Les Grandes Misères de la guerre
Les Grandes Misères de la guerre are a series of 18 etchings by Lorrainian artist Jacques Callot (1592–1635), titled in full Les Misères et les Malheurs de la Guerre. Despite the grand theme of the series, the images are in fact only about 83 mm × 180 mm each, and are called the "large" Miseries to distinguish them from an even smaller earlier set on the same subject.
La Pendaison (The Hanging), the 11th and most famous plate in the series
Plate 5, Le pillage, the soldiers pillage a house
Plate 1: Frontispiece
Plate 2: L'enrôlement des troupes (Enrolling the troops)
Michel de Marolles, known as the abbé de Marolles, was a French churchman and translator, known for his collection of old master prints. He became a monk in 1610 and later was Abbot of Villeloin (1626–1674). He was the author of many translations of Latin poets and was part of many salons, notably that of Madeleine de Scudéry. He is best known for having collected 123,000 prints - this acquisition is considered the foundation of the cabinet of prints in the royal library, though it was only constituted as a department in 1720.
Michel de Marolles
Page from Catalogue de livres d'estampes et de figures en taille douce, 1672. From the Rosenwald Collection, Library of Congress.