The Lotus Sūtra is one of the most influential and venerated Buddhist Mahāyāna sūtras. It is the main scripture on which the Tiantai along with its derivative schools, the Japanese Tendai, Korean Cheontae, Vietnamese Thiên Thai and Nichiren schools of Buddhism were established. It is also influential for other East Asian Buddhist schools, such as Zen. According to the British Buddhologist Paul Williams, "For many Buddhists in East Asia since early times, the Lotus Sūtra contains the final teaching of Shakyamuni Buddha—complete and sufficient for salvation." The American Buddhologist Donald S. Lopez Jr. writes that the Lotus Sūtra "is arguably the most famous of all Buddhist texts," presenting "a radical re-vision of both the Buddhist path and of the person of the Buddha."
Sanskrit manuscript of the Lotus Sūtra in South Turkestan Brahmi script.
The Japanese title of the Lotus Sutra (daimoku) depicted in a stone inscription.
In the parable of the burning house (shown in the upper part of this Korean illustration of the sutra), a father uses three types of carts as a way to get his sons to exit a burning house. However, when they escape the fire, they all receive only one type of cart.
The Buddhas Prabhūtaratna and Shakyamuni seated side-by-side in the jeweled stupa. Bronze and gold stele, c. 518 CE, Northern Wei Dynasty. China.
The Mahāyāna sūtras are a broad genre of Buddhist scripture (sūtra) that are accepted as canonical and as buddhavacana in Mahāyāna Buddhism. They are largely preserved in Sanskrit manuscripts, and translations in the Tibetan Buddhist canon and Chinese Buddhist canon. Several hundred Mahāyāna sūtras survive in Sanskrit, or in Chinese and Tibetan translations. They are also sometimes called Vaipulya ("extensive") sūtras by earlier sources. The Buddhist scholar Asaṅga classified the Mahāyāna sūtras as part of the Bodhisattva Piṭaka, a collection of texts meant for bodhisattvas.
Nepalese Thangka with Prajñāpāramitā, the personification of transcendent wisdom (prajñā), holding a Mahāyāna Prajñāpāramitā Sūtra
A Tibetan depiction of Nagarjuna receiving Mahāyāna sūtras from the Nāgas (on the right)
A painting by Nicholas Roerich (1925) depicting Nāgārjuna in the realm of the Nagas, where the Prajñāpāramitā was said to have been hidden
Folio from a manuscript of the Aṣṭasāhasrikā Prajñāpāramitā Sūtra depicting Shadakshari Lokesvara, early 12th century, opaque watercolor on palm leaf