1.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
2.
Early modern France
–
The Kingdom of France in the early modern period, from the Renaissance to the Revolution, was a monarchy ruled by the House of Bourbon. This corresponds to the so-called Ancien Régime, the territory of France during this period increased until it included essentially the extent of the modern country, and it also included the territories of the first French colonial empire overseas. In the mid 15th century, France was significantly smaller than it is today, in addition, certain provinces within France were ostensibly personal fiefdoms of noble families. The late 15th, 16th and 17th centuries would see France undergo a massive territorial expansion, France also embarked on exploration, colonisation, and mercantile exchanges with the Americas, India, the Indian Ocean, the Far East, and a few African trading posts. The administrative and legal system in France in this period is called the Ancien Régime. The Black Death had killed an estimated one-third of the population of France from its appearance in 1348, the concurrent Hundred Years War slowed recovery. It would be the early 16th century before the population recovered to mid-14th century levels and these demographic changes also led to a massive increase in urban populations, although on the whole France remained a profoundly rural country. Paris was one of the most populated cities in Europe, other major French cities include Lyon, Rouen, Bordeaux, Toulouse, and Marseille. These centuries saw several periods of epidemics and crop failures due to wars, between 1693 and 1694, France lost 6% of its population. In the extremely harsh winter of 1709, France lost 3. 5% of its population, in the past 300 years, no period has been so proportionally deadly for the French, both World Wars included. Linguistically, the differences in France were extreme, before the Renaissance, the language spoken in the north of France was a collection of different dialects called Oïl languages whereas the written and administrative language remained Latin. Nevertheless, in 1790, only half of the spoke or understood standard French. The southern half of the continued to speak Occitan languages, and other inhabitants spoke Breton, Catalan, Basque, Dutch. In the north of France, regional dialects of the various langues doïl continued to be spoken in rural communities, during the French revolution, the teaching of French was promoted in all the schools. The French used would be that of the system, which differed from the French spoken in the courts of France before the revolution. Like the orators during the French revolution, the pronunciation of every syllable would become the new language, France would not become a linguistically unified country until the end of the 19th century. The Peace of Etaples marks, for some, the beginning of the modern period in France. The invasion of Italy by Charles VIII in 1494 began 62 years of war with the Habsburgs, in 1445, the first steps were made towards fashioning a regular army out of the poorly disciplined mercenary bands that French kings traditionally relied on
Early modern France
–
Francis I by
Jean Clouet
Early modern France
–
France on the eve of the modern era (1477). The red line denotes the boundary of the French kingdom, while the light blue the royal domain.
Early modern France
–
Henry IV of France by
Frans Pourbus the younger.
Early modern France
–
Louis XIV King of France and of Navarre By
Hyacinthe Rigaud (1701)
3.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
–
One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
–
Flag
France
–
The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
–
With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
4.
French people
–
The French are an ethnic group and nation who are identified with the country of France. This connection may be legal, historical, or cultural, modern French society can be considered a melting pot. To be French, according to the first article of the French Constitution, is to be a citizen of France, regardless of origin, race. The debate concerning the integration of this view with the underlying the European Community remains open. A large number of foreigners have traditionally been permitted to live in France, indeed, the country has long valued its openness, tolerance and the quality of services available. Application for French citizenship is often interpreted as a renunciation of previous state allegiance unless a dual citizenship agreement exists between the two countries, the European treaties have formally permitted movement and European citizens enjoy formal rights to employment in the state sector. Seeing itself as a nation with universal values, France has always valued. However, the success of such assimilation has recently called into question. There is increasing dissatisfaction with, and within, growing ethno-cultural enclaves, the 2005 French riots in some troubled and impoverished suburbs were an example of such tensions. However they should not be interpreted as ethnic conflicts but as social conflicts born out of socioeconomic problems endangering proper integration, the name France etymologically derives from the word Francia, the territory of the Franks. The Franks were a Germanic tribe that overran Roman Gaul at the end of the Roman Empire, in the pre-Roman era, all of Gaul was inhabited by a variety of peoples who were known collectively as the Gaulish tribes. Gaul was militarily conquered in 58-51 BCE by the Roman legions under the command of General Julius Caesar, the area then became part of the Roman Empire. Over the next five centuries the two cultures intermingled, creating a hybridized Gallo-Roman culture, the Gaulish vernacular language disappeared step by step to be replaced everywhere by Vulgar Latin, which would later develop under Frankish influence into the French language in the North of France. With the decline of the Roman Empire in Western Europe, a federation of Germanic peoples entered the picture, the Franks were Germanic pagans who began to settle in northern Gaul as laeti, already during the Roman era. They continued to filter across the Rhine River from present-day Netherlands, at the beginning, they served in the Roman army and reached high commands. Their language is spoken as a kind of Dutch in northern France. Another Germanic people immigrated massively to Alsace, the Alamans, which explains the Alemannic German spoken there and they were competitors of the Franks, thats why it became at the Renaissance time the word for German in French, Allemand. By the early 6th century the Franks, led by the Merovingian king Clovis I and his sons, had consolidated their hold on much of modern-day France, the Vikings eventually intermarried with the local people, converting to Christianity in the process
French people
–
Louis XIV of France "The Sun-King"
French people
–
Row 1:
Joan of Arc
French people
–
Liberty Leading the People by Eugène Delacroix
French people
–
French people in Paris, August 1944
5.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
6.
Classicism
–
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. Classicism is a genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources. It was particularly expressed in the Neoclassicism of the Age of Enlightenment, Classicism is a recurrent tendency in the Late Antique period, and had a major revival in Carolingian and Ottonian art. Until that time the identification with antiquity had been seen as a history of Christendom from the conversion of Roman Emperor Constantine I. Renaissance classicism introduced a host of elements into European culture, including the application of mathematics and empiricism into art, humanism, literary and depictive realism, importantly it also introduced Polytheism, or paganism, and the juxtaposition of ancient and modern. The classicism of the Renaissance led to, and gave way to and this period sought the revival of classical art forms, including Greek drama and music. Opera, in its modern European form, had its roots in attempts to recreate the combination of singing and dancing with theatre thought to be the Greek norm, examples of this appeal to classicism included Dante, Petrarch, and Shakespeare in poetry and theatre. Tudor drama, in particular, modeled itself after classical ideals, studying Ancient Greek became regarded as essential for a well-rounded education in the liberal arts. They also began reviving plastic arts such as bronze casting for sculpture, for example, the painting of Jacques-Louis David which was seen as an attempt to return to formal balance, clarity, manliness, and vigor in art. Various movements of the period saw themselves as classical revolts against a prevailing trend of emotionalism and irregularity. The 20th century saw a number of changes in the arts, thus, both pre-20th century disciplines were labelled classical and modern movements in art which saw themselves as aligned with light, space, sparseness of texture, and formal coherence. Examples of classicist playwrights are Pierre Corneille, Jean Racine and Moliere, the influence of these French rules on playwrights in other nations is debatable. In the English theatre, Restoration playwrights such as William Wycherly and those of Shakespeares plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity. Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and this style quickly spread to other Italian cities and then to France, Germany, England, Russia and elsewhere. In the 16th century, Sebastiano Serlio helped codify the classical orders, building off of these influences, the 17th-century architects Inigo Jones and Christopher Wren firmly established classicism in England. For the development of classicism from the mid-18th-century onwards, see Neoclassical architecture, for Greek art of the 5th century B. C. E. See Classical art in ancient Greece and the Severe style Italian Renaissance painting and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realised product with Raphaels School of Athens during the High Renaissance
Classicism
–
Fountain of the Four Rivers,
Bernini, 1651.
Classicism
–
Classicist door in
Olomouc, The
Czech Republic.
Classicism
–
Molière in classical dress, by
Nicolas Mignard, 1658.
Classicism
–
Villa Rotonda,
Palladio, 1591
7.
Baroque
–
The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
Baroque
–
The Triumph of the Immaculate by
Paolo de Matteis
Baroque
–
The Church of
Sant'Andrea al Quirinale, designed by
Gian Lorenzo Bernini
Baroque
–
Brooch of an African,
Walters Art Museum
Baroque
–
Aeneas Flees Burning Troy,
Federico Barocci, 1598
8.
Baroque painting
–
Baroque painting is the painting associated with the Baroque cultural movement. Baroque art was meant to evoke emotion and passion instead of the rationality that had been prized during the Renaissance. Among the greatest painters of the Baroque period are Velázquez, Caravaggio, Rembrandt, Rubens, Poussin, Caravaggio is an heir of the humanist painting of the High Renaissance. Baroque painting often dramatizes scenes using light effects, this can be seen in works by Rembrandt, Vermeer, Le Nain. The Flemish painter Anthony van Dyck developed a graceful but imposing portrait style that was very influential, technical standards were very high, and Dutch Golden Age painting established a new repertoire of subjects that was very influential until the arrival of Modernism. The term Baroque was initially used with a meaning, to underline the excesses of its emphasis. Others derive it from the mnemonic term Baroco denoting, in logical Scholastica, in particular, the term was used to describe its eccentric redundancy and noisy abundance of details, which sharply contrasted the clear and sober rationality of the Renaissance. He did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Writers in French and English did not begin to treat Baroque as a respectable study until Wölfflins influence had made German scholarship pre-eminent. Led by Italy, Mediterranean countries, slowly followed by most of the Holy Roman Empire in Germany and Central Europe, while the Baroque nature of Rembrandts art is clear, the label is less use for Vermeer and many other Dutch artists. In France a dignified and graceful classicism gave a distinctive flavour to Baroque painting, likeness and Presence, A History of the Image before the Era of Art. Mark Getlein, Living With Art, 8th edition, the Story of Art, Phaidon,1995. ISBN 0-7148-3355-X Christine Buci-Glucksmann, Baroque Reason, The Aesthetics of Modernity, the Age of Baroque Heinrich Wölfflin,1964. Renaissance and Baroque The classic study
Baroque painting
–
Rembrandt van Rijn,
The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642, oil on canvas, 363 cm × 437 cm (143 in × 172 in),
Rijksmuseum,
Amsterdam. The painting is a classic example of Baroque art.
Baroque painting
–
Nativity by
Josefa de Óbidos, 1669,
National Museum of Ancient Art,
Lisbon
Baroque painting
–
Jacob Isaakszoon van Ruisdael, Bentheim Castle (1653).
Baroque painting
–
Jan Brueghel the Elder, The Entry of the Animals Into Noah's Ark, 1613.
9.
Georges Lallemand
–
Georges Lallemand was a French artist. His name is given as Lallemant. Lallemand was born in Nancy in around 1575, nothing is known of his artistic education, but he is often assumed to have been a pupil of Jacques Bellange, whose work seems to have had a significant impact on him. He moved to Paris in about 1601 and by 1605 had established a successful studio and his style was eclectic, combining Flemish realist and mannerist influences. Few of his paintings have been traced, much of his work having been dispersed when church property was seized during the French Revolution and his earliest known work, The Mayor and Aldermen of Paris dates from 1611. He was appointed Peintre ordinaire du roi in 1626 and his work can also be seen in the Église St-Joseph-des-Carmes in the Baroque Chapelle Ste-Anne. There is an Adoration of the Magi, in the collection of the Palais des Beaux Arts in Lille. and his work is mostly known from a series of chiaoscuro woodcuts made by Ludolph Büsinck in the 1620s after his smaller religious and genre compositions
Georges Lallemand
–
The Mayor and Aldermen of Paris, 1611 (Musée Carnevalet).
10.
Francesco Primaticcio
–
Francesco Primaticcio was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Together with Rosso Fiorentino he was one of the artists to work at the Chateau Fontainebleau spending much of his life there. Following Rossos death in 1540, Primaticcio took control of the direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dellAbate. Francis I trusted his eye and sent him back to Italy on buying trips in 1540, in Rome, part of Primaticcios commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau. Primaticcio retained his position as painter to Francis heirs, Henry II. His masterpiece, the Salle dHercule at Fontainebleau, occupied him, Primaticcios crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century
Francesco Primaticcio
–
Odysseus and
Penelope, 1563
Francesco Primaticcio
–
Holy Family with St Elizabeth and John the Baptist, now in the
Hermitage Museum, St Petersburg, Russia.
Francesco Primaticcio
–
Ceiling at
Chaalis Abbey
11.
Fontainebleau
–
Fontainebleau is a commune in the metropolitan area of Paris, France. It is located 55.5 kilometres south-southeast of the centre of Paris, Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the arrondissement of Fontainebleau. The commune has the largest land area in the Île-de-France region, Fontainebleau, together with the neighbouring commune of Avon and three other smaller communes, form an urban area of 39,713 inhabitants. This urban area is a satellite of Paris, inhabitants of Fontainebleau are called Bellifontains. Fontainebleau has been recorded in different Latinised forms, such as, Fons Bleaudi, Fons Bliaudi, Fons Blaadi in the 12th and 13th centuries and it became Fons Bellaqueus in the 17th century, which gave rise to the name of the inhabitants as Bellifontains. The name originates as a composite of two words, Fontaine– meaning spring, or fountainhead, followed by a person’s Germanic name Blizwald. This hamlet was endowed with a hunting lodge and a chapel by Louis VII in the middle of the twelfth century. A century later, Louis IX, also called Saint Louis, who held Fontainebleau in high esteem and referred to it as his wilderness, had a country house, philip the Fair was born there in 1268 and died there in 1314. In all, thirty-four sovereigns, from Louis VI, the Fat, to Napoleon III, the connection between the town of Fontainebleau and the French monarchy was reinforced with the transformation of the royal country house into a true royal palace, the Palace of Fontainebleau. On 18 October 1685, Louis XIV signed the Edict of Fontainebleau there, the result was that a large number of Protestants were forced to convert to the Catholic faith, killed, or forced into exile, mainly in the Low Countries, Prussia and in England. The 1762 Treaty of Fontainebleau, an agreement between France and Spain concerning the Louisiana territory in North America, was concluded here. Also, preliminary negotiations, held before the 1763 Treaty of Paris was signed, during the French Revolution, Fontainebleau was temporarily renamed Fontaine-la-Montagne, meaning Fountain by the Mountain. On 20 June 1812, Pope Pius VII arrived at the château of Fontainebleau, after a transfer from Savona, accompanied by his personal physician. In poor health, the Pope was the prisoner of Napoleon, from June 1812 until 23 January 1814, the Pope never left his apartments. According to contemporary sources, the occasion was very moving, the 1814 Treaty of Fontainebleau stripped Napoleon of his powers and sent him into exile on Elba. Until the 19th century, Fontainebleau was a village and a suburb of Avon, later, it developed as an independent residential city. For the 1924 Summer Olympics, the town played host to the portion of the modern pentathlon event. This event took place near a golf course, Fontainebleau also hosted the general staff of the Allied Forces in Central Europe and the land forces command, the air forces command was located nearby at Camp Guynemer
Fontainebleau
–
Palace of Fontainebleau
Fontainebleau
–
Fontainebleau palace garden fountain and Grand canal
Fontainebleau
–
Historical reenactment in Fontainebleau of the bicentenary of Napoleon's Farewell to the Old Guard, April 20th of 2014. Napoleon is going down the famous stairs of Fontainebleau castle to meet with the Old Guard.
12.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
13.
Simon Vouet
–
Simon Vouet was a French painter and draftsman, who today is perhaps best remembered for helping to introduce the Italian Baroque style of painting to France. Simon Vouet was born on January 9,1590 in Paris and his father Laurent was a painter in Paris and taught him the rudiments of art. Simons brother Aubin Vouet and his grandson Ludovico Dorigny were also painters, Simon began his painting career as a portrait painter. At a young age he travelled to England and was part of the entourage of the Baron de Sancy, from there he went to Venice and was in Rome in 1614. He spent a period of time in Italy, from 1613 to 1627. He was mostly in Rome where the Baroque style was emerging during these years and he received a pension from the King of France and his patrons included the Barberini family, Cassiano dal Pozzo, Paolo Giordano Orsini and Vincenzo Giustiniani. He also visited other parts of Italy, Venice, Bologna, Genoa, Vouets immense success in Rome led to his election as president of the Accademia di San Luca in 1624. In 1626 he married Virginia da Vezzo who modelled Madonnas for Vouets religious commissions, despite his success in Rome, Vouet suddenly returned to France in 1627, following pressing recommendations from the Duc de Béthunes and a summons from the King. Vouets new style was distinctly Italian, importing the Italian Baroque style into France, in 1632, he worked for Cardinal Richelieu at the Palais-Royal and the Château de Malmaison. In Paris, Vouet was the dominating force in French painting, producing numerous public altarpieces. Vouets other students included Valentin de Boulogne, Charles Alphonse du Fresnoy, Pierre Mignard, Eustache Le Sueur, Nicolas Chaperon, Claude Mellan, Vouet was also a friend of Claude Vignon. A number of Vouets decorative schemes have been lost but are recorded in engravings by Claude Mellan,1990, retrospective of Simon Vouets work at the Galeries nationales of the Grand Palais. 2002-2003, Simon Vouet ou léloquence sensible at the Musée des Beaux-Arts de Nantes, 2008-2009, Simon Vouet, les années italiennes, Musée des Beaux-Arts de Nantes, in collaboration with the Musée des Beaux-Arts et darchéologie de Besançon
Simon Vouet
–
Self-portrait of c.1626-1627 (
Musée des Beaux-Arts de Lyon)
Simon Vouet
–
Heavenly Charity
Simon Vouet
–
Vouet's allegory La Richesse was painted about 1640, possibly for one of the royal
chateaux of France (
Louvre)
Simon Vouet
–
David with the Head of Goliath
14.
Pope Nicholas V
–
Pope Nicholas V, born Tommaso Parentucelli, was Pope from 6 March 1447 until his death. Pope Eugene made him a cardinal in 1446 after successful trips to Italy and Germany, and he took his name Nicholas in memory of his obligations to Niccolò Albergati. The Pontificate of Nicholas saw the fall of Constantinople to the Ottoman Turks, by the Concordat of Vienna he secured the recognition of papal rights over bishoprics and benefices. He also brought about the submission of the last of the antipopes, Felix V, a key figure in the Roman Renaissance, Nicholas sought to make Rome the home of literature and art. He strengthened fortifications, restored aqueducts, and rebuilt many churches, the glories of the Leonine City, the Vatican, and the Basilica of St. Peter must be considered part of his legacy. His mother, Andreola Bosi of Fivizzano, married Bartolomeo Parentucelli, a physician who practiced medicine in Sarzana, the Lunigiana region had long been fought over by competing Tuscan, Ligurian and Milanese forces. His father died while he was young, Parentucelli later became a tutor, in Florence, to the families of the Strozzi and Albizzi, where he met the leading humanist scholars. He studied at Bologna and Florence, gaining a degree in theology in 1422 and he was able to collect books, for which he had an intellectuals passion, wherever he went. Some of them survive with his marginal annotations and he attended the Council of Florence and in 1444, when his patron died, he was appointed Bishop of Bologna in his place. Civic disorders at Bologna were prolonged, so Pope Eugene IV soon named him as one of the legates sent to Frankfurt. He was to assist in negotiating an understanding between the Papal States and the Holy Roman Empire, regarding undercutting or at least containing the reforming decrees of the Council of Basel. His successful diplomacy gained him the reward, on his return to Rome, at the papal conclave of 1447 he was elected Pope in succession to Eugene IV on 6 March. He took the name Nicholas in honour of his early benefactor, the eight scant years of his pontificate were important in the political, scientific, and literary history of the world. In March 1452 he crowned Frederick III as Holy Roman Emperor in St. Peters, within the city of Rome, Nicholas introduced the fresh spirit of the Renaissance. His plans were of embellishing the city with new monuments worthy of the capital of the Christian world and his first care was practical, to reinforce the citys fortifications, cleaning and even paving some main streets and restoring the water supply. The end of ancient Rome is sometimes dated from the destruction of its magnificent array of aqueducts by 6th-century invaders, in the Middle Ages Romans depended for water on wells and cisterns, and the poor dipped their water from the yellow Tiber. The Aqua Virgo aqueduct, originally constructed by Agrippa, was restored by Nicholas and emptied into a basin that Leon Battista Alberti designed. But the works on which Nicholas especially set his heart were the rebuilding of the Vatican, the Borgo district, and St Peters Basilica, under the generous patronage of Nicholas, humanism made rapid strides as well
Pope Nicholas V
–
Pope Nicholas V
Pope Nicholas V
–
Saint Francis of Assisi according to Pope Nicholas V's Vision.
Pope Nicholas V
–
Much later portrait of
Filippo Calandrini, the half-brother of Nicholas V, and his
cardinal-nephew
15.
Crypt
–
A crypt is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics, originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the level, such as St Michaels Church in Hildesheim. Crypt developed as a form of the Latin vault as it was carried over into Late Latin. It also served as a vault for storing important and/or sacred items, crypta, however, is also the female form of crypto hidden. The earliest known origin of both is in the Ancient Greek κρύπτω, the first person singular indicative of the verb to conceal, first known in the early Christian period, in particular North Africa at Chlef and Djemila in Algeria, and Byzantium at Saint John Studio in Constantinople. Where Christian churches have been built over mithraea, the mithraeum has often been adapted to serve as a crypt, crypts were introduced into Frankish church building in the mid-8th century, as a feature of its Romanization. Their popularity then spread widely in western Europe under Charlemagne. Examples from this period are most common in the early medieval West, for example in Burgundy at Dijon, after the 10th century the early medieval requirements of a crypt faded, as church officials permitted relics to be held in the main level of the church. By the Gothic period crypts were built, however burial vaults continued to be constructed beneath churches. In more modern terms, a crypt is most often a stone chambered burial vault used to store the deceased, crypts are usually found in cemeteries and under public religious buildings, such as churches or cathedrals, but are also occasionally found beneath mausolea or chapels on personal estates. Wealthy or prestigious families will often have a family crypt or vault in which all members of the family are interred, many royal families, for example, have vast crypts containing the bodies of dozens of former royalty. In some localities an above ground crypt is more commonly called a mausoleum, there was a trend in the 19th century of building crypts on medium to large size family estates, usually subtly placed on the edge of the grounds or more commonly incorporated into the cellar. After a change of owner these are often blocked up and the house deeds will not allow this area to be re-developed, catacomb Mausoleum Tumulus Ossuary Tomb Cemetery Media related to Crypt at Wikimedia Commons Chisholm, Hugh, ed. Crypt
Crypt
–
A crypt in
Wola Gułowska,
Lublin Province,
Poland
Crypt
–
Early color photo of the family vault of the
Swedish royal dynasty of
Bernadotte.
Crypt
–
Crypt of
Bayeux Cathedral,
France (11th century)
Crypt
–
Crypt of
Bayeux Cathedral,
France
16.
St. Francis of Assisi
–
Saint Francis of Assisi, born Giovanni di Pietro di Bernardone, informally named as Francesco, was an Italian Roman Catholic friar and preacher. He founded the mens Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis, Francis is one of the most venerated religious figures in history. Pope Gregory IX canonized Francis on 16 July 1228, along with Saint Catherine of Siena, he was designated Patron saint of Italy. In 1219, he went to Egypt in an attempt to convert the Sultan to put an end to the conflict of the Crusades, by this point, the Franciscan Order had grown to such an extent that its primitive organizational structure was no longer sufficient. He returned to Italy to organize the Order, once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis is also known for his love of the Eucharist, in 1223, Francis arranged for the first Christmas live nativity scene. He died during the hours of 3 October 1226, while listening to a reading he had requested of Psalm 142. Pietro was in France on business when Francis was born in Assisi, upon his return to Assisi, Pietro took to calling his son Francesco, possibly in honor of his commercial success and enthusiasm for all things French. Since the child was renamed in infancy, the change can hardly have had anything to do with his aptitude for learning French, as some have thought. While going off to war in 1202, Francis had a vision that directed him back to Assisi, in 1205, Francis left for Apulia to enlist in the army of Walter III, Count of Brienne. Francis lived the high-spirited life typical of a young man. In 1201, he joined an expedition against Perugia and was taken as a prisoner at Collestrada. It is possible that his conversion was a gradual process rooted in this experience. Upon his return to Assisi in 1203, Francis returned to his carefree life, in 1204, a serious illness led him to a spiritual crisis. A strange vision made him return to Assisi, deepening his ecclesiastical awakening, on a pilgrimage to Rome, he joined the poor in begging at St. Peters Basilica, an experience that moved him to live in poverty. Francis returned home, began preaching on the streets, and soon gathered followers and his Order was authorized by Pope Innocent III in 1210. He then founded the Order of Poor Clares, which became a religious order for women. As a youth, Francesco became a devotee of troubadours and was fascinated with all things Transalpine, in this account, he was selling cloth and velvet in the marketplace on behalf of his father when a beggar came to him and asked for alms
St. Francis of Assisi
–
Stigmata of St Francis tempera on panel by
Bartolomeo della Gatta (1487)
St. Francis of Assisi
–
The house where Francis of Assisi lived when young
St. Francis of Assisi
–
Francis of Assisi by
Cimabue
St. Francis of Assisi
–
Francis considered his
stigmata part of the
Imitation of Christ.
Cigoli, 1699
17.
Louvre
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre
–
the Richelieu wing (2005)
Louvre
–
The only portion of the medieval Louvre still visible
Louvre
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
18.
Capuchin friars
–
The Order of Friars Minor Capuchin is an Order of friars in the Catholic Church, among the chief offshoots of the Franciscans. The worldwide head of the Order, called the Minister General, is currently Mauro Jöhri and he sought to return to the primitive way of life of solitude and penance as practiced by the founder of their Order. The popular name of their Order originates from this feature of their religious habit, in 1528, Friar Matteo obtained the approval of Pope Clement VII and was given permission to live as a hermit and to go about everywhere preaching to the poor. These permissions were not only for himself, but for all such as might join him in the attempt to restore the most literal observance possible of the Rule of St. Francis, Matteo and the original band were soon joined by others. The Observants, the branch of the Franciscan Order at that time. In 1529, they had four houses and held their first General Chapter, the eremitical idea was abandoned, but the life was to be one of extreme austerity, simplicity and poverty — in all things as near an approach to St Francis ideals as was practicable. Neither the monasteries nor the Province should possess anything, nor were any loopholes to be resorted to for evading this law, no large provision against temporal wants should be made, and the supplies in the house should never exceed what was necessary for a few days. Everything was to be obtained by begging, and the friars were not allowed even to touch money, the communities were to be small, eight being fixed as the normal number and twelve as the limit. In furniture and clothing extreme simplicity was enjoined and the friars were discalced, required to go bare-footed — without even sandals, like the Observants, the Capuchins wore a brown habit. By visual analogy, the Capuchin monkey and the style of coffee are both named after the shade of brown used for their habit. Besides the canonical choral celebration of the Divine Office, a portion of which was recited at midnight, the fasts and disciplines were rigorous and frequent. The great external work was preaching and spiritual ministrations among the poor, in theology the Capuchins abandoned the later Franciscan School of Scotus, and returned to the earlier school of St. Bonaventure. The movement at the outset of its history underwent a series of severe blows. Years later, claims that he had written in favor of polygamy and Unitarianism caused him to be exiled from that city and he fled again, first to Poland and then to Slovakia, where he died. As a result, the province came under the suspicion of heretical tendencies. He was dissuaded with difficulty, but the Capuchins were forbidden to preach, despite earlier setbacks, the authorities were eventually satisfied as to the soundness of the general body of Capuchin friars and the permission to preach was restored. They are said to have had at that time 1500 houses divided into fifty provinces, the activities of the Capuchins were not confined to Europe. From an early date they undertook missions to non-Catholics in America, Asia and Africa, due to this strong missionary thrust, a large number of Capuchins have suffered martyrdom over the centuries
Capuchin friars
–
Bernardino Ochino (1487-1564), co-founder of the Capuchin Order, who later left the Catholic Church and became a Calvinist.
Capuchin friars
–
Order of Capuchin Friars Minor
Capuchin friars
–
The remains of 4,000
friars adorn the
ossuary of the
Santa Maria della Concezione
Capuchin friars
–
Capuchin Friary, Rapperswil,
Switzerland, established in 1606, and still occupied
19.
Le Marais
–
Le Marais is a historic district in Paris, France. Long the aristocratic district of Paris, it hosts many outstanding buildings of historic and it spreads across parts of the 3rd and 4th arrondissements in Paris. In 1240 the Order of the Temple built its fortified church just outside the walls of Paris, in the northern part of the Marais. During the mid-13th century, Charles I of Anjou, King of Naples and Sicily, in 1361 the King Charles V built a mansion known as the Hôtel Saint-Pol in which the Royal Court settled during his reign as well as his sons. From that time to the 17th century and especially after the Royal Square was designed under King Henri IV in 1605, the Marais was the French nobilitys favorite place of residence. During the late 18th century, the district was no longer the most fashionable district for the nobility, by that time, only minor nobles and a few more powerful nobles, such as the Prince de Soubise, lived there. The Place des Vosges remained a place for nobles to meet, the district fell into despair after the Revolution, and was therefore abandoned by the nobility completely, and would stay that way for ever. After the French Revolution, the district was no more the aristocratic district it once was during the 17th and 18th centuries, because of this, the district became a popular and active commercial area, hosting one of Paris main Jewish communities. During World War II the Jewish community was targeted by the Nazis who were occupying France, as of today the rue des Rosiers remains a major centre of the Paris Jewish community, which has made a comeback since the 1990s. Public notices announce Jewish events, bookshops specialize in Jewish books, the synagogue on 10 rue Pavée is adjacent to the rue des Rosiers. It was designed in 1913 by Art Nouveau architect Hector Guimard, Le Marais houses the Museum of Jewish Art and History, the largest French museum of Jewish art and history. The museum conveys the history and culture of Jews in Europe. In 1982, Palestinan terrorists murdered 6 people and injured 22 at a Jewish restaurant in Le Marais, Chez Jo Goldenberg, by the 1950s, the district had become a working-class area and most of its architectural masterpieces were in a bad state of repair. In 1964, General de Gaulles Culture Minister Andre Malraux made the Marais the first secteur sauvegardé and these were meant to protect and conserve places of special cultural significance. In the following decades the government and the Parisian municipality led a restoration and Rehabilitation Policy. The site of Beaubourg, the part of Marais, was chosen for the Centre Georges Pompidou, Frances national Museum of Modern Art. The building was completed in 1977 with revolutionary architecture by Renzo Piano, the Marais is now one of Paris main localities for art galleries. Following its rehabilitation, the Marais has become a district, home to many trendy restaurants, fashion houses
Le Marais
–
Hôtel de Sens.
Le Marais
–
Hôtel de Guénégaud.
Le Marais
–
The Hôtel de Saint-Aignan, housing the
Museum of Jewish Art and History
Le Marais
–
Entrance of the Hôtel d'Albret.
20.
Eustache Le Sueur
–
Eustache Le Sueur or Lesueur was a French artist and one of the founders of the French Academy of Painting. He is known primarily for his paintings of religious subjects and he was born in Paris, where he spent his entire life. His father, Cathelin Le Sueur, a turner and sculptor in wood, placed him with Vouet, in whose studio he rapidly distinguished himself. Admitted at an early age into the guild of master-painters, he left them to part in establishing the academy of painting and sculpture. These last have more character than anything else Le Sueur produced. The Louvre also possesses many fine drawings, of which Le Sueur left an incredible quantity, chiefly executed in black and white chalk. His pupils, who aided him much in his work, were his wifes brother, Theodore Goussé, most of his works have been engraved, chiefly by Picart, B. Audran, Leclerc, Drevet, Chauveau, Poilly and Desplaces and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Eustace Le Sueur
Eustache Le Sueur
–
Eustache Le Sueur
Eustache Le Sueur
–
Rape of Tamar, c. 1640
21.
Strasbourg
–
Strasbourg is the capital and largest city of the Grand Est region of France and is the official seat of the European Parliament. Located close to the border with Germany in the region of Alsace. In 2014, the city proper had 276,170 inhabitants, Strasbourgs metropolitan area had a population of 773,347 in 2013, making it the ninth largest metro area in France and home to 13% of the Grand Est regions inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 915,000 inhabitants in 2014, Strasbourg is the seat of several European institutions, such as the Council of Europe and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is also the seat of the Central Commission for Navigation on the Rhine, Strasbourgs historic city centre, the Grande Île, was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. The largest Islamic place of worship in France, the Strasbourg Grand Mosque, was inaugurated by French Interior Minister Manuel Valls on 27 September 2012. Economically, Strasbourg is an important centre of manufacturing and engineering, as well as a hub of road, rail, the port of Strasbourg is the second largest on the Rhine after Duisburg, Germany. Before the 5th century, the city was known as Argantorati, a Celtic Gaulish name Latinized first as Argentorate, after the 5h century, the city became known by a completely different name Gallicized as Strasbourg. That name is of Germanic origin and means Town of roads, Strasbourg is situated on the eastern border of France with Germany. This border is formed by the River Rhine, which forms the eastern border of the modern city. The historic core of Strasbourg however lies on the Grande Île in the River Ill, which flows parallel to, and roughly 4 kilometres from. The natural courses of the two eventually join some distance downstream of Strasbourg, although several artificial waterways now connect them within the city. This section of the Rhine valley is an axis of north-south travel, with river traffic on the Rhine itself. The city is some 400 kilometres east of Paris, in spite of its position far inland, Strasbourgs climate is classified as Oceanic, with warm, relatively sunny summers and cold, overcast winters. Precipitation is elevated from mid-spring to the end of summer, but remains largely constant throughout the year, on average, snow falls 30 days per year. The highest temperature recorded was 38.5 °C in August 2003. The lowest temperature recorded was −23.4 °C in December 1938. Nonetheless, the disappearance of heavy industry on both banks of the Rhine, as well as effective measures of traffic regulation in and around the city have reduced air pollution
Strasbourg
Strasbourg
Strasbourg
Strasbourg
22.
Rouen
–
Rouen is a city on the River Seine in the north of France. It is the capital of the region of Normandy, formerly one of the largest and most prosperous cities of medieval Europe, Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. The population of the area at the 2007 census was 532,559. People from Rouen are known as Rouennais, Rouen and its metropolitan area of 70 suburban communes form the Agglomeration community of Rouen-Elbeuf-Austreberthe, with 494,382 inhabitants at the 2010 census. Rouen was founded by the Gaulish tribe of Veliocasses, who controlled an area in the lower Seine valley. The Gauls named the settlement Ratumacos and the Romans called it Rotomagus, Roman Rotomagus was the second city of Gallia Lugdunensis, after Lugdunum. In the 5th century, it became the seat of a bishopric, in the 10th century Rouen became the capital of the Duchy of Normandy and the residence of the dukes, until William the Conqueror established his castle at Caen. During the early 12th century the population reached 30,000. In 1150, Rouen received its charter, which permitted self-government. During the 12th century, Rouen was probably the site of a Jewish yeshiva, at that time, about 6,000 Jews lived in the town, comprising about 20% of the total population. The well-preserved remains of a medieval Jewish building, that could be a yeshiva, were discovered in the 1970s under the Rouen Law Courts. In 1200, a destroyed part of Rouens Romanesque cathedral, leaving just St Romains tower, the side porches of its front. New work on the present Gothic cathedral of Rouen began, in the nave, transept, choir, on 24 June 1204, Philip Augustus entered Rouen and annexed Normandy to the French Kingdom. The fall of Rouen meant the end of Normandys sovereign status and he demolished the Norman castle and replaced it with his own, the Château Bouvreuil, built on the site of the Gallo-Roman amphitheatre. A textile industry developed based on wool imported from England, competing with the northern County of Flanders, the city found its market niche in the Champagne fairs. Rouen also depended on the traffic of the Seine for its prosperity. Wine and wheat were exported to England, with tin and wool received in return, in the late 13th century urban strife threatened the city, in 1291, the mayor was assassinated and noble residences in the city were pillaged
Rouen
–
Top: View of Downtown Rouen and Seine River from Bois Bagneres Hill. Middle left: Twilightview of Archives department of Seine Maritime building. Center: Night view of
Gros-Horloge. Middle right:
Pont Gustave-Flaubert (Gustave-Flaubert Bridge). Bottom: Night view of Rouen Notre-Dame Cathedral and Seine River.
Rouen
–
City Hall and
Church of St. Ouen, Rouen
Rouen
–
Primitive 14th century
timber framing, rue du Petit Mouton
Rouen
–
For the
royal entry of
Henry II in Rouen, 1 October 1550.
23.
Le Mans
–
Le Mans is a city in France, on the Sarthe River. Traditionally the capital of the province of Maine, it is now the capital of the Sarthe department, Le Mans is a part of the Pays de la Loire region. Its inhabitants are called Manceaux and Mancelles, since 1923, the city has hosted the internationally famous 24 Hours of Le Mans endurance sports car race. First mentioned by Claudius Ptolemy, the Roman city Vindinium was the capital of the Aulerci, Le Mans is also known as Civitas Cenomanorum, or Cenomanus. Their city, seized by the Romans in 47 BC, was within the ancient Roman province of Gallia Lugdunensis, a 3rd-century amphitheatre is still visible. The thermae were demolished during the crisis of the century when workers were mobilized to build the citys defensive walls. The ancient wall around Le Mans is one of the most complete circuits of Gallo-Roman city walls to survive, as the use of the French language replaced late Vulgar Latin in the area, Cenomanus, with dissimilation, became known as Celmans. Cel- was taken to be a form of the French word for this and that, and was replaced by le, gregory of Tours mentions a Frankish sub-king Rigomer, who was killed by King Clovis I in his campaign to unite the Frankish territories. As the principal city of Maine, Le Mans was the stage for struggles in the century between the counts of Anjou and the dukes of Normandy. When the Normans had control of Maine, William the Conqueror successfully invaded England, in 1069 the citizens of Maine revolted and expelled the Normans, resulting in Hugh V being proclaimed count of Maine. Geoffrey V of Anjou married Matilda of England in the cathedral and their son Henry II Plantagenet, king of England, was born here. The airfield was declared operational on 3 September and designated as A-35 and it was used by several American fighter and transport units until late November of that year in additional offensives across France, the airfield was closed. Le Mans has an old town and the Cathédrale St-Julien, dedicated to St Julian of Le Mans. Remnants of a Roman wall are visible in the old town and these walls are highlighted every summer evening in a light show that tells the history of the town. Arboretum de la Grand Prée Part of the former Cistercian abbey de lEpau, founded by Queen Berengaria, jardin des Plantes du Mans Musée de la reine Bérengère, a museum of Le Mans history located in a gothic manor house. Musée de Tessé, the arts museum of the city, displaying painting. Le Mans has an oceanic climate influenced by the mild Atlantic air travelling inland, summers are warm and occasionally hot, whereas winters are mild and cloudy. Precipitation is relatively uniform and moderate year round, at the 1999 French census, there were 293,159 inhabitants in the metropolitan area of Le Mans, with 146,105 of these living in the city proper
Le Mans
–
Top row: left, Le Mans 24-hr automobile race in June; right, Le Mans Justice Department Office; Middle row: View of Sarthe River and historic area, including the Palais of Comtes du Maine; Bottom row: left, Le Mans Tramway in Gambetta Street; center, Facade built in Le Mans Commerce Center; right, Saint Julien Cathedral
Le Mans
–
Le Palais des Comtes du Maine, birthplace of
Henry II of England (now part of the Town Hall and not open to the public)
Le Mans
–
Gallo-Roman walls
Le Mans
–
Organ in the cathedral
24.
British Museum
–
The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
British Museum
–
British Museum
British Museum
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The centre of the museum was redeveloped in 2001 to become the
Great Court, surrounding the original
Reading Room.
British Museum
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Sir
Hans Sloane
British Museum
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Montagu House, c. 1715
25.
Conversion of Paul
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The conversion of Paul the Apostle, was, according to the New Testament, an event in the life of Paul the Apostle that led him to cease persecuting early Christians and to become a follower of Jesus. It is normally dated to AD 33–36, the phrases Pauline conversion, Damascene conversion and Damascus Christophany, and road to Damascus allude to this event. Pauls conversion experience is discussed in both the Pauline epistles and in the Acts of the Apostles, according to both sources, Paul was not a follower of Jesus and did not know him before his crucifixion. Pauls conversion occurred after Jesuss crucifixion, the accounts of Pauls conversion experience describe it as miraculous, supernatural, or otherwise revelatory in nature. Before his conversion, Paul, then known as Saul, was a zealous Pharisee who intensely persecuted the followers of Jesus. Says Paul in his Epistle to the Galatians, For you have heard of my previous way of life in Judaism, how intensely I persecuted the church of God and tried to destroy it. I was advancing in Judaism beyond many of my own age among my people and was zealous for the traditions of my fathers. Paul also discusses his life in his Epistle to the Philippians. In the Pauline epistles, the description of the experience is brief. After that, he appeared to more than five hundred of the brothers and sisters at the time, most of whom are still living. Then he appeared to James, then to all the apostles, the Epistle to the Galatians also describes his conversion as a divine revelation, with Jesus appearing to Paul. I want you to know, brothers and sisters, that the gospel I preached is not of human origin, I did not receive it from any man, nor was I taught it, rather, I received it by revelation from Jesus Christ. For you have heard of my previous way of life in Judaism, how intensely I persecuted the church of God, I was advancing in Judaism beyond many of my own age among my people and was extremely zealous for the traditions of my fathers. Acts of the Apostles discusses Pauls conversion experience at three different points in the text, in far more detail than in the accounts in Pauls letters, the journey is interrupted when Paul sees a blinding light, and communicates directly with a divine voice. Acts 9 tells the story as a narrative, As he neared Damascus on his journey. He fell to the ground and heard a voice say to him, Saul, Saul, I am Jesus, whom you are persecuting, he replied. Now get up and go into the city, and you will be told what you must do, the men traveling with Saul stood there speechless, they heard the sound but did not see anyone. Saul got up from the ground, but when he opened his eyes he could see nothing, so they led him by the hand into Damascus
Conversion of Paul
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Illumination depicting Paul's conversion, from Livre d'Heures d'Étienne Chevalier (c. 1450–1460), a
book of hours by
Jean Fouquet now in the
Château de Chantilly.
Conversion of Paul
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Ananias Restoring the Sight of St. Paul (c.1631) by
Pietro da Cortona.
Conversion of Paul
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Paul on trial before
Agrippa (Acts 26), as pictured by Nikolai Bodarevsky, 1875.
26.
Cardinal Richelieu
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Cardinal Armand Jean du Plessis, Duke of Richelieu and Fronsac, commonly referred to as Cardinal Richelieu, was a French clergyman, nobleman, and statesman. He was consecrated as a bishop in 1607 and was appointed Foreign Secretary in 1616, Richelieu soon rose in both the Catholic Church and the French government, becoming a cardinal in 1622, and King Louis XIIIs chief minister in 1624. He remained in office until his death in 1642, he was succeeded by Cardinal Mazarin, Cardinal de Richelieu was often known by the title of the kings Chief Minister or First Minister. He sought to consolidate power and crush domestic factions. By restraining the power of the nobility, he transformed France into a strong and his chief foreign policy objective was to check the power of the Austro-Spanish Habsburg dynasty, and to ensure French dominance in the Thirty Years War that engulfed Europe. Although he was a cardinal, he did not hesitate to make alliances with Protestant rulers in attempting to achieve his goals. While a powerful figure, events like the Day of the Dupes show that in fact he very much depended on the kings confidence to keep this power. As alumnus of the University of Paris and headmaster of the Collège de Sorbonne, Richelieu was also famous for his patronage of the arts, most notably, he founded the Académie Française, the learned society responsible for matters pertaining to the French language. Richelieu is also known by the sobriquet lÉminence rouge, from the red shade of a cardinals clerical dress and this in part allowed the colony to eventually develop into the heartland of Francophone culture in North America. He is also a character in The Three Musketeers by Alexandre Dumas. Born in Paris, Armand du Plessis was the fourth of five children, at the age of nine, young Richelieu was sent to the College of Navarre in Paris to study philosophy. Thereafter, he began to train for a military career and his private life seems to have been typical of a young officer of the era, in 1605, aged twenty, he was treated by Théodore de Mayerne for gonorrhea. King Henry III had rewarded Richelieus father for his participation in the Wars of Religion by granting his family the bishopric of Luçon. The family appropriated most of the revenues of the bishopric for private use, they were, however, challenged by clergymen, to protect the important source of revenue, Richelieus mother proposed to make her second son, Alphonse, the bishop of Luçon. Alphonse, who had no desire to become a bishop, became instead a Carthusian monk, thus, it became necessary that the younger Richelieu join the clergy. He had strong interests, and threw himself into studying for his new post. In 1606 King Henry IV nominated Richelieu to become Bishop of Luçon, as Richelieu had not yet reached the canonical minimum age, it was necessary that he journey to Rome for a special dispensation from the Pope. This secured, Richelieu was consecrated bishop in April 1607, soon after he returned to his diocese in 1608, Richelieu was heralded as a reformer
Cardinal Richelieu
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Portrait of Cardinal Richelieu, 1633–40,
Philippe de Champaigne,
National Gallery,
London
Cardinal Richelieu
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The young King
Louis XIII was only a figurehead during his early reign; power actually rested with his mother,
Marie de Médicis.
Cardinal Richelieu
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Henri Motte 's depiction of Cardinal Richelieu at the
Siege of La Rochelle.
Cardinal Richelieu
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Letter of Cardinal Richelieu to
Claude de Razilly asking him to do everything in his power to relieve
Ré Island in the
Siege of Saint-Martin-de-Ré, July 1627.
27.
Cornelia Africana
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Cornelia Africana was the second daughter of Publius Cornelius Scipio Africanus, the hero of the Second Punic War, and Aemilia Paulla. She is remembered as a example of a virtuous Roman woman. Cornelia married Tiberius Gracchus the Elder, the grandson of Tiberius Sempronius Gracchus, the union proved to be a happy one, and together they had 12 children, which is very unusual by Roman standards. After her husbands death, she chose to remain a widow while still enjoying a princess-like status and she even refused the marriage proposal of King Ptolemy VIII Physcon. Later in her life, Cornelia studied literature, Latin, Cornelia took advantage of the Greek scholars she brought to Rome, notably the philosophers Blossius and Diophanes, who were to educate young men. Cornelia always supported her sons Tiberius and Gaius, even when their actions outraged the conservative patrician families in which she was born, after their violent deaths, she retired from Rome to a villa in Misenum but continued to receive guests. Rome worshipped her virtues, and when she died at an advanced age, one of the most important aspects of the life of Cornelia is her relationship with her adult sons. Most of the information that we have on her role during this time is what Plutarch wrote in both the Life of Tiberius Gracchus and the Life of Gaius Gracchus and she is portrayed as active during their political careers, especially during Gaius’. Plutarch writes of how Gaius removed a law that disgraced Marcus Octavius, Plutarch states that the people all approved of this out of respect for her. Plutarch also writes that Cornelia may have helped Gaius undermine the power of the consul Lucius Opimius by hiring foreign harvesters to help provide resistance. Plutarch also writes that, when one of Gaiuss political opponents attacked Cornelia, Gaius retorted, What, said he, dost thou abuse Cornelia, who gave birth to Tiberius. And since the one who had uttered the abuse was charged with effeminate practices, With what effrontery, said Gaius, hast thou borne such children as she did. And verily all Rome knows that she refrained from commerce with men longer than thou hast and this remark suggests that the Gracchi used their mothers reputation as a chaste, noble woman to their advantage in their political rhetoric. The manuscripts of Cornelius Nepos, the earliest Latin biographer, include several excerpts from a letter composed by Cornelia to Gaius. While not all scholars accept these as authentic, if they indeed are, the letter may be dated to just before Gaius tribunate in 122 BC. Cornelias letter documents how Roman women wielded considerable influence in political families, one excerpt reads as follows, You will say that it is a beautiful thing to take on vengeance on enemies. To no one does this seem either greater or more beautiful than it does to me, but only if it is possible to pursue these aims without harming our country. But seeing as that cannot be done, our enemies will not perish for a time and for many reasons
Cornelia Africana
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Cornelia pushes away Ptolemy's crown, by
Laurent de La Hyre
Cornelia Africana
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Cornelia, mother of the
Gracchi, by
Noël Hallé, 1779 (
Musée Fabre)
Cornelia Africana
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Cornelia, Mother of the Gracchi (1785) by
Angelica Kauffman
28.
Public domain
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The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
Public domain
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Newton's own copy of his
Principia, with hand-written corrections for the second edition
Public domain
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L.H.O.O.Q. (1919). Derivative work by the
Dadaist Marcel Duchamp based on the
Mona Lisa.
29.
Birmingham Museum of Art
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Among other highlights, the Museum’s collection of Asian art is considered the finest and most comprehensive in the Southeast, and its Vietnamese ceramics one of the finest in the U. S. The Birmingham Museum of Art is owned by the City of Birmingham, erected in 1959, the present building was designed by architects Warren, Knight and Davis, and a major renovation and expansion by Edward Larrabee Barnes of New York was completed in 1993. The facility encompasses 180,000 square feet, including a sculpture garden. The Museum’s growing collection of nearly 2,000 objects is derived from the major groups of sub-Saharan Africa. Since its doors opened to the public in 1951, the Birmingham Museum of Art has collected and exhibited the art of Alabama, among the earliest works to enter the collection were paintings by significant Alabama artists including the miniaturist Hannah Elliott and the landscapist Carrie Hill. Throughout its history, the Museum has continued its commitment to the arts of Alabama, in 1995, it organized Made in Alabama, a groundbreaking survey of artistic production in the state during the 19th century. In addition to collecting the works of academically trained native artists, the Museum has built a collection of folk art, including painting, sculpture, quilts. Thanks to the generosity of Robert and Helen Cargo, the Museum possesses one of the largest and most comprehensive collections of Southern quilts in the country, similarly, several major private collectors are helping the Museum build the most significant repository of Alabama pottery in the State. The Museum’s Asian art collection started with a gift of Chinese textiles in 1951 and today, also, on long-term loan from The Smithsonian Institution is the Vetlesen Jade Collection of 16th- to 19th-century pieces, one of the most important jade collections in the U. S. The Museum has the only gallery for Korean art in the Southeast, notable holdings include the only public collection of late 19th-century European cast iron items in the U. S. The museum features an installation of Native American arts. The galleries are organized into four cultural groupings according to region, Eastern Woodlands, Plains, Northwest Coast, highlights of the collection include a large grouping of fine Navajo blankets and rugs, an extensive collection of Northwest coast art, and important historic and contemporary Pueblo ceramics. There also are excellent examples of Plains beadwork and stunning shaman headdresses, the collection features stunning objects from Meso-America, Central America, and the Northern Andes. Highlights from Meso-America include Zapotec ceramics, objects related to the ballgame, Maya figure sculpture, ceramics and jewelry, Aztec stone sculpture, and West Mexican figural tomb sculpture. Cultures of ancient Costa Rica, Guatemala, and Panama are well represented, works include jewelry, metates, censors, volcanic stone figure sculpture. Northern Andean objects include Sican ceremonial gold vessels and tumi, ceramics from the Moche, Chimu, Chancay, and Vicus cultures, Incan keros and mummy masks, center for the study of Wedgwood. In 1927 they were able to display their collection in the galleries of the new Birmingham Public Library, over the next two decades the club continued to add to the collection and raise support in the press and in City Hall for the concept of a new building. In September 1950 a governing board was created to oversee the creation of a museum as an institution of service, educational and recreational
Birmingham Museum of Art
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Oscar Wells Memorial entrance to the museum
Birmingham Museum of Art
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Albert Bierstadt 's Looking Down Yosemite Valley from 1865 is a highlight of the museum's collection of American paintings
Birmingham Museum of Art
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A
Late Period sculpture of an
ibis from
Ancient Egypt 's
Twenty-sixth Dynasty, 664–332 BC.
Birmingham Museum of Art
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John Singer Sargent 's Portrait of
Helen Vincent, Viscountess D'Abernon from 1904 AD.
30.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
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Screenshot 2012
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Lahire, Laurent de". Encyclopædia Britannica. 16 (11th ed.). Cambridge University Press. p. 80.
Media related to Laurent de La Hyre at Wikimedia Commons
