1.
Portuguese language
–
Portuguese is a Romance language and the sole official language of Portugal, Brazil, Cape Verde, Guinea-Bissau, Mozambique, Angola, and São Tomé and Príncipe. It also has co-official language status in East Timor, Equatorial Guinea, Portuguese is part of the Ibero-Romance group that evolved from several dialects of Vulgar Latin in the medieval Kingdom of Galicia, and has kept some Celtic phonology. Portuguese is also termed the language of Camões, after Luís Vaz de Camões, one of the greatest literary figures in the Portuguese language and author of the Portuguese epic poem, the museum is the first of its kind in the world. In 2015 the museum was destroyed in a fire, but there are plans to reconstruct it, when the Romans arrived in the Iberian Peninsula in 216 BCE, they brought the Latin language with them, from which all Romance languages descend. Between 409 CE and 711 CE, as the Roman Empire collapsed in Western Europe, Portuguese evolved from the medieval language, known today by linguists as Galician-Portuguese, Old Portuguese or Old Galician, of the northwestern medieval Kingdom of Galicia. It is in Latin administrative documents of the 9th century that written Galician-Portuguese words and this phase is known as Proto-Portuguese, which lasted from the 9th century until the 12th-century independence of the County of Portugal from the Kingdom of León, by then reigning over Galicia. In the first part of the Galician-Portuguese period, the language was used for documents. For some time, it was the language of preference for poetry in Christian Hispania. Portugal became an independent kingdom in 1139, under King Afonso I of Portugal, in the second period of Old Portuguese, in the 15th and 16th centuries, with the Portuguese discoveries, the language was taken to many regions of Africa, Asia and the Americas. The language continued to be popular in parts of Asia until the 19th century, some Portuguese-speaking Christian communities in India, Sri Lanka, Malaysia, and Indonesia preserved their language even after they were isolated from Portugal. The end of the Old Portuguese period was marked by the publication of the Cancioneiro Geral by Garcia de Resende, Most literate Portuguese speakers were also literate in Latin, and thus they easily adopted Latin words into their writing—and eventually speech—in Portuguese. Portuguese is the language of the majority of people in Brazil and Portugal, perhaps 75% of the population of Angola speaks Portuguese natively, and 85% are fluent. Just over 40% of the population of Mozambique are native speakers of Portuguese, Portuguese is also spoken natively by 30% of the population in Guinea-Bissau, and a Portuguese-based creole is understood by all. No data is available for Cape Verde, but almost all the population is bilingual, there are also significant Portuguese speaking immigrant communities in many countries including Andorra, Bermuda, Canada, France, Japan, Jersey, Namibia, Paraguay, Macau, Switzerland, Venezuela. In some parts of former Portuguese India, namely Goa and Daman and Diu, in 2014, an estimated 1,500 students were learning Portuguese in Goa. Equatorial Guinea made an application for full membership to the CPLP in June 2010. In 2011, Portuguese became its official language and, in July 2014. Portuguese is a subject in The school curriculum in Uruguay
2.
Lisbon
–
Lisbon is the capital and the largest city of Portugal, with a population of 552,700 within its administrative limits in an area of 100.05 km². Its urban area extends beyond the administrative limits with a population of around 2.7 million people. About 2.8 million people live in the Lisbon Metropolitan Area and it is continental Europes westernmost capital city and the only one along the Atlantic coast. Lisbon lies in the western Iberian Peninsula on the Atlantic Ocean, the westernmost areas of its metro area is the westernmost point of Continental Europe. Lisbon is recognised as a city because of its importance in finance, commerce, media, entertainment, arts, international trade, education. It is one of the economic centres on the continent, with a growing financial sector. Humberto Delgado Airport serves over 20 million passengers annually, as of 2015, and the motorway network, the city is the 7th-most-visited city in Southern Europe, after Istanbul, Rome, Barcelona, Madrid, Athens and Milan, with 1,740,000 tourists in 2009. The Lisbon region contributes with a higher GDP PPP per capita than any region in Portugal. Its GDP amounts to 96.3 billion USD and thus $32,434 per capita, the city occupies 32nd place of highest gross earnings in the world. Most of the headquarters of multinationals in the country are located in the Lisbon area and it is also the political centre of the country, as its seat of Government and residence of the Head of State. Lisbon is one of the oldest cities in the world, julius Caesar made it a municipium called Felicitas Julia, adding to the name Olissipo. Ruled by a series of Germanic tribes from the 5th century, in 1147, the Crusaders under Afonso Henriques reconquered the city and since then it has been a major political, economic and cultural centre of Portugal. Unlike most capital cities, Lisbons status as the capital of Portugal has never been granted or confirmed officially – by statute or in written form. Its position as the capital has formed through constitutional convention, making its position as de facto capital a part of the Constitution of Portugal. It has one of the warmest winters of any metropolis in Europe, the typical summer season lasts about four months, from June to September, although also in April temperatures sometimes reach around 25 °C. Although modern archaeological excavations show a Phoenician presence at this location since 1200 BC, another conjecture based on ancient hydronymy suggests that the name of the settlement derived from the pre-Roman appellation for the Tagus, Lisso or Lucio. Lisbons name was written Ulyssippo in Latin by the geographer Pomponius Mela and it was later referred to as Olisippo by Pliny the Elder and by the Greeks as Olissipo or Olissipona. The Indo-European Celts invaded in the 1st millennium BC, mixing with the Pre-Indo-European population and this indigenous settlement maintained commercial relations with the Phoenicians, which would account for the recent findings of Phoenician pottery and other material objects
3.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
4.
Roman Catholic
–
The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
5.
Manuel Clemente
–
Dom Manuel José Macário do Nascimento Clemente, officially referred to as Manuel III, Cardinal-Patriarch of Lisbon is currently the Patriarch of Lisbon. He was appointed by Pope Francis on 18 May 2013, replacing José Policarpo and he was installed on 6 July 2013 at the Patriarchal Cathedral of St. Mary Major. Manuel was born on 16 July 1948 at Torres Vedras, Portugal and he joined the Major Seminary of Christ the King of the Groves in 1973 and graduated at the University of Lisbon a year later with the Degree in History. He also received a Degree of Theology in 1979 at the Catholic University of Portugal where he taught Church History from 1975 and he also received a Doctorate in Historical Theology with his thesis named In the apostolic origins of contemporary Portugal. The Catholic Society Manuel was ordained a priest on 29 June 1979 by Patriarch of Lisbon, from then on, he attained several positions. He became the director of Center for the Study of Religious History from 2000-2007 and he became the member of the Scientific Society of the Catholic University since 1993 and became Associate Academic Correspondent of the Portuguese Academy of History from 1996. When Manuel was ordained, he was assigned as vicar of Runa in Torres Vedras. In 1989 he was appointed canon of the Lisbon Cathedral and the vice-rector of the Major Seminary of Christ the King Of The Groves until 1997 and he was the Coordinator of the Patriarchate in 1996 and coordinator of the Preparatory Commission of the Presbytery Assembly for Jubilee 2000. He was appointed bishop of Lisbon, with the title of Titular Bishop of Pinhel 6 November 1999 by Saint John Paul II. At his consecration he chose his current episcopal motto, In Lumine tuo and it is thus a recognized figure in the Portuguese culture and contributes to the Cultural Ministry in Portugal. Accordingly, Manuel is an excellent communicator and is respected by the intellectual circles inside and outside the Church. For many years, he has worked regularly and collaborated with various media outlets, Manuel was appointed bishop of Porto on 22 February 2007 by Pope Benedict XVI, succeeding D. Armindo Lopes Coelho. He was solemnly installed on 25 March. In 2008 was the first Portuguese bishop to convey the message of Christmas through YouTube, in 2011 he was elected vice-president of the Portuguese Episcopal Conference and was appointed to the Pontifical Council for Social Communications. Manuel was appointed Patriarch of Lisbon on 18 May 2013 following the acceptance of the resignation of José Policarpo by Pope Francis and he was enthroned on 6 July 2013 at the Lisbon Cathedral and made his solemn entry to the Jerónimos Monastery the following day. In a farewell statement to the diocese of Porto, Manuel makes sure that the heart has no distance, only depth plus. Because the Patriarch of Lisbon is the Metropolitan of the Ecclesiastical Province of Lisbon, Manuel received the pallium in a ceremony at St. Peters Basilica, Vatican City, the Portuguese Episcopal Conference elected him president in 2013 and re-elected him to a three-year term in 2014. However, Patriarch Manuel was not created a Cardinal in the first consistory but in the second, in a message left on the website of the Presidency of the Portuguese Republic, Cavaco Silva congratulated Manuel by this proof of distinction and appreciation of His Holiness Pope Francis. The Foreign Ministry welcomed the appointment with the enthusiasm that deserves the personality of the current Bishop of Porto
6.
Church architecture
–
Church architecture refers to the architecture of buildings of Christian churches. These large, often ornate and architecturally prestigious buildings were dominant features of the towns, however, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. In the 20th century, the use of new materials, such as steel, the history of church architecture divides itself into periods, and into countries or regions and by religious affiliation. The simplest church building comprises a single meeting space, built of locally available material, such churches are generally rectangular, but in African countries where circular dwellings are the norm, vernacular churches may be circular as well. A simple church may be built of mud brick, wattle and daub and it may be roofed with thatch, shingles, corrugated iron or banana leaves. However, church congregations, from the 4th century onwards, have sought to construct buildings that were both permanent and aesthetically pleasing. This had led to a tradition in which congregations and local leaders have invested time, money and personal prestige into the building, within any parish, the local church is often the oldest building, and is larger than any pre-19th-century structure except perhaps a barn. The church is built of the most durable material available. To the two-room structure is often added aisles, a tower, chapels, in the first three centuries of the Early Christian Church, the practice of Christianity was illegal and few churches were constructed. In the beginning Christians worshipped along with Jews in synagogues and in private houses, after the separation of Jews and Christians the latter continued to worship in peoples houses, known as house churches. These were often the homes of the members of the faith. Saint Paul, in his first letter to the Corinthians writes, aquila and Prisca, together with the church in their house, greet you warmly in the Lord. Some domestic buildings were adapted to function as churches, one of the earliest of adapted residences is at Dura Europos church, built shortly after 200 AD, where two rooms were made into one, by removing a wall, and a dais was set up. To the right of the entrance a small room was made into a baptistry, some church buildings were specifically built as church assemblies, such as that opposite the emperor Diocletians palace in Nicomedia. The books of the Holy Scriptures were found, and they were committed to the flames, the utensils and furniture of the church were abandoned to pillage, all was rapine, confusion, tumult. That church, situated on rising ground, was within view of the palace, and Diocletian and Galerius stood, as if on a watchtower, disputing long whether it ought to be set on fire. The sentiment of Diocletian prevailed, who dreaded lest, so great a fire being once kindled, some part of the city might he burnt, for there were many and large buildings that surrounded the church. Then the Pretorian Guards came in battle array, with axes and other iron instruments, from the first to the early fourth centuries most Christian communities worshipped in private homes, often secretly
7.
Architectural style
–
An architectural style is characterized by the features that make a building or other structure notable or historically identifiable. A style may include such elements as form, method of construction, building materials, styles therefore emerge from the history of a society. They are documented in the subject of architectural history, at any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. Styles often spread to places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. A style may also spread through colonialism, either by foreign colonies learning from their home country, one example is the Spanish missions in California, brought by Spanish priests in the late 18th century and built in a unique style. After a style has gone out of fashion, revivals and re-interpretations may occur, for instance, classicism has been revived many times and found new life as neoclassicism. Each time it is revived, it is different, the Spanish mission style was revived 100 years later as the Mission Revival, and that soon evolved into the Spanish Colonial Revival. Vernacular architecture works slightly differently and is listed separately and it is the native method of construction used by local people, usually using labour-intensive methods and local materials, and usually for small structures such as rural cottages. It varies from region to region even within a country, as western society has developed, vernacular styles have mostly become outmoded due to new technology and to national building standards. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. While many architectural styles explore harmonious ideals, Mannerism wants to take style a step further and explores the aesthetics of hyperbole, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favours compositional tension and instability rather than balance and clarity, the definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. An example of mannerist architecture is the Villa Farnese at Caprarola. in the country side outside of Rome. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles, a center of Mannerist design was Antwerp during its 16th-century boom. Through Antwerp, Renaissance and Mannerist styles were introduced in England, Germany. During the Mannerist Renaissance period, architects experimented with using architectural forms to emphasize solid, the Renaissance ideal of harmony gave way to freer and more imaginative rhythms
8.
Romanesque architecture
–
Romanesque Architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the date of the Romanesque style, with proposals ranging from the 6th to the late 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches, examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture, each building has clearly defined forms, frequently of very regular, symmetrical plan, the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics, Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great churches, many of which are still standing, more or less complete. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. According to the Oxford English Dictionary, the word Romanesque means descended from Roman and was first used in English to designate what are now called Romance languages, Romance language is not degenerated Latin language. Latin language is degenerated Romance language, Romanesque architecture is not debased Roman architecture. Roman architecture is debased Romanesque architecture, the first use in a published work is in William Gunns An Inquiry into the Origin and Influence of Gothic Architecture. The term is now used for the more restricted period from the late 10th to 12th centuries, Many castles exist, the foundations of which date from the Romanesque period. Most have been altered, and many are in ruins. By far the greatest number of surviving Romanesque buildings are churches, the scope of Romanesque architecture Romanesque architecture was the first distinctive style to spread across Europe since the Roman Empire. In the more northern countries Roman building styles and techniques had never been adopted except for official buildings, although the round arch continued in use, the engineering skills required to vault large spaces and build large domes were lost. There was a loss of continuity, particularly apparent in the decline of the formal vocabulary of the Classical Orders. In Rome several great Constantinian basilicas continued in use as an inspiration to later builders, the largest building is the church, the plan of which is distinctly Germanic, having an apse at both ends, an arrangement not generally seen elsewhere. Another feature of the church is its regular proportion, the plan of the crossing tower providing a module for the rest of the plan. These features can both be seen at the Proto-Romanesque St. Michaels Church, Hildesheim, 1001–1030, the style, sometimes called First Romanesque or Lombard Romanesque, is characterised by thick walls, lack of sculpture and the presence of rhythmic ornamental arches known as a Lombard band
9.
Gothic architecture
–
Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
10.
Baroque architecture
–
It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
11.
Monuments of Portugal
–
The national monuments of Portugal were constructed throughout the Portuguese territory, and date back to the period of pre-historic settlement of occupation. The formal organization of the Portuguese state resulted in a process to qualify and quantify those structures that have had a value to the Portuguese culture. This is a compilation of those structures that are designated as National Monuments only, the first documented peoples to occupy the western coast of Iberia were the Ostrimni recorded in Ancient Latin poetry, whose territory stretched from Galicia to the Algarve. The Greeks called the area of Portugal Ophiussa, and its inhabitants the Ophi, the serpent-worshipping Ophis are believed to have been a Celtic culture. The Lusitanians along with the Gallaeci developed the Castro culture at the time of their invasion by the legions of Rome, in the process, they constructed new buildings, established modern infrastructures and a road network that connected Roman villas. The disorganization in the Roman empire, which led to its fall, allowed the conquest by the Visigoths, many of the structures that survived this period include ancient churches and inscriptions built over previous constructions, which were the centre of Lusitanian settlements. Early Christian influences persisted for centuries, until the Moors and Arab Berber peoples invaded the Peninsula. The Moors were first to many of the medieval castles that dot the landscapes of Portugal. From the northern enclaves, the Christian Reconquista began, expanding progressively south towards the southern coast of the Iberian Peninsula and this was not a permanent expansion, since the Moorish-Christian frontier continued to expand and retract for several years, with the victories and defeats of each battle. Meanwhile, Portugal became a county of the Kingdom of León and it became an autonomous dominion of the Kingdom of León in 1128, emerging as a fully independent kingdom in 1139, officially recognized by the Treaty of Zamora in 1143. Although there are monuments from various ages some of them have a special value due to their historical, architectural, artistic. Owing to its value and importance, the cultural property may be listed as or national. In addition, these definitions are also defined in terms of being monuments, groups of buildings or sites, IGESPAR regularly proposes the listing of new assets based on its mission to safeguard national heritage. The listing process follows a procedure defined by Decree-Law no. 309/2009, which entered force in January 2010. IGESPAR also monitors and participates in the UNESCO registry of World Heritage Sites as a member state, there are 13 UNESCO World Heritage Sites in territory of Portugal
12.
Patriarchate of Lisbon
–
The Patriarchate of Lisbon is an Archdiocese of the Roman Rite of the Roman Catholic Church based in Lisbon, Portugal. The diocese is said to have existed since the first century, the diocese was restored when the city was recaptured by Alfonso I of Portugal during the Second Crusade in 1147 during the siege of Lisbon. James of Cape Verde, São Tomé, and Baia of All Saints were suffragans of Lisbon, the city of Lisbon was ecclesiastically divided into Eastern and Western Lisbon. The former Archbishop of Lisbon retained jurisdiction over Eastern Lisbon, and had as suffragan dioceses those of Guarda, Portalegre, St. James of Cape Verde, São Tomé, and São Salvador in Congo. Western Lisbon and metropolitan rights over Leiria, Lamego, Funchal and it was further agreed between pope and king that the Patriarch of Lisbon should be made a cardinal at the first consistory following his appointment. The first Patriarch of Lisbon was Tomás de Almeida, formerly Bishop of Porto, there thus existed side by side in the city of Lisbon two metropolitical churches. To obviate the inconvenience of this arrangement Pope Benedict XIV united East and West Lisbon into one single archdiocese under Patriarch Almeida, the double chapter however remained until 1843, when the old cathedral chapter was dissolved by Pope Gregory XVI. Patriarch Almeida is buried in the chancel of that church, by Apostolic letters dated 30 September 1881 the metropolitan of Lisbon claims as suffragans the Dioceses of Angola, St. James of Cape Verde, São Tomé, Egitan, Portalegre, Angra, Funchal. There are over two people living in 282 parishes within the see, 85% of whom are Catholic. The suffragan dioceses of the see are Angra, Funchal, Guarda, Leiria-Fátima, Portalegre-Castelo Branco, Santarém, the diocese was revitalized with the Siege of Lisbon in 1147, when the city was once again in Christian hands. F. M
13.
Alfredo Roque Gameiro
–
Alfredo Roque Gameiro was a Portuguese painter and graphic artist who specialized in watercolors. When he was ten years old, he went to live in Lisbon with his oldest brother, Justin and he studied at the Faculty of Fine Arts of the University of Lisbon, where José Simões de Almeida was one of his professors. After receiving a scholarship from the Portuguese government, he attended the Hochschule für Grafik und Buchkunst in Leipzig and studied lithography with Ludwig Nieper. Upon returning to Portugal in 1886, he became the Director of the Companhia Nacional Editora and and he was a frequent contributor to several weekly and monthly periodicals and worked with Manuel de Macedo to provide illustrations for a deluxe edition of The Lusiads, published in 1900. From 1910 to 1920 he created 10 watercolors and 90 lithographs for what would be his most popular work, Lisboa Velha and he also illustrated several popular novels by Júlio Dinis. In 1919, he became the first Director of the Escola Secundária Artística António Arroio, the following year, he and his daughter Helena had a successful joint exhibition in Brazil. He was elected a member of the Real Academia de Bellas Artes de San Fernando in 1923, a majority of his works are on display at the municipal museum there, including many on loan from the Gulbenkian Foundation. Some of his designs appear on Portuguese postage stamps, all five of his children became artists, Raquel Roque Gameiro Ottolini, also a watercolorist, Manuel Roque Gameiro, who worked with diverse materials. His sculptures may be seen in Portugal and Mozambique, maria Lucília Abreu, Roque Gameiro, o homem e a obra, ACD Edições,2005, ISBN 972-8855-17-6 Thereza Leitão de Barros, Exposição retrospectiva da obra de Roque Gameiro, Lisbon,1946. A Tribo dos Pincéis a book issued on the occasion of a conference held at his home in Amadora and it includes his postage stamp designs and book illustrations by his entire family. A Tribo dos Pincéis a website devoted to Roque Gameiro and his family, biographies and critical material compiled @ jcabral. info
14.
Diocese
–
The word diocese is derived from the Greek term διοίκησις meaning administration. When now used in a sense, it refers to a territorial unit of administration. This structure of governance is known as episcopal polity. The word diocesan means relating or pertaining to a diocese and it can also be used as a noun meaning the bishop who has the principal supervision of a diocese. An archdiocese is more significant than a diocese, an archdiocese is presided over by an archbishop whose see may have or have had importance due to size or historical significance. The archbishop may have authority over any other suffragan bishops. In the Latter Day Saint movement, the bishopric is used to describe the bishop himself. Especially in the Middle Ages, some bishops held political as well as religious authority within their dioceses, in the later organization of the Roman Empire, the increasingly subdivided provinces were administratively associated in a larger unit, the diocese. With the adoption of Christianity as the Empires official religion in the 4th century, a formal church hierarchy was set up, parallel to the civil administration, whose areas of responsibility often coincided. With the collapse of the Western Empire in the 5th century, a similar, though less pronounced, development occurred in the East, where the Roman administrative apparatus was largely retained by the Byzantine Empire. In modern times, many dioceses, though later subdivided, have preserved the boundaries of a long-vanished Roman administrative division, modern usage of diocese tends to refer to the sphere of a bishops jurisdiction. As of January 2015, in the Catholic Church there are 2,851 regular dioceses,1 papal see,641 archdioceses and 2,209 dioceses in the world, in the Eastern rites in communion with the Pope, the equivalent unit is called an eparchy. Eastern Orthodoxy calls dioceses metropoleis in the Greek tradition or eparchies in the Slavic tradition, after the Reformation, the Church of England retained the existing diocesan structure which remains throughout the Anglican Communion. The one change is that the areas administered under the Archbishop of Canterbury and Archbishop of York are properly referred to as provinces and this usage is relatively common in the Anglican Communion. Certain Lutheran denominations such as the Church of Sweden do have individual dioceses similar to Roman Catholics and these dioceses and archdioceses are under the government of a bishop. Other Lutheran bodies and synods that have dioceses and bishops include the Church of Denmark, the Evangelical Lutheran Church of Finland, the Evangelical Church in Germany, rather, it is divided into a middle judicatory. The Lutheran Church-International, based in Springfield, Illinois, presently uses a traditional diocesan structure and its current president is Archbishop Robert W. Hotes. The Church of God in Christ has dioceses throughout the United States, in the COGIC, each state is divided up into at least three dioceses that are all led by a bishop, but some states as many as seven dioceses
15.
Visigoths
–
The Visigoths were the western branches of the nomadic tribes of Germanic peoples referred to collectively as the Goths. These tribes flourished and spread throughout the late Roman Empire in Late Antiquity, the Visigoths emerged from earlier Gothic groups who had invaded the Roman Empire beginning in 376 and had defeated the Romans at the Battle of Adrianople in 378. Relations between the Romans and the Visigoths were variable, alternately warring with one another and making treaties when convenient, the Visigoths invaded Italy under Alaric I and sacked Rome in 410. The Visigoths first settled in southern Gaul as foederati of the Romans – a relationship established in 418, however, they soon fell out with their Roman hosts and established their own kingdom with its capital at Toulouse. They next extended their authority into Hispania at the expense of the Suebi, in 507, however, their rule in Gaul was ended by the Franks under Clovis I, who defeated them in the Battle of Vouillé. After that, the Visigoth kingdom was limited to Hispania, in or around 589, the Visigoths under Reccared I converted from Arianism to Nicene Christianity, gradually adopting the culture of their Hispano-Roman subjects. Their legal code, the Visigothic Code abolished the practice of applying different laws for Romans. Once legal distinctions were no longer being made between Romani and Gothi, they became known collectively as Hispani, in the century that followed, the region was dominated by the Councils of Toledo and the episcopacy. In 711 or 712, a force of invading African Moors defeated the Visigoths in the Battle of Guadalete and their king and many members of their governing elite were killed, and their kingdom rapidly collapsed. During their governance of the Kingdom of Hispania, the Visigoths built several churches that survive and they also left many artifacts, which have been discovered in increasing numbers by archaeologists in recent times. The Treasure of Guarrazar of votive crowns and crosses is the most spectacular and they founded the only new cities in western Europe from the fall of the Western half of the Roman Empire until the rise of the Carolingian dynasty. Many Visigothic names are still in use in modern Spanish and Portuguese, contemporaneous references to the Gothic tribes use the terms Vesi, Ostrogothi, Thervingi, and Greuthungi. Most scholars have concluded that the terms Vesi and Tervingi were both used to refer to one particular tribe, while the terms Ostrogothi and Greuthungi were used to refer to another. In addition, the Notitia Dignitatum equates the Vesi with the Tervingi in a reference to the years 388–391, the earliest sources for each of the four names are roughly contemporaneous. The first recorded reference to the Tervingi is in a eulogy of the emperor Maximian, delivered in or shortly after 291 and it says that the Tervingi, another division of the Goths, joined with the Taifali to attack the Vandals and Gepidae. The first known use of the term Ostrogoths is in a document dated September 392 from Milan and this would explain why the latter terms dropped out of use shortly after 400, when the Goths were displaced by the Hunnic invasions. Wolfram believes that the people Zosimus describes were those Tervingi who had remained behind after the Hunnic conquest, for the most part, all of the terms discriminating between different Gothic tribes gradually disappeared after they moved into the Roman Empire. The last indication that the Goths whose king reigned at Toulouse thought of themselves as Vesi is found in a panegyric on Avitus by Sidonius Apollinaris dated 1 January 456, most recent scholars have concluded that Visigothic group identity emerged only within the Roman Empire
16.
Afonso I of Portugal
–
Afonso I, nicknamed the Conqueror, the Founder or the Great by the Portuguese, and El-Bortukali and Ibn-Arrink by the Moors whom he fought, was the first King of Portugal. Afonso I was born in Coimbra, Guimarães or Viseu and he was the son of Henry of Burgundy and Theresa, the natural daughter of King Alfonso VI of León and Castile. The pair reigned jointly as Count and Countess of Portugal until Henrys death, Afonso was slightly more than two years old when his father, Count Henry, died on 22 May 1112 during the siege of Astorga. In an effort to pursue a share in the Leonese inheritance, his mother Theresa joined forces with Fernando Pérez de Trava. The Portuguese nobility disliked the alliance between Galicia and Portugal and rallied around the infant Afonso, in 1122, Afonso turned fourteen, the adult age in the 12th century. He made himself a knight on his own account in the Cathedral of Zamora, raised an army, in 1128, near Guimarães, at the Battle of São Mamede Afonso and his supporters overcame troops under his Count Fernando Peres de Trava of Galicia. Afonso exiled his mother to Galicia, and took rule of the County of Portugal. He also vanquished his mothers nephew, Alfonso VII of León, who came to her rescue, on 6 April 1129, Afonso Henriques dictated the writ in which he proclaimed himself Prince of Portugal. Afonso then turned his arms against the persistent problem of the Moors in the south, the first assembly of the Portuguese Cortes convened at Lamego is a 17th-century embellishment of Portuguese history. Independence from Alfonso VII of Leóns suzerainty, however, was not a thing he just could achieve militarily, the County of Portugal still had to be acknowledged diplomatically by the neighboring lands as a kingdom and, most importantly, by the Roman Catholic Church and the Pope. Afonso wed Mafalda of Savoy, daughter of Amadeus III, Count of Savoy and he succeeded in renouncing the suzerainty of his cousin, Alfonso VII of León, becoming instead a vassal of the papacy, as the kings of Sicily and Aragon had done before him. In 1179 the bull Manifestis Probatum accepted the new king as vassal to the pope exclusively, in Portugal he built several monasteries and convents and bestowed important privileges to religious orders. He is notably the builder of Alcobaça Monastery, to which he called the Cistercian Order of his uncle Bernard of Clairvaux of Burgundy. In 1143, he wrote to Pope Innocent II to declare himself, bypassing any king of León, Afonso declared himself the direct liege man of the papacy. Afonso continued to distinguish himself by his exploits against the Moors, from whom he wrested Santarém and he also conquered an important part of the land south of the Tagus River, although this was lost again to the Moors in the following years. Meanwhile, King Alfonso VII of León regarded the independent ruler of Portugal as nothing, conflict between the two was constant and bitter in the following years. Afonso became involved in a war, taking the side of the Aragonese king, to ensure the alliance, his son Sancho was engaged to Dulce, sister of the Count of Barcelona and Infanta of Aragon. Finally after winning the Battle of Valdevez, the Treaty of Zamora established peace between the cousins and the recognition by the Kingdom of León that Portugal was a sovereign kingdom
17.
Second Crusade
–
The Second Crusade was the second major crusade launched from Europe as a Catholic holy war against Islam. The Second Crusade was started in response to the fall of the County of Edessa the previous year to the forces of Zengi, the county had been founded during the First Crusade by King Baldwin of Boulogne in 1098. While it was the first Crusader state to be founded, it was also the first to fall, the armies of the two kings marched separately across Europe. After crossing Byzantine territory into Anatolia, both armies were defeated by the Seljuk Turks. Louis and Conrad and the remnants of their armies reached Jerusalem, the crusade in the east was a failure for the crusaders and a great victory for the Muslims. It would ultimately have a key influence on the fall of Jerusalem, the only Christian success of the Second Crusade came to a combined force of 13,000 Flemish, Frisian, Norman, English, Scottish, and German crusaders in 1147. Travelling from England, by ship, to the Holy Land, after the First Crusade and the minor Crusade of 1101 there were three crusader states established in the east, the Kingdom of Jerusalem, the Principality of Antioch and the County of Edessa. A fourth, the County of Tripoli, was established in 1109, Count Baldwin II and future count Joscelin of Courtenay were taken captive after their defeat at the Battle of Harran in 1104. Baldwin and Joscelin were both captured a second time in 1122, and although Edessa recovered somewhat after the Battle of Azaz in 1125, Joscelin was killed in battle in 1131. His successor Joscelin II was forced into an alliance with the Byzantine Empire, Joscelin had also quarreled with the Count of Tripoli and the Prince of Antioch, leaving Edessa with no powerful allies. Meanwhile, the Seljuq Zengi, Atabeg of Mosul, had added to his rule in 1128 Aleppo, both Zengi and King Baldwin II turned their attention towards Damascus, Baldwin was defeated outside the great city in 1129. Damascus, ruled by the Burid Dynasty, later allied with King Fulk when Zengi besieged the city in 1139 and 1140, in late 1144, Joscelin II allied with the Ortoqids and marched out of Edessa with almost his entire army to support the Ortoqid army against Aleppo. Zengi, already seeking to take advantage of Fulks death in 1143, hurried north to besiege Edessa, manasses of Hierges, Philip of Milly and others were sent from Jerusalem to assist, but arrived too late. Joscelin II continued to rule the remnants of the county from Turbessel, Zengi himself was praised throughout Islam as defender of the faith and al-Malik al-Mansur, the victorious king. He did not pursue an attack on the territory of Edessa, or the Principality of Antioch. Events in Mosul compelled him to home, and he once again set his sights on Damascus. However, he was assassinated by a slave in 1146 and was succeeded in Aleppo by his son Nur ad-Din, the news of the fall of Edessa was brought back to Europe first by pilgrims early in 1145, and then by embassies from Antioch, Jerusalem and Armenia. Bishop Hugh of Jabala reported the news to Pope Eugene III, Hugh also told the Pope of an eastern Christian king, who, it was hoped, would bring relief to the crusader states, this is the first documented mention of Prester John
18.
Siege of Lisbon
–
The Siege of Lisbon, from July 1 to October 25,1147, was the military action that brought the city of Lisbon under definitive Portuguese control and expelled its Moorish overlords. It is seen as a battle of the wider Reconquista. The Fall of Edessa in 1144 led to a call for a new crusade by Pope Eugene III in 1145 and 1146, in the spring of 1147, the Pope authorized the crusade in the Iberian peninsula. He also authorized Alfonso VII of León and Castile to equate his campaigns against the Moors with the rest of the Second Crusade, in May 1147, a contingent of crusaders left from Dartmouth in England. They had intended to directly to the Holy Land, but weather forced the ships to stop on the Portuguese coast. There they were convinced to meet with King Afonso I of Portugal, the crusaders agreed to help the King attack Lisbon, with a solemn agreement that offered to the crusaders the pillage of the citys goods and the ransom money for expected prisoners. The siege began on July 1, after four months, the Moorish rulers agreed to surrender on October 24, primarily because of hunger within the city. Most of the crusaders settled in the captured city, but some of the crusaders set sail. Lisbon eventually became the city of the Kingdom of Portugal. The traditional start of the Reconquista is identified with the defeat of the Muslims in the Battle of Covadonga in 722. After the First Crusade in 1095-1099, Pope Paschal II urged Iberian crusaders to remain at home, the Fall of Edessa in 1144 led to a call for a new crusade by Pope Eugene III in 1145 and 1146. In the spring of 1147, the Pope also authorized a crusade in the Iberian peninsula, Pope Eugene encouraged Marseilles, Pisa, Genoa, and other Mediterranean cities to fight in Iberia. He also authorized Alfonso VII of León and Castile to equate his campaigns against the Moors with the rest of the Second Crusade. No prince or king was in charge of the expedition, and its participants seem to have largely made up of townsmen. Leadership was provided by Hervey de Glanvill, Constable of Suffolk, important decisions were made collectively by the commanders. According to Odo of Deuil there were 164 ships bound for the Holy Land, bad weather forced the ships to stop on the Portuguese coast, at the northern city of Porto on June 16,1147. There they were convinced by the bishop, Pedro II Pitões, the king, who had reached the Tagus River and conquered Santarém on 15 March, had also been negotiating with the pope for the recognition of his title of King. He was notified of the arrival of a first party and hastened to meet them, the undisciplined multi-national group agreed to help him there, with a solemn agreement that offered to the crusaders the pillage of the citys goods and the ransom money for expected prisoners
19.
Vincent of Saragossa
–
Saint Vincent of Saragossa, also known as Vincent Martyr, Vincent of Huesca or Vincent the Deacon, the Protomartyr of Spain, was a deacon of the Church of Saragossa. He is the saint of Lisbon and Valencia. His feast day is 22 January in the Roman Catholic Church and he was born at Huesca and martyred under the Emperor Diocletian around the year 304. The earliest account of Vincents martyrdom is in a written by the poet Prudentius. He was born at Huesca, near Saragossa, Spain sometime during the part of the 3rd century, it is believed his father was Eutricius, and his mother was Enola. Because Valerius suffered from a speech impediment, Vincent acted as his spokesman, when the Roman Emperor Diocletian began persecuting Christians in Spain, both were brought before the Roman governor, Dacian in Valencia. Vincent and his bishop Valerius were confined to the prison of Valencia, though he was finally offered release if he would consign Scripture to the fire, Vincent refused. Speaking on behalf of his bishop, he informed the judge that they were ready to suffer everything for their faith, and his outspoken manner so angered the governor that Vincent was inflicted every sort of torture on him. He was stretched on the rack and his flesh torn with iron hooks, then his wounds were rubbed with salt and he was burned alive upon a red-hot gridiron. Finally he was cast into prison and laid on a floor scattered with broken pottery, during his martyrdom he preserved such peace and tranquillity that it astonished his jailer, who repented from his sins and was converted. Vincents dead body was thrown into the sea in a sack, the aged bishop Valerius was exiled. According to legend, after being martyred, ravens protected St. Vincents body from being devoured by vultures, until his followers could recover the body. His body was taken to what is now known as Cape St. Vincent, a shrine was erected over his grave, which continued to be guarded by flocks of ravens. In the time of Muslim rule in the Iberian Peninsula, the Arab geographer Al-Idrisi noted this constant guard by ravens, King Afonso I of Portugal had the body of the saint exhumed in 1173 and brought it by ship to the Monastery of São Vicente de Fora in Lisbon. This transfer of the relics is depicted on the coat of arms of Lisbon, three elaborated hagiographies, all based ultimately on a lost 5th-century Passion, circulated in the Middle Ages. His Acts have been rather freely colored by the imagination of their compiler, though Vincents tomb in Valencia became the earliest center of his cult, he was also honoured at his birthplace and his reputation spread from Saragossa. The city of Oviedo in Asturias grew about the church dedicated to Vincent, beyond the Pyrenees, he was venerated first in the vicinity of Béziers, and at Narbonne. A church was built in honour of Vincent, by the Catholic bishops of Visigothic Iberia, when the Moors came in 711, the church was razed, and its materials incorporated in the Mezquita, the Great Mosque of Cordova
20.
Denis of Portugal
–
Denis, called the Farmer King and the Poet King, was King of Portugal and the Algarve. The eldest son of Afonso III of Portugal by his wife, Beatrice of Castile. His marriage to Elizabeth of Aragon, who was canonised as a saint of the Roman Catholic Church, was arranged in 1281 when she was 10 years old. He worked to reorganise his countrys economy and gave an impetus to Portuguese agriculture and he ordered the planting of a large pine forest near Leiria to prevent the soil degradation that threatened the region and as a source of raw materials for the construction of the royal ships. He was also known for his poetry, which constitutes a major contribution to the development of Portuguese as a literary language and his policies encouraged economic development with the creation of numerous towns and trade fairs. In 1289 Denis had signed an agreement with Pope Nicholas IV, the new order was designed to be a continuation of the Order of the Temple. Denis negotiated with Clements successor, John XXII, for recognition of the new order and its right to inherit the Templar assets, during Denis reign, Lisbon became one of Europes centres of culture and learning. The first university in Portugal, then called the Estudo Geral, was founded with his signing of the document Scientiae thesaurus mirabilis in Leiria on 3 March 1290. Lectures in the arts, civil law, canon law, and medicine were given, and on 15 February 1309, the granted the university a charter. The university was moved between Lisbon and Coimbra several times, and finally installed permanently in Coimbra in 1537 by order of King John III and he patronised troubadours, and wrote lyric poetry in the troubadour tradition himself. His best-known work is the Cantigas de Amigo, a collection of songs as well as satirical songs. These poems are found in the order in the two previously known codices. As heir-apparent to the throne, Infante Denis was summoned by his father Afonso III to share governmental responsibilities. The country was again in conflict with the Catholic Church at the time, Afonso having been excommunicated in 1277, consequently, the church was favorably inclined to reach an agreement with the new monarch upon his accession to the throne. The next year he took steps against ecclesiastical power when he promulgated amortisation laws. These prohibited the church and religious orders from buying lands, several years later he issued another decree forbidding them to inherit the estates of recruits to the orders. In 1288, Denis managed to persuade Pope Nicholas IV to issue a papal Bull that separated the Order of Santiago in Portugal from that in Castile, to which it had been subordinate. With the extinction of the Knights Templar, he was able to transfer their assets in the country to the Order of Christ, Denis was essentially an administrator and not a warrior king
21.
Afonso IV of Portugal
–
Afonso IV, called the Brave, was King of Portugal and the Algarves from 1325 until his death. He was the legitimate son of King Denis of Portugal by his wife Elizabeth of Aragon. Afonso, born in Lisbon, was the heir to the Portuguese throne. However, he was not Denis favourite son, the old king preferring his illegitimate son, the notorious rivalry between the half brothers led to civil war several times. On 7 January 1325, Afonsos father died and he became king, whereupon he exiled his rival to Castile, from Castile, Afonso orchestrated a series of attempts to usurp the crown. After a few failed attempts at invasion, the signed a peace treaty. In 1309, Afonso IV married Infanta Beatrice of Castile, daughter of King Sancho IV of Castile by his wife María de Molina, the first-born of this union was Infanta Maria of Portugal. In 1325 Alfonso XI of Castile entered a child-marriage with Constanza Manuel of Castile, two years later, he had the marriage annulled so he could marry Afonsos daughter, Maria of Portugal. Maria became Queen of Castile in 1328 upon her marriage to Alfonso XI, Constanza was imprisoned in a castle in Toro while her father, Juan Manuel, Prince of Villena, waged war against Alfonso XI until 1329. Eventually, the two reached a peaceful accord after mediation by Juan del Campo, Bishop of Oviedo, this secured Constances release from prison. The public humiliation of his daughter led Afonso IV to have his son and heir, Peter, marry the no less aggrieved Castilian infanta, Afonso subsequently started a war against Castile, peace arriving four years later, through the intervention of the Infanta Maria herself. A year after the treaty was signed in Seville, Portuguese troops played an important role in defeating the Moors at the Battle of Río Salado in October 1340. Political intrigue marked the last part of Afonso IVs reign, although Castille was torn by war after Alfonso XI died. Henry of Trastámara challenged the new King Pedro of Castile, who sent many Castilian nobles into exile in Portugal, Afonsos heir, Pedro, fell in love with his new wifes lady-in-waiting, Inês de Castro. Inês was the daughter of an important noble family from Galicia and her brothers were aligned with the Trastamara faction, and became favorites of crown prince Pedro, much to the dismay of others at the Portuguese court, who considered them Castilian upstarts. His father refused to go to war again against Castile, hoping his heirs infatuation would end, the situation became worse as the years passed and the aging Afonso lost control over his court. His grandson and Pedros only legitimate son, future king Fernando of Portugal, was a sickly child and he expected his son to give in and marry a princess, but the heir became enraged upon learning of his lovers decapitation in front of their young child. Pedro put himself at the head of an army and devastated the country between the Douro and the Minho rivers before he was reconciled to his father in early 1357, Afonso died almost immediately after, in Lisbon in May
22.
Eleanor of Viseu
–
Eleanor of Viseu was a Portuguese infanta and later queen consort of Portugal. To distinguish her from other infantas of the name, she is commonly known as Eleanor of Viseu or Eleanor of Lancaster. In Portugal, she is known universally as Rainha Dona Leonor and she is considered one of the most notable Portuguese queen consorts. She was the second and one of two queen consorts in Portugal who were not foreigners. Eleanor was a daughter of Infante Fernando, Duke of Viseu and her maternal grandparents were Infante João of Portugal and his wife and niece Isabel of Barcelos. Eleanors sister Isabel of Viseu married Fernando II of Braganza, who was accused and executed of treason by Eleanors husband King John II. Eleanors older brother Diogo, Duke of Viseu, was involved in activities that John II considered treasonous and was executed by the king himself. Her younger brother succeeded John II as King Manuel I of Portugal, Eleanor married John, Prince of Portugal, on 22 January 1470. She thereby became the Princess of Portugal, the bride was twelve years old, and the groom was fifteen years old. Her spouse was the living son of Afonso V of Portugal and Isabel of Coimbra. Eleanor and John spent a lot of their childhood together and were good friends, on 28 August 1481, Eleanors father-in-law died, and her husband became John II of Portugal, thus she became the new queen consort. The queen consorts of Portugal were awarded fiefs and villages to grant them independent incomes and she founded what became the city of Caldas da Rainha, which was named in her honor. Eleanor and John II survived both their sons, John II died on 25 October 1495, the hypothesis of poisoning was never ruled out. After her brother Manuel I succeeded to the throne in 1495, Eleanor moved to the palace of Xabregas, for a short period between 1500 and 1502, Eleanors brother Manuel found himself childless, and Eleanor herself became the heir to the throne. As she had no children, she declined to make the oath as an heir in favour of her sister Isabel, Eleanor was extremely wealthy and used much of her money for charity. In 1498, she spearheaded the creation of the Santa Casa da Misericórdia as confraternities with humanitarian purposes, especially the care of the poor, the sick, and abandoned children. The original foundations survive today, and more have since been founded in towns and cities of Portugal. Eleanor supported the foundation of the Hospital Real de Todos os Santos in Lisbon and she also founded the convent Madre de Deus, considered a great architectural work, where she spent many of her later years, dressed almost as a nun
23.
1755 Lisbon earthquake
–
The 1755 Lisbon earthquake, also known as the Great Lisbon earthquake, occurred in the Kingdom of Portugal on Saturday,1 November, the holy day of All Saints Day, at around 09,40 local time. In combination with subsequent fires and a tsunami, the earthquake almost totally destroyed Lisbon, estimates place the death toll in Lisbon alone between 10,000 and 100,000 people, making it one of the deadliest earthquakes in history. The earthquake accentuated political tensions in the Kingdom of Portugal and profoundly disrupted the countrys colonial ambitions, the event was widely discussed and dwelt upon by European Enlightenment philosophers, and inspired major developments in theodicy. As the first earthquake studied scientifically for its effects over an area, it led to the birth of modern seismology. In 1755, the earthquake struck on the morning of 1 November, contemporary reports state that the earthquake lasted between three and a half and six minutes, causing fissures 5 metres wide to open in the city centre. Survivors rushed to the space of the docks for safety and watched as the water receded, revealing a sea floor littered with lost cargo. Approximately 40 minutes after the earthquake, a tsunami engulfed the harbour and downtown area, rushing up the Tagus river, were forced to gallop as fast as possible to the upper grounds for fear of being carried away. It was followed by two more waves, in the areas unaffected by the tsunami, fire quickly broke out, and flames raged for five days. Lisbon was not the only Portuguese city affected by the catastrophe, throughout the south of the country, in particular the Algarve, destruction was rampant. The tsunami destroyed some coastal fortresses in the Algarve and, in the lower levels, almost all the coastal towns and villages of the Algarve were heavily damaged, except Faro, which was protected by the sandy banks of Ria Formosa. In Lagos, the reached the top of the city walls. Other towns of different Portuguese regions, such as Peniche, Cascais, and even Covilhã, the shock waves of the earthquake destroyed part of Covilhãs castle walls and its large towers. On the island of Madeira, Funchal and many smaller settlements suffered significant damage, almost all of the ports in the Azores archipelago suffered most of their destruction from the tsunami, with the sea penetrating about 150 m inland. Shocks from the earthquake were felt throughout Europe as far as Finland and North Africa, and according to some even in Greenland. Tsunamis as tall as 20 metres swept the coast of North Africa, a three-metre tsunami hit Cornwall on the southern English coast. Galway, on the west coast of Ireland, was also hit, at Kinsale, several vessels were whirled round in the harbor, and water poured into the marketplace. In 2015, it was revealed that the waves may have reached the coast of Brazil. Such a hypothesis was raised by reviewing letters sent by Brazilian authorities at the time of the earthquake and these letters describe damage and destruction caused by gigantic waves
24.
Christian cross variants
–
This is a list of Christian cross variants. The Christian cross, with or without a figure of Christ included, is the religious symbol of Christianity. A cross with figure of Christ affixed to it is termed a crucifix, the term Greek cross designates a cross with arms of equal length, as in a plus sign, while the term Latin cross designates a cross with an elongated descending arm. Numerous other variants have developed during the medieval period. Christian crosses are used widely in churches, on top of buildings, on bibles, in heraldry, in personal jewelry, on hilltops. Crosses are a prominent feature of Christian cemeteries, either carved on gravestones or as sculpted stelae, roman Catholic, Anglican and Lutheran depictions of the cross are often crucifixes, in order to emphasize that it is Jesus that is important, rather than the cross in isolation. Large crucifixes are a prominent feature of some Lutheran churches, as illustrated in the article Rood, several Christian cross variants are available in computer-displayed text. The Latin cross symbol is included in the character set as 271D. For others, see Religious and political symbols in Unicode, basic variants, or early variants widespread since antiquity
25.
Aisle
–
An aisle is, in general, a space for walking with rows of seats on both sides or with rows of seats on one side and a wall on the other. Aisles can also be seen in shops, warehouses, and factories, in warehouses and factories, aisles may consist of storage pallets, and in factories, aisles may separate work areas. In health clubs, exercise equipment is arranged in aisles. Aisles are distinguished from corridors, hallways, walkways, footpaths/pavements, trails, paths, aisles have certain general physical characteristics, They are virtually always straight, not curved. An open space that had three rows of chairs to the right of it and three to the left generally would not be considered an aisle. Theatres, meeting halls, shops, etc. usually have aisles wide enough for 2-3 strangers to walk past each other without feeling uncomfortably close. In such facilities, anything that could accommodate more than 4 people side-by-side would generally be considered an open area. Factory work area aisles are wide enough for workers to comfortably sit or stand at their work area, while allowing safe and efficient movement of persons. Passage aisles usually are quite enough for a large person to carry a suitcase in each hand. Usually, even without luggage one person must turn sideways in order for the one to pass. Warehouse aisles normally are at least 8–10 feet wide, to use of mechanical loading equipment. Wedding aisles are wide enough to allow two people to walk comfortably beside each other and still have space, the width of these aisles varies and is up to those who design the layout of the wedding. Vehicle aisles are wide enough to allow a type of vehicle to pass one or two way. Width generally varies for vehicle type and other variables like no of parking accessibility etc. Note that spaces between buildings, e. g. rows of storage sheds, would not be considered aisles, in architecture, an aisle is more specifically the wing of a house, or a lateral division of a large building. The earliest examples of aisles date back to the Roman times and can be found in the Basilica Ulpia, the church of St. Peters in Rome has the same number. In cathedral architecture, an aisle is more specifically a passageway to either side of the nave that is separated from the nave by colonnades or arcades, occasionally aisles stop at the transepts, but often aisles can be continued around the apse. Aisles are thus categorized as nave-aisles, transept-aisles or choir-aisles, a semi-circular choir with aisles continued around it, providing access to a series of chapels, is a chevet
26.
Transept
–
A transept is a transverse part of any building, which lies across the main body of the edifice. In churches, a transept is an area set crosswise to the nave in a building within the Romanesque. Each half of a transept is known as a semitransept, the transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis, upon its four piers, the crossing may support a spire, a central tower or a crossing dome. Since the altar is located at the east end of a church. The north and south end walls often hold decorated windows of stained glass, such as rose windows, occasionally, the basilicas and the church and cathedral planning that descended from them were built without transepts, sometimes the transepts were reduced to matched chapels. More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross and this design is called a Latin cross ground plan, and these extensions are known as the arms of the transept. A Greek cross ground plan, with all four extensions the same length, when churches have only one transept, as at Pershore Abbey, there is generally a historical disaster, fire, war or funding problem, to explain the anomaly. At Beauvais only the chevet and transepts stand, the nave of the cathedral was never completed after a collapse of the daring high vaulting in 1284. At St. Vitus Cathedral, Prague, only the choir, in a metro station or similar construction, a transept is a space over the platforms and tracks of a station with side platforms, containing the bridge between the platforms. Placing the bridge in a rather than an enclosed tunnel allows passengers to see the platforms. Aisle Apse Cathedral architecture Cathedral diagram Glossary of the Catholic Church Transom
27.
Crenellation
–
These gaps are termed crenels, and the act of adding crenels to a previously unbroken parapet is termed crenellation. The solid widths between the crenels are called merlons, a wall with battlements is said to be crenelated or embattled. Battlements on walls have protected walkways behind them, on tower or building tops, the roof is used as the protected fighting platform. The term originated in about the 14th century from the Old French word batailler, the word crenel derives from the ancient French cren, Latin crena, meaning a notch, mortice or other gap cut out often to receive another element or fixing, see also crenation. In medieval England a licence to crenellate granted the permission to fortify their property. The castles in England vastly outnumber the licences to crenellate, royal pardons were obtainable, on the payment of an arbitrarily determined fine, by a person who had fortified without licence. The surviving records of such licences, generally issued by letters patent, there has been academic debate over the purpose of licensing. The view of military-focused historians is that licensing restricted the number of fortifications that could be used against a royal army and they indicated to the observer that the grantee had obtained royal recognition, acknowledgment and compliment. The crown usually did not charge for the granting of such licences, battlements have been used for thousands of years, the earliest known example is in the fortress at Buhen in Egypt. Battlements were used in the walls surrounding Assyrian towns, as shown on bas reliefs from Nimrud, traces of them remain at Mycenae in Greece, and some ancient Greek vases suggest the existence of battlements. The Great Wall of China has battlements, late merlons permitted fire from the first firearms. From the 13th century, the merlons could be connected with wooden shutters that provided added protection when closed, the shutters were designed to be opened to allow shooters to fire against the attackers, and closed during reloading. The Romans used low wooden pinnacles for their first aggeres, in the battlements of Pompeii, additional protection derived from small internal buttresses or spur walls, against which the defender might stand so as to gain complete protection on one side. Loop-holes were frequent in Italian battlements, where the merlon has much greater height, Italian military architects used the so-called Ghibelline or swallowtail battlement, with V-shaped notches in the tops of the merlon, giving a horn-like effect. This would allow the defender to be protected whilst shooting standing fully upright, the normal rectangular merlons were later nicknamed Guelph. In Muslim and African fortifications, the merlons often were rounded, the battlements of the Arabs had a more decorative and varied character, and were continued from the 13th century onwards not so much for defensive purposes as for a crowning feature to the walls. They serve a similar to the cresting found in the Spanish Renaissance. European architects persistently used battlements as a decorative feature throughout the Decorated
28.
Reconquista
–
The Reconquista ended just before the European discovery of the Americas—the New World—which ushered in the era of the Portuguese and Spanish colonial empires. The concept of a Christian reconquest of the peninsula first emerged, in tenuous form, a landmark was set by the Christian Chronica Prophetica, a document stressing the Christian and Muslim cultural and religious divide in Iberia and the necessity to drive the Muslims out. Nevertheless, the difference between Christian and Muslim kingdoms in early medieval Spain was not seen at the time as anything like the clear-cut opposition that later emerged, both Christian and Muslim rulers fought amongst themselves. Alliances between Muslims and Christians were not uncommon, blurring distinctions even further were the mercenaries from both sides who simply fought for whoever paid the most. The period is looked back upon today as one of religious tolerance. In fact previous documents from the 10th and 11th centuries are mute on any idea of reconquest and their rebellious pursuit was thus a Crusade for the restoration of Churchs unity, where Franco stood for both Pelagius of Asturias and El Cid. Many recent historians dispute the concept of Reconquista as a concept created a posteriori in the service of later political goals. A number of historians have called it a myth, One of the first Spanish intellectuals to question the idea of a reconquest that lasted for eight centuries was José Ortega y Gasset, writing in the first half of the 20th century. However, the term is widely in use. In 711, Muslim Moors, mainly North African Berber soldiers with some Arabs, crossed the Strait of Gibraltar, from their stronghold of Narbonne, they launched raids into the Duchy of Aquitaine. At no point did the invading Islamic armies exceed 60,000 men and these armies established an Islamic rule that would last 300 years in much of the Iberian Peninsula and 770 years in Granada. After the establishment of a local Emirate, Caliph Al-Walid I, ruler of the Umayyad caliphate, tariq ibn Ziyad, the first governor of the newly conquered province of Al-Andalus, was recalled to Damascus and replaced with Musa bin Nusair, who had been his former superior. Musas son, Abd al-Aziz ibn Musa, apparently married Egilona, Roderics widow and he was suspected of being under the influence of his wife, accused of wanting to convert to Christianity, and of planning a secessionist rebellion. Apparently a concerned Al-Walid I ordered Abd al-Azizs assassination, Caliph Al-Walid I died in 715 and was succeeded by his brother Sulayman ibn Abd al-Malik. Sulayman seems to have punished the surviving Musa bin Nusair, who soon died during a pilgrimage in 716. In the end Abd al-Aziz ibn Musas cousin, Ayyub ibn Habib al-Lakhmi became the emir of Al-Andalus, the conquering generals were necessarily acting very independently, due to the methods of communication available. Old rivalries and perhaps even full-fledged conspiracies between rival generals may have had influence over this development, in the end, the old successful generals were replaced by a younger generation considered more loyal by the government in Damascus. A serious weakness amongst the Muslim conquerors was the tension between Berbers and Arabs
29.
Rose window
–
The name “rose window” was not used before the 17th century and according to the Oxford English Dictionary, among other authorities, comes from the English flower name rose. Rose windows are also called Natalie windows after Saint Natalie of Lu who was sentenced to be executed on a spiked wheel, a circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cathedrals of Northern France and their origins are much earlier and rose windows may be seen in various forms throughout the Medieval period. Their popularity was revived, with other features, during the Gothic revival of the 19th century so that they are seen in Christian churches all over the world. The origin of the window may be found in the Roman oculus. These large circular openings let in light and air, the best known being that at the top of the dome of the Pantheon. Windows with stone tracery make their emergence in Antiquity, but they arrived to us. Geometrical patterns of roses are very developed and common in Roman mosaic, in Early Christian and Byzantine architecture, there are examples of the use of circular oculi. A window of the 8th century, now located in Venice, many semicircular windows with pierced tracery exist from the 6th to the 8th century, and later in Greece. This theory suggests that crusaders brought the design of this window to Europe. But also of the halves editing roses are known, as with the church of San Juan Bautista in Baños de Cerrato, the scarcity and the brittleness of the vestiges of this time does not make it possible to say that complet rose window in tracery did not exist before. In another of these churches, San Miguel de Lillo, is the earliest known example of an axially placed oculus with tracery, several such windows of different sizes exist, and decoration of both Greek Cross and scalloped petal-like form occur, prefiguring both wheel and rose windows. In Germany, Worms Cathedral, has windows in the pedimental ends of its nave and gables. The apsidal western end has a wheel window with smaller oculi in each face. The Church of the Apostles, Cologne has an array of both ocular and lobed windows forming decorative features in the gables and beneath the Rhenish helm spire, the octagonal dome has a ring of oculi with two in each of the curved faces. Oculi were also used in the drums supporting domes and as upper lights in octagonal baptisteries such as that at Cremona. Romanesque facades with oculi include San Miniato al Monte, Florence, 11th century, San Michele, Pavia, c. As the windows increased in size in the later Romanesque period, wheel windows became a feature of which there are fine examples at San Zeno Maggiore, Verona
30.
Capital (architecture)
–
In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order, concave, as in the bell of the Corinthian order, or scrolling out. These form the three types on which all capitals are based. The Composite order, established in the 16th century on a hint from the Arch of Titus, from the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation, and is often the clearest indicator of the architectural order. The treatment of its detail may be an indication of the buildings date, the decoration underneath the bracket capital comes from art and designs from the many cultures that the Persian Empire conquered and assimilated including Egypt, Babylon, and Lydia. But of course these decorations below the bracket capital serve no purpose and are simply there for show. The earliest Aegean capital is shown in the frescoes at Knossos in Crete, it was of the convex type. The Doric capital is the simplest of the five Classical orders, it consists of the abacus above an ovolo molding, the sloping side of the echinus becomes flatter in the later examples, and in the Colosseum at Rome forms a quarter round. In the Ionic capital, spirally coiled volutes are inserted between the abacus and the ovolo. In the Ionic capitals of the archaic Temple of Artemis at Ephesus the width of the abacus is twice that of its depth, a century later, in the temple on the Ilissus, the abacus has become square. It has been suggested that the foliage of the Greek Corinthian capital was based on the Acanthus spinosus, not all architectural foliage is as realistic as Isaac Wares however. The leaves are carved in two ranks or bands, like one leafy cup set within another. The various orders are discussed in Vitruvius books iii and iv, Vitruvius describes Roman practice in a practical fashion. He gives some tales about the invention of each of the Orders, the increasing adoption of composite capitals signalled a trend towards freer, more inventive capitals in Late Antiquity. The top of an anta is often decorated, usually with bands of floral motifs. The designs often respond to an order of columns, but usually with a different set of design principles, in order not to protude excessively from the wall surface, these structures tend to have a rather flat surface, forming brick-shaped capitals, called anta capitals
31.
Barrel vault
–
A barrel vault, also known as a tunnel vault or a wagon vault, is an architectural element formed by the extrusion of a single curve along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design, the barrel vault is the simplest form of a vault, effectively a series of arches placed side by side. It is a form of barrel roof, as with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust, one is, of course, to make the walls exceedingly thick and strong - this is a primitive and sometimes unacceptable method. A more elegant method is to two or more vaults parallel to each other, the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where several vaulted naves ran parallel down the length of the building, however, the outer walls of the outermost vault would still have to be quite strong or reinforced by buttressing. The third and most elegant mechanism to resist the lateral thrust was to create an intersection of two barrel vaults at right angles, thus forming a groin vault, Barrel vaults are known from Ancient Egypt, and were used extensively in Roman architecture. They were also used to replace the Cloaca Maxima with a system of underground sewers, other early barrel vault designs occur in northern Europe, Turkey, Morocco, and other regions. In medieval Europe, the vault was an important element of stone construction in monasteries, castles, tower houses. This form of design is observed in cellars, crypts, long hallways, cloisters, Barrel vaulting was known and utilized by early civilizations, including Ancient Egypt and Mesopotamia. However, it apparently was not a popular or common method of construction within these civilizations. The Persians and the Romans were the first to make significant architectural use of them, the technique probably evolved out of necessity to roof buildings with masonry elements such as bricks or stone blocks in areas where timber and wood were scarce. The earliest tunnel vaults in Egypt are found at Requagnah and Denderah and these were built with sun-dried brick in three rings over passages descending to tombs, in these cases, as the span of the vault was only two metres. Ancient Romans most probably inherited their knowledge of barrel vaulting from Etruscans, after the fall of the Roman empire, few buildings large enough to require much in the way of vaulting were built for several centuries. In the early Romanesque period, a return to stone barrel vaults was seen for the first great cathedrals, their interiors were dark, due to thick. One of the largest and most famous churches enclosed from above by a vast barrel vault was the church of Cluny Abbey, peters Basilica in Rome, where a huge barrel vault spans the 27 m -wide nave. With a barrel vault design the vectors of pressure result in a force on the crown while the lower portions of the arches realise a lateral force pushing outwards. As an outcome this form of design is subject to failure unless the sides are anchored or buttressed to very heavy building elements or substantial earthwork sidings
32.
Triforium
–
A triforium is a shallow arched gallery within the thickness of an inner wall, above the nave of a church or cathedral. It may occur at the level of the windows, or it may be located as a separate level below the clerestory. It may itself have a wall of glass rather than stone. Triforia are sometimes referred to, erroneously, as tribunes, also called a blind-storey, the triforium looks like a row of window frames without window openings. The triangle shape comes from the roof, as can be seen in the picture on the right between the two arrows. Even when reduced to a simple passage it was always a highly enriched feature, in the 15th-century churches in England, when the roof over the aisles was comparatively flat, more height being required for the clerestory windows, the triforium was dispensed with altogether. The triforium sometimes served structural functions, as under its roof are arches, cathedral architecture of the Western World This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
33.
Old Cathedral of Coimbra
–
The Old Cathedral of Coimbra is a Romanesque Roman Catholic building in Portugal. Construction of the Sé Velha began some time after the Battle of Ourique, the first Count of Coimbra, the Mozarab Sisnando Davides, is buried in the cathedral. Coimbra is the seat of a bishopric since the 5th century, after neighbouring Conimbriga was invaded, almost nothing is known of the cathedrals that preceded the Sé Velha in Coimbra. In 1139, after the Battle of Ourique, King Afonso Henriques decided to finance the building of a new cathedral, the definitive impulse to the project was given by Bishop Miguel Salomão, who helped pay for the works. In 1185, King Sancho I, second King of Portugal, was crowned in the new cathedral, the basic building was finished in the first decades of the 13th century, even though the cloisters were begun only in 1218, during the reign of King Afonso II. The project of the Romanesque cathedral is attributed to Master Robert, the works were supervised by Master Bernard, possibly also French, who was succeeded by Master Soeiro, an architect active in other churches around the Diocese of Porto. In the 16th century there were additions to the cathedral. The basic architecture and structure of the Romanesque building was, nevertheless, Coimbra Cathedral is the only one of the Portuguese Romanesque cathedrals from the Reconquista times to have survived relatively intact up to the present. The cathedrals of Porto, Braga, Lisbon and others have been extensively remodelled later, from the outside, Coimbras old cathedral looks like a small fortress, with its high, crenellated walls harbouring few, narrow windows. This menacing appearance is explained by the belligerent times in which it was built, there is a tower-like structure in the middle of the western façade with a portal and a similar-looking upper window. Both portal and window are decorated with Romanesque motifs of Arabic. The façade is reinforced by buttresses at the corners that compensate for the angle of the terrain. The north façade has a remarkable, although eroded, Renaissance-style portal called the Porta Especiosa, the three-storey portal was built in the 1530s by French sculptor João de Ruão. Over the transept there is a Romanesque lantern-tower with some Baroque details, the interior of the cathedral has a nave with two aisles, a small transept, and an eastern apse with three chapels. The nave is covered by barrel vaulting and the aisles by groin vaults. The nave has an upper storey, a triforium, that could accommodate more mass attendants in the tribunes if needed. All columns of the interior have decorated capitals, mainly with vegetable motifs, the windows of the lantern-tower and the big window in the west facade are the main sources of natural light of the cathedral. The cloister, built during the reign of Afonso II, is a work of the transition between Romanesque and Gothic, each of the Gothic pointed arches that face the courtyard encompass two twin round arches in Romanesque style
34.
Apse
–
In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
35.
Ribbed vault
–
This technique was new in the late eleventh century, for example in the roofs of the choir side-aisles at Durham Cathedral. Romanesque ancestors of the Gothic rib vault in the can be found in early Gothic constructions at Cefalù, Caen, Durham, some ribbed vaults even have six sections in each bay. These advances in vaulting allowed for the addition of windows higher up in the walls, in the clerestory. Early Gothic buildings commonly display ribbed vaulting made of stone for the support of the weight of a wooden ceiling, stone ceilings are stronger, for example, the chapter house at Southwell Minster has stone vaulting and no central pillar. Examples of cathedrals in England that incorporate early Gothic style features can be found in Salisbury, Lincoln, Southwell in Nottinghamshire, Wells, Bristol, Norwich and Worcester. Gothic style was used by cathedral builders and two continental examples are the cathedral at Reims and the Sint Niklaaskerk in Ghent. Hitherto the intersecting features were geometrical surfaces, of which the diagonal groins were the intersections, elliptical in form, generally weak in construction and often twisting. To meet this, at first the transverse and wall ribs were stilted, or the part of their arches was raised, as in the Abbaye-aux-Hommes at Caen. When employed for the ribs of a vault, however narrow the span might be, by adopting a pointed arch, the first introduction of the pointed-arch rib took place at Durham Cathedral and pre-dated the vaulting of compartments of varying shapes seen at the Abbey of St. Denis. It was in the church at Vezelay that it was extended to the bay of the porch. To provide a supplementary rib across the church and between the transverse ribs and this resulted in what is known as a sexpartite, or six-celled vault, of which one of the earliest examples is found in the Abbaye-aux-Hommes at Caen. In England sexpartite vaults exist at Canterbury, Rochester, Lincoln, Durham, fig.9 is a diagram made by Professor Willis taken from the south transept of Westminster Abbey. The horizontal courses rise to N. or about half the height of the vault, as soon as the ribs were completed, the web or stone shell of the vault was laid on them. In some English work, as may be seen in fig, in France, on the other hand, the web courses were always laid horizontally, and they are therefore of unequal height, increasing towards the diagonal rib. In both English and French vaulting centering was rarely required for the building of the web, a template being employed to support the stones of each ring until it was complete. In Italy, Germany and Spain the French method of building the web was adopted, with horizontal courses and a domical form. One of the earliest examples of the introduction of the rib is found in the nave of Lincoln Cathedral. There is more information on the rib vault at the article for vaulting
36.
Clerestory
–
In architecture, a clerestory is a high section of wall that contains windows above eye level. The purpose is to light, fresh air, or both. Similar structures have been used in vehicles to provide additional lighting, ventilation. The technology of the clerestory appears to originate in the temples of ancient Egypt, Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, according to Biblical accounts, the Hebrew temple built by King Solomon featured clerestory windows made possible by the use of a tall, angled roof and a central ridgepole. The clerestory was used in the Hellenistic architecture of the periods of ancient Greek civilization. The Romans applied clerestories to basilicas of justice and to the basilica-like bath-houses and palaces, early Christian churches and some Byzantine churches, particularly in Italy, are based closely on the Roman basilica, and maintained the form of a central nave flanked by lower aisles on each side. The nave and aisles are separated by columns or piers, above which rises a wall pierced by clerestory windows, during the Romanesque period, many churches of the basilica form were constructed all over Europe. Many of these churches have wooden roofs with clerestories below them, some Romanesque churches have barrel vaulted ceilings with no clerestory. The development of the vault and ribbed vault made possible the insertion of clerestory windows. Initially the nave of an aisled and clerestoried church was of two levels, arcade and clerestory. During the Romanesque period a third level was inserted between them, a called the triforium. The triforium generally opens into space beneath the roof of the aisle. This became a feature of later Romanesque and Gothic large abbey. Sometimes another gallery set into the space above the triforium. This feature is found in some late Romanesque and early Gothic buildings in France, in smaller churches, clerestory windows may be trefoils or quatrefoils. In some Italian churches they are ocular, in most large churches, they are an important feature, both for beauty and for utility. The ribbed vaulting and flying buttresses of Gothic architecture concentrated the weight and thrust of the roof, in Gothic masterpieces, the clerestory is generally divided into bays by the vaulting shafts that continue the same tall columns that form the arcade separating the aisles from the nave
37.
Book of hours
–
The book of hours is a Christian devotional book popular in the Middle Ages. It is the most common type of surviving medieval illuminated manuscript, Books of hours were usually written in Latin, although there are many entirely or partially written in vernacular European languages, especially Dutch. The English term primer is usually now reserved for books written in English. Tens of thousands of books of hours have survived to the present day, in libraries, the typical book of hours is an abbreviated form of the breviary which contained the Divine Office recited in monasteries. It was developed for lay people who wished to incorporate elements of monasticism into their devotional life, reciting the hours typically centered upon the reading of a number of psalms and other prayers. The Marian prayers Obsecro te and O Intemerata were frequently added, as were devotions for use at Mass, the book of hours has its ultimate origin in the Psalter, which monks and nuns were required to recite. By the 12th century this had developed into the breviary, with cycles of psalms, prayers, hymns, antiphons. Eventually a selection of texts was produced in much shorter volumes, many books of hours were made for women. There is some evidence that they were given as a wedding present from a husband to his bride. Frequently they were passed down through the family, as recorded in wills, the earliest surviving English example was apparently written for a laywoman living in or near Oxford in about 1240. It is smaller than a modern paperback but heavily illuminated with major initials, by the 15th century, there are also examples of servants owning their own Books of Hours. In a court case from 1500, a woman is accused of stealing a domestic servants prayerbook. Very rarely the books included prayers specifically composed for their owners, some include images depicting their owners, and some their coats of arms. These, together with the choice of saints commemorated in the calendar, eamon Duffy explains how these books reflected the person who commissioned them. He claims that the character of these books was often signaled by the inclusion of prayers specially composed or adapted for their owners. Furthermore, he states that as many as half the surviving manuscript Books of Hours have annotations, such additions might amount to no more than the insertion of some regional or personal patron saint in the standardized calendar, but they often include devotional material added by the owner. By at least the 15th century, the Netherlands and Paris workshops were producing books of hours for stock or distribution and these were sometimes with spaces left for the addition of personalized elements such as local feasts or heraldry. The book’s goal was to help his devout patroness to structure her daily life in accordance with the eight canonical hours, Matins to Compline
38.
Tracery
–
In architecture, tracery is the stonework elements that support the glass in a Gothic window. The term probably derives from the floors on which the complex patterns of late Gothic windows were laid out. There are two types, plate tracery and the later bar tracery. Romanesque church windows were normally quite small, somewhat taller than wide, from around the 1140s, the pointed-arch Gothic window started to take over. With this type of design, the spandrels are just blank wall, the rose windows of early- and high-Gothic cathedrals, such as the example in the north transept of Laon Cathedral or the west facade at Chartres, also employed plate tracery. This greatly limited the amount of light admitted to the interior by these windows. The earliest bar tracery designs were made for the windows at Reims around 1215. The cross-section of each mullion or tracery bar was important both for the integrity of the window and for the visual effect. As can be seen in Viollet-le-Ducs diagram there was normally a roll-moulding on both the inside and outside of the windows, which made the mullions appear even more slender than they actually were. The shoulder marked B on the diagram is the glazing slot, as bar tracery opened the way for more complex patterns, masons started applying those same patterns to other surfaces as well as the actual window openings. When used on an otherwise solid walls, such motifs are known as blind tracery, open tracery in particular was a key feature of the later phases of Rayonnant Gothic. Most 19th-century histories of Gothic architectural style used a series of rather arbitrary categories based on the evolution of the dominant patterns of window tracery. Such teleological models are now regarded as oversimplistic and are shunned by art historians. Because of the cost and size limitations of parchment sheets, such designs would normally be drawn by incising onto a board or a conveniently placed section of flat wall. In the latter case, the wall would be prepared with a layer of plaster. A number of churches and cathedrals still show the faint remains of these tracings, from where the compass points scratched through the plaster. A number of building sites originally had dedicated tracery chambers. This also meant that masons could carry on working through the winter season, the tracing floors themselves were covered with plaster of paris, which could be relaid and smoothed down after each set of designs were finished with
39.
Saint Vincent Panels
–
The Saint Vincent Panels, or the Adoration of Saint Vincent panels, are a polyptych consisting of six panels that were perhaps painted in the 1450s. They are attributed to the Portuguese painter Nuno Gonçalves, who was active from 1450 to 1471, traditionally, the polyptych is dated to the 1450s due to the putative prominence of Prince Henry the Navigator among the persons represented in the panels. The original retable, during its stay in the Cathedral of Lisbon, contained over twelve panels and they were displayed in the cathedral at least until 1690 and were set aside in the cathedral until 1742. They were then transferred to the palace of Mitra, where they escaped the earthquake of Lisbon in 1755. The panels are now housed in the Museu Nacional de Arte Antiga, in Lisbon, found during the late 1880s in the monastery of Saint Vicente de Fora in Lisbon, the panels depict scenes associated with the veneration of Saint Vincent of Saragossa. This polyptych consists of six panels of oak painted with oil or tempera. The only reference that art historians can use to support the attribution of the creation of the panels to the painter Gonçalves was written in the 16th century by Francisco de Holanda, the reference mentions a great work of art made by him that is inferred to be these panels. There has also been speculation that the father of Hugo van der Goes collaborated in the painting of the panels, in any case, the Saint Vincent Panels are regarded as the greatest achievement of pre-modern Portuguese art. Since their discovery in the late 19th century, there has been a dispute over the identity of the painter. Some basic questions, still unanswered, are these, What scene, who are the sixty persons portrayed. What symbolism is expressed in the panels, who commissioned these panels to be painted. The majority of experts who have studied this polyptych agree that the panels display several social groups of 15th-century Portugal and they also agree that the children of King John I are represented on these panels, but there is disagreement about their placement and identity. One of the controversial issues concerning the panels is the depiction of Prince Henry the Navigator. However, there are reasons to doubt that this is him. The most basic problem in identifying the man-in-the-chaperon in the Saint Vincent Panels derives from the lack of confirmed portraits of Prince Henry that date from his lifetime. The only other 15th-century image of the man-in-the-chaperon is found in the frontispiece of a copy of Gomes Eanes de Zuraras Crónicas dos Feitos de Guiné, written in 1453. Zuraras book is an account of the early Portuguese discoveries in Africa along with a hagiography of Prince Henry, as a result, it has been assumed that the frontispiece depicts Henry, especially since the motto underneath it seems to have been Henrys own. One alternative hypothesis postulates that the man-in-the-chaperon in Zuraras book might actually be King Edward of Portugal and this alternative hypothesis can be used to help clarify the identity of the figures surrounding St. Vincent in the Panel of the Prince
40.
National Museum of Ancient Art
–
The Museu Nacional de Arte Antiga is an art museum in Lisbon, Portugal. The museum is known as MNAA and as the Museu das Janelas Verdes for its location in the Rua das Janelas Verdes. It occupies the Palácio de Alvor-Pombal, a palace of the Count of Alvor. The Museum has its roots in the 1833 abolition of religious orders and confiscation of the monasteries in Portugal, which brought a trove of religious art and ornaments into the public sphere. At the instigation of the liberal politician Passos Manuel, the Academia de Bellas Artes was founded in 1836, an Academia panel selected some 540 paintings for the Galeria. Predictably, most of these were religious-oriented pieces of Portuguese origin, in the chaos and aftermath of the Portuguese Liberal Wars, some of the private art collections of ruined noble families were expropriated or found their way on to the market. Of particular significance was the collection of the disgraced former queen, the late Carlota Joaquina. Nonetheless, the facilities remained inadequate - it was terribly humid, cramped, in 1875, a commission headed by Sousa Holstein recommended the founding of a larger and more permanent museum away from the Academias Chiado building. In 1881, the Academias educational division was split off and turned into the Escola Real de Belas-Artes, later sold to the neighboring Carmelite convent of Santo Alberto, the palace returned to private hands following the 1833 dissolution. Guedes intended to use it as a space for an international exhibition on Iberian ornamental art organized by the South Kensington Museum in London. Following the republican 1910 revolution, the arrangement was overhauled and the museums management stopped depending on the Academia Real, the latter collections cut-off date was roughly 1850, everything prior to that assigned to Arte Antiga. Figueiredo was the first to study and identify the authorship and significance of Saint Vincent Panels, the St. Vincent panels were installed in the museum by 1916 and remain perhaps its best known piece. In 1940, the MNAA expanded its installations by acquiring the old convent of Santo Alberto. The chapel of the convent, an example of 18th Portuguese Baroque art. The English translation of the name of the museum is misleading in that the collection includes no museologically ancient works of art, but rather holdings that are simply old or antique. The collection includes painting, sculpture, metalwork, textiles, furniture, drawings, the collections, especially those for the 15th and 16th centuries, are particularly important regarding the history of Portuguese painting, sculpture, and metalwork. Perhaps the most famous work in the museum is the Saint Vincent Panels, the six large panels show people from all levels of late medieval Portuguese society venerating Saint Vincent, in one of the first collective portraits in European art. There are sixty portraits on the panels, Portuguese metalwork is another highlight of the museum
41.
Neoclassical architecture
–
Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
42.
Rococo
–
Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, curves, unlike the political Baroque, the Rococo had playful and witty themes. By the end of the 18th century, Rococo was largely replaced by the Neoclassic style. In 1835 the Dictionary of the French Academy stated that the word Rococo usually covers the kind of ornament, style and design associated with Louis XVs reign and it includes therefore, all types of art from around the middle of the 18th century in France. The word is seen as a combination of the French rocaille and coquilles, the term may also be a combination of the Italian word barocco and the French rocaille and may describe the refined and fanciful style that became fashionable in parts of Europe in the 18th century. The Rococo love of shell-like curves and focus on decorative arts led some critics to say that the style was frivolous or merely modish, when the term was first used in English in about 1836, it was a colloquialism meaning old-fashioned. While there is some debate about the historical significance of the style to art in general. Italian architects of the late Baroque/early Rococo were wooed to Catholic Germany, Bohemia and Austria by local princes, an exotic but in some ways more formal type of Rococo appeared in France where Louis XIVs succession brought a change in the court artists and general artistic fashion. By the end of the long reign, rich Baroque designs were giving way to lighter elements with more curves. These elements are obvious in the designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this change became well established, first in the royal palace. The delicacy and playfulness of Rococo designs is seen as perfectly in tune with the excesses of Louis XVs reign. The 1730s represented the height of Rococo development in France, the style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. The Rococo style was spread by French artists and engraved publications, william Hogarth helped develop a theoretical foundation for Rococo beauty. Though not intentionally referencing the movement, he argued in his Analysis of Beauty that the lines and S-curves prominent in Rococo were the basis for grace. The development of Rococo in Great Britain is considered to have connected with the revival of interest in Gothic architecture early in the 18th century. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality, Blondel decried the ridiculous jumble of shells, dragons, reeds, palm-trees and plants in contemporary interiors. By 1785, Rococo had passed out of fashion in France, replaced by the order, in Germany, late 18th century Rococo was ridiculed as Zopf und Perücke, and this phase is sometimes referred to as Zopfstil
43.
Joaquim Machado de Castro
–
Joaquim Machado de Castro was one of Portugals foremost sculptors. He wrote extensively on his works and the theory behind them, including a discussion of the statue of D. José I entitled Descripção analytica da execucão da estatua equestre. Machado de Castro was born in Coimbra, and was a celebrated figure throughout Europe in the eighteenth, the stages of construction are illustrated with sections and cross-sections of the horse and rider, views of the statue from different angles, and details of armor and ornamentation. This bronze statue remains one of Lisbons most important monuments, and dominates one of the squares of Europe. In the introduction, Machado de Castro comments on similar works of art in the rest of Europe, Machado de Castro had a famous school and was the Master of many sculptors. In Coimbra there is an art museum named in his honour
