1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Italian Renaissance
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The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
3.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
4.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
5.
Leonardo da Vinci
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He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, many historians and scholars regard Leonardo as the prime exemplar of the Universal Genius or Renaissance Man, an individual of unquenchable curiosity and feverishly inventive imagination. Much of his working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded to him by Francis I of France, Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait, Leonardos drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated power, an adding machine. Some of his inventions, however, such as an automated bobbin winder. A number of Leonardos most practical inventions are nowadays displayed as working models at the Museum of Vinci. He made substantial discoveries in anatomy, civil engineering, geology, optics, and hydrodynamics, today, Leonardo is widely considered one of the most diversely talented individuals ever to have lived. Leonardo was born on 15 April 1452 at the hour of the night in the Tuscan hill town of Vinci. He was the son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina. Leonardo had no surname in the modern sense – da Vinci simply meaning of Vinci, his birth name was Lionardo di ser Piero da Vinci, meaning Leonardo. The inclusion of the title ser indicated that Leonardos father was a gentleman, little is known about Leonardos early life. He spent his first five years in the hamlet of Anchiano in the home of his mother and his father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen, his father married again to twenty-year-old Francesca Lanfredini, pieros legitimate heirs were born from his third wife Margherita di Guglielmo and his fourth and final wife, Lucrezia Cortigiani. Leonardo received an education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents, one, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face
6.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
7.
Andrea del Verrocchio
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Andrea del Verrocchio, born Andrea di Michele di Francesco de Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. He became known by his nickname Verrocchio, from vero occhio, which in Italian means true eye, few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi and his greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Verrocchio was born in Florence in around 1435 and his father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide support for some members of his family. He was at first apprenticed to a goldsmith and it has been suggested that he was later apprenticed to Donatello, but there is no evidence of this and John Pope-Hennessy considered that it is contradicted by the style of his early works. It has been suggested that he was trained as a painter under Fra Filippo Lippi, little is known about his life. His main works are dated in his last twenty years and his advancement owed much to the patronage of Lorenzo de Medici and his workshop was in Florence where he was a member of the Guild of St Luke. At the end of his life he opened a new workshop in Venice where he was working on the statue of Bartolomeo Colleoni and he died in Venice in 1488. Despite the importance of Verrocchios workshop in the training of younger painters, very few paintings are universally recognised as his own work, a painting of the Madonna with seated child in tempera on panel is considered an early work of 1468-70. It is a work which has formerly been attributed to Pollaiuolo. Covi thinks that it was painted with assistance from Ghirlandaio. It is now in London at the National Gallery, the Baptism of Christ, now in the Uffizi Gallery at Florence, was painted in 1474–75. In this work Verrocchio was assisted by Leonardo da Vinci, then a youth and a member of his workshop, who painted the angel on the left and the part of the background above. According to Vasari, Andrea resolved never to touch the brush again because Leonardo, his pupil, had far surpassed him, the Madonna enthroned with John the Baptist and St Donato is in the Pistoia Cathedral. It had been left unfinished and was completed by Lorenzo di Credi when Verrocchio was in Venice near the end of his life, around 1465 he is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence. He therefore had the problem of placing two statues in a tabernacle originally intended for one, as Covi says, the problem was resolved in a most felicitous manner. The work was placed in position in 1483 and has been acclaimed since the day of its unveiling, in 1468 Verrocchio made a bronze candlestick, now in the Rijksmuseum, Amsterdam, for the Signoria of Florence
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Pistoia Cathedral
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Pistoia Cathedral is the main religious building of Pistoia, Tuscany, central Italy, located in the Piazza del Duomo in the centre of the city. It is the seat of the Bishop of Pistoia and is dedicated to Saint Zeno of Verona, most probably built in the 10th century, it has a façade in Romanesque style, inspired by other churches in Pistoia. The interior has a nave and two side-aisles, with a presbytery and crypt, a restoration in 1952-1999 returned the church to its original lines. It has been speculated that a cathedral may have existed in Pistoia as early as the 5th century AD. The location of such a building is unknown, possible sites are those of the current cathedral. The first mention of a cathedral dates to 923, in 998 a diploma of Emperor Otto III refers to a Palaeo-Christian building located between the cathedral square and the citys watch tower. In 1108 the cathedral was damaged by a fire, and was rebuilt over the next few decades. In 1202 another fire damaged the cathedral again, in 1274-1275 the aisles were covered with vaults, and in 1287 a new altar was begun. In 1298 there was damage caused by an earthquake. In 1336 a statue of Saint Zeno was placed in the west front, between 1379 and 1440 the façade was reconstructed with the addition of three tiers of loggias and a portico. He finished the works in 1505, the decoration of the tribune ceilng was also undertaken, and paintings in the same area and in the main chapel were added. In 1721 a statue of Saint James the Great, by Andrea Vaccà, was added to the façade, the medieval mullioned windows, replaced by Baroque windows, were restored between 1952 and 1966, and the vaults over the aisle were removed. The presbytery pavement is raised, housing the crypt underneath, while the nave, the right aisle was once occupied by the Chapel of St. James, built by bishop Atto in the mid-12th century to house the relics of Saint James brought from Santiago de Compostela. The silver altar of the saint can be today in the Crucifix Chapel. The painting had been commissioned from Andrea del Verrocchio by the heirs of Donato de Medici and was started by him but, the bishop next to the Madonna has been identified as Saint Zeno. In the middle is the Assumption of the Virgin by Giovan Battista Paggi, while next to the entrance is the tomb of Donato de Medici and this chapel contains the altar of Saint James, in embossed silver sheet, which was moved here in 1953. James and Three Stories of St. James, which he finished in 1316, in addition, Pace di Valentino, a Sienese goldsmith, created some of the figures surrounding St. James. Giglio Pisano executed the large statue depicting St. James Enthroned, commissioned as thanksgiving after the end of the Black Death in 1348
9.
Uffizi
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The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in central Florence, region of Tuscany, Italy. The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de Medici so as to accommodate the offices of the Florentine magistrates, hence the name uffizi, the construction was later continued by Alfonso Parigi and Bernardo Buontalenti and completed in 1581. The niches in the piers that alternate with columns filled with sculptures of artists in the 19th century. The Uffizi brought together under one roof the administrative offices, the Tribunal and the Archivio di Stato, the state archive. He commissioned from the architect Buontalenti the design of the Tribuna degli Uffizi that collected a series of masterpieces in one room, over the years, more sections of the palace were recruited to exhibit paintings and sculpture collected or commissioned by the Medici. The gallery had been open to visitors by request since the sixteenth century, because of its huge collection, some of its works have in the past been transferred to other museums in Florence—for example, some famous statues to the Bargello. A project was finished in 2006 to expand the exhibition space some 6,000 metres² to almost 13,000 metres². On 27 May 1993, a car exploded in Via dei Georgofili and damaged parts of the palace. The most severe damage was to the Niobe room and classical sculptures and neoclassical interior, the identity of the bomber or bombers are unknown, although it was almost certainly attributable to the Sicilian Mafia who were engaged in a period of terrorism at that time. Today, the Uffizi is one of the most popular tourist attractions of Florence, in high season, waiting times can be up to five hours. In early August 2007, Florence experienced a heavy rainstorm, the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated. There was a more significant flood in 1966 which damaged most of the art collections in Florence severely. Here is a selection from the collection, The collection also contains some ancient sculptures, such as the Arrotino. Collections of the Uffizi Official website Uffizi – Google Art Project
10.
Sabauda Gallery
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The Sabauda Gallery is an art collection in Turin, Italy, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX September,86, on October 2,1832, King Charles Albert of Savoy inaugurated the royal gallery at the Palazzo Madama, containing 365 paintings. In 1865, Massimo dAzeglio had the collection transferred to Guarino Guarinis Palazzo dellAccademia delle Scienze where it stood until 2012, on December 4,2014, at the presence of the Italian Minister of Culture, the Manica Nuova of Palazzo Reale was official opened. The collection has now found its place to be exhibited. The gallery is based on a new museum project conceived and developed by the superintendent Edith Gabrielli together with Studio Albini Associati. The lighting is by CastagnaRavelli Studio, based in Milan, the graphic is by Noorda Design
11.
Turin
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Turin is a city and an important business and cultural centre in northern Italy, capital of the Piedmont region and was the first capital city of Italy. The city is located mainly on the bank of the Po River, in front of Susa Valley and surrounded by the western Alpine arch. The population of the city proper is 892,649 while the population of the area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million, in 1997 a part of the historical center of Torino was inscribed in the World Heritage List under the name Residences of the Royal House of Savoy. Turin is well known for its Renaissance, Baroque, Rococo, Neo-classical, many of Turins public squares, castles, gardens and elegant palazzi such as Palazzo Madama, were built between the 16th and 18th centuries. This was after the capital of the Duchy of Savoy was moved to Turin from Chambery as part of the urban expansion, the city used to be a major European political center. Turin was Italys first capital city in 1861 and home to the House of Savoy, from 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the Royal House of Savoy and finally the first capital of the unified Italy. Turin is sometimes called the cradle of Italian liberty for having been the birthplace and home of notable politicians and people who contributed to the Risorgimento, such as Cavour. The city currently hosts some of Italys best universities, colleges, academies, lycea and gymnasia, such as the University of Turin, founded in the 15th century, in addition, the city is home to museums such as the Museo Egizio and the Mole Antonelliana. Turins attractions make it one of the worlds top 250 tourist destinations, Turin is ranked third in Italy, after Milan and Rome, for economic strength. With a GDP of $58 billion, Turin is the worlds 78th richest city by purchasing power, as of 2010, the city has been ranked by GaWC as a Gamma World city. Turin is also home to much of the Italian automotive industry, the Taurini were an ancient Celto-Ligurian Alpine people, who occupied the upper valley of the Po River, in the center of modern Piedmont. In 218 BC, they were attacked by Hannibal as he was allied with their long-standing enemies, the Taurini chief town was captured by Hannibals forces after a three-day siege. As a people they are mentioned in history. It is believed that a Roman colony was established in 27 BC under the name of Castra Taurinorum, both Livy and Strabo mention the Taurinis country as including one of the passes of the Alps, which points to a wider use of the name in earlier times. In the 1st century BC, the Romans created a military camp, the typical Roman street grid can still be seen in the modern city, especially in the neighborhood known as the Quadrilatero Romano. Via Garibaldi traces the path of the Roman citys decumanus which began at the Porta Decumani. The Porta Palatina, on the side of the current city centre, is still preserved in a park near the Cathedral
12.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
13.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
14.
Fiesole
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Fiesole is a town and comune of the Metropolitan City of Florence in the Italian region of Tuscany, on a scenic height above Florence,8 kilometres northeast of that city. Both the Harvard University and Georgetown University maintain centers for Renaissance studies in Fiesole, the Decameron by Giovanni Boccaccio is set in the slopes of Fiesole. Since the 14th century the city has always considered a getaway for the upper class of Florence. Fiesole was probably founded in the 9th-8th century BC, as it was an important member of the Etruscan confederacy, the first recorded mention on the town dates to 283 BC, when the town, then known as Faesulae, was conquered by the Romans. In pagan antiquity it was the seat of a school of augurs. Sulla colonized it with veterans, who afterwards, under the leadership of Gaius Mallius, Fiesole was the scene of Stilichos great victory over the Germanic hordes of the Vandals and Suebi under Radagaisus in 406. During the Gothic War the town was several times besieged, in 539 Justinus, the Byzantine general, captured it and razed its fortifications. Dante reflects this rivalry in his Divine Comedy by referring to the beasts of Fiesole, by the 14th century, rich Florentines had countryside villas in Fiesole, and one of them is the setting of the frame narrative of the Decameron. Boccaccios poem Il Ninfale fiesolano is an account of the origins of the community. Robert Browning mentions “sober pleasant Fiesole” several times in his poem Andrea Del Sarto, palazzo Comunale of the 14th century. The cathedral of Fiesole, containing the shrine of St. Romulus, martyr, according to legend the first Bishop of Fiesole, the old cathedral became a Benedictine abbey, which passed into the hands of the Canons Regular of the Lateran. It once possessed a library, long since dispersed. The abbey was closed in 1778, the room in the bishops palace where Carmelite bishop St. Andrew Corsini lived and died. The little church of the Primerana in the square, where the same saint was warned by Our Lady of his approaching death. Built in 996 and further expanded in medieval times, has maintained the Gothic presbytery from that period and it received a new façade in the late 16th century, with graffito decoration by Ludovico Buti. The interior, on a hall, has a 13th-century panel portraying Madonna with Child. In the transept are two marble bas-reliefs by Francesco da Sangallo, and a terracotta from Andrea della Robbias workshop, the church of S. Alessandro, with the shrine of St. Alexander, bishop and martyr. The Monastery of San Francesco on the crest of the hill, with the cells of St. Bernardine of Siena, San Girolamo, the home of Venerable Carlo dei Conti Guidi, founder of the Hieronymites of Fiesole
15.
Fra Angelico
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Fra Angelico was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having a rare and perfect talent. He was known to contemporaries as Fra Giovanni da Fiesole and Fra Giovanni Angelico, in modern Italian he is called il Beato Angelico, the common English name Fra Angelico means the Angelic friar. In 1982 Pope John Paul II proclaimed his beatification in recognition of the holiness of his life and he is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—Blessed Giovanni of Fiesole, surnamed the Angelic. Fra Angelico was born Guido di Pietro at Rupecanina in the Tuscan area of Mugello near Fiesole towards the end of the 14th century, nothing is known of his parents. He was baptized Guido or Guidolino, the earliest recorded document concerning Fra Angelico dates from October 17,1417 when he joined a religious confraternity or guild at the Carmine Church, still under the name of Guido di Pietro. The first record of Angelico as a friar dates from 1423, Fra, a contraction of frater, is a conventional title for a mendicant friar. According to Vasari, Fra Angelico initially received training as an illuminator, possibly working with his older brother Benedetto who was also a Dominican and an illuminator. The former Dominican convent of San Marco in Florence, now a state museum, the painter Lorenzo Monaco may have contributed to his art training, and the influence of the Sienese school is discernible in his work. He had several important charges in the convents he lived in, but this did not limit his art, according to Vasari, the first paintings of this artist were an altarpiece and a painted screen for the Charterhouse of Florence, none such exist there now. Between 1418 and 1436 he was at the convent of Fiesole, where he executed a number of frescoes for the church and the Altarpiece. A predella of the Altarpiece remains intact and is conserved in the National Gallery, London and it shows Christ in Glory surrounded by more than 250 figures, including beatified Dominicans. In 1436, Fra Angelico was one of a number of the friars from Fiesole who moved to the newly built convent or friary of San Marco in Florence, in 1439 Fra Angelico completed one of his most famous works, the San Marco Altarpiece at Florence. The result was unusual for its time, but in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael. In 1445 Pope Eugene IV summoned him to Rome to paint the frescoes of the Chapel of the Holy Sacrament at St Peters, later demolished by Pope Paul III. Vasari claims that at this time Fra Angelico was offered the Archbishopric of Florence by Pope Nicholas V, the story seems possible and even likely. However, if Vasaris date is correct, then the pope must have been Eugene IV and not Nicholas, moreover, the Archbishop in 1446–1459 was the Dominican Antoninus of Florence, canonized by Pope Adrian VI in 1523. In 1447 Fra Angelico was in Orvieto with his pupil, Benozzo Gozzoli, among his other pupils were Zanobi Strozzi
16.
Cambridge
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Cambridge is a university city and the county town of Cambridgeshire, England, on the River Cam about 50 miles north of London. At the United Kingdom Census 2011, its population was 123,867, there is archaeological evidence of settlement in the area in the Bronze Age and in Roman Britain, under Viking rule, Cambridge became an important trading centre. The first town charters were granted in the 12th century, although city status was not conferred until 1951, the University of Cambridge, founded in 1209, is one of the top five universities in the world. The university includes the Cavendish Laboratory, Kings College Chapel, the citys skyline is dominated by the last two buildings, along with the spire of the Our Lady and the English Martyrs Church, the chimney of Addenbrookes Hospital and St Johns College Chapel tower. Anglia Ruskin University, evolved from the Cambridge School of Art, Cambridge is at the heart of the high-technology Silicon Fen with industries such as software and bioscience and many start-up companies spun out of the university. More than 40% of the workforce has a higher education qualification, the Cambridge Biomedical Campus, one of the largest biomedical research clusters in the world, is soon to be home to AstraZeneca, a hotel and the relocated Papworth Hospital. Parkers Piece hosted the first ever game of Association football, the Strawberry Fair music and arts festival and Midsummer Fairs are held on Midsummer Common, and the annual Cambridge Beer Festival takes place on Jesus Green. The city is adjacent to the M11 and A14 roads, settlements have existed around the Cambridge area since prehistoric times. The earliest clear evidence of occupation is the remains of a 3, the principal Roman site is a small fort Duroliponte on Castle Hill, just northwest of the city centre around the location of the earlier British village. The fort was bounded on two sides by the lines formed by the present Mount Pleasant, continuing across Huntingdon Road into Clare Street, the eastern side followed Magrath Avenue, with the southern side running near to Chesterton Lane and Kettles Yard before turning northwest at Honey Hill. It was constructed around AD70 and converted to use around 50 years later. Evidence of more widespread Roman settlement has been discovered including numerous farmsteads, evidence exists that the invading Anglo-Saxons had begun occupying the area by the end of the century. Their settlement—also on and around Castle Hill—became known as Grantebrycge, Anglo-Saxon grave goods have been found in the area. During this period, Cambridge benefited from good trade links across the hard-to-travel fenlands, by the 7th century, the town was less significant and described by Bede as a little ruined city containing the burial site of Etheldreda. Cambridge was on the border between the East and Middle Anglian kingdoms and the settlement slowly expanded on both sides of the river, the arrival of the Vikings was recorded in the Anglo-Saxon Chronicle in 875. Viking rule, the Danelaw, had been imposed by 878 Their vigorous trading habits caused the town to grow rapidly. During this period the centre of the town shifted from Castle Hill on the bank of the river to the area now known as the Quayside on the right bank. In 1068, two years after his conquest of England, William of Normandy built a castle on Castle Hill, like the rest of the newly conquered kingdom, Cambridge fell under the control of the King and his deputies
17.
Pistoia
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It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. From the 5th century the city was a bishopric, and during the Lombardic kingdom it was a city and had several privileges. In 1254 the taking of Ghibelline Pistoia by Guelph Florence, was among the origins of the division of the Florentine Guelphs into Black and White factions. Pistoia remained a Florentine holding except for a period in the 14th century, when Castruccio Castracani captured it for Lucca. During the 14th century Ormanno Tedici was one of the Lords of the city, dante mentioned in his Divina Commedia the free town of Pistoia as the home town of Vanni Fucci, who is encountered in Inferno tangled up in a knot of snakes while cursing God. In 1786 a famous Jansenist episcopal synod was convened in Pistoia, according to one theory, Pistoia lent its name to the pistol, which started to be manufactured in Pistoia during the 16th century. But today, it is notable for the extensive plant nurseries spreading around it. Consequently, Pistoia is also famous for its markets, as is the nearby Pescia. Although not visited as much as cities in Tuscany, mostly due to the citys industrial environs, Pistoia presents a well-preserved. The original Cathedral of San Zeno burned down in 1108, but was rebuilt during the 12th century, the façade has a prominent Romanesque style, while the interior received heavy Baroque additions which were removed during the 1960s. Its outstanding feature is the Altar of St James, an exemplar of the silversmiths craft begun in 1287 and its various sections contain 628 figures, the total weighing nearly a ton. The Romanesque belfry, standing at some 67 metres, was erected over an ancient Lombard tower, in the square is also the 14th-century Baptistry, in Gothic style, with white and green striped marble revetment characteristic of the Tuscan Gothic. The Palazzo dei Vescovi, is characterized by a Gothic loggiato on the first floor and it is known from 1091, initially as a fortified noble residence. In the 12th century it received a more decorated appearance, with mullioned windows and frescoes, in the 14th century, the Chapel of St. Nicholas was decorated with stories of the namesake saint and other martyrs. The Tower of Catilina is from the High Middle Ages, basilica of Our Lady of Humility, finished by Giorgio Vasari with a 59-metre high cupola. The original project was by Giuliano da Sangallo, but works were begun in 1495 by Ventura Vitoni, the dome was commissioned by Cosimo I de Medici to Vasari, the lantern completed in 1568 and the church consecrated in 1582. In the apse is a painting by Bernardino del Signoraccio, santissima Annunziata, baroque church famous for its Chiostro dei Morti. Damaged during World War II bombardments, it is now used as an exhibition center, San Giovanni Battista al Tempio, owned for a while by the Knights Templar and then by the Hospitaller Knights
18.
Fra Bartolomeo
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Fra Bartolomeo or Bartolommeo OP, also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original name Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Roselli and in the 1490s fell under the influence of Savonarola and he remained friends with Raphael, and they both influenced the other. His portrait of Savonarola remains the most famous image of the reformer, Fra Bartolomeo painted both in oils and fresco, and some of his drawings are pure landscape sketches that are the earliest of this type from Italy. He was born in Savignano di Prato, Tuscany and he received the nickname of Baccio della Porta for his house was near the Gate of San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano and he was one of the greatest painters of his time. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli, in the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence, the following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Biancos family chapel in the Badia Fiorentina, soon thereafter, Raphael visited Florence and befriended the friar. Bartolomeo learned perspective from the younger artist, while Raphael added skills in coloring and handling of drapery, with Raphael, he remained on the friendliest terms, and when he departed from Rome, left in his hands two unfinished pictures which Raphael completed. As the Dominicans did not pay for the work, he took it back to Lucca, also in Lucca, in the October 1509, he painted by Albertinelli an altarpiece with Madonna and Child with Saints for the local cathedral. On November 26,1510 Pier Soderini commissioned him an altarpiece for the Sala del Consiglio of Florence, two years later he finished another altarpiece for the cathedral of Besançon. After a promised Feast of Venus for Duke Alfonso I dEste of Ferrara, of only drawings remain. He died in Florence in 1517, initially, his works showed the influence of Rossellis assistant, Piero di Cosimo, and those of Domenico Ghirlandaio and Filippino Lippi. After his hiatus from 1500 to 1503, he seemed to change vision, taking from Raphael the representation of light, Fra Bartolomeos figures are generally small and draped. Among his pupils were Cecchino del Frate, Benedetto Ciamfanini, Gabriel Rustici, Ridolfo Ghirlandaio, Fra Bartolommeo di Pagholo, Encyclopædia Britannica, 11th ed. Vol. III, Cambridge, Cambridge University Press,1911, p.124
19.
Pietro Perugino
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Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil, Pietro Perugino was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Marie Vannucci. Pietros nickname characterizes him as from Perugia, the city of Umbria. Scholars continue to dispute the status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty and his exact date of birth is not known, although, based on his age at the death mentioned by Vasari and Giovanni Santi, he is suspected to be born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo, the date of this first Florentine sojourn is unknown, some make it as early as 1466/1470, others push the date to 1479. According to Vasari, he apprenticed in the workshop of Andrea del Verrocchio alongside Leonardo da Vinci, Domenico Ghirlandaio, Lorenzo di Credi, Filippino Lippi, piero della Francesca is thought to have taught him perspective form. In 1472 he must have completed his apprenticeship, for he was enrolled as a master in the Confraternity of St Luke, Pietro, although very talented was not extremely enthusiastic about his work. Perugino was one of the earliest Italian practitioners of oil painting, a good specimen of his early style in tempera is the tondo in the Musée du Louvre of the Virgin and Child Enthroned between Saints. Perugino returned from Florence to Perugia, where his Florentine training showed in the Adoration of the Magi for the church of Santa Maria dei Servi of Perugia, in about 1480, he was called to Rome by Sixtus IV to paint fresco panels for the Sistine Chapel walls. The frescoes he executed there included Moses and Zipporah, the Baptism of Christ, pinturicchio accompanied Perugino to Rome, and was made his partner, receiving a third of the profits. He may have some of the Zipporah subject. The Sistine frescoes were the major high Renaissance commission in Rome, the altar wall was also painted with the Assumption, the Nativity, and Moses in the Bulrushes. He had a studio in Florence, and received a great number of commissions. His Pietà in the Uffizi is an uncharacteristically stark work that avoids Peruginos sometimes too easy sentimental piety, in 1499 the guild of the cambio of Perugia asked him to decorate their audience-hall, the Sala delle Udienze del Collegio del Cambio. The humanist Francesco Maturanzio acted as his consultant, on the mid-pilaster of the hall Perugino placed his own portrait in bust-form. It is probable that Raphael, who in boyhood, towards 1496, had been placed by his uncles under the tuition of Perugino, Perugino was made one of the priors of Perugia in 1501. On one occasion Michelangelo told Perugino to his face that he was a bungler in art, Vannucci brought an action for defamation of character, unsuccessfully
20.
Raphael
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Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running a large workshop and, despite his death at 37. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, the best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings and he was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region and his poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Under them, the court continued as a centre for literary culture, growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a humanistic education however, it is unclear how easily he read Latin. His mother Màgia died in 1491 when Raphael was eight, followed on August 1,1494 by his father, Raphael was thus orphaned at eleven, his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master and he had already shown talent, according to Vasari, who says that Raphael had been a great help to his father. A self-portrait drawing from his teenage years shows his precocity and his fathers workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter, and Luca Signorelli, according to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice despite the tears of his mother. The evidence of an apprenticeship comes only from Vasari and another source, an alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters, the Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a master, that is to say fully trained and his first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was named in the commission
21.
Mona Lisa
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The painting is a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel, and is believed to have been painted between 1503 and 1506. Leonardo may have continued working on it as late as 1517 and it was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797. Mona in Italian is a form of address originating as ma donna – similar to Ma’am, Madam. This became madonna, and its contraction mona, the title of the painting, though traditionally spelled Mona, is also commonly spelled in modern Italian as Monna Lisa but this is rare in English. Vasaris account of the Mona Lisa comes from his biography of Leonardo published in 1550,31 years after the artists death and it has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardos assistant Salaì, at his death in 1525, owned a portrait which in his papers was named la Gioconda. Dated October 1503, the note was written by Leonardos contemporary Agostino Vespucci and this note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo. The model, Lisa del Giocondo, was a member of the Gherardini family of Florence and Tuscany, the painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means jocund or, literally, the jocund one, in French, the title La Joconde has the same meaning. Before that discovery, scholars had developed several alternative views as to the subject of the painting, some argued that Lisa del Giocondo was the subject of a different portrait, identifying at least four other paintings as the Mona Lisa referred to by Vasari. Several other women have been proposed as the subject of the painting, the consensus of art historians in the 21st century maintains the long-held traditional opinion, that the painting depicts Lisa del Giocondo. Leonardo da Vinci began painting the Mona Lisa in 1503 or 1504 in Florence, although the Louvre states that it was doubtless painted between 1503 and 1506, the art historian Martin Kemp says there are some difficulties in confirming the actual dates with certainty. According to Leonardos contemporary, Giorgio Vasari, after he had lingered over it four years, Leonardo, later in his life, is said to have regretted never having completed a single work. In 1516, Leonardo was invited by King François I to work at the Clos Lucé near the castle in Amboise. It is believed that he took the Mona Lisa with him, bambach has concluded that da Vinci probably continued refining the work until 1516 or 1517. Upon his death, the painting was inherited with other works by his pupil, Francis I bought the painting for 4,000 écus and kept it at Palace of Fontainebleau, where it remained until Louis XIV moved the painting to the Palace of Versailles. After the French Revolution, it was moved to the Louvre, during the Franco-Prussian War it was moved from the Louvre to the Brest Arsenal. In December 2015, it was reported that French scientist Pascal Cotte had found a hidden portrait underneath the surface of the painting using reflective light technology, the portrait is an underlying image of a model looking off to the side
22.
Caterina Sforza
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Caterina Sforza, was an Italian noblewoman and Countess of Forlì and Lady of Imola firstly with her husband Girolamo Riario, and after his death as a regent of her son Ottaviano. Caterina was the daughter of Galeazzo Maria Sforza, Duke of Milan and Lucrezia, the wife of the courtier Gian Piero Landriani. She was raised in the refined Milanese court, in her private life Caterina was devoted to various activities, among which were experiments in alchemy and a love of hunting and dancing. She had a number of children, of whom only the youngest, Captain Giovanni dalle Bande Nere, inherited the forceful. Following Caterinas resistance to Cesare Borgia, she had to face his fury, upon regaining her liberty following her imprisonment in Rome, she led a quiet life in Florence. In the final years of her life, she confided to a monk, Se io potessi scrivere tutto, Caterina Sforza was born in Milan in early 1463, the illegitimate daughter of Galeazzo Maria Sforza by his mistress, Lucrezia Landriani. Its believed that she spent the first years of her life with her mothers relatives, the children were entrusted to their paternal grandmother, Bianca Maria Visconti. In 1466 Galeazzo had married Dorotea Gonzaga, but after her death he remarried to Bona of Savoy on 9 May 1468, at the Sforza court, frequented by writers and artists, Caterina and her siblings received a humanistic education. At that time, in the Italian courts, daughters of families received the same education as their brothers. The Dukes family resided in Milan and in Pavia, and often stayed at Galliate or at Cusago, at one or the other of the two places Caterina also probably acquired her lifelong passion for hunting. In 1473 Caterina became betrothed to Girolamo Riario, the son of Paolo Riario and Bianca della Rovere, Pope Sixtus IV gave Girolamo the Lordship of Imola, already a Sforza city, but at the time a fief of the Riario family. After a triumphal entrance into Imola in 1477, Caterina went to Rome with her husband, where he lived for years in the service of his uncle. Caterina subsequently gave birth to five children in the next nine years. Upon her arrival in May 1477, Caterina found a city full of cultural fervour, the atmosphere was a mix of intrigue and power, which was pursued without scruples, with material interests far exceeding the spiritual. Caterina was banned by her husband from meddling in politics, but she quickly integrated — owing to her extroverted, as evidenced by correspondence from that period, Caterina immediately became admired as one of the most beautiful and elegant among noble Roman women. Girolamo was given a position in the expansion policy of Pope Sixtus IV after the premature death of the Popes favoured nephew. His power grew daily, and he soon displayed increasing ruthlessness towards his enemies, the new Lord tried to earn the favour of the populace by erecting magnificent public buildings and churches, and by abolishing taxes. The lives of Caterina and Girolamo changed abruptly with the death of Sixtus IV on 12 August 1484, when Pope Sixtus IV died, rebellions and disorder immediately spread through Rome, including looting of his supporters residences
23.
Romagna
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Romagna is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna. Traditionally, it is limited by the Apennines to the south-west, the Adriatic to the east, the regions major cities include Cesena, Faenza, Forlì, Imola, Ravenna, Rimini and City of San Marino. The region has been formally expanded with the transfer of seven comuni from the Marche region. The name Romagna comes from the Latin name Romania, which originally was the name for land inhabited by Romans. It later took on the detailed meaning of territory subjected to Eastern Roman rule. Romania later became Romandìola in Vulgar Latin, meaning little Romania, a number of archaeological sites in the region, such as Monte Poggiolo, show that Romagna has been inhabited since the Paleolithic age. The Umbri, speaking an extinct Italic language called Umbrian, are the first traceable inhabitants of the region, the Etruscans also dwelt in some portions of Romagna. In the 5th Century BC, various Gaulish tribes, most notably the Lingones, Senoni and Boii, moved south into Italy, the Senoni utterly subjugated the Umbri and settled in Romagna. The Senoni extended further south to Ancona, with their capital Sena Gallica, the lands formerly inhabited by the Senoni were known as ager Gallicus to the Romans. According to the Italian linguist Giacomo Devoto, there are still a number of Celtic substrata in the Romagnolo dialect, gallic predominance in the region was consistently challenged by the Romans. In the battle of Telamon, the Romans defeated the joint forces of the Celtic tribes, after the Second Punic War, the pro-Carthaginian Lingones and Senoni were expelled. To consolidate the Roman rule in the region, the Via Aemilia was built from Ariminium to Piacentia, the most significant ones are Forum Livii, Forum Cornelii and Forum Popili. After the Social War, the Lex Julia was introduced in 90 BC, in the first Roman civil war, between Gaius Marius and Lucius Cornelius Sulla, most cities in the regions supported Marius. As a result, Forum Livii and Caesena were razed to ground, during the first triumvirate, the Roman Republic was divided along the infamous Rubicon. Most of modern Romagna was ruled by Julius Caesar, the exception of Ariminium. In 49 BC, Caesar, who was residing in Ravenna then, led the Legio XIII across the Rubicon, after the decisive battle of Actium, Augustus started a century-long era of Pax Romana. All of Cisalpine Gaul had been incorporated into the Roman province of Italia, around 7 BC, Augustus divided all of Italy into eleven regiones, and most of Romagna was in the eighth, Aemilia. By the beginning of the 3rd Century, Diocletian re-divided the Empire into four prefectures, each divided into dioceses, under the new system, Italy was demoted to a mere Imperial province
24.
Cesare Borgia
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Cesare Borgia, Duke of Valentinois, was a Spanish/Italian condottiero, nobleman, politician, and cardinal, whose fight for power was a major inspiration for The Prince by Machiavelli. He was the son of Pope Alexander VI and his long-term mistress Vannozza dei Cattanei. He was the brother of Lucrezia Borgia, Giovanni Borgia, Duke of Gandia and he was half-brother to Don Pedro Luis de Borja and Girolama de Borja, children of unknown mothers. After initially entering the church and becoming a cardinal on his fathers election to the Papacy and his father set him up as a prince with territory carved from the Papal States, but after his fathers death he was unable to retain power for long. According to Machiavelli this was due to his planning for all possibilities, like nearly all aspects of Cesare Borgias life, the date of his birth is a subject of dispute. Cesares father, Pope Alexander VI, was the first pope who openly recognized his children out of wedlock. Stefano Infessura writes that Cardinal Borgia falsely claimed Cesare to be the son of another man—Domenico dArignano. More likely, Pope Sixtus IV granted Cesare a release from the necessity of proving his birth in a bull of 1 October 1480. Cesare was initially groomed for a career in the Church, following school in Perugia and Pisa, Cesare studied law at the Studium Urbis. He was made Bishop of Pamplona at the age of 15, in 1493, he had also been appointed bishop of both Castres and Elne. In 1494, he received the title of abbot of the abbey of Saint-Michel-de-Cuxa. Along with his fathers elevation to Pope, Cesare was made Cardinal at the age of 18, Alexander VI staked the hopes of the Borgia family on Cesares brother Giovanni, who was made captain general of the military forces of the papacy. Giovanni was assassinated in 1497 in mysterious circumstances, Cesares role in the act has never been clear. However, he had no motive, as he was likely to be given a powerful secular position. It is more likely, in fact, that Giovanni was killed as a result of a sexual liaison, on 17 August 1498, Cesare became the first person in history to resign the cardinalate. On the same day, Louis XII of France named Cesare Duke of Valentinois, Cesares career was founded upon his fathers ability to distribute patronage, along with his alliance with France, in the course of the Italian Wars. Louis XII invaded Italy in 1499, after Gian Giacomo Trivulzio had ousted its duke Ludovico Sforza, at this point Alexander decided to profit from the favourable situation and carve out for Cesare a state of his own in northern Italy. To this end, he declared all his vicars in Romagna
25.
National Museum of Serbia
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The National Museum of Serbia is the largest and oldest museum in Serbia and former Yugoslavia. It is located in the zone of Belgrade on a square area between the Republic Square, former Theatre Square, and three streets Čika Ljubina, Vasina and Laze Pačua. Its main facade is on the Republic Square, the museum was established on May 10,1844. Since it was founded, its collection has grown to over 400,000 objects, currently, the museum is closed for renovation. The National Museum of Serbia building was declared a Monument of Culture of Great Importance in 1979, before erection of the building of the National Museum on this place was famous tavern called Dardanelles, meeting point of cultural and artistic elite of the time. Demolition of the old tavern signified the beginning of the transformation of The Republic Square, building has constructed according to design of architects Andra Stevanović and Nikola Nestorović after a competition on which they received the first prize. It was one of the first building in which was used some form of reinforced concrete for the foundation, actually during the digging foundation trenches, the various pits, wells and basements were encountered because of the proximity of the former Istanbul Gate. Newly built two-storeyed building was a palace of its time. The greatest attention was given to the staircase and the hall with bank windows which as the basic premises of a bank was given a secondary importance. Almost three decades later, a development of Mortgage Bank, influenced a need for a reconstruction of the building. The extension was made without competition by architect Vojin Petrović, who designed the added wing, during World War II Mortgage Bank building was bombed and the central part with the dome was destroyed. After the war, the building got a new purpose when one of the most important national cultural institution moved in. Since its establishing during the Constitutionalist, until the end of the Second World War the National Museum changed location for several times. At a beginning, it was placed in Captain Miša’s building, at the same time the museum art collections were seized and looted by the invaders. During the interwar period the Museum didn’t get its own building, the museum was located in a rented private house in Knez Milos Street 58. In 1935 the New Royal Palacе became the residence of the museum, subsequently it was renamed into the Museum of Prince Paul which consisted of Historical Museum and the Museum of Contemporary Art. In 1948 the New Palace was restored and became seat of the Republic. For that purpose the Museum was transferred into a building of the former Stock Exchange on the Student Square, the first architectural competition for the proper National Museum building, planned to be on Tašmajdan was announced the following year
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Belgrade
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Belgrade is the capital and largest city of Serbia. It is located at the confluence of the Sava and Danube rivers and its name translates to White city. The urban area of the City of Belgrade has a population of 1.34 million, one of the most important prehistoric cultures of Europe, the Vinča culture, evolved within the Belgrade area in the 6th millennium BC. In antiquity, Thraco-Dacians inhabited the region, and after 279 BC Celts conquered the city and it was conquered by the Romans during the reign of Augustus, and awarded city rights in the mid-2nd century. In 1521, Belgrade was conquered by the Ottoman Empire and became the seat of the Sanjak of Smederevo and it frequently passed from Ottoman to Habsburg rule, which saw the destruction of most of the city during the Austro-Ottoman wars. Belgrade was again named the capital of Serbia in 1841, northern Belgrade remained the southernmost Habsburg post until 1918, when the city was reunited. As a strategic location, the city was battled over in 115 wars, Belgrade was the capital of Yugoslavia from its creation in 1918, to its final dissolution in 2006. Belgrade has an administrative status within Serbia and it is one of five statistical regions of Serbia. Its metropolitan territory is divided into 17 municipalities, each with its own local council, City of Belgrade covers 3. 6% of Serbias territory, and 22. 5% of the countrys population lives within its administrative limits. It is classified as a Beta- global city, chipped stone tools found at Zemun show that the area around Belgrade was inhabited by nomadic foragers in the Palaeolithic and Mesolithic eras. Some of these belong to the Mousterian industry, which are associated with Neanderthals rather than modern humans. Aurignacian and Gravettian tools have also discovered there, indicating occupation between 50,000 and 20,000 years ago. The first farming people to settle in the region are associated with the Neolithic Starčevo culture, there are several Starčevo sites in and around Belgrade, including the eponymous site of Starčevo. The Starčevo culture was succeeded by the Vinča culture, a more sophisticated farming culture that grew out of the earlier Starčevo settlements which is named for a site in the Belgrade region. Evidence of early knowledge about Belgrades geographical location comes from ancient myths, the rock overlooking the confluence of the Sava and Danube rivers has been identified as one of the place in the story of Jason and the Argonauts. The Paleo-Balkan tribes of Thracians and Dacians ruled this area prior to the Roman conquest, Belgrade was inhabited by a Thraco-Dacian tribe Singi, after the Celtic invasion in 279 BC, the Scordisci took the city, naming it Singidūn. In 34–33 BC the Roman army led by Silanus reached Belgrade, jovian reestablished Christianity as the official religion of the Roman Empire, ending the brief revival of traditional Roman religions under his predecessor Julian the Apostate. In 395 AD, the passed to the Eastern Roman or Byzantine Empire
27.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
29.
National Library of the Czech Republic
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The National Library of the Czech Republic is the central library of the Czech Republic. It is directed by the Ministry of Culture, the librarys main building is located in the historical Clementinum building in Prague, where approximately half of its books are kept. The other half of the collection is stored in the district of Hostivař, the National Library is the biggest library in the Czech Republic, in its funds there are around 6 million documents. The library has around 60,000 registered readers, as well as Czech texts, the library also stores older material from Turkey, Iran and India. The library also houses books for Charles University in Prague, the library won international recognition in 2005 as it received the inaugural Jikji Prize from UNESCO via the Memory of the World Programme for its efforts in digitising old texts. The project, which commenced in 1992, involved the digitisation of 1,700 documents in its first 13 years, the most precious medieval manuscripts preserved in the National Library are the Codex Vyssegradensis and the Passional of Abbes Kunigunde. In 2006 the Czech parliament approved funding for the construction of a new building on Letna plain. In March 2007, following a request for tender, Czech architect Jan Kaplický was selected by a jury to undertake the project, later in 2007 the project was delayed following objections regarding its proposed location from government officials including Prague Mayor Pavel Bém and President Václav Klaus. Later in 2008, Minister of Culture Václav Jehlička announced the end of the project, the library was affected by the 2002 European floods, with some documents moved to upper levels to avoid the excess water. Over 4,000 books were removed from the library in July 2011 following flooding in parts of the main building, there was a fire at the library in December 2012, but nobody was injured in the event. List of national and state libraries Official website
30.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
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