1.
Valentine Green
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Valentine Green was a British engraver and print publisher. Green trained under Robert Hancock, a Worcester engraver, after which he moved to London and began working as a mezzotint engraver. He began to exhibit with the Incorporated Society of Artists from 1766, became a fellow a year later and he was appointed mezzotint engraver to the king in 1773, and the following year was elected an associate engraver with the Royal Academy. Throughout the 1770s and 1780s, Greens engraving practice flourished, in the 1790s, however, several of his international speculations failed and in 1798 he was declared bankrupt. In 1805 he accepted the role of keeper of the British Institution and he became a member of the Incorporated Society of Artists in 1767, an associate-engraver of the Royal Academy in 1775, and for some forty years he followed his profession with the greatest success. James Walker was one of Greens pupils
Valentine Green
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Valentine Green by
Lemuel Francis Abbott
Valentine Green
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Portrait of Lady Delmé with Children, after
Joshua Reynolds
2.
Horatio Nelson, 1st Viscount Nelson
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Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté KB was a British flag officer in the Royal Navy. He was wounded several times in combat, losing most of one arm in the attempt to conquer Santa Cruz de Tenerife. He was shot and killed during his victory at the Battle of Trafalgar in 1805. Nelson was born into a moderately prosperous Norfolk family and joined the navy through the influence of his uncle, Maurice Suckling and he rose rapidly through the ranks and served with leading naval commanders of the period before obtaining his own command in 1778. He developed a reputation in the service through his valour and firm grasp of tactics but suffered periods of illness. The outbreak of the French Revolutionary Wars allowed Nelson to return to service and he fought in several minor engagements off Toulon and was important in the capture of Corsica and subsequent diplomatic duties with the Italian states. In 1797, he distinguished himself while in command of HMS Captain at the Battle of Cape St Vincent. The following year, he won a victory over the French at the Battle of the Nile. In 1801, he was dispatched to the Baltic and won another victory and he subsequently commanded the blockade of the French and Spanish fleets at Toulon and, after their escape, chased them to the West Indies and back but failed to bring them to battle. After a brief return to England, he took over the Cádiz blockade in 1805, on 21 October 1805, the Franco-Spanish fleet came out of port, and Nelsons fleet engaged them at the Battle of Trafalgar. The battle was Britains greatest naval victory, but during the action Nelson and his body was brought back to England where he was accorded a state funeral. Nelsons death at Trafalgar secured his position as one of Britains most heroic figures, numerous monuments, including Nelsons Column in Trafalgar Square, London, and the Nelson Monument in Edinburgh, have been created in his memory and his legacy remains highly influential. Horatio Nelson was born on 29 September 1758 in a rectory in Burnham Thorpe, Norfolk, England and he was named after his godfather Horatio Walpole then 2nd Baron Walpole, of Wolterton. His mother, who died on 26 December 1767, when he was nine years old, was a great-niece of Robert Walpole, 1st Earl of Orford, the de facto first Prime Minister of Great Britain. She lived in the village of Barsham, Suffolk, and married the Reverend Edmund Nelson at Beccles church, Suffolk, Nelsons aunt, Alice Nelson was the wife of Reverend Robert Rolfe, Rector of Hilborough, Norfolk and grandmother of Sir Robert Monsey Rolfe. Rolfe twice served as Lord High Chancellor of Great Britain, Nelson attended Paston Grammar School, North Walsham, until he was 12 years old, and also attended King Edward VI’s Grammar School in Norwich. Shortly after reporting aboard, Nelson was appointed a midshipman and began officer training, early in his service, Nelson discovered that he suffered from seasickness, a chronic complaint that dogged him for the rest of his life. He twice crossed the Atlantic, before returning to serve under his uncle as the commander of Sucklings longboat, at his nephews request, Suckling arranged for Nelson to join the expedition as coxswain to Commander Lutwidge aboard the converted bomb vessel HMS Carcass
Horatio Nelson, 1st Viscount Nelson
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Vice Admiral Horatio Lord Nelson, by
Lemuel Francis Abbott
Horatio Nelson, 1st Viscount Nelson
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Captain
Maurice Suckling
Horatio Nelson, 1st Viscount Nelson
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Captain Horatio Nelson, painted by
John Francis Rigaud in 1781, with Fort San Juan—the scene of his most notable achievement to date—in the background. The painting itself was begun and nearly finished prior to the battle, when Nelson held the rank of lieutenant; when Nelson returned, the artist added the new captain's gold-braided sleeves.
Horatio Nelson, 1st Viscount Nelson
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Lady Nelson, Nelson's wife, formerly Frances "Fanny" Nisbet of the island of
Nevis,
West Indies. A painting of the British school circa 1800, formerly attributed to
Richard Cosway, from an earlier copy.
3.
10 Downing Street
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Situated in Downing Street in the City of Westminster, London, Number 10 is over 300 years old and contains approximately 100 rooms. A private residence occupies the floor and there is a kitchen in the basement. At the rear is a courtyard and a terrace overlooking a garden of 0.5 acres. Adjacent to St Jamess Park, Number 10 is near Buckingham Palace, the London residence of the British monarch, and the Palace of Westminster, originally three houses, Number 10 was offered to Sir Robert Walpole by King George II in 1732. Walpole accepted on the condition that the gift was to the office of First Lord of the Treasury rather than to him personally, Walpole commissioned William Kent to join the three houses and it is this larger house that is known as Number 10 Downing Street. The arrangement was not an immediate success, despite its size and convenient location near to Parliament, few early Prime Ministers lived there. Costly to maintain, neglected, and run-down, Number 10 was close to being demolished several times but the property survived and became linked with many statesmen, in 1985 Margaret Thatcher said Number 10 had become one of the most precious jewels in the national heritage. Number 10 Downing Street was originally three properties, a mansion overlooking St Jamess Park called the House at the Back, a house behind it. The town house, from which the building gets its name, was one of several built by Sir George Downing between 1682 and 1684. Downing, a spy for Oliver Cromwell and later Charles II, invested in property. In 1654, he purchased the lease on land south of St Jamess Park, Downing planned to build a row of town houses for persons of good quality to inhabit in. The street on which he built them now bears his name, straightforward as the investment seemed, it proved otherwise. The Hampden family had a lease on the land that they refused to relinquish, Downing fought their claim, but failed and had to wait thirty years before he could build. When the Hampden lease expired, Downing received permission to build on land further west to take advantage of recent property developments. The new warrant issued in 1682 reads, Sir George Downing. to build new, subject to the proviso that it be not built any nearer than 14 feet of the wall of the said Park at the West end thereof. Between 1682 and 1684, Downing built a cul-de-sac of two-storey town houses with coach-houses, stables, over the years, the addresses changed several times. In 1787 Number 5 became Number 10, Downing employed Sir Christopher Wren to design the houses. Although large, they were put up quickly and cheaply on soft soil with shallow foundations, the fronts were façades with lines painted on the surface imitating brick mortar
10 Downing Street
10 Downing Street
10 Downing Street
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Sir George Downing
10 Downing Street
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The Palace of Whitehall by
Hendrick Danckerts c. 1660–1679. Viewed from the west side of
St. James's Park, the "House at the Back" is on the far right; the octagonal building next to it is the Cockpit.
4.
Leicestershire
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Leicestershire is a landlocked county in the English Midlands. The border with most of Warwickshire is Watling Street, the county has a population of just under 1 million with over half the population living in Leicesters built-up area. Leicestershire was recorded in the Domesday Book in four wapentakes, Guthlaxton, Framland, Goscote and these later became hundreds, with the division of Goscote into West Goscote and East Goscote, and the addition of Sparkenhoe hundred. In 1087, the first recorded use of the name was as Laegrecastrescir, Leicestershires external boundaries have changed little since the Domesday Survey. These actions were reversed on 1 April 1997, when Rutland, Rutland became a distinct Ceremonial County once again, although it continues to be policed by Leicestershire Constabulary. The symbol of the county council, Leicestershire County Cricket Club, Leicestershire is considered to be the birthplace of fox hunting as it is known today. Hugo Meynell, who lived in Quorn, is known as the father of fox hunting, Melton Mowbray and Market Harborough have associations with fox hunting, as has neighbouring Rutland. A large part of the north-west of the county, around Coalville, the highest point of the county is Bardon Hill at 278 metres, which is also a Marilyn. The lowest point is about 24. 8m, north of Bottesford where the River Devon leaves Leicestershire, the population of Leicestershire is 609,578 people. The county covers an area of 2,084 km2 and its largest population centre is the city of Leicester, followed by the town of Loughborough. Other large towns include Ashby-de-la-Zouch, Coalville, Hinckley, Market Harborough, Melton Mowbray, Oadby, Wigston, some of the larger of villages are, Burbage Birstall, Broughton Astley, Castle Donington, Kibworth Beauchamp, Great Glen, Ibstock, Countesthorpe and Kegworth. One of the most rapidly expanding villages is Anstey, which has seen a large number of development schemes. The United Kingdom Census 2001 showed a resident population for Leicester of 279,921. Approximately 62,000 were aged under 16,199,000 were aged 16–74,76. 9% of Leicesters population claim they have been born in the UK, according to the 2001 UK Census. Mid-year estimates for 2006 indicate that the population of the City of Leicester stood at 289,700 making Leicester the most populous city in East Midlands, the population density is 3, 814/km2 and for every 100 females, there were 92.9 males. Of those aged 16–74 in Leicester,38. 5% had no academic qualifications,23. 0% of Leicesters residents were born outside of the United Kingdom, more than double than the English average of 9. 2%. Engineering has long been an important part of the economy of Leicestershire, John Taylor Bellfounders continues a history of bellfounding in Loughborough since the 14th century. In 1881 John Taylors cast the largest bell in Britain, Great Paul, snibston Discovery Park is built on one of three coal mines that operated in Coalville from the 1820s until 1986
Leicestershire
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Zoo
Leicestershire
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Flag
Leicestershire
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Belvoir Castle today
Leicestershire
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The entrance to
Burrough Hill Iron Age hillfort
5.
Anstey, Leicestershire
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Anstey is a large village in Leicestershire, England, located north west of Leicester in the borough of Charnwood. Its population was 6,528 at the 2011 census and this figure is expected to increase due to the building of a new housing development off Groby Road. To the north-west lies Bradgate Park, Anstey is known as the Gateway to Charnwood Forest. Anstey dates back to Angle origins, when it was known as Hanstige, Anstey was positioned between Charnwood Forest and Leicester Forest. Whilst developing the site for the new Co-op store in 2002 archaeologists were called in, a plaque recording this has been placed on the wall of the new shop. The place-name of Anstey is first recorded in Domesday Book when it was held by one of the countys largest landholders, Hugh de Grandmesnil, at the time it was a small farming community. Anstey appears to have had its origins in two distinct settlement foci, each associated with a manor, one associated with Leicester Abbey. It is believed that Anstey once had a military force - in 1431 William Porter furnished XIX hommes. When Bonnie Prince Charlies army moved south during the 1745 rebellion, although the body of troops were turned back at Derby. Local industry included hosiery from the eighteenth to the nineteenth century, by 1845 there were 300 people employed as framework knitters in the village. A decline in the industry in the middle of the century saw a fall in the villages population. The villages population rose to over 2,500 by 1900, Anstey became an independent parish in 1866, having previously been a chapelry of Thurcaston. A number of related industries developed in the village, including tanning and box-making, one of the largest companies in the village was the Anstey Wallpaper Company, which occupied a site east of Cropston Road now filled with houses and the new Co-op store. Nearly all the factories have now either been demolished or converted into flats. By 1971, the population of the village had risen to almost 6,000, the village is still the home of Ulverscroft Large Print Books Ltd. known for their large-print editions of popular books, published since 1964. The most notable family of Anstey was the Martin family, who lived in the village from the 13th century until 1892, two members of the family held the position of Lord Lieutenant of Leicestershire, and the local high school is named after them. They lived at Anstey Pastures, before moving to The Brand in 1892, footballer Derek Dougan lived in the village during his time at Leicester City. According to legend, the last wolf to be killed in England was shot in a forest near Anstige in Wolfdale
Anstey, Leicestershire
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'Anstey - Gateway to Charnwood Forest' sign seen on entering the village
Anstey, Leicestershire
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St. Mary's parish church, Anstey
Anstey, Leicestershire
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Anstey Methodist Church
Anstey, Leicestershire
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King William's Bridge, Anstey
6.
Thornton, Leicestershire
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Thornton is a village in Leicestershire, England. The village is within the parish of Bagworth and Thornton. It is a village lying along a scarp overlooking Thornton Reservoir. The Church of England parish church of St Peter was built in the 13th century, the church door was originally at Ulverscroft Priory. The priory door is inside the church and not its main external door and it is believed that the door was the only compensation received for the loss of tithes due to the Reformation of Henry VIII. It was reported in November 2011 that the church is being split in two by subsidence, the first historical notice of Thornton, otherwise called Torinton is that in the Doomesday Book completed in 1085 AD. In it Thornton, or Torentum, comes under the manor of Bagworde, there were many in the parish but the following 2 are most significant. In 1630 Luke Jackson gave by will one third of the tithes of Stanton Under Bardon in the parish of Thornton to the poor of the parish for ever. This benefaction comes from the fact that Mr Jackson acquired the tithes at the time of the Reformation when in fact they were rightly belonging to the Church, william Grundy of Thornton, gentlemen, gave by will, a house and garden in Thornton to the poor forever. Railway From 1832 until 1871 Thornton was served partly by Merry Lees railway station on the Leicester, the Stag and Castle Inn built in 1832 served as a station in Thornton Hollow, part way between Thornton and Bagworth until 1865. On 4 May 1833 an accident occurred at Thornton Lane level crossing, the gates had been left open and a train ran into a horse and cart, the driver of which had not heard the engine drivers bugle. The Company had to pay for a new horse and cart along with fifty pounds of butter, george Stephenson, the line being laid out by Robert Stephenson in 1832, devised the steam whistle. It was constructed by a Leicester musical instrument maker and of course it became standard equipment on most steam trains afterwards, Thornton Reservoir has an area of 75 acres. It was constructed in 1851 and during excavation traces of a presumed Roman road were seen and it is no longer used as a source of drinking water and was opened for trout fishing in the mid 1970s. Severn Trent Water opened it to the public for walking in 1997, there are 2 public houses here, The Bricklayers Arms and the Reservoir Inn along with a Working Mens Club. The Bulls Head, now Reservoir Inn was once the site of a slaughter house though it is whether this was at the same time that it was a drinking establishment. It was originally a village but, with the coming of the collieries in Bagworth. There was no colliery or mine workings in Thornton and it is understood that underground faults made any coal under Thornton unworkable, there is a club h(ere and a pub
Thornton, Leicestershire
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Merrylees Road, Thornton photographed in July 2007
7.
Francis Hayman
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Francis Hayman RA was an English painter and illustrator who became one of the founding members of the Royal Academy in 1768, and later its first librarian. Born in Exeter, Devon, Hayman begun his career as a scene painter in Londons Drury Lane theatre before establishing a studio in St Martins Lane. A versatile artist influenced by the French Rococo style, he achieved some note during the 1740s through decorative paintings executed for the boxes at Vauxhall Pleasure Gardens in London. Hayman was also a successful portraitist and history painter and he also illustrated Pamela, a novel by Samuel Richardson, Miltons Paradise Lost and Paradise Regained, Smollets translation of Don Quixote, and other well-known works. His pupils included Mason Chamberlin, Nathaniel Dance-Holland, Thomas Seton and Lemuel Francis Abbott, with Joshua Reynolds, Hayman was actively involved in the formation of the Society of Artists, a forerunner of the Royal Academy, during the early 1760s. London, Smith, Elder & Co. pp. 296–7, the Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique Mens, revue dhistoire intellectuelle et culturelle, Volume 12, numéro 1, automne 2011, p. 91-135. Francis Hayman online Portrait of Hayman by Joshua Reynolds
Francis Hayman
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Portrait of Francis Hayman, by
Sir Joshua Reynolds. Royal Albert Memorial Museum, Exeter.
Francis Hayman
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The play scene from
Hamlet, c. 1745
Francis Hayman
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Sir Edward Vernon by Francis Hayman c.1755 (detail)
8.
Joseph Wright of Derby
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Joseph Wright ARA, styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as the first professional painter to express the spirit of the Industrial Revolution, Wright is notable for his use of chiaroscuro effect, which emphasises the contrast of light and dark, and for his paintings of candle-lit subjects. Many of Wrights paintings and drawings are owned by Derby City Council, Joseph Wright was born in Irongate, Derby to a respectable family of lawyers. The third of five children of John Wright, attorney, and Town Clerk of Derby, Joseph had two elder brothers, John and Richard Wright. Deciding to become a painter, Wright went to London in 1751, after painting portraits for a while at Derby, Wright again worked as an assistant to Hudson for fifteen months. Wright also spent a period in Liverpool, from 1768 to 1771. These included pictures of a number of prominent citizens and their families, Wright married Ann Swift, the daughter of a leadminer, on 28 July 1773 Wright and his wife had six children, three of whom died in infancy. Wright set off in 1773 with John Downman, a pregnant Ann Wright and their ship took shelter for three weeks in Nice before they completed their outward voyage in Livorno in Italy in February 1774. Downman returned to Britain in 1775, on his return from Italy he established himself at Bath as a portrait-painter, but meeting with little encouragement he returned to Derby in 1777, where he spent the rest of his life. He became increasingly asthmatic and nervous about the house, and for these complaints he was treated by his friend Erasmus Darwin, Ann Wright died on 17 August 1790. On 29 August 1797 Wright died at his new home at No.28 Queen Street, Derby, where he had spent his final months with his two daughters. Wright was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy, of which he was elected an associate in 1781 and his Old Man and Death is also a striking and individual production. It hangs in the Allen Memorial Art Museum at Oberlin College and its companion piece, Dovedale by Sunlight captures the colors of day. Another memorable image from his tour of the Lake District is Rydal Waterfall of 1795, cave at evening is painted with the same dramatic chiaroscuro for which Joseph Wright is noted. The painting was executed during 1774, while he was staying in Italy, notice the similarities to the Museum of Fine Arts, Bostons holding, Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset. Wright had close contact with the industrialists of the Midlands. One of Wrights students, William Tate, was uncle to the eccentric gentleman tunneler Joseph Williamson, Wright also had connections with Erasmus Darwin and other members of the Lunar Society, which brought together leading industrialists, scientists, and philosophers. An Experiment on a Bird in the Air Pump, shows people gathered round observing an early experiment into the nature of air, the Alchemist in Search of the Philosophers Stone depicts the discovery of the element phosphorus by German alchemist Hennig Brand in 1669
Joseph Wright of Derby
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Self-portrait ca. 1780, oil on canvas, in the
Yale Center for British Art
Joseph Wright of Derby
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An Experiment on a Bird in the Air Pump, by Joseph Wright, 1768, National Gallery, London.
Joseph Wright of Derby
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Cave at evening, by Joseph Wright, 1774,
Smith College Museum of Art,
Northampton, Massachusetts
Joseph Wright of Derby
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The Alchemist in Search of the Philosopher's Stone, by Joseph Wright, 1771
9.
Bloomsbury
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Bloomsbury is an area of the London Borough of Camden, between Euston Road and Holborn. It was developed by the Russell family in the 17th and 18th centuries into a residential area. It is notable for its garden squares, literary connections, and numerous cultural, educational, Bloomsbury Square was laid out in 1660 by Thomas Wriothesley, 4th Earl of Southampton. Much of the district was planned and built by James Burton and it is also home to the University of Law and New College of the Humanities. London Contemporary Dance School and the Royal Academy of Dramatic Art and are located in the area. Bloomsbury is in the constituency of Holborn and St Pancras. The western half of the district comprises Bloomsbury ward, which three councillors to Camden Borough Council. The earliest record of what would become Bloomsbury is in the 1086 Domesday Book, but it is not until 1201 that the name Bloomsbury is first noted, when William de Blemond, a Norman landowner, acquired the land. The name Bloomsbury is a development from Blemondisberi – the bury, or manor, at the end of the 14th century, Edward III acquired Blemonds manor, and passed it on to the Carthusian monks of the London Charterhouse, who kept the area mostly rural. In the 16th century with the Dissolution of the Monasteries, Henry VIII took the back into the possession of the Crown and granted it to Thomas Wriothesley. In the early 1660s, the Earl of Southampton constructed what eventually became Bloomsbury Square, the Yorkshire Grey public house on the corner of Grays Inn Road and Theobalds Road dates from 1676. The area was laid out mainly in the 18th century, largely by landowners such as Wriothesley Russell, 3rd Duke of Bedford, who built Bloomsbury Market, William de Blemond in the 13th century, a Norman, was the first landowner. Edward III acquired Blemonds manor, and passed it on to the Carthusian monks who governed it until Henry VIII granted it to the Earl of Southampton, the Russell family became landowners in the 18th century. The area lay within the parishes of St Giles in the Fields and St Georges, Bloomsbury and it is now controlled by the London Borough of Camden and part of the district is contained within the Bloomsbury ward. The district is situated in the constituency of Holborn and St Pancras. Bloomsbury merges gradually with Holborn in the south, with St Pancras and Kings Cross in the north-east, the road runs from Euston and Somers Town in the north to Holborn in the south. East of Southampton Row/Woburn Place are the Grade II listed Brunswick Centre, a residential and shopping centre, the area west of Southampton Row/Woburn Place is notable for its concentration of academic establishments, museums, and formal squares. Bloomsbury contains some of Londons finest parks and buildings, and is known for its formal squares
Bloomsbury
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Bedford Square, one of Bloomsbury's garden squares
Bloomsbury
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Queen Square, Bloomsbury in 1787. The fields to the north reach as far as
Hampstead.
Bloomsbury
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Tavistock Square
Bloomsbury
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Some members of the Bloomsbury Group: Left to right:
Lady Ottoline Morrell, Mrs.
Aldous Huxley,
Lytton Strachey,
Duncan Grant and
Vanessa Bell.
10.
Royal Academy
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
Royal Academy
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Royal Academy of Arts
Royal Academy
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Satiric drawing of Sir William Chambers, one of the founders, trying to slay the 8-headed hydra of the Incorporated Society of Artists
Royal Academy
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Study for
Henry Singleton 's painting The Royal Academicians assembled in their council chamber to adjudge the Medals to the successful students in Painting, Sculpture, Architecture and Drawing, which hangs in the Royal Academy. Ca. 1793.
Royal Academy
–
An early
RA Summer Exhibition at the Academy's original home in
Somerset House
11.
Thomas Munro
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Major-general Sir Thomas Munro, 1st Baronet KCB was a Scottish soldier and colonial administrator. He was an East India Company Army officer and statesman, Munro was born in Glasgow on 27 May 1761 to a merchant called Alexander Munro. Thomas grandfather was a tailor, who prospered by successful investments in American tobacco, after working as a bank clerk, Alexander Munro joined the familys prosperous tobacco business, but was ruined by the collapse of the tobacco trade during the American Revolutionary War. Thomas was also a descendant of George Munro, 10th Baron of Foulis. Thomas was educated at the University of Glasgow, while at school, Thomas was distinguished for a singular openness of temper, a mild and generous disposition, with great personal courage and presence of mind. Being naturally of a robust frame of body, he surpassed all his school-fellows in athletic exercises and he was at first intended to enter his fathers business, but in 1779 was appointed to an infantry cadetship in Madras. He served with his regiment during the war against Haidar Ali, serving under his older and distant relation Major Sir Hector Munro. Thomas also later served alongside a younger distant relation John Munro, Thomas served again with his regiment in the first campaign against Tipu Sultan. On the outbreak of the Pindari War in 1817, he was appointed as brigadier-general to command the division formed to reduce the southern territories of the Peshwa. Of his services on this occasion Lord Canning said in the House of Commons, He went into the field with not more than five or six hundred men, of whom a very small proportion were Europeans. Nine forts were surrendered to him or taken by assault on his way, leaving everything secure and tranquil behind him. In 1819 Munro was appointed a Knight Commander of the Order of the Bath, in 1819, he was appointed governor of Madras, where he founded systems of revenue assessment and general administration which substantially persisted into the twentieth century. He is regarded as the father of the Ryotwari system and his official minutes, published by Sir A. Arbuthnot, form a manual of experience and advice for the modern civilian. Munro was created a Baronet, of Lindertis in the County of Forfar and he died of cholera on 6 July 1827 while on tour in the ceded districts, where his name is preserved by more than one memorial. Mantralaya village in Andhra Pradesh is a place where the Brindavan of famous Dvaita saint Raghavendra Swami is located, when Sir Thomas Munro was the Collector of Bellary in 1800, the Madras Government ordered him to procure the entire income from the Math and Manthralaya village. When the Revenue officials were unable to comply with this order and he removed his hat and shoes and entered the sacred precincts. Sri Raghavendraswamy emerged from the Vrindavan and conversed with him for some time, the Saint was visible and audible only to Munro, who received Manthraksha. The Collector went back and wrote an order in favour of the Math and this notification was published in the Madras Government Gazette in Chapter XI, page 213, with the caption Manchali Adoni Taluka
Thomas Munro
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Major-General Sir Thomas Munro, Bt
KCB
Thomas Munro
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Equestrian statue of Thomas Munro in
The Island, Chennai
Thomas Munro
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Sir. Thomas Munro's Statue, Madras (MacLeod, p.124, 1871)
12.
Bethlem Hospital
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Bethlem Royal Hospital, also known as St Mary Bethlehem, Bethlehem Hospital and Bedlam, is a psychiatric hospital in London. Its infamous history has inspired several books, films and TV series, most notably Bedlam. It has moved three times from its location, and is Europes first and oldest institution to specialise in mental illnesses. The hospital is associated with Kings College London and, in partnership with the Institute of Psychiatry, Psychology. It is part of the Kings Health Partners academic health science centre, originally the hospital was near Bishopsgate just outside the walls of the City of London. It moved outside of Moorfields in the 17th century, then to St Georges Fields in Southwark in the 19th century, the word bedlam, meaning uproar and confusion, is derived from the hospitals prior nickname. Although the hospital became a psychiatric facility, historically it was representative of the worst excesses of asylums in the era of lunacy reform. The hospital was founded in 1247 as the Priory of the New Order of St Mary of Bethlem in the city of London during the reign of Henry III. It was established by the Bishop-elect of Bethlehem, the Italian Goffredo de Prefetti, following a donation of property by the London alderman and former sheriff. The original location was in the parish of St Botolph, Bishopsgates ward, just beyond Londons wall, the priory, obedient to the Church of Bethlehem, would also house the poor and, if they visited, provide hospitality to the bishop, canons and brothers of Bethlehem. Thus, Bethlem became a hospital, in British English usage, by this time the Bethlehemite bishops had relocated to Clamecy, France, under the surety of the Avignon papacy. As a dependent house of the Order of Saint Bethlehem in Clamecy, Bethlem was vulnerable to seizure by the crown, after this event the masters of the hospital, semi-autonomous figures in charge of its day-to-day management, were normally crown appointees and it became an increasingly secularised institution. The removal of the last symbolic link to the Bethlehemites was confirmed in 1403 when it was reported that master, in 1546 the Lord Mayor of London, Sir John Gresham, petitioned the crown to grant Bethlem to the city. This petition was successful and Henry VIII reluctantly ceded to the City of London the custody, order and governance of the hospital and of its occupants. This charter came into effect in 1547, the crown retained possession of the hospital while its administration fell to the city authorities. It is Europes oldest extant psychiatric hospital and has operated continuously for over 600 years and it has also been the continents most famous, and infamous, specialist institution for the care and treatment of the insane. Its popular designation – Bedlam – has long been synonymous with madness, precisely dating its transition to this role is difficult. It is unknown when it began to specialise in the care and control of the insane and this date is derived from the unsubstantiated conjecture of the Reverend Edward Geoffrey ODonoghue, chaplain to the hospital, who published a monograph on its history in 1914
Bethlem Hospital
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Bethlem Psychiatric Hospital
Bethlem Hospital
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Bethlem Royal Hospital
Bethlem Hospital
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"The Prospect of Bridewell" from
John Strype 's, An Accurate Edition of Stow's "
A Survey of London " (1720). From 1557, Bethlem was administered by the Bridewell Governors.
Bethlem Hospital
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Curtain Theatre circa 1600 (cylindrical building in the background). Some authorities believe this to be a depiction of
The Theatre, the other Elizabethan theatre at
Shoreditch in west Moorfields. Both playhouses were a stone's throw away from the original Bethlem site at Bishopsgate.
13.
George III of the United Kingdom
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He was concurrently Duke and prince-elector of Brunswick-Lüneburg in the Holy Roman Empire until his promotion to King of Hanover on 12 October 1814. He was the third British monarch of the House of Hanover, early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence, further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. In the later part of his life, George III had recurrent, although it has since been suggested that he had the blood disease porphyria, the cause of his illness remains unknown. After a final relapse in 1810, a regency was established, on George IIIs death, the Prince Regent succeeded his father as George IV. Historical analysis of George IIIs life has gone through a kaleidoscope of changing views that have depended heavily on the prejudices of his biographers and the sources available to them. Until it was reassessed in the half of the 20th century, his reputation in the United States was one of a tyrant. George was born in London at Norfolk House and he was the grandson of King George II, and the eldest son of Frederick, Prince of Wales, and Augusta of Saxe-Gotha. As Prince George was born two months prematurely and he was unlikely to survive, he was baptised the same day by Thomas Secker. One month later, he was baptised at Norfolk House. His godparents were the King of Sweden, his uncle the Duke of Saxe-Gotha, George grew into a healthy but reserved and shy child. The family moved to Leicester Square, where George and his younger brother Prince Edward, Duke of York, Family letters show that he could read and write in both English and German, as well as comment on political events of the time, by the age of eight. He was the first British monarch to study science systematically and his religious education was wholly Anglican. At age 10 George took part in a production of Joseph Addisons play Cato and said in the new prologue, What. It may with truth be said, A boy in England born, historian Romney Sedgwick argued that these lines appear to be the source of the only historical phrase with which he is associated. Georges grandfather, King George II, disliked the Prince of Wales, however, in 1751 the Prince of Wales died unexpectedly from a lung injury, and George became heir apparent to the throne. He inherited one of his fathers titles and became the Duke of Edinburgh, now more interested in his grandson, three weeks later the King created George Prince of Wales. Georges mother, now the Dowager Princess of Wales, preferred to keep George at home where she could imbue him with her moral values
George III of the United Kingdom
–
Coronation portrait by
Allan Ramsay, 1762
George III of the United Kingdom
–
George (right) with his brother
Prince Edward, Duke of York and Albany, and their tutor,
Francis Ayscough, later
Dean of
Bristol, c. 1749
George III of the United Kingdom
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Pastel portrait of George as
Prince of Wales by
Jean-Étienne Liotard, 1754
George III of the United Kingdom
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George III by
Allan Ramsay, 1762
14.
Robert Calder
–
Admiral Sir Robert Calder, 1st Baronet, KCB was a British naval officer who served in the Seven Years War, the American Revolutionary War, the French Revolutionary Wars and the Napoleonic Wars. Robert Calder was born in Kent, England, to Sir James Calder and Alice Hughes and his father was the 3rd Baronet Calder of Muirton, who had been appointed Gentleman Usher of the Privy chamber to the queen by Lord Bute in 1761. His elder brother, who succeeded to his fathers baronetcy, was Major General Sir Henry Calder, Calder was educated in Maidstone, before joining the Royal Navy in December 1758 at the age of thirteen. Calder initially served aboard his cousins ship, the 70-gun Nassau, en route to England, in September 1759, Nassau was dismasted in storm and arrived at her destination with nine foot of water in her hold. As a Midshipman, Calder received £1,800 in prize money for his part in the capture of the Spanish treasure ship Hermione on 21 May 1762, at that rank he served aboard HMS Essex, under Captain the Hon. George Faulkner, in the Caribbean. In 1780 he attained the rank of Post-Captain, in 1796 he was appointed Captain of the Fleet to Admiral John Jervis, and saw action at the battle of Cape St Vincent on 14 February 1797. After the battle he was selected to carry the dispatches announcing the victory back to Britain and he also received the thanks of Parliament, and was created 1st Baronet Calder of Southwick on 22 August 1798. In this he was unsuccessful, and returning home at the peace he struck his flag. In the War of the Third Coalition he was in command of the squadrons blockading the ports of Rochefort and Ferrol, Calder held his position with a force greatly inferior to that of the enemy, and refused to be enticed out to sea. The approach of the enemy was concealed by fog, finally on 22 July 1805 the fleets came into sight, the allies outnumbered the British, but Calder ordered his fleet into action. The ensuing battle was battle of Cape Finisterre, fifteen British ships had engaged twenty French and Spanish ships, the British losses were 39 officers and men killed and 159 wounded, the allies lost 158 dead and 320 wounded. After four hours, as night fell, Calder gave orders to discontinue the action, over the following two days the fleets remained close to one another, but did not re-engage. Calder focused on protecting his newly won prizes, while the French Admiral Villeneuve declined to force another engagement, Villeneuve left the area on the 24th, sailing to Ferrol, and eventually Cádiz, instead of resuming his course to Brest. In the judgment of Napoleon, his scheme of invasion was baffled by this days action, in consequence of the strong feeling against him Calder demanded a court-martial. Nelson was ordered to send Calder home, and allowed him to return in his own 98-gun ship the Prince of Wales, Calder left in early October 1805, missing the battle of Trafalgar. The court-martial was held on 23 December 1805, and resulted in an acquittal on the charges of cowardice, however, Calder received a severe reprimand for not having done his utmost to renew the engagement, and never served at sea again. In the natural course of events he was promoted Admiral on 31 July 1810 and he was appointed Commander-in-Chief, Plymouth in 1810. He died at Holt, near Bishops Waltham, in Hampshire, in 1779 he married Amelia Michell, they had no children
Robert Calder
–
Portrait of Robert Calder by
Lemuel Francis Abbott, painted 1797
15.
Thomas Pasley
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In his youth he was renowned as an efficient and able frigate officer and in later life became a highly respected squadron commander in the Channel Fleet. It was during the service when he was awarded his baronetcy after losing a leg at the Glorious First of June. Thomas Pasley was born in 1734 to James Pasley, of Craig, Dumfries and his wife Magdalene, daughter of Robert Elliott, of Middlehomehill, Roxburghshire. Thomas was the fifth of the eleven Pasley children, a family of landowners in the village of Craig, near Langholm. He was the brother of Gilbert Pasley, Surgeon-General of Madras, gilberts daughter, Eliza, married Sir Robert Campbell 1st Bt. of Carrick Buoy, Co. Donegal, a director of the East India Company and a commissioner for the lieutenancy of London, Thomas entered the Royal Navy in 1751 aged 16, and served as a midshipman aboard the sixth-rate frigate HMS Garland. Pasleys first captain was Maurice Suckling, who commanded him in the sloop HMS Weazel off Jamaica. Pasley later moved to the ship of the line HMS Dreadnought under Robert Digby, on Bideford, Pasley served as temporary lieutenant on a bullion convoy operation from the West Indies to Britain. In November, Elliot used his ship to destroy the 50-gun French fourth-rate Alcyon. The two officers later moved to the larger frigate HMS Aeolus and in 1759 captured the corvette Mignonne from within Brest Roads, in 1760, Aeolus was blown off course during blockade duties off France and put in to reprovision at Kinsale. There Elliot heard a rumour of a French invasion force landing at Carrickfergus, Aeolus was joined by HMS Brilliant and HMS Pallas and the three frigates attacked the French squadron under François Thurot off the Isle of Man. In a sharp encounter, all three French ships were lost, Pasley leading the charge aboard Thurots flagship Marischal de Belle Isle which captured the vessel and during which Thurot was killed. Pasley became first lieutenant as a result of action and spent the remained of the war on Aeolus in the English Channel. The action of 28 February was depicted in a painting by Liverpool marine artist, in 1762, with the war coming to a close, Pasley was made commander and given the small ship HMS Albany with which to convoy merchant ships across the Irish Sea. At the pace in 1763 he retained this duty in the 8-gun HMS Ranger and was employed in seizing smugglers between the islands. In 1769, Pasley joined HMS Weazel which was tasked with transporting structural engineers to the Guinea coast, arriving in the worst of the wet season, Weazel soon became infested with malaria and all four engineers and the majority of the crew succumbed and died in a short period. So depleted was Weazels crew that Pasley was forced to impress sailors from West African merchant ships in order to return to Britain safely, after briefly serving on HMS Pomona in 1771, Pasley was promoted to post captain and took command of HMS Seahorse in the West Indies. In 1772 he returned to Britain on half-pay and married Mary Heywood, the marriage was a love match and the couple had two daughters
Thomas Pasley
–
Portrait of Thomas Pasley by
Lemuel Francis Abbott, painted 1795
16.
William Locker (Royal Navy)
–
William Locker was an officer in the Royal Navy, who served with distinction during the eighteenth century. He rose to the rank of captain and held the posts of flag captain, Locker was born in February 1731 in the official residence attached to the Leathersellers Hall, in London. He was the son of John Locker, the clerk to the company, and his wife, Elizabeth. Like his father, he attended Merchant Taylors School and entered the Navy on 9 June 1746 and he initially served as a captains servant under a family relation, Captain Charles Windham aboard HMS Kent. After Windhams death, Locker moved aboard the Vainqueur, which was bound for the West Indies and he then joined HMS Vulture, followed by HMS Cornwall. The Cornwall was the flagship of Charles Knowles, and both she and Locker were present at the capture of Port Louis, Locker then rejoined Captain Kirk, by now aboard HMS Elizabeth, and returned to England. After the end of the War of the Austrian Succession, he made two or more voyages to India and China, serving with the East India Company and he rejoined the Navy in 1755, becoming masters mate aboard HMS St George, the flagship of Admiral Sir Edward Hawke. He was made lieutenant on 7 January 1756 and joined Hawke aboard HMS Antelope when he sailed to Gibraltar to relieve John Byng, Locker was promoted to the position of lieutenant aboard HMS Experiment, under Sir John Strachan on 4 July. Hawke seems to have had difficulty in having the appointment confirmed, Locker would name his youngest, and best-known son Edward Hawke Locker after the Admiral. Captain Strachan was taken ill for part of his captaincy of the Experiment, Locker spent two important months as Jervis shipmate. The Experiment fought an engagement with a large French privateer on 16 March, after which Jervis returned to the Culloden. On 8 July, whilst off Alicante, the Experiment engaged the French privateer Télémaque, carrying a similar number of guns, but with 460 men, a far larger crew, the Télémaque attempted to use this massive numerical superiority to come alongside the Experiment and board her. After two failed attempts, the Télémaque managed to come alongside, but only a few Frenchmen made it aboard and were promptly killed. Strachan then brought the Experiment alongside again and ordered Locker to lead a boarding party onto her, Locker capably did so, storming the Télémaque and carrying her. At the end of the engagement,235 Frenchmen had been killed or wounded, Locker was one of the casualties, having been wounded in the leg. Despite it only being minor, he would never recover from its effects. Both Locker and Strachan were transferred in December 1758 to the 32-gun frigate HMS Sapphire and she was attached to the fleet off Brest through summer and autumn 1759. Whilst aboard her, Locker was present at the defeat of the French at the Battle of Quiberon Bay on 20 November, after this success, Locker went aboard Hawkes flagship HMS Royal George in March 1760, and became the ships first lieutenant in July 1761
William Locker (Royal Navy)
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William Locker
William Locker (Royal Navy)
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Dominic Serres - Captain William Locker
17.
William Herschel
–
Frederick William Herschel, KH, FRS was a British astronomer and composer of German origin, and brother of fellow astronomer Caroline Herschel, with whom he worked. Born in the Electorate of Hanover, Herschel followed his father into the Military Band of Hanover, Herschel constructed his first large telescope in 1774, after which he spent nine years carrying out sky surveys to investigate double stars. The resolving power of the Herschel telescopes revealed that the nebulae in the Messier catalogue were clusters of stars, Herschel published catalogues of nebulae in 1802 and in 1820. In the course of an observation on 13 March 1781, he realized that one celestial body he had observed was not a star and this was the first planet to be discovered since antiquity and Herschel became famous overnight. As a result of this discovery, George III appointed him Court Astronomer and he was elected as a Fellow of the Royal Society and grants were provided for the construction of new telescopes. Herschel pioneered the use of astronomical spectrophotometry as a tool, using prisms. Other work included a determination of the rotation period of Mars, the discovery that the Martian polar caps vary seasonally. In addition, Herschel discovered infrared radiation, Herschel was made a Knight of the Royal Guelphic Order in 1816. He was the first President of the Royal Astronomical Society when it was founded in 1820 and he died in August 1822, and his work was continued by his only son, John Herschel. Herschel was born in the Electorate of Hanover in Germany, then part of the Holy Roman Empire and his father was an oboist in the Hanover Military Band. In 1755 the Hanoverian Guards regiment, in whose band Wilhelm, at the time the crowns of Great Britain and Hanover were united under King George II. As the threat of war with France loomed, the Hanoverian Guards were recalled from England to defend Hanover, after they were defeated at the Battle of Hastenbeck, Herschels father Isaak sent his two sons to seek refuge in England in late 1757. Although his older brother Jakob had received his dismissal from the Hanoverian Guards, Wilhelm, nineteen years old at this time, was a quick student of the English language. In England he went by the English rendition of his name, in addition to the oboe, he played the violin and harpsichord and later the organ. He composed numerous works, including 24 symphonies and many concertos. Six of his symphonies were recorded in April 2002 by the London Mozart Players, Herschel moved to Sunderland in 1761 when Charles Avison immediately engaged him as first violin and soloist for his Newcastle orchestra, where he played for one season. In ‘Sunderland in the County of Durh, apprill 20th 1761’ he wrote his Symphony No.8 in C Minor. He was head of the Durham Militia band 1760–61 and visited the home of Sir Ralph Milbanke at Halnaby Hall in 1760, after Newcastle he moved to Leeds and Halifax where he was the first organist at St John the Baptist church
William Herschel
–
William Herschel
William Herschel
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Original manuscript of Symphony No. 15 in E flat major (1762).
William Herschel
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Replica in the
William Herschel Museum,
Bath, of a telescope similar to that with which Herschel discovered
Uranus
William Herschel
–
Herschel's mirror polisher, on display in the
Science Museum, London
18.
William Cowper
–
William Cowper was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life, in many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him the best modern poet, whilst William Wordsworth particularly admired his poem Yardley-Oak and he was a nephew of the poet Judith Madan. After being institutionalised for insanity in the period 1763–65, Cowper found refuge in a fervent evangelical Christianity and he continued to suffer doubt and, after a dream in 1773, believed that he was doomed to eternal damnation. He recovered and wrote more religious hymns and his religious sentiment and association with John Newton led to much of the poetry for which he is best remembered, and to the series of Olney Hymns. His poem Light Shining out of Darkness gave English the phrase and he also wrote a number of anti-slavery poems and his friendship with Newton, who was an avid anti-slavery campaigner, resulted in Cowper being asked to write in support of the Abolitionist campaign. Cowper wrote a poem called The Negros Complaint which rapidly became very famous and he also wrote several other less well known poems on slavery in the 1780s, many of which attacked the idea that slavery was economically viable. William Cowper was born in Berkhamsted, Hertfordshire, England where his father John Cowper was rector of the Church of St Peter and he and his brother John were the only two of seven children to live past infancy. Ann died giving birth to John on 7 November 1737 and his mother’s death at such an early age troubled William deeply and was the subject of his poem, “On the Receipt of My Mothers Picture, ” written more than fifty years later. He grew close to her family in his early years and he was particularly close with her brother Robert and his wife Harriot. They instilled in young William a love of reading and gave him some of his first books – John Bunyan’s Pilgrim’s Progress, Cowper was first enrolled in Westminster School in April of 1742 after moving from school to school for a number of years. He had begun to study Latin from an age, and was an eager scholar of Latin for the rest of his life. Older children bullied Cowper through many of his younger years, at Westminster School he studied under the headmaster John Nicoll. At the time Westminster School was popular amongst families belonging to England’s Whig political party, many intelligent boys from families of a lower social status also attended, however. Cowper made lifelong friends from Westminster and he read through the Iliad and the Odyssey, which ignited his lifelong scholarship and love for Homer’s epics. He grew skilled at the interpretation and translation of Latin, which he put to use for the rest of his life and he was skilled in the composition of Latin as well and wrote many verses of his own. After education at Westminster School, Cowper was articled to Mr Chapman, solicitor, of Ely Place, Holborn, to be trained for a career in law. During this time, he spent his leisure at the home of his uncle Bob Cowper, where he fell in love with his cousin Theodora, whom he wished to marry
William Cowper
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Cowper
William Cowper
–
William Cowper
William Cowper
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Crazy Kate, illustration for Cowper's The Task by
Henry Fuseli (1806–1807).
William Cowper
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Harriett Hesketh by Francis Coates
19.
Francesco Bartolozzi
–
Francesco Bartolozzi RA was an Italian engraver, whose most productive period was spent in London. After devoting three years to that art, he went to Venice and studied engraving and he particularly admired the work of Joseph Wagner. His first productions in Venice were plates in the style of Marco Ricci, Zuccarelli, and others, while working for Wagner, which began to draw attention. He then moved for a time to Rome, where he completed a set of engravings representing frescoes at Grottaferrata by Domenichino depicting the life of St Nilus. He soon returned to Venice and left for London in 1764 and he lived in London for nearly forty years. He produced a number of engravings, including Clytie after Annibale Carracci. A large proportion of them are from the works of Cipriani, Bartolozzi also contributed a number of plates to Boydells Shakespeare Gallery. He also drew sketches of his own in red chalk, soon after arriving in London, he was appointed Engraver to the King with an annual salary of £300. He was elected a member of the Royal Academy in 1768. Bartolozzi was not the inventor of the crayon manner of engraving, which imitated the subtleties of chalk drawings. In 1802, Bartolozzi accepted the post of director of the National Academy of Lisbon and his son Gaetano Stefano Bartolozzi, born in 1757, was also an engraver, and the father of Madame Vestris. Ticozzi and Bryan both published lists of his output, including, Abraham and the Angels, charity, an oval, inscribed Ipse feci. St. Francis of Sales triumphs over Heresy, after Ottavio Amiconi, St. Luke paints the Portrait of the Virgin, after Cantarini. The Adulteress before Christ, after Agostino Carracci, roland and Olympia, Clytie, and other drawings in the Royal Collection after Annibale Carracci. A set of eight subjects, after Giovanni Benedetto Castiglione, the Parting of Achilles and Briseis. Jupiter and Juno on Mount Ida, venus presenting the Cestus to Juno. Tancred and Herminia and Tancred and Clorinda, Shakespeare crowned by Immortality Socrates in Prison. Telemachus and Mentor in the Isle of Calypso, coriolanus appeased by his Family The Beautiful Rhodope in love with Aesope Rachel hiding Idols from her Father and Laocoon attacked by Serpents, after Pietro da Cortona
Francesco Bartolozzi
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Lemuel Francis Abbott, Portrait of Francesco Bartolozzi. Tate, London.
Francesco Bartolozzi
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A detail of one of Bartolozzi's prints, showing the tonal effects of the technique of stipple engraving, in which he was an expert
Francesco Bartolozzi
–
Queen Charlotte painted by
William Beechey, engraved by Francesco Bartolozzi.
Francesco Bartolozzi
–
The Hours; after
Maria Cosway.
20.
Joseph Nollekens
–
Joseph Nollekens R. A. was a sculptor from London generally considered to be the finest British sculptor of the late 18th century. Nollekens was born on 11 August 1737 at 28 Dean Street, Soho, London and he studied first under another Flemish immigrant in London, the sculptor Peter Scheemakers, before studying and working as an antiques dealer, restorer and copier in Rome from 1760 or 1762. On his return to London in 1770 he set up as a maker of busts and monuments at 9, Mortimer Street, although he preferred working on mythological subjects, it was through his portrait busts that he became famous and one of the most fashionable portrait sculptors in Britain. He also made busts of figures from the arts such as Benjamin West, most of his subjects were represented in classical costume. Faith, a commissioned by Henry Howard, following the death of his wife Maria in 1788 in childbirth at Corby Castle, is said to be Nollekens finest work. The sculpture can be seen in the Howard Chapel at the Parish Church of Wetheral, some subjects were produced in large numbers, more than 70 replicas of Nollekens bust of Pitt are known. Nollekens became an associate of the Royal Academy in 1771 and an academician the following year. He died in London in 1823, having made a fortune from his work. He is buried in Paddington Parish Church with a monument by William Behnes, a biography Nollekens and his Times by his executor John Thomas Smith was published in 1828, portraying him as a grotesque miser. It has been described as perhaps the most candid biography ever published in the English language, no.44 Mortimer Street in Fitzrovia stands on the site of the house where Nollekens died and has a blue plaque commemorating him. American poet Randall Jarrell commemorated Nollekens in his poem entitled Nollekens, joseph Nollekens Three goddesses, Nollekens Europe in the age of enlightenment and revolution, a catalog from The Metropolitan Museum of Art Libraries, which contains material on Nollekens
Joseph Nollekens
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Joseph Nollekens.
Joseph Nollekens
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Castor and Pollux; copy of an antique statue by Joseph Nollekens,
Victoria and Albert Museum
Joseph Nollekens
–
Samuel Johnson,
plaster, by Joseph Nollekens,
Yale Center for British Art, 1777.
Joseph Nollekens
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'Faith' in Wetheral Parish Church, Cumbria. Commissioned by Henry Howard after the death of his wife Maria in 1788.
21.
Matthew Boulton
–
Matthew Boulton FRS was an English manufacturer and business partner of Scottish engineer James Watt. Boulton applied modern techniques to the minting of coins, striking millions of pieces for Britain and other countries, born in Birmingham, he was the son of a Birmingham manufacturer of small metal products who died when Boulton was 31. By then Boulton had managed the business for years, and thereafter expanded it considerably, consolidating operations at the Soho Manufactory. At Soho, he adopted the latest techniques, branching into silver plate, ormolu and he became associated with James Watt when Watts business partner, John Roebuck, was unable to pay a debt to Boulton, who accepted Roebucks share of Watts patent as settlement. He then successfully lobbied Parliament to extend Watts patent for an additional 17 years, the firm installed hundreds of Boulton & Watt steam engines in Britain and abroad, initially in mines and then in factories. Boulton was a key member of the Lunar Society, a group of Birmingham-area men prominent in the arts, sciences, members included Watt, Erasmus Darwin, Josiah Wedgwood and Joseph Priestley. The Society met each month near the full moon, Boulton founded the Soho Mint, to which he soon adapted steam power. He sought to improve the state of Britains coinage. His cartwheel pieces were well-designed and difficult to counterfeit, and included the first striking of the large copper British penny and he retired in 1800, though continuing to run his mint, and died in 1809. His image appears alongside James Watt on the Bank of Englands new Series F £50 note, Birmingham had long been a centre of the ironworking industry. In the early 18th century the town entered a period of expansion as iron working became easier and cheaper with the transition from charcoal to coke as a means of smelting iron. Scarcity of wood in increasingly deforested England and discoveries of large quantities of coal in Birminghams county of Warwickshire, much of the iron was forged in small foundries near Birmingham, especially in the Black Country, including nearby towns such as Smethwick and West Bromwich. The resultant thin iron sheets were transported to factories in and around Birmingham, with the town far from the sea and great rivers and with canals not yet built, metalworkers concentrated on producing small, relatively valuable pieces, especially buttons and buckles. Frenchman Alexander Missen wrote that while he had seen excellent cane heads, snuff boxes and other objects in Milan. These small objects came to be known as toys, and their manufacturers as toymakers, Boulton was a descendant of families from around Lichfield, his great-great-great-great grandfather, Rev. Zachary Babington, having been Chancellor of Lichfield. Boultons father, also named Matthew and born in 1700, moved to Birmingham from Lichfield to serve an apprenticeship, the elder Boulton was a toymaker with a small workshop specialising in buckles. Matthew Boulton was born in 1728, their child and the second of that name. The elder Boultons business prospered after young Matthews birth, and the moved to the Snow Hill area of Birmingham
Matthew Boulton
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1792 portrait of Matthew Boulton
Matthew Boulton
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Blue Plaque for Matthew Boulton commemorating his birthplace in Birmingham, England
Matthew Boulton
–
The
Soho Manufactory
Matthew Boulton
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Boulton & Fothergill church flagon in sterling silver, 1774
22.
John Wilkinson (industrialist)
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John Iron-Mad Wilkinson was an English industrialist who pioneered the manufacture of cast iron and the use of cast-iron goods during the Industrial Revolution. He was the inventor of a boring machine that could bore cast iron cylinders. His boring machine has been called the first machine tool and he also developed a blowing device for blast furnaces that allowed higher temperatures, increasing their efficiency. John Wilkinson was born in Little Clifton, Bridgefoot, Cumberland, Isaac was then the potfounder at the blast furnace there, one of the first to use coke instead of charcoal, which was pioneered by Abraham Darby. John and his half-brother William, who was 17 years younger, were raised in a non-conformist Presbyterian family and he was educated at an academy at Kendal. His sister Mary married another non-conformist, Joseph Priestley in 1762, Priestley also played a role in educating Johns younger brother, William. In 1745, when John was 17, he was apprenticed to a Liverpool merchant for five years, when his father moved to Bersham furnace near Wrexham in 1753 John remained at Kirkby Lonsdale in Westmorland where he married Ann Maudesley on 12 June 1755. From 1755 John Wilkinson became a partner in the Bersham concern and in 1757 with partners, he erected a blast furnace at Willey, later he built another furnace and works at New Willey. He made his home in Broseley in a house called The Lawns which became his headquarters for many years. He had houses either side of The Lawns which served for administration, one being named The Mint used for distribution of the thousands of tokens, in East Shropshire he also developed iron works at Snedshill, Hollinswood, Hadley and Hampton Loade. He and Edward Blakeway also leased land to another at Bradley works in Bilston parish. He became known as the Father of the extensive South Staffordshire iron industry with Bilston as the start of the Black Country, in 1761, he took over Bersham Ironworks as well. Bradley became his largest and most successful enterprise, and was the site of experiments in getting raw coal to substitute for coke in the production of cast iron. At its peak, it included a number of blast furnaces, a works, potteries, glass works. The Birmingham Canal was subsequently built near the Bradley works, Bersham became well known for high-quality casting and a producer of guns and cannon. This technique made the more accurate and less likely to explode. While bronze cannon were already being bored from the solid, the boring of large iron cannon was novel. The patent was quashed in 1779 but Wilkinson still remained a major manufacturer, in 1792 Wilkinson bought the Brymbo Hall estate in Denbighshire, not far from Bersham, where furnaces and other plant were installed
John Wilkinson (industrialist)
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John Wilkinson by
Lemuel Francis Abbott
John Wilkinson (industrialist)
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Portrait of Wilkinson (anon),
Wolverhampton Art Gallery
John Wilkinson (industrialist)
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The Iron Bridge
John Wilkinson (industrialist)
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John Wilkinson, as depicted on a 1793
halfpenny token struck by
Matthew Boulton 's Soho Mint
23.
Golf
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Golf is a club and ball sport in which players use various clubs to hit balls into a series of holes on a course in as few strokes as possible. Golf, unlike most ball games, cannot and does not utilize a standardized playing area, the game is played on a course with an arranged progression of 18 holes. Each hole on the course must contain a tee box to start from, there are other standard forms of terrain in between, such as the fairway, rough, sand traps, and hazards but each hole on a course is unique in its specific layout and arrangement. Stroke play is the most commonly seen format at all levels, while the modern game of golf originated in 15th-century Scotland, the games ancient origins are unclear and much debated. Some historians trace the sport back to the Roman game of paganica, one theory asserts that paganica spread throughout Europe as the Romans conquered most of the continent, during the first century BC, and eventually evolved into the modern game. Others cite chuiwan as the progenitor, a Chinese game played between the eighth and 14th centuries, the game is thought to have been introduced into Europe during the Middle Ages. Another early game that resembled modern golf was known as cambuca in England, the Persian game chaugán is another possible ancient origin. In addition, kolven was played annually in Loenen, Netherlands, beginning in 1297, to commemorate the capture of the assassin of Floris V, a year earlier. The modern game originated in Scotland, where the first written record of golf is James IIs banning of the game in 1457, as an unwelcome distraction to learning archery. James IV lifted the ban in 1502 when he became a golfer himself, with golf clubs first recorded in 1503-1504, to many golfers, the Old Course at St Andrews, a links course dating to before 1574, is considered to be a site of pilgrimage. In 1764, the standard 18-hole golf course was created at St Andrews when members modified the course from 22 to 18 holes. Golf is documented as being played on Musselburgh Links, East Lothian, Scotland as early as 2 March 1672, which is certified as the oldest golf course in the world by Guinness World Records. The oldest surviving rules of golf were compiled in March 1744 for the Company of Gentlemen Golfers, later renamed The Honourable Company of Edinburgh Golfers, Andrews Golf Club in Yonkers, New York. The levels of grass are varied to increase difficulty, or to allow for putting in the case of the green, while many holes are designed with a direct line-of-sight from the teeing area to the green, some holes may bend either to the left or to the right. This is commonly called a dogleg, in reference to a dogs knee, the hole is called a dogleg left if the hole angles leftwards and dogleg right if it bends right. Sometimes, a holes direction may bend twice, this is called a double dogleg, a regular golf course consists of 18 holes, but nine-hole courses are common and can be played twice through for a full round of 18 holes. Early Scottish golf courses were laid out on links land. This gave rise to the golf links, particularly applied to seaside courses
Golf
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A golfer in the finishing position after hitting a tee shot
Golf
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The MacDonald boys playing golf, 18th century.
Golf
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Four gentlemen golfers on the tee of a golf course, 1930's
Golf
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Aerial view of the Golfplatz
Wittenbeck in
Mecklenburg,
Germany
24.
Dictionary of National Biography
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The Dictionary of National Biography is a standard work of reference on notable figures from British history, published from 1885. The updated Oxford Dictionary of National Biography was published on 23 September 2004 in 60 volumes and he approached Leslie Stephen, then editor of the Cornhill Magazine, owned by Smith, to become editor. Stephen persuaded Smith that the work should focus on subjects from the UK and its present, an early working title was the Biographia Britannica, the name of an earlier eighteenth-century reference work. The first volume of the Dictionary of National Biography appeared on 1 January 1885, in May 1891 Leslie Stephen resigned and Sidney Lee, Stephens assistant editor from the beginning of the project, succeeded him as editor. While much of the dictionary was written in-house, the DNB also relied on external contributors, by 1900, more than 700 individuals had contributed to the work. Successive volumes appeared quarterly with complete punctuality until midsummer 1900, when the series closed with volume 63, the year of publication, the editor and the range of names in each volume is given below. The supplements brought the work up to the death of Queen Victoria on 22 January 1901. The dictionary was transferred from its original publishers, Smith, Elder & Co. to Oxford University Press in 1917, until 1996, Oxford University Press continued to add further supplements featuring articles on subjects who had died during the twentieth century. The supplements published between 1912 and 1996 added about 6,000 lives of people who died in the century to the 29,120 in the 63 volumes of the original DNB. In 1993 a volume containing missing biographies was published and this had an additional 1,000 lives, selected from over 100,000 suggestions. Consequently, the dictionary was becoming less and less useful as a reference work, in 1966, the University of London published a volume of corrections, cumulated from the Bulletin of the Institute of Historical Research. There were various versions of the Concise Dictionary of National Biography, the last edition, in three volumes, covered everyone who died before 1986. In the early 1990s Oxford University Press committed itself to overhauling the DNB, the new dictionary would cover British history, broadly defined, up to 31 December 2000. The research project was conceived as a one, with in-house staff co-ordinating the work of nearly 10,000 contributors internationally. Following Matthews death in October 1999, he was succeeded as editor by another Oxford historian, Professor Brian Harrison, in January 2000. The new dictionary, now known as the Oxford Dictionary of National Biography, was published on 23 September 2004 in 60 volumes in print at a price of £7500, most UK holders of a current library card can access it online free of charge. In subsequent years, the print edition has been able to be obtained new for a lower price. At publication, the 2004 edition had 50,113 biographical articles covering 54,922 lives, a small permanent staff remain in Oxford to update and extend the coverage of the online edition
Dictionary of National Biography
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George Murray Smith conceived of the DNB, subsidised it, and saw it finally into print before he died in 1901.
Dictionary of National Biography
25.
Daily Telegraph
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It was founded by Arthur B. Sleigh in 1855 as The Daily Telegraph and Courier, the papers motto, Was, is, and will be, appears in the editorial pages and has featured in every edition of the newspaper since April 19,1858. The paper had a circulation of 460,054 in December 2016 and its sister paper, The Sunday Telegraph, which started in 1961, had a circulation of 359,287 as of December 2016. The Daily Telegraph has the largest circulation for a newspaper in the UK. The two sister newspapers are run separately, with different editorial staff, but there is cross-usage of stories, articles published in either may be published on the Telegraph Media Groups www. telegraph. co. uk website, under the title of The Telegraph. However, critics, including an editor, accuse it of being unduly influenced by advertisers. The Daily Telegraph and Courier was founded by Colonel Arthur B, Sleigh in June 1855 to air a personal grievance against the future commander-in-chief of the British Army, Prince George, Duke of Cambridge. Joseph Moses Levy, the owner of The Sunday Times, agreed to print the newspaper, the paper cost 2d and was four pages long. Nevertheless, the first edition stressed the quality and independence of its articles and journalists, however, the paper was not a success, and Sleigh was unable to pay Levy the printing bill. Levy took over the newspaper, his aim being to produce a newspaper than his main competitors in London. The same principle should apply to all other events—to fashion, to new inventions, in 1876, Jules Verne published his novel Michael Strogoff, whose plot takes place during a fictional uprising and war in Siberia. In 1937, the newspaper absorbed The Morning Post, which espoused a conservative position. Originally William Ewart Berry, 1st Viscount Camrose, bought The Morning Post with the intention of publishing it alongside The Daily Telegraph, for some years the paper was retitled The Daily Telegraph and Morning Post before it reverted to just The Daily Telegraph. As an result, Gordon Lennox was monitored by MI5, in 1939, The Telegraph published Clare Hollingworths scoop that Germany was to invade Poland. In November 1940, with Fleet Street subjected to almost daily bombing raids by the Luftwaffe, The Telegraph started printing in Manchester at Kemsley House, Manchester quite often printed the entire run of The Telegraph when its Fleet Street offices were under threat. The name Kemsley House was changed to Thomson House in 1959, in 1986 printing of Northern editions of the Daily and Sunday Telegraph moved to Trafford Park and in 2008 to Newsprinters at Knowsley, Liverpool. During the Second World War, The Daily Telegraph covertly helped in the recruitment of code-breakers for Bletchley Park, the ability to solve The Telegraphs crossword in under 12 minutes was considered to be a recruitment test. The competition itself was won by F. H. W. Hawes of Dagenham who finished the crossword in less than eight minutes, both the Camrose and Burnham families remained involved in management until Conrad Black took control in 1986
Daily Telegraph
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The Sunday Telegraph
Daily Telegraph
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The Daily Telegraph front page on 29 June 2015
Daily Telegraph
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In 1882 The Daily Telegraph moved to new
Fleet Street premises, which were pictured in the
Illustrated London News.
Daily Telegraph
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The Daily Telegraph building in 1974
26.
National Portrait Gallery, London
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The National Portrait Gallery is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856, the gallery moved in 1896 to its current site at St Martins Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then, the National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, the gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport. The gallery houses portraits of important and famous British people, selected on the basis of the significance of the sitter. The collection includes photographs and caricatures as well as paintings, drawings, one of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare although there is some uncertainty about whether the painting actually is of the playwright. Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds, some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Portraits of living figures were allowed from 1969, the three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 5th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay and it was Stanhope who, in 1846 as a Member of Parliament, first proposed the idea of a National Portrait Gallery. It was not until his attempt, in 1856, this time from the House of Lords. With Queen Victorias approval, the House of Commons set aside a sum of £2000 to establish the gallery, as well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallerys first portrait, Carlyle became a trustee after the death of Ellesmere in 1857. For the first 40 years, the gallery was housed in locations in London. The first 13 years were spent at 29 Great George Street, there, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in buildings, the collection was moved in 1885. This location was unsuitable due to its distance from the West End, condensation. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander, Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian
National Portrait Gallery, London
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Entrance to the National Portrait Gallery
National Portrait Gallery, London
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The
Chandos portrait of
William Shakespeare, the first painting to enter the NPG's collection
National Portrait Gallery, London
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Inside the National Portrait Gallery
27.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
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Screenshot 2012
28.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Integrated Authority File
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GND screenshot
29.
Union List of Artist Names
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The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
Union List of Artist Names
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Contents
30.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
National Library of Australia
National Library of Australia
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National Library of Australia as viewed from
Lake Burley Griffin,
Canberra
National Library of Australia
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The original National Library building on Kings Avenue, Canberra, was designed by Edward Henderson. Originally intended to be several wings, only one wing was completed and was demolished in 1968. Now the site of the Edmund Barton Building.
National Library of Australia
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The library seen from Lake Burley Griffin in autumn.
31.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Netherlands Institute for Art History
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As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
