Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
A 14th-century Polish fresco at Siedlęcin Tower depicting Lancelot fighting the evil knight Turquine in a scene from the French Lancelot-Grail.
A page from the Winchester Manuscript of the Morte d'Arthur, c. 1471–1481.
A 14th-century "Round Table" at Winchester Castle, Malory's Camelot.
The holy island of Mont-Saint-Michel where Arthur slays an evil giant in one of the only few supernatural elements of the Roman War story.
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."
Yvain fighting Gawain in order to regain the love of his lady Laudine. Medieval illumination from Chrétien de Troyes's romance, Yvain, le Chevalier au Lion
Holger Danske, or Ogier the Dane, from the Matter of France
A knight rescues a lady from a dragon.