Lee de Forest was an American inventor and a fundamentally important early pioneer in electronics. He invented the first practical electronic amplifier,
the three-element "Audion" triode vacuum tube in 1906. This helped start the Electronic Age, and enabled the development of the electronic oscillator. These made radio broadcasting and long distance telephone lines possible, and led to the development of talking motion pictures, among countless other applications.
De Forest, some time between 1914 and 1922, with two of his Audions, a small 1 watt receiving tube (left), and a later 250-watt transmitting power tube (right), which he called an "oscillion".
American DeForest Wireless Telegraph Company's observation tower, 1904 Louisiana Purchase Exposition at Saint Louis, Missouri
Ohio Historical Marker. On July 18, 1907 Lee de Forest transmitted the first ship-to-shore messages that were sent by radiotelephone
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films was commonly played live with organs or pianos.
1908 poster advertising Gaumont's sound films. The Chronomégaphone, designed for large halls, employed compressed air to amplify the recorded sound.
Image from The Dickson Experimental Sound Film (1894 or 1895), produced by W.K.L. Dickson as a test of the early version of the Edison Kinetophone, combining the Kinetoscope and phonograph.
Eric M. C. Tigerstedt (1887–1925) was one of the pioneers of sound-on-film technology. Tigerstedt in 1915.
Poster featuring Sarah Bernhardt and giving the names of eighteen other "famous artists" shown in "living visions" at the 1900 Paris Exposition using the Gratioulet-Lioret system.