1.
London
–
London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
2.
England
–
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west, the Irish Sea lies northwest of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east, the country covers five-eighths of the island of Great Britain in its centre and south, and includes over 100 smaller islands such as the Isles of Scilly, and the Isle of Wight. England became a state in the 10th century, and since the Age of Discovery. The Industrial Revolution began in 18th-century England, transforming its society into the worlds first industrialised nation, Englands terrain mostly comprises low hills and plains, especially in central and southern England. However, there are uplands in the north and in the southwest, the capital is London, which is the largest metropolitan area in both the United Kingdom and the European Union. In 1801, Great Britain was united with the Kingdom of Ireland through another Act of Union to become the United Kingdom of Great Britain and Ireland. In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain, the name England is derived from the Old English name Englaland, which means land of the Angles. The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages, the Angles came from the Angeln peninsula in the Bay of Kiel area of the Baltic Sea. The earliest recorded use of the term, as Engla londe, is in the ninth century translation into Old English of Bedes Ecclesiastical History of the English People. According to the Oxford English Dictionary, its spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, the etymology of the tribal name itself is disputed by scholars, it has been suggested that it derives from the shape of the Angeln peninsula, an angular shape. An alternative name for England is Albion, the name Albion originally referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus, specifically the 4th century BC De Mundo, in it are two very large islands called Britannia, these are Albion and Ierne. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, the word Albion or insula Albionum has two possible origins. Albion is now applied to England in a poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England, Lloegr, the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximately 780,000 years ago. The oldest proto-human bones discovered in England date from 500,000 years ago, Modern humans are known to have inhabited the area during the Upper Paleolithic period, though permanent settlements were only established within the last 6,000 years
3.
United Kingdom of Great Britain and Ireland
–
The United Kingdom of Great Britain and Ireland was established as a sovereign state on 1 January 1801 by the Acts of Union 1800, which merged the kingdoms of Great Britain and Ireland. The growing desire for an Irish Republic led to the Irish War of Independence, Northern Ireland remained part of the United Kingdom, and the state was consequently renamed the United Kingdom of Great Britain and Northern Ireland. Britain financed the European coalition that defeated France in 1815 in the Napoleonic Wars, the British Empire thereby became the foremost world power for the next century. The Crimean War with Russia and the Boer wars were relatively small operations in a largely peaceful century, rapid industrialisation that began in the decades prior to the states formation continued up until the mid-19th century. A devastating famine, exacerbated by government inaction in the century, led to demographic collapse in much of Ireland. It was an era of economic modernization and growth of industry, trade and finance. Outward migration was heavy to the colonies and to the United States. Britain also built up a large British Empire in Africa and Asia, India, by far the most important possession, saw a short-lived revolt in 1857. In foreign policy Britain favoured free trade, which enabled its financiers and merchants to operate successfully in many otherwise independent countries, as in South America. Britain formed no permanent military alliances until the early 20th century, when it began to cooperate with Japan, France and Russia, and moved closer to the United States. A brief period of limited independence for Ireland came to an end following the Irish Rebellion of 1798, the British governments fear of an independent Ireland siding against them with the French resulted in the decision to unite the two countries. This was brought about by legislation in the parliaments of both kingdoms and came into effect on 1 January 1801, however, King George III was bitterly opposed to any such Emancipation and succeeded in defeating his governments attempts to introduce it. When the Treaty of Amiens ended the war, Britain agreed to return most of the territories it had seized, in May 1803, war was declared again. In 1806, Napoleon issued the series of Berlin Decrees, which brought into effect the Continental System and this policy aimed to eliminate the threat from the British by closing French-controlled territory to foreign trade. Frances population and agricultural capacity far outstripped that of the British Isles, Napoleon expected that cutting Britain off from the European mainland would end its economic hegemony. The Spanish uprising in 1808 at last permitted Britain to gain a foothold on the Continent, after Napoleons surrender and exile to the island of Elba, peace appeared to have returned. The Allies united and the armies of Wellington and Blucher defeated Napoleon once, simultaneous with the Napoleonic Wars, trade disputes, arming hostile Indians and British impressment of American sailors led to the War of 1812 with the United States. The war was little noticed in Britain, which could devote few resources to the conflict until the fall of Napoleon in 1814, American frigates inflicted a series of defeats on the Royal Navy, which was short on manpower due to the conflict in Europe
4.
British people
–
British people, or Britons, are the citizens of the United Kingdom, British Overseas Territories, and Crown dependencies, and their descendants. British nationality law governs modern British citizenship and nationality, which can be acquired, for instance, although early assertions of being British date from the Late Middle Ages, the creation of the united Kingdom of Great Britain in 1707 triggered a sense of British national identity. The notion of Britishness was forged during the Napoleonic Wars between Britain and the First French Empire, and developed further during the Victorian era, because of longstanding ethno-sectarian divisions, British identity in Northern Ireland is controversial, but it is held with strong conviction by unionists. Modern Britons are descended mainly from the ethnic groups that settled in the British Isles in and before the 11th century, Prehistoric, Celtic, Roman, Anglo-Saxon, Norse. The British are a diverse, multi-national and multicultural society, with regional accents, expressions. Although none of his own writings remain, writers during the time of the Roman Empire made much reference to them, the group included Ireland, which was referred to as Ierne inhabited by the different race of Hiberni, and Britain as insula Albionum, island of the Albions. The term Pritani may have reached Pytheas from the Gauls, who used it as their term for the inhabitants of the islands. Greek and Roman writers, in the 1st century BC and the 1st century AD, name the inhabitants of Great Britain and Ireland as the Priteni, the origin of the Latin word Britanni. It has been suggested that name derives from a Gaulish description translated as people of the forms. By 50 BC Greek geographers were using equivalents of Prettanikē as a name for the British Isles. However, the term Britannia persisted as the Latin name for the island, during the Middle Ages, and particularly in the Tudor period, the term British was used to refer to the Welsh people and Cornish people. At that time, it was the held belief that these were the remaining descendants of the ancient Britons. This notion was supported by such as the Historia Regum Britanniae. Wales and Cornwall, and north, i. e. Cumbria, Strathclyde and this legendary Celtic history of Great Britain is known as the Matter of Britain. The indigenous people of the British Isles have a combination of Celtic, Norse, Anglo-Saxon, oppenheimer continues that the majority of the people of the British Isles share genetic commonalities with the Basques, ranging from highs of 90% in Wales to lows of 66% in East Anglia. Oppenheimers opinion is that. by far the majority of male gene types in the British Isles derive from Iberia, ranging from a low of 59% in Fakenham, Norfolk to highs of 96% in Llangefni, north Wales. The English had been unified under a single state in 937 by King Athelstan of Wessex after the Battle of Brunanburh. However, historian Simon Schama suggested that it was Edward I of England who was responsible for provoking the peoples of Britain into an awareness of their nationhood in the 13th century
5.
Portrait
–
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person, for this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, nonetheless, many subjects, such as Akhenaten and some other Egyptian pharaohs, can be recognised by their distinctive features. The 28 surviving rather small statues of Gudea, ruler of Lagash in Sumeria between c.2144 -2124 BC, show a consistent appearance with some individuality. Some of the earliest surviving painted portraits of people who were not rulers are the Greco-Roman funeral portraits that survived in the dry climate of Egypts Fayum district. These are almost the only paintings from the world that have survived, apart from frescos, though many sculptures. Although the appearance of the figures differs considerably, they are considerably idealized, the art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of a symbol of what that person looked like. In the Europe of the Early Middle Ages representations of individuals are mostly generalized, true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in tomb monuments, donor portraits, miniatures in illuminated manuscripts and then panel paintings. Moche culture of Peru was one of the few ancient civilizations which produced portraits and these works accurately represent anatomical features in great detail. The individuals portrayed would have been recognizable without the need for other symbols or a reference to their names. The individuals portrayed were members of the elite, priests, warriors. They were represented during several stages of their lives, the faces of gods were also depicted. To date, no portraits of women have been found, there is particular emphasis on the representation of the details of headdresses, hairstyles, body adornment and face painting. One of the portraits in the Western world is Leonardo da Vincis painting titled Mona Lisa. What has been claimed as the worlds oldest known portrait was found in 2006 in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old. Profile view, full view, and three-quarter view, are three common designations for portraits, each referring to a particular orientation of the head of the individual depicted. Such terms would tend to have greater applicability to two-dimensional artwork such as photography, in the case of three-dimensional artwork, the viewer can usually alter their orientation to the artwork by moving around it
6.
Caricature
–
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or through other artistic drawings. In literature, a caricature is a description of a person using exaggeration of some characteristics, Caricatures can be insulting or complimentary and can serve a political purpose or be drawn solely for entertainment. Caricatures of politicians are commonly used in cartoons, while caricatures of movie stars are often found in entertainment magazines. The term is derived from the Italian caricare—to charge or load, an early definition occurs in the English doctor Thomas Brownes Christian Morals, published posthumously in 1716. Expose not thy self by four-footed manners unto monstrous draughts, with the footnote, When Mens faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura Thus, the word caricature essentially means a loaded portrait. Some of the earliest caricatures are found in the works of Leonardo da Vinci, the point was to offer an impression of the original which was more striking than a portrait. Caricature took a road to its first successes in the aristocratic circles of France and Italy. These caricatures were the work of Brig. -Gen, george Townshend whose caricatures of British General James Wolfe, depicted as Deformed and crass and hideous, were drawn to amuse fellow officers. Elsewhere, two great practitioners of the art of caricature in 18th-century Britain were Thomas Rowlandson and James Gillray, Rowlandson was more of an artist and his work took its inspiration mostly from the public at large. Gillray was more concerned with the vicious visual satirisation of political life and they were, however, great friends and caroused together in the pubs of London. In a lecture titled The History and Art of Caricature, the British caricaturist Ted Harrison said that the caricaturist can choose to either mock or wound the subject with an effective caricature. Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art can be employed to make a social or political point. A caricaturist draws on the characteristics of the subject, the acquired characteristics. Sir Max Beerbohm, created and published caricatures of the men of his own time. His style of single-figure caricatures in formalized groupings was established by 1896 and his published works include Caricatures of Twenty-five Gentlemen, The Poets Corner, and Rossetti and His Circle. He published widely in magazines of the time, and his works were exhibited regularly in London at the Carfax Gallery. George Cruikshank created political prints that attacked the family and leading politicians. He went on to create caricatures of British life for popular publications such as The Comic Almanack
7.
Vanity Fair (UK magazine)
–
The second Vanity Fair was a British weekly magazine published from 1868 to 1914. Subtitled A Weekly Show of Political, Social and Literary Wares, it was founded by Thomas Gibson Bowles, the first issue appeared in London on 7 November 1868. It offered its readership articles on fashion, current events, the theatre, books, social events, Thomas Allinson bought the magazine in 1911 from Frank Harris, by which time it was failing financially. He failed to revive it and the issue of Vanity Fair appeared on 5 February 1914, after which it was merged into Hearth. A full-page, colour lithograph of a celebrity or dignitary appeared in most issues. Subjects included artists, athletes, royalty, statesmen, scientists, authors, actors, soldiers, religious personalities, business people and scholars. More than two thousand of these images appeared, and they are considered the cultural legacy of the magazine
8.
Watercolor painting
–
Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, or leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, india, Ethiopia, and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
9.
Edward Matthew Ward
–
Ward was born in Pimlico, London. As a youth, he created illustrations for the well-known book Rejected Addresses, written by his uncles James and he also created illustrations to the papers of Washington Irving. In 1830 he won the silver palette from the Society of Arts, with support from David Wilkie and Francis Leggatt Chantrey, he became a student at the Royal Academy Schools. In 1836 he travelled to Rome, gaining a medal from the Academy of St Luke in 1838 for his Cimabue and Giotto. While a student at the Schools, Ward became a member of The Clique, like other members of the Clique Ward saw himself as a follower of Hogarth and Wilkie, considering their styles to be distinctly national in character. Many of his paintings were set in the eighteenth century and were on Hogarthian subjects. He also painted episodes from seventeenth century history, influenced by the thinking of his friend and he also painted subjects from the history of the French Revolution. In 1843 he entered the Palace of Westminster cartoon competition, in the 1850s Ward came into conflict with the Pre-Raphaelites, especially Millais, whose style of art he considered to be un-British. Wards painting of Charlotte Corday being led to execution beat Millaiss Ophelia for a prize at Liverpool, leading to much debate at the time. His historical paintings led to Wards commission to paint eight scenes in the corridor leading into the House of Commons and these were to depict parallel episodes on the Royalist and Parliamentary sides in the Civil War. Wards paintings depict the figures as if confronting one another across the corridor. Ward continued to paint Hogarthian versions of episodes from British history throughout the 1860s, in the 1870s he painted some modern-life genre subjects, but towards the end of the decade began to suffer painful illness and depression. On 10 January 1879 he was found raving on the floor of his dressing-room, his throat cut with a razor, he was shouting, I was mad when I did it, the devil prompted me. Medical help arrived, but he died on 15 January at his home,3 Queens Villas, the inquest in Windsor on 17 January found that he committed suicide while temporarily insane. In 1843, Ward met the 11-year-old Henrietta Ward, they married secretly in May 1848, henriettas mother never forgave the elopement, and disinherited her. Collins may have based the plot of his 1852 novel Basil on the Ward engagement, Henrietta also became a successful painter. She became an art teacher after her husbands death and wrote two autobiographical memoirs about their life together. His son Leslie Ward became a popular caricaturist for the magazine Vanity Fair under the nickname Spy, profile on Royal Academy of Arts Collections
10.
Henrietta Ward
–
Henrietta Mary Ada Ward was a notable English historical and genre painter of the Victorian era and the early twentieth century. She belonged to a family that produced professional artists over several generations and her paternal grandfather was the prominent animal painter James Ward, who was related by marriage to fellow artists John Jackson and George Morland. Her parents were artists, George Raphael Ward was best known for his printmaking. She studied her craft at the Bloomsbury Art School and the academy started by Henry Sass, henriettas mother never forgave the elopement, and disinherited her. E. M. and Henrietta Ward had eight children, one of whom would be Leslie Ward and she was also noted for her pictures of children, she used her own children as models for her paintings. This and similar works made her perhaps the most prominent female painter of her generation. She gave art lessons to several of the children of Queen Victoria. Both Henrietta Ward and her husband were supporters of the cause of womens suffrage, the Wards traveled in an artistic circle that included figures like Charles Dickens and George Cruikshank. In one account, Dickens and Cruikshank nearly brawled when the teetotaler Cruikshank prevented Henrietta Ward from drinking a glass of sherry at a Dickens party and she outlived her husband by forty-five years. After his 1879 death, the widow started her own art school to support her family, like her contemporary Louise Jopling. She also received a pension of ₤100 for her previous service as a royal teacher and she published two autobiographical memoirs, Mrs. E. M. Ward’s Reminiscences in 1911 and Memories of Ninety Years, in the year of her death. Her first book has called one of the best accounts of the life of a Victorian lady artist. She left a picture of a marriage with a husband who encouraged her work, and who was always the kindest teacher. Henrietta Ward - A Victorian artist in Slough Biographical data @ Slough History Online
11.
James Ward (artist)
–
James Ward RA, was a painter, particularly of animals, and an engraver. Ward devoted much of the period 1815-21 to the painting of a work titled Allegory of Waterloo. The experience may have embittered him, and the deaths of his first wife, like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children. One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, one of Wards best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Wards 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett. James was the son of James and Rachael Ward and he was first married to Mary Ann Ward in 1794 and after her death to Charlotte Fritche in 1827. James and Mary Ann Ward had several children including, Matilda Louisa Ward,1798, d.1879 James Ward was the paternal grandfather of the painter Henrietta Ward and the great-grandfather of Leslie Ward, the Vanity Fair caricaturist. In 1830, Ward moved to Cheshunt with his second wife, a stroke in 1855 ended his work, and he died in poverty. He is buried at Kensal Green Cemetery, James Ward was one of the outstanding artists of the day, his singular style and great skill set him above most of his contemporaries, markedly influencing the growth of British art. Regarded as one of the animal painters of his time, James produced history paintings, portraits, landscapes. He started off as an engraver, trained by William, who later engraved much of his work. The partnership of William and James Ward produced the best that English art had to offer, their technical skill and artistry having led to images that reflect the grace. He was admitted for membership into the Royal Academy in 1811, one of Wards best-known paintings, The Deer Stealer, was commissioned in 1823 for the sum of 500 guineas by Wards patron Theophilus Levett. When the work was finished, Levett pronounced himself delighted with the results, subsequently Ward was said to have been offered 1,000 guineas for the painting by a nobleman, which he declined. The painting now hangs at Tate in London, list of British artists Attribution Chisholm, Hugh, ed. Ward, James. The Life and Work of James Ward, RA, eighteenth century artists and engravers, William Ward A. R. A. Fussell, G. E. James Ward R. A, animal Painter 1769–1859 and His England. His Life and Works with a Catalogue of his Engravings and Pictures, nygren, Edward J. James Wards Gordale Scar, An Essay in the Sublime
12.
George Morland
–
George Morland was an English painter of animals and rustic scenes. George Morland was born in London on 26 June 1763, Morland began to draw at the age of three years, and at the age of ten his name appears as an honorary exhibitor at the Royal Academy. It has been asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims. He was set by his father to copy pictures of all kinds, among others he copied Fuselis Nightmare and Reynoldss Garrick between Tragedy and Comedy. Morland soon became the slave of the dealer with whom he lived. His boon companions were ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, in this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. He made also an effort, and a one, to free himself from his task-master, and escaped to Margate. He then paid a visit to France. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, the two newly married couples set up house together in High Street, Marylebone, and Morland for a while appeared to have become a reformed character. He was now becoming known by engravings from his pictures as the large Children Nutting. About this period he was fond of visiting the Isle of Wight, where he painted his best coast scenes, in 1786 he painted The Wreck of the Haswell, an oil on canvas. It shows women and children clutching what little of the ship afloat while a crewmans eyes tell the eventual fate of his half-submerged body. It clearly conveys the terror and hopelessness that must grip people when they know theyre taking their last breath, the attractions of the neighbouring inns, and of the Assembly Rooms at Kentish Town, now proved too strong for him, and he returned to all his bad habits. When he finally separated from her it is not easy to determine and he moved from Pleasing Passage to Warrens Lane, and seems for some time to have made his headquarters at Paddington. It was here probably that he painted the picture of The Inside of a Stable, now in the National Gallery. The stable is said to be that of the White Lion Inn at Paddington, opposite to which he lived. At this time he was at the plenitude of his power and his art was so popular that, comparatively small as was the price which he actually received for his labour, he might have easily lived for a week on the earnings of a day. He was besieged by dealers who came to him, as it is said, with a purse in one hand, the amount of work he got through was prodigious
