Lawrence Charles Weiner was an American conceptual artist. He was one of the central figures in the formation of conceptual art in the 1960s. His work often took the form of typographic texts, a form of word art.
Weiner in 2011
Lawrence Wiener in Speaking Portraits
Flakturm at Esterházypark in Vienna: Zerschmettert in Stücke (im Frieden der Nacht) / Smashed to pieces (in the still of the night) (1991)
Weiner's At the Same Moment painted on pilings in the East River, as seen in 2011
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns. Some works of conceptual art may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print:In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
Detail, Memorial for the Victims of Nazi Military Justice by monumental sculptor Olaf Nicolai, Ballhausplatz, Vienna
Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz
Art & Language, Art-Language Vol. 3 Nr. 1, 1974
Lawrence Weiner. Bits & Pieces Put Together to Present a Semblance of a Whole, The Walker Art Center, Minneapolis, 2005.