last Etruscan cities were formally absorbed by Rome around 100 BC. Politics were based on the city, and probably the family unit. In their heyday, the Etruscan elite grew very rich through trade with the Celtic world to the north and the Greeks to the south, archaic Greece had a huge influence on their art and architecture, and Greek mythology was evidently very familiar to them. The study also excluded recent Anatolian connection, the ancient Romans referred to the Etruscans as the Tuscī or Etruscī. Their Roman name is the origin of the terms Tuscany, which refers to their heartland, and Etruria, which can refer to their wider region. In Attic Greek, the Etruscans were known as Tyrrhenians, from which the Romans derived the names Tyrrhēnī, Tyrrhēnia, the word may also be related to the Hittite Taruisa. The Etruscans called themselves Rasenna, which was syncopated to Rasna or Raśna, the origins of the Etruscans are mostly lost in prehistory, although Greek historians as early as the 5th century BC, repeatedly associated the Tyrrhenians with Pelasgians. Strabo as well as the Homeric Hymn to Dionysus make mention of the Tyrrhenians as pirates, pliny the Elder put the Etruscans in the context of the Rhaetian people to the north and wrote in his Natural History, Adjoining these the Noricans are the Raeti and Vindelici. All are divided into a number of states, the Raeti are believed to be people of Tuscan race driven out by the Gauls, their leader was named Raetus. Historians have no literature and no original Etruscan texts of religion or philosophy, therefore, much of what is known about this civilization is derived from grave goods, another source of genetic data on Etruscan origins is from four ancient breeds of cattle. Analyzing the mitochondrial DNA of these and seven other breeds of Italian cattle, the other Italian breeds were linked to northern Europe. Etruscan expansion was focused both to the north beyond the Apennine Mountains and into Campania, some small towns in the sixth century BC disappeared during this time, ostensibly consumed by greater, more powerful neighbours. However, it is certain that the structure of the Etruscan culture was similar to, albeit more aristocratic than. The mining and commerce of metal, especially copper and iron, led to an enrichment of the Etruscans and to the expansion of their influence in the Italian peninsula and the western Mediterranean Sea. Here, their interests collided with those of the Greeks, especially in the sixth century BC and this led the Etruscans to ally themselves with Carthage, whose interests also collided with the Greeks. Around 540 BC, the Battle of Alalia led to a new distribution of power in the western Mediterranean, from the first half of the 5th century BC, the new political situation meant the beginning of the Etruscan decline after losing their southern provinces
9.
Macedonia (ancient kingdom)
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Macedonia or Macedon was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and at first ruled by the royal Argead dynasty, the reign of Philip II saw the rise of Macedonia, during which the kingdom rose to control the entire Greek world. With a reformed army containing phalanxes wielding the sarissa pike, Philip II defeated the old powers of Athens and Thebes in the decisive Battle of Chaeronea in 338 BC, Sparta was kept isolated and was occupied a century later by Antigonus III Doson. Alexander then led a roughly decade-long campaign of conquest against the Achaemenid Empire, in the ensuing wars of Alexander the Great, he overthrew the Achaemenid Empire and conquered a territory that stretched as far as the Indus River. For a brief period, his Macedonian empire was the most powerful in the world – the definitive Hellenistic state, Greek arts and literature flourished in the new conquered lands and advances in philosophy, engineering, and science were spread throughout much of the ancient world. Of particular importance were the contributions of Aristotle, who had been imported as tutor to Alexander, important cities such as Pella, Pydna, and Amphipolis were involved in power struggles for control of the territory. New cities were founded, such as Thessalonica by the usurper Cassander, Macedonias decline began with the Macedonian Wars and the rise of Rome as the leading Mediterranean power. At the end of the Second Macedonian War in 168 BC, a short-lived revival of the monarchy during the Third Macedonian War in 150–148 BC ended with the establishment of the Roman province of Macedonia. The name Macedonia comes from the ethnonym Μακεδόνες, which itself is derived from the ancient Greek adjective μακεδνός, meaning tall and it also shares the same root as the noun μάκρος, meaning length in both ancient and modern Greek. The name is believed to have meant either highlanders, the tall ones. Robert S. P. Beekes supports that both terms are of Pre-Greek substrate origin and cannot be explained in terms of Indo-European morphology. Contradictory legends state that either Perdiccas I of Macedon or Caranus of Macedon were the founders of the Argead dynasty, the kingdom of Macedonia was situated along the Haliacmon and Axius rivers in Lower Macedonia, north of Mount Olympus. Historian Malcolm Errington posits the theory one of the earliest Argead kings must have established Aigai as their capital in the mid-7th century BC. Prior to the 4th century BC, the kingdom covered a region corresponding to the western. Achaemenid Persian hegemony over Macedonia was briefly interrupted by the Ionian Revolt, although Macedonia enjoyed a large degree of autonomy and was never made a satrapy of the Achaemenid Empire, it was expected to provide troops for the Achaemenid army. Following the Greek victory at Salamis in 480 BC, Alexander I was employed as an Achaemenid diplomat to strike a treaty and alliance with Athens. Soon afterwards the Achaemenid forces were forced to withdraw from mainland Europe, although initially a Persian vassal, Alexander I of Macedon fostered friendly diplomatic relations with his former Greek enemies, the Athenian and Spartan-led coalition of Greek city-states. Two separate wars were fought against Athens between 433 and 431 BC, spurred by an Athenian alliance with a brother and cousin of Perdiccas II who had rebelled against him
10.
Virgil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
11.
Latins (Italic tribe)
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The Latins, sometimes known as the Latians, were an Italic tribe which included the early inhabitants of the city of Rome. From about 1000 BC, the Latins inhabited the region known to the Romans as Old Latium, that is. The Latins were an Indo-European people who migrated into the Italian peninsula during the late Bronze Age. Their language, Latin, belonged to the Italic branch of Indo-European and their material culture, known as the Latial culture, was a distinctive subset of the Iron Age Villanovan culture that appeared in parts of the Italian peninsula after 1000 BC. Latino-Faliscians occupied the Tyrrhenian coast between the current Lazio and Calabria and overlapped and mingled with the oldest Neolithic peoples and they had cremation burials and possessed advanced metallurgical techniques. Major tribes included, Latins and Falisci in Lazio, Oenotrians and Italii in Calabria, Ausones, Aurunci and Opici in Campania and these included common festivals and religious sanctuaries. The rise of Rome as by far the most populous and powerful Latin state from c. 600 BC led to relations with the other Latin states. In the period of the Tarquin monarchy, it appears that Rome acquired political hegemony over the other states, after the fall of the Roman monarchy in c. This system progressively broke down after c. 390 BC, when Romes aggressive expansionism led to conflict with other Latin states, in 341–338 BC, the Latin states jointly fought the Latin War against Rome in a final attempt to preserve their independence. The war resulted in 338 BC in a decisive Roman victory, the other Latin states were either annexed or permanently subjugated to Rome. It has been suggested that the name Latium derives from the Latin word latus, referring, by extension, if this is true, then Latini originally meant men of the plain. The Latins belonged to a group of Indo-European tribes, conventionally known as the Italic tribes, on this model, it appears likely that the West Italic group were the first wave, followed, and largely displaced by, the East Italic group. This is deduced from the locations of the surviving West Italic niches. Besides Latin, putative members of the West Italic group are Faliscan, the West Italic languages were thus spoken in limited and isolated areas, whereas the East Italic group comprised the Oscan and Umbrian dialects spoken over much of central and southern Italy. However, the chronology of Indo-European immigration remains elusive, as does the relative chronology between of the Italic IE languages and the languages of the peninsula, notably Etruscan. Most scholars consider that Etruscan is a survival, part of a Mediterranean linguistic substratum. Some authors believe that, before the spread of Gaulish language in the plain of the river Po from c, however, Etruscan could equally have been introduced by later migrants. The ancient Greek historian Herodotus preserves the tradition that the Tyrrhenoi originated in Lydia in Anatolia, the tribe spoke the Latin language, a member of the western branch of the Italic languages, in turn a branch of the Indo-European family of languages
12.
Trojan War
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In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
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