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Portrait of a young Harrison at the piano, c. early 1940s
Portrait of a young Harrison at the piano, c. early 1940s
Lou (left) and Bill Harrison (right), c. early 1920s
Lou (left) and Bill Harrison (right), c. early 1920s
Harrison considered Henry Cowell (pictured) his greatest musical inspiration and one of his closest friends
Harrison considered Henry Cowell (pictured) his greatest musical inspiration and one of his closest friends
Harrison developed a deep interest in the traditional gamelan ensembles of southern Indonesia (pictured)
Harrison developed a deep interest in the traditional gamelan ensembles of southern Indonesia (pictured)
Henry playing the violin — aged 5 (c. 1902)
Henry playing the violin — aged 5 (c. 1902)
The original manuscript to Dynamic Motion (1916), showing the young Cowell's early methods for notating large piano clusters
The original manuscript to Dynamic Motion (1916), showing the young Cowell's early methods for notating large piano clusters
Cowell playing the piano, demonstrating his "forearm" technique by slamming down with his right arm on the middle register, c. 1920s
Cowell playing the piano, demonstrating his "forearm" technique by slamming down with his right arm on the middle register, c. 1920s