Louis-Léopold Boilly was a French painter and draftsman. A creator of popular portrait paintings, he also produced a vast number of genre paintings documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil, applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Self-portrait c. 1805
An early (between 1804 and 1807) trompe-l'œil piece by Boilly, similar to his etymological Un trompe-l'œil of 1800
Le triomphe de Marat, 1794
The Arrival of a Mail-coach in the Courtyard of the Messageries, 1803, Musée du Louvre
Trompe-l'œil is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. Trompe l'œil, which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture.
Ceiling of the Treasure Room of the Archaeological Museum of Ferrara (Ferrara, Italy), painted in 1503–1506
Still life, Pompeii, c. AD 70
Trompe l'oeil painting by Evert Collier
Fresco with trompe l'œil dome painted on low vaulting, Jesuit Church, Vienna, by Andrea Pozzo, 1703