1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Olivia Newton-John
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Olivia Newton-John, AO, OBE is a British-Australian singer, songwriter and actress. She is a four-time Grammy award winner who has amassed five number-one and ten other Top Ten Billboard Hot 100 singles, eleven of her singles and fourteen of her albums have been certified gold by the RIAA. She has sold an estimated 100 million records worldwide, making her one of the worlds best-selling artists of all time and she starred in Grease, which featured one of the most successful soundtracks in Hollywood history. Newton-John has been a long-time activist for environmental and animal rights issues, since surviving breast cancer in 1992, she has been an advocate for health awareness becoming involved with various charities, health products and fundraising efforts. Her business interests have included launching several product lines for Koala Blue and she is the mother of one daughter, Chloe Rose Lattanzi, with her first husband, actor Matt Lattanzi. Her second husband is John Easterling, Newton-John was born in Cambridge, England, to Irene Helene, the eldest child of the Nobel Prize-winning physicist Max Born and Welsh father, Brinley Bryn Newton-John. Her mothers family had left Germany before World War II to avoid the Nazi regime and she is a third cousin of comedian Ben Elton. Her maternal great-grandfather was jurist Victor Ehrenberg and her matrilineal great-grandmothers father was jurist Rudolf von Jhering. Newton-John is the youngest of three children, following brother Hugh, a doctor, and sister Rona, an actress who was married to Grease co-star Jeff Conaway from 1980 until their divorce in 1985. Newton-Johns father was an MI5 officer on the Enigma project at Bletchley Park who took Rudolf Hess into custody during the Second World War. In 1954, when she was six, Newton-Johns family emigrated to Melbourne, Australia and she attended Christ Church Grammar School, and then University High School, adjacent to Ormond College. At fourteen, Newton-John formed a short-lived all-girl group, Sol Four and she became a regular on local Australian radio and television shows including HSV-7s The Happy Show where she performed as Lovely Livvy. She also appeared on the Go Show where she met future partner, Pat Carroll. Newton-John was initially reluctant to use the prize she had won, a trip to Britain, Newton-John recorded her first single, Till You Say Youll Be Mine Forever, in Britain for Decca Records in 1966. While in Britain, Newton-John missed her then-boyfriend, Ian Turpie, with whom she had co-starred in the Australian telefilm, Newton-John repeatedly booked trips back to Australia that her mother subsequently cancelled. Newton-Johns outlook changed when Pat Carroll also moved to the UK, the two formed a duo called Pat and Olivia and toured nightclubs in Europe. After Carrolls visa expired forcing her to return to Australia, Newton-John remained in Britain to pursue solo work until 1975 and she became engaged to The Shadows guitarist Bruce Welch, but they never married. Newton-John was recruited for the group Toomorrow formed by American producer Don Kirshner, in 1970, the group starred in a science fiction musical film and recorded an accompanying soundtrack album both named after the group
3.
Country pop
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Country pop is a subgenre of country music and pop music that was developed by members of the Country genre out of a desire to reach a larger, mainstream audience. It is a continuation of efforts that began in the late 1950s originally known as Nashville sound. By the mid-1970s, many artists were transitioning to the pop-country sound which led to some records charting high on mainstream top 40 as well as country Billboard charts. According to Bill Ivey, this genre originated in Nashville, Tennessee. He believes that the Nashville Sound often produced records that sounded more pop than country, after the removal of the fiddle, Patsy Cline, Jim Reeves, and Eddy Arnold were among the most popular artists during this time. This was intended to have country singers gain more success in pop music, the first male artists to come out of this new genre were Jim Reeves and Eddy Arnold, who both grew to have widespread acceptance among both country and pop music listeners. Both Jim Reeves and Eddy Arnold had major influence on their RCA labelmate Elvis Presley, apparent not only in secular songs, the first female country singer to emerge from this new genre was Patsy Cline in the early 1960s. The example she created was followed by female country artists, such as Lynn Anderson, Crystal Gayle and Shania Twain. Country pop found its first widespread acceptance during the 1970s and it started when pop music singers, like Glen Campbell, John Denver, Olivia Newton-John and Anne Murray, began having hits on the country charts. Songs like Campbells Rhinestone Cowboy were among the biggest crossover hits in country music history and these pop-oriented singers thought that they could gain higher record sales and a larger audience if they crossed over into the country world. One of the artists who did this was Olivia Newton-John, who emerged from Australia in the mid-1970s, a group of artists, troubled by this trend, formed the Association of Country Entertainers in 1974. The debate raged into 1975, and reached its apex at that years Country Music Association Awards when reigning Entertainer of the Year Charlie Rich presented the award to his successor, as he read Denvers name, Rich set fire to the envelope with a cigarette lighter. The action was taken in some quarters as a protest against the pop style in country music. However, the ACE would only last two years, its two biggest backers, firm traditionalists George Jones and Tammy Wynette, faced a bitter divorce. In 1979 Barbara Mandrell had her highest crossover hit with her number 1 song I Dont Want to Be Right It charted number 31 on the Billboard Top 40, several of her other hits charted well on the adult contemporary charts and the Bubbling under 100 charts. Mandrell also did countrypolitan style music on her Barbara Mandrell & the Mandrell Sisters show and she had R & B artists, pop artists and country artists featured every week. It was the last successful musical variety show on TV and she is also known for her Blue-Eyed Soul sound. She was given the nickname The Princess of Steel, for her ability at the steel guitar and she was one of country musics most successful crossover artists during the 1970s and 1980s
4.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
5.
EMI Music Japan
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EMI Music Japan Inc. was one of Japans leading music companies. It became a wholly owned subsidiary of British music company EMI Group Ltd. in June 30,2007 after Toshiba sold off its previous 45% stake and its CEO and president was Kazuhiko Koike. When EMI Music Japan was trading as Toshiba-EMI, it was involved with the production of anime, on April 1,2013, the company became defunct, following its absorption into Universal Music Japan as a sublabel under the name EMI Records Japan. The company was founded on October 1,1960, as Toshiba Musical Industries, from 1962, it licensed Columbia titles for release in Japan. After an injection of capital by Capitol EMI, EMI acquired 50% of the company in October 1973, on October 3,1994, the equity ratio of the company was changed, in which EMI obtained 55% with Toshiba owning the remaining 45%. On June 30,2007, Toshiba Corporation sold the remaining 45% stake in the company to EMI, the name was then changed to EMI Music Japan, reflecting Toshibas divestiture from the business. On April 1,2013, EMI Music Japan was officially absorbed into Universal Music Japan, the label continued to use the TOCT catalog code until October 2013, when it started to use the TYCT catalog code. The official website has shut down as of October 23,2013. After the dissolution and absorption, some of the former EMI staffs, then-executive producer San-e Ichii has been the managing director of Japan Content Expansion Department. Kazuhiko Koike has stepped down from his position as CEO by the end of 2013, nine months after the merger and he was replaced by Naoshi Fujikura. EMI Music Japans present slogan is Music for all, All for music, TM Factory Unlimited Records List of record labels Youmex Official website— 50th Anniversary of EMI Music Japan website—
6.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
