1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Bob Dylan
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Bob Dylan is an American songwriter, singer, painter, and writer. He has been influential in music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when his songs chronicled social unrest, early songs such as Blowin in the Wind and The Times They Are a-Changin became anthems for the Civil Rights Movement and anti-war movement. Leaving behind his initial base in the American folk music revival, his six-minute single Like a Rolling Stone, recorded in 1965, Dylans lyrics incorporate a wide range of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture, initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. Dylan performs with guitar, keyboards, and harmonica, backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, since 1994, Dylan has published seven books of drawings and paintings, and his work has been exhibited in major art galleries. As a musician, Dylan has sold more than 100 million records and he has also received numerous awards including eleven Grammy Awards, a Golden Globe Award, and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Minnesota Music Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame. The Pulitzer Prize jury in 2008 awarded him a citation for his profound impact on popular music and American culture. In May 2012, Dylan received the Presidential Medal of Freedom from President Barack Obama, in 2016, he was awarded the Nobel Prize in Literature for having created new poetic expressions within the great American song tradition. Bob Dylan was born Robert Allen Zimmerman in St. Marys Hospital on May 24,1941, in Duluth, Minnesota and he has a younger brother, David. Dylans paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa, in the Russian Empire and his maternal grandparents, Ben and Florence Stone, were Lithuanian Jews who arrived in the United States in 1902. Dylans father, Abram Zimmerman – an electric-appliance shop owner – and mother, Beatrice Beatty Stone, were part of a small, close-knit Jewish community. They lived in Duluth until Robert was six, when his father had polio and the returned to his mothers hometown, Hibbing. In his early years he listened to the radio—first to blues and country stations from Shreveport, Louisiana, and later and he formed several bands while attending Hibbing High School. In the Golden Chords, he performed covers of songs by Little Richard and their performance of Danny & the Juniors Rock and Roll Is Here to Stay at their high school talent show was so loud that the principal cut the microphone. In 1959, his high school yearbook carried the caption Robert Zimmerman, the same year, as Elston Gunnn, he performed two dates with Bobby Vee, playing piano and clapping
3.
Folk rock
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It has also been influential in those parts of the world with close cultural connections to Britain and gave rise to the genre of folk punk. By the 1980s the genre was in decline in popularity. When English bands of the late 1960s and early 1970s defined themselves as electric folk they were making a distinction with the existing folk rock. Folk rock was what they had already been producing, American or American style singer-songwriter material played on instruments, as undertaken by Bob Dylan. They drew the distinction because they were focusing on indigenous songs, the result of this hybridisation was an exchange of specific features drawn from Traditional music and Rock music. For example, electric folk groups, while using traditional material as their source for lyrics and tunes. In the same year, The Beatles began incorporating overt folk influences into their music, the Beatles and other British Invasion bands, in turn, influenced the Californian band The Byrds, who began playing folk-influenced material and Bob Dylan compositions with rock instrumentation. The Byrds recording of Dylans Mr Tambourine Man was released in April 1965 and reached #1 on the U. S. and UK singles charts, setting off the mid-1960s folk rock movement. The Beatles late 1965 album, Rubber Soul, contained a number of songs clearly influenced by the American folk rock boom, such as Nowhere Man and If I Needed Someone. Folk rock became an important genre among emerging English bands, particularly those in the London club scene towards the end of the 1960s. Like the American revival, it was often overtly left wing in its politics, most important among their responses were the foundation of folk clubs in major towns, starting with London where MacColl began the Ballads and Blues Club in 1953. These clubs were usually urban in location, but the songs sung in them often hearkened back to a rural pre-industrial past, in many ways this was the adoption of abandoned popular music by the middle classes. This meant that there were, by the later 1960s, a group of performers with musical skill and knowledge of a variety of traditional songs. The result was an interpretation of the song A Sailors Life. The rapid expansion of electric folk that followed in the wake of Liege, five Hand Reel a band formed out of the remnants of Spencers Feat proved to be one of the more successful and influential folk rock bands. Releasing 4 albums with Topic/RCA records they were popular in Europe. He then quit that and eventually formed the Albion Country Band, later the Albion Band, a much smaller group of English bands were formed in emulation of existing electric rock bands. Fiddlers Dram were often dismissed as one hit wonders for their single Day Trip to Bangor, most of their career, from that point until they disbanded in 1979, was one of declining profile and sales
4.
Blues rock
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Blues rock is a fusion genre combining elements of blues and rock. It is mostly an electric ensemble-style music with similar to electric blues. From its beginnings in the early- to mid-1960s, blues rock has gone through several stylistic shifts and along the way inspired hard rock, Southern rock, Blues rock continues to be an influence, with performances and recordings by several popular artists. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago-style blues songs, such as those by Muddy Waters, Jimmy Reed, Howlin Wolf, and Albert King, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by such as the Rolling Stones, the Yardbirds, and the Animals. In the US, Lonnie Mack, the Paul Butterfield Blues Band, in the US, Johnny Winter, the Allman Brothers Band, and ZZ Top represented a hard rock trend. Although around this time, AllMusic commented, the lines between rock and hard rock were barely visible, there was a return to more blues-influenced styles. Groups, such as the Jon Spencer Blues Explosion and the White Stripes, brought an edgier, more diverse style into the 2000s, Blues rock bands borrow the idea of an instrumental combo and loud amplification from rock & roll. It is also played at a fast tempo, again distinguishing it from the blues. The core blues rock sound is created by the guitar, bass guitar. Often bands also included a harmonica, usually called a harp, the electric guitar is usually amplified through a tube guitar amplifier or using an overdrive effect. While 1950s-era blues bands would still use the upright bass, the blues rock bands of the 1960s used the electric bass. Keyboard instruments, such as the piano and Hammond organ, are occasionally used. As with the guitar, the sound of the Hammond organ is typically amplified with a tube amplifier. Vocals also typically play a key role, although the vocals may be equal in importance or even subordinate to the guitar playing. As well, a number of rock pieces are instrumental-only. Blues-rock pieces often follow typical blues structures, such as blues, sixteen-bar blues
5.
Roots rock
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Roots rock is rock music that looks back to rocks origins in folk, blues and country music. Because roots music is used to mean folk and world musical forms. In the 1980s, roots rock enjoyed a revival in response to trends in rock, new wave. The same movement saw the beginning of the careers of Californian solo artists like Ry Cooder, Bonnie Raitt. The back to basics tendency would also be evident in the Rolling Stones Beggars Banquet and Exile on Main Street, the Beatles The White Album and Let It Be. The Doors Morrison Hotel and L. A. Woman, as well as the Grateful Deads Workingmans Dead Dylans lead was followed by The Byrds. The result of Parsons tenure in the Byrds was Sweetheart of the Rodeo, country rock was a particularly popular style in the California music scene of the late 1960s, and was adopted by bands including Hearts and Flowers, Poco and New Riders of the Purple Sage. Some folk-rockers followed the Byrds into the genre, among them the Beau Brummels, one of the few acts to successfully move from the country side towards rock were the bluegrass band The Dillards. Members of Ronstadts former backing band went on to form the Eagles, country rock began to fade in the late 1970s in the face of punk and new wave trends.38 Special, and Molly Hatchet. It has been seen as an American Midwest and Rust Belt counterpart to West Coast country rock and it can also be heard as an influence on artists as diverse as Billy Joel, Kid Rock and The Killers. As rock music in general, and blue collar and white working class themes in particular, lost influence with younger audiences, the term roots rock was coined during the mid-80s. Also part of trend and enjoying some mainstream success were Gun Club, Chris Isaak, John Mellencamp, BoDeans. In addition the alternative country movement, producing figures as Sheryl Crow, Steve Earle, Lucinda Williams and Uncle Tupelo. The movement began to decline in popularity again in the 1990s but produced some bands like Son Volt, Wilco, after disbanding Dire Straits in 1995, frontman and lyricist Mark Knopfler has largely returned to a roots-rock sound across his nine albums since. List of Roots rock bands and musicians
6.
Electric blues
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Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, by the early 1950s, Little Walter was a featured soloist on blues harmonica or blues harp using a small hand-held microphone fed into a guitar amplifier. Although it took a longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became used in electric blues. The blues, like jazz, probably began to be amplified in the late 1930s. After World War II, amplified blues music popular in American cities that had seen widespread African American migration, such as Chicago, Memphis, Detroit, St. Louis. The initial impulse was to be heard above the noise of lively rent parties, playing in small venues, electric blues bands tended to remain modest in size compared with larger jazz bands. In its early electric blues typically used amplified electric guitars, double bass, and harmonica played through a microphone. By the late 1940s several Chicago-based blues artists had begun to use amplification, including John Lee Williamson, early recordings in the new style were made in 1947 and 1948 by musicians such as Johnny Young, Floyd Jones, and Snooky Pryor. The format was perfected by Muddy Waters, who utilized various small groups that provided a strong rhythm section and his I Cant Be Satisfied was followed by a series of ground-breaking recordings. Chicago blues is influenced to an extent by the Mississippi blues style. Howlin Wolf, Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. In addition to guitar, harmonica, and a rhythm section of bass and drums. Lenoirs also used saxophones, largely as a supporting instrument, Muddy Waters and Elmore James were known for their innovative use of slide electric guitar. Howlin Wolf and Muddy Waters were for their deep, gravelly voices, bassist and composer Willie Dixon played a major role on the Chicago blues scene. He composed and wrote many standard blues songs of the period, such as Hoochie Coochie Man, I Just Want to Make Love to You and, Wang Dang Doodle, Spoonful and Back Door Man for Howlin Wolf. Most artists of the Chicago blues style recorded for the Chicago-based Chess Records and Checker Records labels, there were also smaller blues labels in this era including Vee-Jay Records and J. O. B
7.
Columbia Records
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Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. the United States division of Sony Corporation. It was founded in 1887, evolving from an enterprise named the American Graphophone Company. Columbia is the oldest surviving brand name in the sound business. Columbia Records went on to release records by an array of singers, instrumentalists. It is one of Sony Musics three flagship record labels alongside RCA Records and Epic Records, rather, as above, it was connected to CBS, a broadcasting media company which had purchased the company in 1938, and had been co-founded in 1927 by Columbia Records itself. Though Arista Records was sold to Bertelsmann Music Group, it would become a sister label of Columbia Records through its mutual connection to Sony Music. The Columbia Phonograph Company was founded in 1887 by stenographer, lawyer and New Jersey native Edward Easton and it derived its name from the District of Columbia, where it was headquartered. At first it had a monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington. As was the custom of some of the regional companies, Columbia produced many commercial cylinder recordings of its own. Columbias ties to Edison and the North American Phonograph Company were severed in 1894 with the North American Phonograph Companys breakup, thereafter it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the XP record, a brown wax record. According to Gracyk, the molded brown waxes may have sold to Sears for distribution. Columbia began selling records and phonographs in addition to the cylinder system in 1901, preceded only by their Toy Graphophone of 1899. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor Talking Machine Company disc records as one of the top three names in American recorded sound. In order to add prestige to its catalog of artists. The firm also introduced the internal-horn Grafonola to compete with the extremely popular Victrola sold by the rival Victor Talking Machine Company, during this era, Columbia used the famous Magic Notes logo—a pair of sixteenth notes in a circle—both in the United States and overseas. Columbia was split into two companies, one to make records and one to make players, Columbia Phonograph was moved to Connecticut, and Ed Easton went with it. Eventually it was renamed the Dictaphone Corporation, in late 1923, Columbia went into receivership
8.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
9.
Billboard 200
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The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists, often, a recording act will be remembered by its number ones, those of their albums that outperformed all others during at least one week. The chart is based mostly on sales of albums in the United States, the weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of the following week, the charts streaming schedule is also tracked from Friday to Thursday. Example, Friday January 1 – sales tracking week begins Thursday January 7 – sales tracking week ends Tuesday January 12 – new chart published, New product is released to the American market on Fridays. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for sale in the United States are not eligible to chart. As of the issue dated April 15,2017, the album on the Billboard 200 is More Life by Drake. Billboard began an album chart in 1945, initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly, 15-position Best-Selling Popular Albums chart appeared in 1955, the position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte, the chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957. Beginning on May 25,1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums and Best-Selling Monophonic LPs for mono albums and these were renamed to Stereo Action Charts and Mono Action Charts in 1960. In January 1961, they became Action Albums—Stereophonic and Action Albums—Monophonic, three months later, they became Top LPs—Stereo and Top LPs—Monaural. On August 17,1963 the stereo and mono charts were combined into a 150-position chart called Top LPs, on April 1,1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13,1967. In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles and these Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. In January 1961, the Action Charts became Action Albums—Monophonic, Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963, in 1982, Billboard began publishing a Midline Albums chart which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly basis, on May 25,1991, Billboard premiered the Top Pop Catalog Albums chart
10.
Music recording sales certification
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Music recording sales certification is a system of certifying that a music recording has shipped or sold a certain number of copies. The threshold quantity varies by type and by nation or territory, almost all countries follow variations of the RIAA certification categories, which are named after precious materials. The number of sales or shipments required for these awards depends upon the population of the territory in which the recording is released, typically, they are awarded only to international releases and are awarded individually for each country in which the album is sold. Different sales levels, some perhaps 10 times lower than others, the original gold record awards were presented to artists by their own record companies to publicize their sales achievements. The first of these was awarded by RCA Victor to Glenn Miller and His Orchestra in February 1942, another example of a company award is the gold record awarded to Elvis Presley in 1956 for one million units sold of his single Dont Be Cruel. The first gold record for an LP was awarded by RCA Victor to Harry Belafonte in 1957 for the album Calypso and these sales were restricted to U. S. -based record companies and did not include exports to other countries. For albums in 1968, this would mean shipping approximately 250,000 units, the platinum certification was introduced in 1976 for the sale of one million units, album or single, with the gold certification redefined to mean sales of 500,000 units, album or single. No album was certified platinum prior to this year, for instance, the recording by Van Cliburn of the Tchaikovsky Piano Concerto from 1958 would eventually be awarded a platinum citation, but this would not happen until two decades after its release. In 1999, the certification was introduced for sales of ten million units. On 14 March 1958, the RIAA certified its first gold record, soundtrack was certified as the first gold album four months later. In 1976, RIAA introduced the platinum certification, first awarded to Johnnie Taylors single, Disco Lady, as music sales increased with the introduction of compact discs, the RIAA created the Multi-Platinum award in 1984. Diamond awards, honoring those artists whose sales of singles or albums reached 10,000,000 copies, were introduced in 1999 and this became much less common once the majority of retail sales became paid digital downloads and digital streaming. In most countries certifications no longer apply solely to physical media, in June 2006, the RIAA also certified the ringtone downloads of songs. Streaming from on-demand services such as Rhapsody and Spotify has been included into existing digital certification in the U. S since 2013, in the U. S. and Germany video streaming services like YouTube, VEVO, and Yahoo. Music also began to be counted towards the certification, in both cases using the formula of 100 streams being equivalent to one download, other countries, such as Denmark and Spain, maintain separate awards for digital download singles and streaming. The International Federation of the Phonographic Industry was founded in 1996, and grants the IFPI Platinum Europe Award for album sales over one million within Europe, multi-platinum Europe Awards are presented for sales in subsequent multiples of one million. Eligibility is unaffected by time, and is not restricted to European-based artists, IMPALA sales awards were launched in 2005 as the first sales awards recognising that success on a pan-European basis begins well before sales reach one million. The award levels are Silver, Double Silver, Gold, Double Gold, Diamond, Platinum, below are certification thresholds for the United States and United Kingdom
11.
RIAA
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The Recording Industry Association of America is a continental North and South American trade organization that represents the recording industry in the United States. Its members consist of record labels and distributors, which the RIAA says create, the RIAA headquarters is in Washington, D. C. The RIAA was formed in 1952 and its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the record groove and the dimensions of 33 1/3 rpm,45 rpm. Since 2001, the RIAA has spent $2 to $6 million each year on lobbying in the United States, the RIAA also participates in the collective rights management of sound recordings, and it is responsible for certifying Gold and Platinum albums and singles in the United States. Cary Sherman has been the RIAAs chairman and CEO since 2011, Sherman joined the RIAA as its general counsel in 1997 and became president of the board of directors in 2001, serving in that position until being made chairman and CEO. Mitch Glazier has been the RIAAs senior executive vice president since 2011 and he served as executive vice president for public policy and industry relations from 2000 to 2011. The past RIAA chairman and CEO is Mitch Bainwol, who served from 2003 to 2011 and he left in 2011 to become president and CEO of the Alliance of Automobile Manufacturers. The board of directors consists of 26 members of the board, the RIAA operates an award program for albums that sell a large number of copies. The program originally began in 1958, with a Gold Award for singles, the criterion was changed in 1975 to the number of copies sold, with albums selling 500,000 copies awarded the Gold Award. In 1976, a Platinum Award was added for one million sales, the awards are open to both RIAA members and non-members. Since 2000, the RIAA also operates a program for Latin music sales. Currently, a Disco De Oro is awarded for 30,000 units, the RIAA defines Latin music as a type of release with 51% or more of its content recorded in Spanish. In 2006, digital ringtones were added to branch of certification. In the same year, the RIAA introduced the Latin Digital Award for digital recordings in Spanish and this release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria is different from other styles. Gold,50,000 Platinum,100,000 Multi-Platinum,200,000 copies The RIAA opposes unauthorized sharing of its music, studies conducted since the association began its campaign against peer-to-peer file-sharing have concluded that losses incurred per download range from negligible to moderate. The association has commenced high-profile lawsuits against file sharing service providers and it has also commenced a series of lawsuits against individuals suspected of file sharing, notably college students and parents of file sharing children
12.
Compact disc
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Compact disc is a digital optical disc data storage format released in 1982 and co-developed by Philips and Sony. The format was developed to store and play only sound recordings but was later adapted for storage of data. The first commercially available Audio CD player, the Sony CDP-101, was released October 1982 in Japan, standard CDs have a diameter of 120 millimetres and can hold up to about 80 minutes of uncompressed audio or about 700 MiB of data. The Mini CD has various diameters ranging from 60 to 80 millimetres, they are used for CD singles, storing up to 24 minutes of audio. At the time of the introduction in 1982, a CD could store much more data than a personal computer hard drive. By 2010, hard drives commonly offered as much space as a thousand CDs. In 2004, worldwide sales of audio CDs, CD-ROMs and CD-Rs reached about 30 billion discs, by 2007,200 billion CDs had been sold worldwide. In 2014, revenues from digital music services matched those from physical format sales for the first time. American inventor James T. Russell has been credited with inventing the first system to record information on an optical transparent foil that is lit from behind by a high-power halogen lamp. Russells patent application was first filed in 1966, and he was granted a patent in 1970, following litigation, Sony and Philips licensed Russells patents in the 1980s. The compact disc is an evolution of LaserDisc technology, where a laser beam is used that enables the high information density required for high-quality digital audio signals. Prototypes were developed by Philips and Sony independently in the late 1970s, although originally dismissed by Philips Research management as a trivial pursuit, the CD became the primary focus for Philips as the LaserDisc format struggled. In 1979, Sony and Philips set up a joint task force of engineers to design a new audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980, after their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984, by 1988 CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes. The success of the disc has been credited to the cooperation between Philips and Sony, who came together to agree upon and develop compatible hardware. The unified design of the disc allowed consumers to purchase any disc or player from any company. In 1974, L. However, due to the performance of the analog format
13.
Remaster
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Remaster refers to enhancing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. For example, sound effects might have been added from copies of sound effect similar to modern sampling to make a radio play for broadcast. A master is the recording which experts state will be the copy that is duplicated for the end user usually into other formats i. e. LP records. Problematically, several different levels of masters often exist for any one audio release, as an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape and this tape was mixed to create a stereo or mono master. More master recordings would be duplicated from the master for regional copying purposes. Pressing masters for vinyl recordings would be created, often these interim recordings were referred to as Mother Tapes. All vinyl records would derive from one of the master recordings, thus, mastering refers to the process of creating a master. This might be as simple as copying a tape for further duplication purposes, or might include the actual equalization, the latter example usually requires the work of mastering engineers. With the advent of recording in the late 1970s, many mastering ideas changed. Previously, creating new masters meant incurring an analogue generational loss, in other words and this means how much of the original intended good information is recorded against faults added to the recording as a result of the technical limitations of the equipment used. Although noise reduction techniques exist, they also increase other audio distortions such as shift, wow and flutter, print-through. With digital recording, masters could be created and duplicated without incurring the usual generational loss, as CDs were a digital format, digital masters created from original analog recordings became a necessity. Remastering is the process of making a new master for an album, film and it tends to refer to the process of porting a recording from an analogue medium to a digital one, but this is not always the case. All CDs created from analogue sources are technically digitally remastered, the process of creating a digital transfer of an analogue tape remasters the material in the digital domain, even if no equalization, compression, or other processing is done to the material. Ideally, because of their resolution, a CD or DVD release should come from the best source possible. Additionally, the earliest days of the CD era found digital technology in its infancy, the earliest days of the DVD era were not much different, with early DVD copies of films frequently being produced from worn prints, with low bitrates and muffled audio. When the first CD remasters turned out to be bestsellers, companies soon realized that new editions of back-catalogue items could compete with new releases as a source of revenue, back-catalogue values skyrocketed, and today it is not unusual to see expanded and remastered editions of fairly modern albums
14.
Super Audio CD
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Super Audio CD is a read-only optical disc for audio storage, introduced in 1999. It was developed jointly by Sony and Philips Electronics, and intended to be the successor to their Compact Disc format, having made little impact in the consumer audio market, by 2007, SACD was deemed to be a failure by the press. A small market for SACD has remained, serving the audiophile community, the Super Audio CD format was introduced in 1999. Royal Philips and Crest Digital partnered in May 2002 to develop and install the first SACD hybrid disc production line in the USA, SACD did not achieve the same level of growth that Compact discs enjoyed in the 1980s, and was not accepted by the mainstream market. By October 2009, record companies had published more than 6,000 SACD releases, jazz and popular music albums, mainly remastered previous releases, were the next two most numerous genres represented. Many popular artists have released some or all of their catalog on SACD. Pink Floyds album The Dark Side of the Moon sold over 800,000 copies by June 2004 in its SACD Surround Sound edition, the Whos rock opera Tommy, and Roxy Musics Avalon, were released on SACD to take advantage of the formats multi-channel capability. All three albums were remixed in 5.1 surround, and released as hybrid SACDs with a mix on the standard CD layer. Some popular artists have released new recordings on SACD, sales figures for Stings Sacred Love album reached number one on SACD sales charts in four European countries in June 2004. Between 2007 and 2008, Genesis re-released all of their studio albums across three box sets, each album in these sets contains the original album on SACD in both stereo and 5.1 mixes. The US & Canada versions do not use SACD but CD instead, by August 2009443 labels had released one or more SACDs. Instead of depending on major label support, some orchestras and artists have released SACDs on their own, many of the SACD discs that were released from 2000-2005 are now out of print and are available only on the used market. By 2009, the record companies were no longer regularly releasing discs in the format. SACD is a disc of identical physical dimensions as a compact disc. There are three types of disc, Hybrid, Hybrid SACDs are encoded with a 4.7 GB DSD layer, single-layer, A DVD-5 encoded with one 4.7 GB DSD layer. Dual-layer, A DVD-9 encoded with two DSD layers, totaling 8.5 GB, and no PCM layer, dual-layer SACDs can store nearly twice as much data as a single-layer SACD. Unlike hybrid discs, both single- and dual-layer SACDs are incompatible with conventional CD players and cannot be played on them, a stereo SACD recording has an uncompressed rate of 5.6 Mbit/s, four times the rate for Red Book CD stereo audio. Other technical parameters are as follows, Commercial releases commonly included both surround sound and stereo mixes on the SACD layer, some reissues however, retained the mixes of earlier multi-channel formats
15.
Eric Lott
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Eric Steven Lott is an American Professor of English and social historian. Lott received his Ph. D. in 1991 from Columbia University and he is Professor of English at CUNY Graduate Center in New York City. Previously, he was a faculty member in the Department of English at the University of Virginia
16.
Fables of the Reconstruction
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Fables of the Reconstruction, also known as Reconstruction of the Fables, is the third studio album by American alternative rock band R. E. M. The Joe Boyd-produced album was the one recorded by the group outside of the United States but is a concept album of Southern Gothic themes. Boyd was best known for his work with modern English folk musicians, including acts such as Fairport Convention. It was still a record by R. E. M. The opening song, Feeling Gravitys Pull, describes falling asleep reading, Michael Stipes lyrics also reference surrealist photographer Man Ray. Maps and Legends fits the earlier sound and features harmony vocals by bassist Mike Mills. The song is dedicated to the Reverend Howard Finster, an outsider artist whom the band considered to be a man of vision. Driver 8 describes the surrounding railroad tracks in somewhat abstract terms. Trains are a frequent motif in rural American music, suggesting the freedom, driven by a distinctive guitar riff, Driver 8 was one of the songs on the album to receive college radio play, and the record company also authorized a music video. Beginning with an introduction, Life and How to Live It charged through another atmospheric, folk rock arrangement. Without mentioning him by name, the song was about Athens, Georgia, author Brivs Mekis, Stipe later said that his previous lyrics never really had any literal meanings, and that by this time he had begun to write lyrics that told stories. Kohoutek referenced the comet Kohoutek, and is one of the earliest R. E. M. Songs about a relationship, using the comet as a simile for a lover who, like Kohoutek. The song Auctioneer deviated from the typical R. E. M, sound of the time, with jagged guitar riffs and more references to old rural ways of life. The plaintive Good Advices contains the following Stipe lyric that has been quoted in musical and literary contexts, When you meet a stranger, a celebration of an eccentric individual is the subject of Old Man Kensey and closing track Wendell Gee. The latter, a ballad with piano and more harmonies from Berry and Mills, was the third and final single in the UK only. Upon release, Fables of the Reconstruction reached #28 in the United States and was the bands best showing yet in the UK, peaking at #35. Peter Buck, in the notes of the 25th Anniversary Deluxe edition, said, Over the years
17.
R.E.M.
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R. E. M. was an American rock band from Athens, Georgia, that was formed in 1980 by drummer Bill Berry, lead guitarist Peter Buck, bassist/backing vocalist Mike Mills, and lead vocalist Michael Stipe. Released its first single—Radio Free Europe—in 1981 on the independent record label Hib-Tone, the single was followed by the Chronic Town EP in 1982, the bands first release on I. R. S. Following years of success, R. E. M. Achieved a mainstream hit in 1987 with the single The One I Love, the group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide. By the early 1990s, when alternative rock began to experience mainstream success, R. E. M. was viewed by subsequent acts such as Nirvana. The band then released its two most commercially successful albums, Out of Time and Automatic for the People, which veered from the established sound. R. E. M. s 1994 release, Monster, was a return to a more rock-oriented sound, the band began its first tour in six years to support the album, the tour was marred by medical emergencies suffered by three of the band members. Re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history and its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than expected. The following year, Bill Berry left the band, while Stipe, Buck, in 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. Disbanded amicably in September 2011, announcing the split on its website, in January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in rock and protopunk artists like Patti Smith, Television. Stipe said, It turns out that I was buying all the records that was saving for himself, Stipe and Buck soon met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on songs, Stipe later commented that there was never any grand plan behind any of it. Their still-unnamed band spent a few months rehearsing and played its first show on April 5,1980, at a friends birthday party held in a converted Episcopal church in Athens. After considering names like Twisted Kites, Cans of Piss, and Negro Wives, the band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a store clerk who was so impressed by an R. E. M. performance in his hometown of Chapel Hill, North Carolina. R. E. M. s success was almost immediate in Athens and surrounding areas, the band drew progressively larger crowds for shows, over the next year and a half, R. E. M. Toured throughout the Southern United States, touring was arduous because a touring circuit for alternative rock bands did not then exist
18.
Chicago Tribune
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The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by tronc, Inc. formerly Tribune Publishing. The Tribune was founded by James Kelly, John E. Wheeler, forrest, publishing its first edition on June 10,1847. The paper saw numerous changes in ownership and editorship over the eight years. Initially, the Tribune was not politically affiliated but tended to either the Whig or Free Soil parties against the Democrats in elections. By late 1853, it was frequently running xenophobic editorials that criticized foreigners, about this time it also became a strong proponent of temperance. Ray became editor-in-chief, Medill became the editor, and Alfred Cowles, Sr. brother of Edwin Cowles. Each purchased one third of the Tribune, under their leadership the Tribune distanced itself from the Know Nothings and became the main Chicago organ of the Republican Party. However, the continued to print anti-Catholic and anti-Irish editorials. Between 1858 and 1860, the paper was known as the Chicago Press & Tribune, on October 25,1860, it became the Chicago Daily Tribune. Before and during the American Civil War, the new editors pushed an abolitionist agenda and strongly supported Abraham Lincoln, the paper remained a force in Republican politics for years afterwards. In 1861, the Tribune published new lyrics for the song John Browns Body by William W. Patton, Medill served as mayor of Chicago for one term after the Great Chicago Fire of 1871. Under the 20th-century editorship of Colonel Robert R. Joseph McCarthy, when McCormick assumed the position of co-editor in 1910, the Tribune was the third-best-selling paper among Chicagos eight dailies, with a circulation of only 188,000. At the same time, the Tribune competed with the Hearst paper, by 1914, the cousins succeeded in forcing out Managing Editor William Keeley. By 1918, the Examiner was forced to merge with the Chicago Herald, in 1919, Patterson left the Tribune and moved to New York to launch his own newspaper, the New York Daily News. In a renewed war with Hearsts Herald-Examiner, McCormick and Hearst ran rival lotteries in 1922. The Tribune won the battle, adding 250,000 readers to its ranks, also in 1922, the Chicago Tribune hosted an international design competition for its new headquarters, the Tribune Tower. The competition worked brilliantly as a publicity stunt, and more than 260 entries were received, the winner was a neo-Gothic design by New York architects John Mead Howells and Raymond Hood. The newspaper sponsored an attempt at Arctic aviation in 1929
19.
Sheryl Crow
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Sheryl Suzanne Crow is an American singer-songwriter and actress. Her music incorporates elements of pop, rock, folk, country and she has released eight studio albums, two compilations, a live album and has contributed to a number of film soundtracks. She has sold more than 50 million albums worldwide, Crow has garnered nine Grammy Awards from the National Academy of Recording Arts and Sciences. B. King, George Strait, Tony Bennett, Kid Rock and Sting, among others and she has also performed backing vocals for Tina Turner, Don Henley, Stevie Nicks, Belinda Carlisle, Bob Dylan and Joe Cocker. Sheryl Suzanne Crow was born in Kennett, Missouri, the daughter of Bernice, a teacher, and Wendell Wyatt Crow. Her great-grandfather was congressman Charles A. Crow and she has two older sisters named Kathy and Karen and a younger brother named Steven. While studying at Kennett High School, Crow was a majorette and she also joined the pep club, the National Honor Society, and the National FFA Organization, and was crowned Paperdoll Queen in a celebrity-judged beauty contest during her senior year. She then enrolled at the University of Missouri in Columbia and received a Bachelor of Arts degree in composition, performance. While at the university, she sang in the local band Cashmere, Crow was later awarded honorary doctorates from the University of Missouri and Southeast Missouri State University in Cape Girardeau, Missouri. Crow has stated that her musical inspirations are not restricted to one genre—she likes anything with a drum beat, in 2008, she told Ellen DeGeneres that If it didnt have a drum beat, you can just forget about it. After graduating from the University of Missouri, Crow worked as a teacher at the Kellison elementary school in Fenton. Teaching during the day gave her the opportunity to sing in bands on the weekends and she was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents home in St. Louis. Her first jingle was a back to school spot for the St Louis department store Famous-Barr, soon after she created commercial jingles for McDonalds and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonalds ad alone, Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987–89 and often performed with Jackson on I Just Cant Stop Loving You. She also recorded vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990 and that same year, her song Heal Somebody appeared in the film Bright Angel. In 1992, Crow recorded her first attempt at an album with Phil Collins record producer Hugh Padgham
20.
The Globe Sessions
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It was nominated for Album of the Year, Best Rock Album and Best Engineered Non-Classical Album at the 1999 Grammys, winning the latter two awards. The Globe Sessions reached #2 on the UK Album Chart, while peaking at #5 on the Billboard 200 chart, the album was recorded at and named for the sessions recorded at Globe Recording Studio in New York owned by Robert FitzSimons and Tracey Loggia. On earlier versions of the album the track Crash and Burn contains the hidden track Subway Ride, running 11,19, another version eliminates both Subway Ride and Sweet Child O Mine. It differs from the Rock Version used in the music video. The European version features Resuscitation as twelfth track, the Japanese version contains the bonus tracks Carolina & Resuscitation, husky Höskulds Assistant engineers, Brant Scott, Howard Willing, Ryan Baesch Mixing, Tchad Blake, Andy Wallace Assistant mixing engineers, S
21.
Dixie Chicks
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The Dixie Chicks are an American country music band which has also crossed over into other genres, including pop and alternative country. The band is composed of founding members Martie Erwin Maguire and Emily Erwin Robison, Dixie Chicks were founded by Laura Lynch on upright bass, guitarist Robin Lynn Macy, and the multi-instrumentalist sisters Martie and Emily Erwin in 1989. The Erwin sisters have married and changed their names to Martie Maguire. The four took their name from the song Dixie Chicken by Lowell George of Little Feat, originally playing predominantly bluegrass. All four women played and sang, though Maguire and Robison provided most of the accompaniment for the band while Lynch. Maguire primarily played fiddle, mandolin, and viola, while Robisons specialties included five-stringed banjo and they paid $5,000 for the 14-track album. The album included two instrumental tunes, in 1987, Maguire had won second place, and in 1989, third place in the National fiddle championships held at the Walnut Valley Festival in Winfield, Kansas. A Christmas single was released at the end of the year – a 45 RPM vinyl record titled Home on the Radar Range, with Christmas Swing on one side and the song on the flip side named The Flip Side. The record titles were significant, during period of time, the bandmates dressed up as cowgirls. However, even with an appearance at the Grand Ole Opry, with few exceptions, such as Garrison Keillors radio show A Prairie Home Companion, Robin Lynn Macy was not pleased with their change in sound, however. She left in late 1992 to devote herself to a bluegrass sound, remaining active in the Dallas. It was during this period that professional steel guitarist Lloyd Maines introduced them to his daughter, Natalie and her distinctive voice was a match for Maguires soprano and Robisons alto harmonies. If their show at the Birchmere last week was any indication, new manager Simon Renshaw approached music executive Scott Siman and he signed them to a developmental deal with Sony Music Entertainments Nashville division. The deal was finalized with Sony over the summer of 1995, the Chicks then replaced Lynch with singer Maines. Accounts of the departure have varied, at the time, the sisters stated that Lynch had been considering leaving the band for over a year, weary of touring, and hoping to spend more time with her daughter at home. She offered to stay for the first cuts on the new album for Sony, in a later interview, Lynch said, It cant really be characterized as a resignation. There are three Dixie Chicks, and Im only one, by her own account Lynch has noted that she had no regrets about leaving. With the addition of Natalie Maines, the new lineup had a contemporary sound, as well as a new look, leaving their cowgirl dresses with their past
22.
Top of the World Tour
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The Top of the World Tour was the 2003 concert tour by American country music trio Dixie Chicks. It was in support of their album Home, and named after the song Top of the World on that album, the tour began with three promotional concerts in Europe and Australia. We do not want this war, this violence, and we’re ashamed that the President of the United States is from Texas, the backdrop to this statement was the large protests in Britain against the impending war. The first leg of the tour took place in North America. The Bush controversy and a comment against a Toby Keith song resulted in the state of South Carolina not wanting to let the band in. Natalie Maines stated, These fans paid their hard earned money to see us play, the second leg took place in Western Europe in September, followed by a brief third leg in Australia that finished in early October. A couple of concerts back in the United States finished the tour, the tour grossed $60.5 million, making it the highest grossing country music tour up until that time. It was also the 8th highest-grossing tour of any genre in 2003, the live album Top of the World Tour, Live and DVD Top of the World Tour, Live document the tour — both are composed of performances from multiple shows. Dressing room and on-stage scenes from the tour, as well as the effect of Maines controversial statement on the venture, were included in the 2006 documentary Dixie Chicks, Shut Up and Sing. The multi-tiered in-the-round stage was a feat of engineering complete with shifting hydraulic-lift levels, winding catwalks and it weighed over 80,000 pounds and took up most of the arena floor. A crew of 120 traveled in thirteen busses and seventeen trucks and this show included the largest touring video show, with 1.5 million LED lights displaying graphics on video screens and on the floor of the stage. During the show, artificial flowers, grass, trees and a windmill sprung up from underneath the stage and it took over 2000 amps of power and 240 pounds of CO2 gas to run the special effects for each show. Recorded pre-show music included Peace, Love and Understanding, band on the Run, Thank You, and Born in the U. S. A. During the show the three singers used headset microphones and were frequently well apart from each other, nevertheless, stage patter was fairly frequent, with a notable case of Martie Maguire confessing that her rather unusual clothing assemblage made her look like Crack whore Barbie. A new addition to the repertoire was a long, churning rendition of Bob Dylans travelphobic Mississippi. In the opening U. S. show, Natalie offered fans 15 seconds to boo, however, after a count of three, there was thunderous applause instead. Joan Osborne Start-Philadelphia Michelle Branch Jann Arden The Thorns The following songs were performed during the concert at Madison Square Garden in New York City and it does not represent all songs performed on tour. Roscoe Beck – bass John Deaderick – keyboards John Gardner – drums David Grissom – acoustic guitar, electric guitar John Mock – pennywhistle, concertina, percussion, guitar, brent Truitt – mandolin Robbie Turner – steel guitar Keith Sewell – acoustic guitar Tour Info
23.
Vote for Change
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The Vote for Change tour was a politically motivated American popular music concert tour that took place in October 2004. The tour was presented by MoveOn. org to benefit America Coming Together, the tour was held in swing states and was designed to encourage people to register and vote. Bush would defeat Kerry in November 2004, every region had a specific night during which the concerts would be held in that region. When concerts were held in the city, they were at different venues. The tour was successful in attracting audiences, generating media attention. In terms of the effect on the election, none of the states that featured shows on the tour went differently from predicted in pre-election polls. Four of the eight ended up voting in favor of Kerry while the four went to Bush. The states that had the heaviest tour presence also split evenly, the result in Ohio was the most critical, as it decided the election in Bushs favor. The Springsteen and E Street Band performances were compressed to two hours in length due to the nature of the concerts. Especially at the beginning of his sets, Springsteen accomplished this by stripping down the songs, removing elongated outros and false endings from the likes of Born in the U. S. A. and Badlands. In doing so, the style of the Vote for Change shows foreshadowed the next E Street outing, the 2007 Magic Tour, backstreets. com set lists and descriptions for the shows that Springsteen was involved in
24.
Accidents & Accusations Tour
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The Accidents & Accusations World Tour was a concert tour by the Dixie Chicks. Consequently, the level of success for the tour attracted considerable media attention. The tour was named after the lyrics in the song Easy Silence from the album Taking the Long Way, the North American leg of the tour was announced on May 18,2006, for approximately 60 shows to run from late July through early November. While the Chicks 2003 Top of the World Tour also took place after the Bush controversy, most of the tickets had already been sold beforehand, and it was the top-grossing country tour of that year. Despite good sales figures for the new Taking the Long Way album, however, four dates in Memphis, Oklahoma City, Fresno, and Indianapolis were dropped from the tour schedule. In Houston, tickets never went on sale, with the concert promoter noting that local radio stations wouldnt even accept our advertising money, arenas holding 15,000 capacity were only selling 5, 000–6,000 seats, sometimes less. The Chicks first performed a quick mini-leg of two concerts in London as part of their activities for the June 12 international release of Taking the Long Way. Indeed, their first concert performance in almost two years was on June 15 at the Shepherds Bush Empire, the scene of the crime of Maines remark regarding President Bush. In a show that was broadcast live by MSN and called Scene of the Crime, Maines said from the stage, And all week, do you know what youre gonna say. As usual I didnt plan anything, but I thought Id say something new and just say. This was met with applause and cheers. The North American leg began as scheduled on July 21,2006 at Joe Louis Arena in Detroit, the tour itinerary continued to suffer cancellations in the United States, while adding shows in Canada, where the new album and its singles were getting better radio airplay. An early leg show such as the July 25 one in Philadelphias Wachovia Center, however, a show of hands taken by Maines indicated that a third or more of the fans were attending their first Chicks concert, which boded well for the group building a new audience. Continuing the ups and downs of the tour, the August 2 show at Jones Beach Theatre in Wantagh, New York was postponed due to extreme heat, on August 4, a revised tour schedule was finally announced. Several other late summer/early fall dates had been pushed back into later in the fall, including ones in Nashville, Los Angeles, Denver, and Phoenix. Dates were also announced for Australia, where Taking the Long Way had been one on the country albums for the three months since its release. During interviews for film, Maines said in reference to the tour, We’ve basically been playing to about half the audience as on the last tour. In the past, I think we thought, Oh, we have a purpose to entertain them and they were there to absorb that and soak it up
25.
Charley Patton
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Charley Patton, also known as Charlie Patton, was an American Delta blues musician. Considered by many to be the Father of the Delta Blues, he created a body of American music. The musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century, Patton spelled his name Charlie, but many sources, including record labels and his gravestone, use the spelling Charley. Patton was born in Hinds County, Mississippi, near the town of Edwards, most sources say he was born in April 1891, but the years 1881,1885 and 1887 have also been suggested. Pattons parentage and race also are uncertain, biographer John Fahey described Patton as having light skin and Caucasian features. Patton was considered African-American, but because of his light complexion there has been speculation that he was Mexican or Cherokee and it is now generally agreed that Patton was of mixed heritage, with both white and black ancestors, as well as a Cherokee grandmother. In 1897, his family moved 100 miles north to the 10, 000-acre Dockery Plantation, there, Patton developed his musical style, influenced by Henry Sloan, who had a new, unusual style of playing music, which is now considered an early form of the blues. Patton performed at Dockery and nearby plantations and began an association with Willie Brown, tommy Johnson, Fiddlin Joe Martin, Robert Johnson, and Chester Burnett also lived and performed in the area, and Patton served as a mentor to these younger performers. He was popular across the southern United States and performed annually in Chicago, in 1934, unlike most blues musicians of his time, who were often itinerant performers, Patton played scheduled engagements at plantations and taverns. He gained popularity for his showmanship, sometimes playing with the guitar down on his knees, behind his head, Patton settled in Holly Ridge, Mississippi, with his common-law wife and recording partner, Bertha Lee, in 1933. He died on the Heathman-Dedham plantation, near Indianola, on April 28,1934 and his death certificate states that he died of a mitral valve disorder. The death certificate does not mention Bertha Lee, the only informant listed is one Willie Calvin, Pattons death was not reported in the newspapers. A memorial headstone was erected on Pattons grave, paid for by musician John Fogerty through the Mt. Zion Memorial Fund in July 1990, the spelling of Pattons name was dictated by Jim ONeal, who also composed the epitaph. Screamin and Hollerin the Blues, The Worlds of Charley Patton and it also features recordings by many of his friends and associates. The set won three Grammy Awards in 2003, for Best Historical Album, Best Boxed or Special Limited Edition Package, another collection of Patton recordings, The Definitive Charley Patton, was released by Catfish Records in 2001. Pattons song Pony Blues was included by the National Recording Preservation Board in the National Recording Registry of the Library of Congress in 2006, the board annually selects recordings that are culturally, historically, or aesthetically significant. In 2013, Jack Whites Third Man Records teamed up with Document Records to reissue The Complete Recorded Works in Chronological Order of Charley Patton, Blind Willie McTell and the Mississippi Sheiks. The marker commemorates the lyrics of Pattons Peavine Blues, which refer to the branch of the Yazoo, the marker notes that riding on the railroad was a common theme of blues songs and was seen as a metaphor for travel and escape
26.
Just Like Tom Thumb's Blues
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Just Like Tom Thumbs Blues is a song written and performed by Bob Dylan. It was originally recorded on August 2,1965, and released on the album Highway 61 Revisited, lightfoots version was recorded only weeks after Dylans original had been released and reached #3 on the national RPM singles chart. In addition, the song was sampled by the Beastie Boys for their song Finger Lickin Good, Just Like Tom Thumbs Blues has six verses but no chorus. William Ruhlmann of the Allmusic website has described the song as a tour de force. Music critic Dave Marsh ranked the version of Just Like Tom Thumbs Blues from Liverpool that was released as the B-side of I Want You as the number 243 greatest single of all time. According to Dylan biographer Clinton Heylin, on early takes of the song, Sam Lay was the drummer, in Heylins opinion, Greggs jazzier drumming and Griffins more fluid piano playing better communicated the feeling of dislocation that Dylan desired for the song. Take 5 of the song, which, according to Heylin, featured both Lay and Owens, was included on the 2005 album The Bootleg Series Vol.7, No Direction Home, The Soundtrack. Lyrically, Just Like Tom Thumbs Blues continues the theme of road weariness from the previous song. The singer finds himself in Juarez, Mexico, at Easter time, amidst sickness, despair, whores, while there, he encounters corrupt authorities and women of dubious character, named in the song as Saint Annie and sweet Melinda, before seeking succor in drugs and alcohol. The song establishes a nightmare vision as the singer is influenced by gravity, negativity, sex, drugs, drink, illness, remorse and memory. In the songs verse, the singer decides he has had enough and finds the means to leave it all behind and head back to New York City. Despite the sordid details of the experiences in Juarez, the lyrics maintain a sense of humor. During a concert in Sydney, New South Wales, Australia in April 1966, Dylan said of the song, This is and this story takes place outside of Mexico City. The song also uses the phrase housing project hill which is taken from Jack Kerouacs novel Desolation Angels, musically, Just Like Tom Thumbs Blues consists of no chorus, but six verses, varied by a handful of chords and Dylans vocal emphasis. Keyboards, drums and vocals provide texture, while Mike Bloomfield plays Latin Americanesque fills on electric guitar, the keyboard parts in particular make innovative use of two different pianos, with Al Kooper playing an electric Hohner Pianet and Paul Griffin adding a bar room feel on tack piano. In all but the verse, the even lines rhyme. In the final verse, however, the odd numbered lines rhyme on ee and this change in the rhyming pattern provides a subtle sense of finality to the final two lines, Im going back to New York City I do believe Ive had enough. The song has also been popular live in concert, Clinton Heylin has stated that as performed live in 1965–66, Tom Thumb became an inferno of pain
27.
Pro Tools
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Most of Pro Tools basic functions can be controlled within Edit or Mix windows, which the user can see on a computer screen. The Edit window displays audio and Musical Instrument Digital Interface tracks, here, audio can be edited in a non-linear, non-destructive fashion. Pro Tools supports 16-bit, 24-bit, 32-bit, and 64-bit float audio at rates up to 192 kHz. Pro Tools can handle WAV, AIFF, AIFC, mp3, Windows Media Audio and it features time code, tempo maps, elastic audio, automation and surround sound abilities. The Pro Tools mix engine has traditionally employed 48-bit fixed point arithmetic, the new HDX hardware uses 64-bit floating point summing. Pro Tools was developed by UC Berkeley graduates Evan Brooks, who majored in engineering and computer science. The first incarnation of Pro Tools was introduced in 1984 under the brand name Sound Designer, at the time, the pair were creating and selling digital drum sound chips under their Digidrums label. Sound Designer was originally designed to edit sounds for the E-mu Emulator sampling keyboard, but it was ported to many other sampling keyboards, such as the Akai S900. Thanks to the universal file specification developed by Brooks, Sound Designer files could be transferred to, macMusic allowed users worldwide to share sample libraries across different manufacturers platforms without copyright infringement. In 1987, Gotcher and Brooks discussed with E-mu Systems the possibility of integrating their renamed Sound Tools software into the Emulator III, E-mu rejected this offer and the pair started Digidesign, with Gotcher as president and Brooks as lead engineer. Sound Tools debuted on January 20,1989 at NAMM, at this stage Sound Tools was a simple computer-based stereo audio editor. The first version of Pro Tools was launched in 1991, offering four tracks and that software, manufactured by OSC but distributed by Digidesign, formed the platform upon which Pro Tools version 1 was built. The software was known circa mid-1990s as Session and Session 8.1 kHz audio recording, in 1997, Pro Tools reached 24-bit,48 tracks. It was at point that the migration from more conventional analog studio technology to the Pro Tools platform took place within the industry. Ricky Martin’s Livin la Vida Loca was the first No.1 single to be recorded, edited, in 2009, Pro Tools was used for creating the audio for the video games DJ Hero and Guitar Hero, using the modeling plug-in Eleven for the guitar sounds. Most of Pro Tools basic functions can be controlled within Edit or Mix windows, the Edit window displays audio and Musical Instrument Digital Interface tracks, and provides graphical representation of the information recorded or imported. Here, audio can be edited in a non-linear, non-destructive fashion, MIDI information can also be manipulated. The release of Pro Tools 8 introduced a MIDI edit window and it also includes MIDI edit lanes so that the user can see note, velocity and other CC data in the same window
28.
Metacritic
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Metacritic is a website that aggregates reviews of media products, music albums, games, movies, TV shows, DVDs, and formerly, books. For each product, the scores from each review are averaged, Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts. The site provides an excerpt from each review and hyperlinks to its source, a color of Green, Yellow or Red summarizes the critics recommendations and therefore the general appeal of the product to reviewers and, to a lesser extent, the public. It is regarded as the game industrys foremost review aggregator. Metacritics scoring converts each review into a percentage, either mathematically from the mark given, before being averaged, the scores are weighted according to the critics fame, stature, and volume of reviews. Metacritic was launched in July 1999 by Marc Doyle, his sister Julie Doyle Roberts, rotten Tomatoes was already compiling movie reviews, but Doyle, Roberts, and Dietz saw an opportunity to cover a broader range of media. They sold Metacritic to CNET in 2005, CNET and Metacritic are now owned by the CBS Corporation. Nick Wingfield of The Wall Street Journal wrote in September 2004, Mr. Doyle,36, is now a product manager at CNET. Speaking of video games, Doyle said, A site like ours helps people cut through. unobjective promotional language and he added that the review process was not taken as seriously when unconnected magazines and websites provided reviews in isolation. In August 2010, the appearance was revamped, reaction from users was overwhelmingly negative. Certain publications are given more significance because of their stature, games Editor Marc Doyle was interviewed by Keith Stuart of The Guardian to get a look behind the metascoring process. Stuart wrote, the phenomenon, namely Metacritic and GameRankings, have become an enormously important element of online games journalism over the past few years. The ranging of metascores is, Metacritic is regarded as the foremost online review site for the video game industry. Nick Wingfield of The Wall Street Journal has written that Metacritic influence the sales of games and he explains its influence as coming from the higher cost of buying video games than music or movie tickets. Many executives say that low scores can hurt the sales potential. He claimed that a number of businesses and financial analysts use Metacritic as an early indicator of a games potential sales and, by extension. In 2004, Jason Hall of Warner Bros. began including quality metrics in contracts with partners licensing its movies for games, if a product does not at least achieve a specific score, some deals require the publisher to pay higher royalties. In 2008, Microsoft began using Metacritic averages to de-list underperforming Xbox Live Arcade games and these are the top 10 individual games with the highest scores on the site as of 2 April 2017
29.
AllMusic
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AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
30.
Blender (magazine)
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Blender was an American music magazine that billed itself as the ultimate guide to music and more. It was also known for sometimes steamy pictorials of celebrities and it compiled lists of albums, artists, and songs, including both best of and worst of lists. In each issue, there was a review of an artists entire discography, Blender was published by Dennis Publishing. It started publishing a print edition again in 1999 in its most recent form, Blender CD-ROM showcased the earliest digital editorial formats, as well as the first forms of digital advertising. The first digital advertisers included Calvin Klein, Apple Computer, Stephen Colbert, Toyota, in June 2006, the Chicago Tribune named it one of the top ten English-language magazines, describing it as the cool kid at the school of rock magazines. Owner Alpha Media Group closed Blender magazine March 26,2009, going to a format in a move that eliminated 30 jobs. Blenders final print issue was the April 2009 issue, subscribers to the magazine were sent issues of Maxim magazine to make up for the unsent Blender issues. The Indian edition of Blender was the titles first venture outside of the United States and it commenced publication with its May 2008 issue, which featured Mariah Carey on the cover. The magazine was targeted at educated male city dwellers aged between 18 and 34, the magazine was launched through Dennis Media Transasia India, a joint venture between Dennis Publishing and Media Transasia, which also publishes the Asian versions of Blender and Maxim. The joint venture was based in New Delhi with offices in Bangalore, Chennai, Kolkata and Mumbai
31.
Chicago Sun-Times
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The Chicago Sun-Times is a daily newspaper published in Chicago, Illinois. It is the paper of the Sun-Times Media Group. The Chicago Sun-Times is the oldest continuously published daily newspaper in the city and it began in 1844 as the Chicago Daily Journal, which was the first newspaper to publish the rumor, now believed false, that a cow owned by Catherine OLeary was responsible for the Chicago fire. The Evening Journal, whose West Side building at 17-19 S. Canal was undamaged, in 1929, the newspaper was relaunched as the Chicago Daily Illustrated Times. The modern paper grew out of the 1948 merger of the Chicago Sun, founded December 4,1941 by Marshall Field III, and the Chicago Daily Times. The newspaper was owned by Field Enterprises, controlled by the Marshall Field family, when the Daily News ended its run in 1978, much of its staff, including Pulitzer Prize-winning columnist Mike Royko, were moved to the Sun-Times. During the Field period, the newspaper had a populist, progressive character that leaned Democratic but was independent of the citys Democratic establishment, although the graphic style was urban tabloid, the paper was well regarded for journalistic quality and did not rely on sensational front-page stories. It typically ran articles from the Washington Post/Los Angeles Times wire service, the advice column Ask Ann Landers debuted in 1943. Ann Landers was the pseudonym of staff writer Ruth Crowley, who answered readers letters until 1955, eppie Lederer, sister of Dear Abby columnist Abigail van Buren, assumed the role thereafter as Ann Landers. Kups Column, written by Irv Kupcinet, also made its first appearance in 1943, Jack Olsen joined the Sun-Times as editor-in-chief in 1954, before moving on to Time and Sports Illustrated magazines and authoring true-crime books. Hired as literary editor in 1955 was Hoke Norris, who covered the civil-rights movement for the Sun-Times. Jerome Holtzman became a member of the Chicago Sun sports department after first being a boy for the Daily News in the 1940s. He and Edgar Munzel, another longtime sportswriter for the paper, famed for his World War II exploits, two-time Pulitzer Prize-winning cartoonist Bill Mauldin made the Sun-Times his home base in 1962. The following year, Mauldin drew one of his most renowned illustrations, two years out of college, Roger Ebert became a staff writer in 1966, and a year later was named Sun-Times film critic. He continued in this role for the remainder of his life, after the friend wrote a story about it, Grizzard fired Banks. With that, the employees union intervened, a federal arbitrator ruled for Banks and 13 months later. The articles received considerable publicity and acclaim, but a nomination for the Pulitzer Prize met resistance from some who believed the Mirage series represented a form of entrapment. In March 1978, the afternoon publication the Chicago Daily News, sister paper of the Sun-Times
32.
Entertainment Weekly
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Entertainment Weekly is an American magazine, published by Time Inc. that covers film, television, music, Broadway theatre, books and popular culture. Different from celebrity-focused publications like Us Weekly, People, and In Touch Weekly, EW primarily concentrates on entertainment media news, however, unlike Variety and The Hollywood Reporter, which are aimed at industry insiders, EW targets a more general audience. The first issue was published on February 16,1990, the cover price was $1.95 The title word entertainment was not capitalized on the cover until mid-1992 and has remained so since. By 2003, the weekly circulation averaged 1.7 million copies per week. In March 2006, managing editor Rick Tetzeli oversaw an overhaul of EWs graphics, Entertainment Weekly follows a typical magazine format by featuring a letters to the editor and table of contents in the first few pages, while also featuring advertisements. While many advertisements are unrelated to the entertainment industry, the majority of ads are typically related to up-and-coming television and these beginning articles open the magazine and as a rule focus on current events in pop culture. First Look, subtitled An early peek at some of Hollywoods coolest projects, is a spread with behind-the-scenes or publicity stills of upcoming movies. The Hit List, written each week by critic Scott Brown, highlights ten major events, Typically, there will be some continuity to the commentaries. This column was written by Jim Mullen and featured twenty events each week. The Hollywood Insider is a section that reports breaking news in entertainment. It gives details, in the columns, on the most-current news in television, movie. The Style Report is a section devoted to celebrity style. Because its focus is on celebrity fashion or lifestyle, it is rich in nature. Recently, the converted to a new format, five pictures of celebrity fashions for the week. A spin-off section, Style Hunter, which finds reader-requested articles of clothing or accessories that have appeared in pop culture recently, appears frequently. The Monitor is a two-page spread devoted to events in celebrity lives with small paragraphs highlighting events such as weddings, illnesses, arrests, court appearances. Deaths of major celebrities are typically detailed in a one-half- or full-page obituary titled Legacy and this feature is nearly identical to sister publication Peoples Passages feature. Harris column focuses on analyzing current popular-culture events, and is generally the most serious of the columns, harris has written about the writers strike and the 2008 presidential election, among other topics
33.
The Guardian
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The Guardian is a British daily newspaper, known from 1821 until 1959 as the Manchester Guardian. Along with its sister papers The Observer and The Guardian Weekly, The Guardian is part of the Guardian Media Group, the Scott Trust became a limited company in 2008, with a constitution to maintain the same protections for The Guardian. Profits are reinvested in journalism rather than to the benefit of an owner or shareholders, the Guardian is edited by Katharine Viner, who succeeded Alan Rusbridger in 2015. In 2016, The Guardians print edition had a daily circulation of roughly 162,000 copies in the country, behind The Daily Telegraph. The newspaper has an online UK edition as well as two international websites, Guardian Australia and Guardian US, the newspapers online edition was the fifth most widely read in the world in October 2014, with over 42.6 million readers. Its combined print and online editions reach nearly 9 million British readers, notable scoops include the 2011 News International phone hacking scandal, in particular the hacking of murdered English teenager Milly Dowlers phone. The investigation led to the closure of the UKs biggest selling Sunday newspaper, and one of the highest circulation newspapers in the world, in 2016, it led the investigation into the Panama Papers, exposing the then British Prime Minister David Camerons links to offshore bank accounts. The Guardian has been named Newspaper of the Year four times at the annual British Press Awards, the paper is still occasionally referred to by its nickname of The Grauniad, given originally for the purported frequency of its typographical errors. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle and they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. They do not toil, neither do they spin, but they better than those that do. When the government closed down the Manchester Observer, the champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, the prospectus announcing the new publication proclaimed that it would zealously enforce the principles of civil and religious Liberty. Warmly advocate the cause of Reform, endeavour to assist in the diffusion of just principles of Political Economy and. Support, without reference to the party from which they emanate, in 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828. The working-class Manchester and Salford Advertiser called the Manchester Guardian the foul prostitute, the Manchester Guardian was generally hostile to labours claims. The Manchester Guardian dismissed strikes as the work of outside agitators –, if an accommodation can be effected, the occupation of the agents of the Union is gone. CP Scott made the newspaper nationally recognised and he was editor for 57 years from 1872, and became its owner when he bought the paper from the estate of Taylors son in 1907. Under Scott, the moderate editorial line became more radical, supporting William Gladstone when the Liberals split in 1886
34.
Los Angeles Times
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The Los Angeles Times, commonly referred to as the Times or LA Times, is a paid daily newspaper published in Los Angeles, California, since 1881. It was the largest metropolitan newspaper in circulation in the United States in 2008, the Times is owned by tronc. The Times was first published on December 4,1881, as the Los Angeles Daily Times under the direction of Nathan Cole Jr. and it was first printed at the Mirror printing plant, owned by Jesse Yarnell and T. J. Unable to pay the bill, Cole and Gardiner turned the paper over to the Mirror Company. Mathes had joined the firm, and it was at his insistence that the Times continued publication, in July 1882, Harrison Gray Otis moved from Santa Barbara to become the papers editor. Otis made the Times a financial success, in an era where newspapers were driven by party politics, the Times was directed at Republican readers. As was typical of newspapers of the time, the Times would sit on stories for several days, historian Kevin Starr wrote that Otis was a businessman capable of manipulating the entire apparatus of politics and public opinion for his own enrichment. Otiss editorial policy was based on civic boosterism, extolling the virtues of Los Angeles, the efforts of the Times to fight local unions led to the October 1,1910 bombing of its headquarters, killing twenty-one people. Two union leaders, James and Joseph McNamara, were charged, the American Federation of Labor hired noted trial attorney Clarence Darrow to represent the brothers, who eventually pleaded guilty. Upon Otiss death in 1917, his son-in-law, Harry Chandler, Harry Chandler was succeeded in 1944 by his son, Norman Chandler, who ran the paper during the rapid growth of post-war Los Angeles. Family members are buried at the Hollywood Forever Cemetery near Paramount Studios, the site also includes a memorial to the Times Building bombing victims. The fourth generation of family publishers, Otis Chandler, held that position from 1960 to 1980, Otis Chandler sought legitimacy and recognition for his familys paper, often forgotten in the power centers of the Northeastern United States due to its geographic and cultural distance. He sought to remake the paper in the model of the nations most respected newspapers, notably The New York Times, believing that the newsroom was the heartbeat of the business, Otis Chandler increased the size and pay of the reporting staff and expanded its national and international reporting. In 1962, the paper joined with the Washington Post to form the Los Angeles Times-Washington Post News Service to syndicate articles from both papers for news organizations. During the 1960s, the paper won four Pulitzer Prizes, more than its previous nine decades combined, eventually the coupon-clipping branches realized that they could make more money investing in something other than newspapers. Under their pressure the companies went public, or split apart, thats the pattern followed over more than a century by the Los Angeles Times under the Chandler family. The papers early history and subsequent transformation was chronicled in an unauthorized history Thinking Big and it has also been the whole or partial subject of nearly thirty dissertations in communications or social science in the past four decades. In 2000, the Tribune Company acquired the Times, placing the paper in co-ownership with then-WB -affiliated KTLA, which Tribune acquired in 1985
35.
Q (magazine)
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Q is a popular music magazine published monthly in the United Kingdom. Q was first published by the EMAP media group in October 1986, setting apart from much of the other music press with monthly production and higher standards of photography. In the early years, the magazine was sub-titled The modern guide to music, originally it was to be called Cue, but the name was changed so that it wouldnt be mistaken for a snooker magazine. Another reason, cited in Qs 200th edition, is that a title would be more prominent on newsstands. In January 2008 EMAP sold its consumer titles, including Q. The magazine has a review section, featuring, new releases, reissues, music compilations, film and live concert reviews, as well as radio. It uses a system from one to five stars, indeed. While its content is non-free they host an archive of all of their magazine covers, much of the magazine is devoted to interviews with popular musical artists. It is well known for compiling lists and it has created many, ranging from The 100 Greatest albums to the 100 Greatest 100 Greatest Lists. Every other month, Q — and its magazine, Mojo — have a special edition. These have been about musical times, genres, or a very important/influential musician, often, promotional gifts are given away, such as cover-mounted CDs or books. The January 2006 issue included a copy of The Greatest Rock. Every issue of Q has a different message on the spine, readers then try to work out what the message has to do with the contents of the mag. This practice — known as the spine line — has since become commonplace among British lifestyle magazines, including Qs sister publication, Empire, on 4 March 2007, Q named Elvis Presley the greatest singer of all time. The magazine has a relationship with the Glastonbury Festival, producing both a free daily newspaper on site during the festival and a review magazine available at the end of the festival. In late 2008 Q revamped its image, with an amount of text. This Rolling Stone-isation has led to criticism from much of the traditional Q readership, in 2006, Q published a readers survey, the 100 Greatest Songs Ever, won by Oasis Live Forever. Q has a history of associating with charitable organisations, and in 2006 the British anti-poverty charity War on Want was named its official charity, in the April 2007 issue, Q published an article containing the 100 Greatest Singers, won by Elvis Presley
36.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
37.
Spin (magazine)
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Spin is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. The magazine stopped running in print in 2012 and currently runs as a webzine, in its early years, the magazine was known for its broad music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop. The magazine was eclectic and bold, if sometimes haphazard and it pointedly provided a national alternative to Rolling Stones more establishment-oriented style. Spin prominently placed newer artists such as R. E. M, Spins extensive coverage of hip-hop music and culture, especially that of contributing editor John Leland, was notable at the time. Editorial contributions by musical and cultural figures included Lydia Lunch, Henry Rollins, David Lee Roth, the magazine also reported on cities such as Austin, Texas, or Glasgow, Scotland, as cultural incubators in the independent music scene. A1990 article on the country blues scene brought R. L. Burnside to national attention for the first time. During this time, it was published by Camouflage Associates, in 1997, Guccione sold Spin to Miller Publishing. In February 2006, Miller Publishing sold the magazine to a San Francisco-based company called the McEvoy Group LLC and that company formed Spin Media LLC as a holding company. The new owners replaced editor-in-chief Sia Michel with Andy Pemberton, an editor at Blender. The first issue to be published under his command was the July 2006 issue—sent to the printer in May 2006—which featured Beyoncé on the cover. Pemberton and Spin parted ways the next month, in June 2006, the following editor, Doug Brod, was executive editor during Michels tenure. For Spins 20th anniversary, it published a book chronicling the prior two decades in music. The book has essays on grunge, Britpop, and emo, among other genres of music, as well as pieces on musical acts including Marilyn Manson, Tupac Shakur, nirvana, Weezer, Nine Inch Nails, Limp Bizkit, and the Smashing Pumpkins. In July 2012, Spin was sold to Buzzmedia, which renamed itself SpinMedia. The September/October 2012 issue of Spin was the magazines last print edition, in December 2016, Eldridge Industries acquired SpinMedia via the Hollywood Reporter-Billboard Media Group for an undisclosed amount. In 1995, Spin produced its first book, entitled Spin Alternative Record Guide, although the book was not a sales success, it inspired a disproportionate number of young readers to pursue music criticism. Notable contributors to Spin have included, SPIN began compiling year-end lists in 1990, note, The 2000 album of the year was awarded to your hard drive, acknowledging the impact that filesharing had on the music listening experience in 2000. Kid A was listed as number 2, the highest ranking given to an actual album,1994 roadside attack on Spin magazine journalists Anon
38.
The Village Voice
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The Village Voice is an American news and culture paper, known for being the countrys first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher and Norman Mailer, since its founding, The Village Voice has received three Pulitzer Prizes, the National Press Foundation Award and the George Polk Award. Among news sources, The Village Voice is known for its combination of news reporting and arts & culture coverage. The Village Voice has hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry. In addition to daily coverage through its website and a print edition that circulates in New York City. In the 1960s the offices were located at Sheridan Square, then, from the 70s through 1980, at 11th Street and University Place, in 1991 they moved to Cooper Square in the East Village, and in 2013, to the Financial District. John Wilcock wrote a column every week for the papers first ten years, another regular from that period was the cartoonist Kin Platt, who did weekly theatrical caricatures. Other prominent regulars have included Peter Schjeldahl, Ellen Willis, Tom Carson, Wayne Barrett, the Voice has published investigations of New York City politics, as well as reporting on national politics, with arts, culture, music, dance, film, and theater reviews. Writers for the Voice have received three Pulitzer Prizes, in 1981,1986 and 2000, almost since its inception the paper has recognized alternative theater in New York through its Obie Awards. The papers Pazz & Jop music poll, started by Robert Christgau in the early 1970s, is released annually, in 1999, film critic J. Hoberman and film section editor Dennis Lim began a similar Village Voice Film Poll for the year in film. In 2001 the paper sponsored its first music festival, Siren Festival, in 2011, the event moved to the lower tip of Manhattan and re-christened the 4knots Music Festival, a reference to the speed of the East Rivers current. Today, the Voice is known for its support for the civil rights of gays. However, early in its history, the newspaper had a reputation as having an anti-homosexuality slant, while reporting on the Stonewall riots of 1969, the newspaper referred to the riots as The Great Faggot Rebellion. Two reporters, Smith and Truscott, both used the words faggot and dyke in their articles about the riots, the newspaper changed their policy after the GLF petitioned the newspaper to do so. Over time, the Voice has changed its stance, and in 1982, as a testament to the Voices popularity in New York City, the paper is mentioned in the musical Rent during the song La Vie Boheme. The line states To riding your bike midday past the three suits, to fruits, to no absolutes, to Absolut, to choice, to The Village Voice. Seventeen alternative weeklies around the United States are owned by the Voices parent company Village Voice Media, in 2005, the Phoenix alternative weekly chain New Times Media purchased the company and took the Village Voice Media name. After The Village Voice was acquired by New Times Media in 2005, the Voice was then managed by two journalists from Phoenix, Arizona
39.
Pazz & Jop
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Pazz & Jop is an annual poll of musical releases compiled by American newspaper The Village Voice since 1971. The poll is tabulated from the submitted year-end top ten lists of hundreds of music critics and it was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publications annual critics poll. Pazz & Jop was introduced by The Village Voice in 1974 as an album-only poll, the Pazz & Jop albums poll utilizes a points system in formulating list rankings. Participating critics assign a value, ranging from five to thirty, to each of the albums on their top ten list. Singles lists, however, have always been unweighted, bob Dylan and Kanye West have topped the albums poll the most number of times, with four number-one albums each. West, in addition, won the poll of 2005. Music critic Robert Christgau oversaw the Pazz & Jop poll for more than thirty years, christgaus tenure as Pazz & Jop overseer came to an abrupt end when he was controversially fired from The Village Voice after a company buy-out in August 2006. Regardless, The Village Voice has continued to run the feature, with Rob Harvilla succeeding Christgau as music editor, christgaus annual Pazz & Jop overview essay was discontinued and substituted with multiple retrospective articles of the years music written by a selection of critics. In 2016, the name was changed from Pazz & Jop to the Village Voice Music Critics Poll by the new owners of the newspaper. Christgau, who has continued to vote in the poll since his departure from the newspaper, when the 2016 results were announced in January 2017, the poll had reverted to its Pazz & Jop name. Official Pazz & Jop page at The Village Voice Pazz & Jop polls and essays by Robert Christgau
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