1.
Capitoline Museums
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The Capitoline Museums are a single museum containing a group of art and archeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The history of the museums can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome, the museums are owned and operated by the municipality of Rome. The statue of a rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed on-site in the Capitoline museum. Open to the public in 1734 under Clement XII, the Capitoline Museums are considered the first museum in the world, understood as a place where art could be enjoyed by all and this section contains collections sorted by building, and brief information on the buildings themselves. For the history of their design and construction, see Capitoline Hill#Michelangelo, the Capitoline Museums are composed of three main buildings surrounding the Piazza del Campidoglio and interlinked by an underground gallery beneath the piazza. In addition, the 16th century Palazzo Caffarelli-Clementino, located off the adjacent to the Palazzo dei Conservatori, was added to the museum complex in the early 20th century. The collections here are ancient sculpture, mostly Roman but also Greek, the Conservators Apartment is distinguished by elaborate interior decorations, including frescoes, stuccos, tapestries, and carved ceilings and doors. The third floor of the Palazzo dei Conservatori houses the Capitoline Art Gallery, housing the museums painting, the Capitoline Coin Cabinet, containing collections of coins, medals, jewels, and jewelry, is located in the attached Palazzo Caffarelli-Clementino. Statues, inscriptions, sarcophagi, busts, mosaics, and other ancient Roman artifacts occupy two floors of the Palazzo Nuovo, in the Hall of the Galatian can also be appreciated the marble statue of the Dying Gaul also called “Capitoline Gaul” and the statue of Cupid and Psyche. The gallery was constructed in the 1930s and it contains in situ 2nd century ruins of ancient Roman dwellings, and also houses the Galleria Lapidaria, which displays the Museums collection of epigraphs. The new great glass covered hall — the Sala Marco Aurelio — created by covering the Giardino Romano is similar to the one used for the Sala Ottagonale, the design is by the architect Carlo Aymonino. Its volume recalls that of the oval space designed by Michelangelo for the piazza and its centerpiece is the bronze equestrian statue of Marcus Aurelius, which was once in the centre of Piazza del Campidoglio and has been kept indoors ever since its modern restoration. Moving these statues out of the palazzo allows those sculptures temporarily moved to the Centrale Montemartini to be brought back. The Centrale Montemartini is a power station of Acea in southern Rome. Its permanent collection comprises 400 ancient statues, moved here during the reorganisation of the Capitoline Museums in 1997, along with tombs, busts, many of them were excavated in the ancient Roman horti between the 1890s and 1930s, a fruitful period for Roman archaeology. They are displayed there along the lines of Tate Modern, except that the machinery has not been moved out, Capitoline Brutus Capitoline Museums official website
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Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Sicyon
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Sicyon was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. An ancient monarchy at the times of the Trojan War, the city was ruled by a number of tyrants during the Archaic and Classical period, Sicyon was celebrated for its contributions to ancient Greek art, producing many famous painters and sculptors. In Hellenistic times it was also the home of Aratus of Sicyon, Sicyon was built on a low triangular plateau about two miles from the Corinthian Gulf. Between the city and its port lay a fertile plain with olive groves, in Mycenean times Sicyon had been ruled by a line of twenty-six mythical kings and then seven priests of Apollo. The king-list given by Pausanias comprises twenty-four kings, beginning with the autochthonous Aegialeus, the penultimate king of the list, Agamemnon, compels the submission of Sicyon to Mycenae, after him comes the Dorian usurper Phalces. After the Dorian invasion the city remained subject to Argos, whence its Dorian conquerors had come, the community was now divided into the ordinary three Dorian tribes and an equally privileged tribe of Ionians, besides which a class of serfs lived on and worked the land. For some centuries the suzerainty remained, but after 676 BC Sicyon regained its independence under a line of tyrants called the Orthagorides after the name of the first ruler Orthagoras. The most important however was the founders grandson Cleisthenes, the uncle of the Athenian legislator Cleisthenes who ruled from 600 to 560 BC and his successor Aeschines was expelled by the Spartans in 556 BC and Sicyon became an ally of the Lacedaemonians for more than a century. During this time, the Sicyonians developed the various industries for which they were known in antiquity, as the abode of the sculptors Dipoenus and Scyllis it gained pre-eminence in woodcarving and bronze work such as is still to be seen in the archaic metal facings found at Olympia. Its pottery, which resembled Corinthian ware, was exported with the latter as far as Etruria, in Sicyon also the art of painting was supposed to have been invented. Henceforth, its policy was usually determined either by Sparta or Corinth, during the Persian Wars, the Sicyonians participated with fifteen triremes in the Battle of Salamis and with 3,000 hoplites in the Battle of Plataea. On the Delphic Serpent Column celebrating the victory Sicyon was named in place after Sparta, Athens, Corinth. In September 479 BC a Sicyonian contingent fought bravely in the Battle of Mycale, later in the 5th century BC, Sicyon, like Corinth, suffered from the commercial rivalry of Athens in the western seas, and was repeatedly harassed by squadrons of Athenian ships. The Sicyonians fought two battles against the Athenians, first against their admiral Tolmides in 455 BC and then in a battle against Pericles with 1000 hoplites in 453 BC. In the Peloponnesian War Sicyon followed the lead of Sparta and Corinth, when these two powers quarrelled during the peace of Nicias, it remained loyal to the Spartans. At the reprise of the war, during the Athenian expedition in Sicily, at the beginning of the 4th century, in the Corinthian war, Sicyon sided again with Sparta and became its base of operations against the allied troops round Corinth. In 369 BC Sicyon was captured and garrisoned by the Thebans in their attack on the Peloponnesian League. From 368 to 366 BC Sicyon was ruled by Euphron who first favoured democracy, Euphron was killed in Thebes by a group af Sicyonian aristocrats, but his compatriots buried him in his home town and continued to honour him like the second founder of the city
5.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
6.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
7.
Ancient Greek sculpture
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Ancient Greek sculpture is the sculpture of ancient Greece. Modern scholarship identifies three major stages, frequent subjects were the battles, mythology, and rulers of the area historically known as Ancient Greece. Smaller works were in a variety of materials, many of them precious. The ores for bronze were also easy to obtain. Marble was mostly found around the Parthenon and other major Greek buildings, many copies of the Roman period are marble versions of works originally in bronze. Ordinary limestone was used in the Archaic period, but thereafter, except in areas of modern Italy with no local marble, only for architectural sculpture, plaster or stucco was sometimes used for the hair only. Many statues were given jewellery, as can be seen from the holes for attaching it, by the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces, some of which were still visible. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th and he analyzed the pigments of the original paint to discover their composition. Brinkmann made several painted replicas of Greek statues that went on tour around the world, museums that hosted the exhibit included the Glyptotek Museum in Munich, the Vatican Museum, and the National Archaeological Museum in Athens, et al. The collection made its American debut at Harvard University in the Fall of 2007 and it is commonly thought that the earliest incarnation of Greek sculpture was in the form of wooden cult statues, first described by Pausanias as xoana. No such statues survive, and the descriptions of them are vague, the first piece of Greek statuary to be reassembled since is probably the Lefkandi Centaur, a terra cotta sculpture found on the island of Euboea, dated c.920 BCE. The statue was constructed in parts, before being dismembered and buried in two separate graves, the centaur has an intentional mark on its knee, which has led researchers to postulate that the statue might portray Cheiron, presumably kneeling wounded from Herakles arrow. If so, it would be the earliest known depiction of myth in the history of Greek sculpture, the forms from the geometrical period were chiefly terra cotta figurines, bronzes, and ivories. The bronzes are chiefly tripod cauldrons, and freestanding figures or groups, typical works of the era include the Karditsa warrior and the many examples of the equestrian statuette. The repertory of this work is not confined to standing men and horses, however, as vase paintings of the time also depict imagery of stags, birds, beetles, hares. There are no inscriptions on early-to-middle geometric sculpture, until the appearance of the Mantiklos Apollo of the early 7th century BCE found in Thebes, the inscription is a declaration of the statuette to Apollo, followed by a request for favors in return. Apart from the novelty of recording its own purpose, this sculpture adapts the formulae of oriental bronzes, as seen in the shorter more triangular face and slightly advancing left leg. This is sometimes seen as anticipating the greater freedom of the 7th century BCE and, as such
8.
Scopas
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This article is about the ancient sculptor. For the ancient writer whose name appears in manuscripts as Scopas. Scopas or Skopas was an Ancient Greek sculptor and architect most famous for his statue of Meleager, the statue of Aphrodite. Scopas was born on the island of Paros and his father was the sculptor Aristandros. Skopas left Paros at an age and travelled throughout the Hellenic world. Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus and he led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos, the faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas, pothos, or Desire, was a celebrated and much imitated statue by Scopas. Polyklets Schule und ihr Verhältnis zu Skopas v. Paros, Andrew F. Stewart, Skopas of Paros. ISBN 0-8155-5051-0 Andrew Stewart, Skopas in Malibu, the head of Achilles from Tegea and other sculptures by Skopas in the J. Paul Getty Museum J. Paul Getty Museum, Malibu, Calif
9.
Praxiteles
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Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude form in a life-size statue. Some writers have maintained that there were two sculptors of the name Praxiteles, one was a contemporary of Pheidias, and the other his more celebrated grandson. Though the repetition of the name in every other generation is common in Greece. Plinys date,364 BC, is probably that of one of his most noted works, the subjects chosen by Praxiteles were either human beings or the less elderly and dignified deities such as Apollo, Hermes and Aphrodite rather than Zeus, Poseidon or Themis. Praxiteles and his school worked almost entirely in marble, at the time the marble quarries of Paros were at their best, nor could any marble be finer for the purposes of the sculptor than that of which the Hermes from Olympia was fashioned. Some of the statues of Praxiteles were coloured by the painter Nicias, later opinions have varied, reaching a low with the sculptor Aristide Maillol, who railed, Its kitsch, its frightful, its sculpted in soap from Marseille. The sculpture was located where Pausanias had seen it in the late 2nd century AD, Hermes is represented in the act of carrying the child Dionysus to the nymphs who were charged with his rearing. The uplifted right arm is missing, but the possibility that the god holds out to the child a bunch of grapes to excite his desire would reduce the subject to a genre figure, C. Waldstein noted in 1882, remarking that Hermes looks past the child, the statue is today exhibited at the Archaeological Museum of Olympia. Opposing arguments have been made that the statue is a copy by a Roman copyist, since the Romans adopted much of Greek culture and art, this is a possibility. Mary Wallace suggested a 2nd-century date and a Pergamene origin on the basis of the sandal type, other works that appear to be copies of Praxiteles sculpture express the same gracefulness in repose and indefinable charm as the Hermes and Infant Dionysus. Among the most notable of these are the Apollo Sauroktonos, or the lizard-slayer, several Roman copies from the 1st century are known including those at the Louvre Museum, the Vatican Museums, and the National Museums Liverpool. On June 22,2004, the Cleveland Museum of Art, the work is alleged to be the only near-complete original work by Praxiteles, though the dating and attribution of the sculpture will continue to be studied. The Apollo Lykeios or Lycian Apollo, another Apollo-type reclining on a tree, is attributed to Praxiteles. It shows the god resting on a support, his right arm touching the top of his head, and his hair fixed in braids on the top of a head in a haircut typical of childhood. It is called Lycian not after Lycia itself, but after its identification with a lost work described by Lucian as being on show in the Lykeion, one of the gymnasia of Athens. The Resting Satyr of the Capitol at Rome has commonly been regarded as a copy of one of the Satyrs of Praxiteles, moreover, the style is hard and poor, a far superior replica exists in a torso in the Louvre
10.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
11.
Hellenistic period
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It is often considered a period of transition, sometimes even of decadence or degeneration, compared to the enlightenment of the Greek Classical era. The Hellenistic period saw the rise of New Comedy, Alexandrian poetry, the Septuagint, Greek science was advanced by the works of the mathematician Euclid and the polymath Archimedes. The religious sphere expanded to include new gods such as the Greco-Egyptian Serapis, eastern deities such as Attis and Cybele, the Hellenistic period was characterized by a new wave of Greek colonization which established Greek cities and kingdoms in Asia and Africa. This resulted in the export of Greek culture and language to new realms. Equally, however, these new kingdoms were influenced by the cultures, adopting local practices where beneficial, necessary. Hellenistic culture thus represents a fusion of the Ancient Greek world with that of the Near East, Middle East and this mixture gave rise to a common Attic-based Greek dialect, known as Koine Greek, which became the lingua franca through the Hellenistic world. Scholars and historians are divided as to what event signals the end of the Hellenistic era, Hellenistic is distinguished from Hellenic in that the first encompasses the entire sphere of direct ancient Greek influence, while the latter refers to Greece itself. The word originated from the German term hellenistisch, from Ancient Greek Ἑλληνιστής, from Ἑλλάς, Hellenistic is a modern word and a 19th-century concept, the idea of a Hellenistic period did not exist in Ancient Greece. Although words related in form or meaning, e. g, the major issue with the term Hellenistic lies in its convenience, as the spread of Greek culture was not the generalized phenomenon that the term implies. Some areas of the world were more affected by Greek influences than others. The Greek population and the population did not always mix, the Greeks moved and brought their own culture. While a few fragments exist, there is no surviving historical work which dates to the hundred years following Alexanders death. The works of the major Hellenistic historians Hieronymus of Cardia, Duris of Samos, the earliest and most credible surviving source for the Hellenistic period is Polybius of Megalopolis, a statesman of the Achaean League until 168 BC when he was forced to go to Rome as a hostage. His Histories eventually grew to a length of forty books, covering the years 220 to 167 BC, another important source, Plutarchs Parallel Lives though more preoccupied with issues of personal character and morality, outlines the history of important Hellenistic figures. Appian of Alexandria wrote a history of the Roman empire that includes information of some Hellenistic kingdoms, other sources include Justins epitome of Pompeius Trogus Historiae Philipicae and a summary of Arrians Events after Alexander, by Photios I of Constantinople. Lesser supplementary sources include Curtius Rufus, Pausanias, Pliny, in the field of philosophy, Diogenes Laertius Lives and Opinions of Eminent Philosophers is the main source. Ancient Greece had traditionally been a collection of fiercely independent city-states. After the Peloponnesian War, Greece had fallen under a Spartan hegemony, in which Sparta was pre-eminent but not all-powerful
12.
Hellenistic art
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A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was largely a continuation of Hellenistic trends. The term Hellenistic refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the Hellenizing of the world, in artistic terms this means that there is huge variety which is often put under the heading of Hellenistic Art for convenience. Each of these dynasties practiced a royal patronage which differed from those of the city-states, in Alexanders entourage were three artists, Lysippus the sculptor, Apelles the painter, and Pyrgoteles the gem cutter and engraver. The period after his death was one of prosperity and considerable extravagance for much of the Greek world. Royalty became important patrons of art, Sculpture, painting and architecture thrived, but vase-painting ceased to be of great significance. Metalwork and a variety of luxury arts produced much fine art. Some types of art were increasingly sophisticated. There has been a trend in writing history to depict Hellenistic art as a decadent style, the 18th century terms Baroque and Rococo have sometimes been applied to the art of this complex and individual period. A renewed interest in historiography as well as recent discoveries, such as the tombs of Vergina. In the architectural field, the dynasties following Hector resulted in vast urban plans, the Doric Temple was virtually abandoned. This city planning was quite innovative for the Greek world, rather than manipulating space by correcting its faults, One notes the appearance of many places of amusement and leisure, notably the multiplication of theatres and parks. The Hellenistic monarchies were advantaged in this regard in that often had vast spaces where they could build large cities, such as Antioch, Pergamon. It was the time of gigantism, thus it was for the temple of Apollo at Didyma. It was designed by Daphnis of Miletus and Paionios of Ephesus at the end of the fourth century BC, the Corinthian order was used for the first time on a full-scale building at the Temple of Olympian Zeus. Pergamon in particular is an example of Hellenistic architecture. Starting from a fortress located on the Acropolis, the various Attalid kings set up a colossal architectural complex. The buildings are fanned out around the Acropolis to take account the nature of the terrain
13.
Roman sculpture
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The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere, examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. Most statues were actually far more lifelike and often brightly colored when originally created, early Roman art was influenced by the art of Greece and that of the neighbouring Etruscans, themselves greatly influenced by their Greek trading partners. An Etruscan speciality was near life size tomb effigies in terracotta, vast numbers of Greek statues were imported to Rome, whether as booty or the result of extortion or commerce, and temples were often decorated with re-used Greek works. A native Italian style can be seen in the monuments of prosperous middle-class Romans, which very often featured portrait busts. The Tomb of Eurysaces the Baker, a successful freedman has a frieze that is a large example of the plebeian style. For a much wider section of the population, moulded relief decoration of vessels and small figurines were produced in great quantity. Even the most important imperial monuments now showed stumpy, large-eyed figures in a harsh frontal style, the hallmark of the style wherever it appears consists of an emphatic hardness, heaviness and angularity — in short, an almost complete rejection of the classical tradition. During the Imperial era, more idealized statues of Roman emperors became ubiquitous, tombstones of even the modestly rich middle class sometimes exhibit portraits of the otherwise unknown deceased carved in relief. Among the many museums with examples of Roman portrait sculpture, the collections of the Metropolitan Museum of Art in New York, religious art was also a major form of Roman sculpture. A central feature of a Roman temple was the statue of the deity. Although images of deities were also displayed in gardens and parks. These typically show more variation in style than large and more official works. Elsewhere the stela gravestone remained more common, Sarcophagi divide into a number of styles, by the producing area. The time taken to make them encouraged the use of standard subjects, to which inscriptions might be added to personalize them, the sarcophagi offer examples of intricate reliefs that depict scenes often based on Greek and Roman mythology or mystery religions that offered personal salvation, and allegorical representations. Roman funerary art also offers a variety of scenes from life, such as game-playing, hunting. The Sarcophagus of Junius Bassus is of type, asnd the earlier Dogmatic Sarcophagus rather simpler
14.
Victorious Youth
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The sculpture was found in the summer of 1961 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler, the Ferri Ferruccio. After some furtive offering on the gray market and vigorous competition with the Metropolitan Museum of Art. The sculpture may have part of the crowd of sculptures of victorious athletes at Panhellenic Greek sanctuaries like Delphi. His right hand reaches to touch the winners olive wreath on his head, the powerful head has led viewers to see it as a portrait, the head was cast separately from the lithe body. The athletes eyes were once inlaid, probably with bone, the statue has been roughly broken off its former base, breaking away at the ankles. The Italian government has made claims for the return of the sculpture, the Getty Museum is involved in a controversy regarding proper title to some of the artwork in its collection. The Museums previous curator of antiquities, Marion True, was indicted in Italy in 2005 along with Robert E. Hecht on criminal charges relating to trafficking in stolen antiquities. The primary evidence in the case came from the 1995 raid of a Geneva, True is currently under investigation by Greek authorities over the acquisition of a 2, 500-year-old funerary wreath. On November 20,2006, the Director of the museum, Michael Brand, announced that twenty-six disputed pieces were to be returned to Italy, antonietta Viacava, L atleta di Fano, edizioni LErma di Bretschneider,1995, ISBN 88-7062-868-X. Reviewed in Bryn Mawr Classical Review www. lisippo. org - Website of the organisation who want the statue back to Fano. Www. patrimoniosos. it Victorious Youth NPR, Italy, Getty Museum at Odds over Disputed Art 20 December 2006. Rutelli, «Cultural embargoe», by Pierluigi Panza, Corriere della Sera, November 14,2006 Il Getty Museum non rende le opere richieste, Corriere della Sera, November 23,2006 Rutelli attacca il Getty. Corriere della Sera, November 26,2006 LItalie joue le bras de fer avec le Getty Museum, di Richard Heuzé, Le Figaro, December 26,2006 No Lisippo, no Bernini, La Stampa, July 11,2007
15.
Bronze
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These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as stiffness, ductility, or machinability. The archeological period where bronze was the hardest metal in use is known as the Bronze Age. In the ancient Near East this began with the rise of Sumer in the 4th millennium BC, with India and China starting to use bronze around the same time, everywhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BC and reaching most of Eurasia by about 500 BC, the discovery of bronze enabled people to create metal objects which were harder and more durable than previously possible. Bronze tools, weapons, armor, and building such as decorative tiles were harder and more durable than their stone. It was only later that tin was used, becoming the major ingredient of bronze in the late 3rd millennium BC. Tin bronze was superior to arsenic bronze in that the process could be more easily controlled. Also, unlike arsenic, metallic tin and fumes from tin refining are not toxic, the earliest tin-alloy bronze dates to 4500 BCE in a Vinča culture site in Pločnik. Other early examples date to the late 4th millennium BC in Africa, Susa and some ancient sites in China, Luristan, ores of copper and the far rarer tin are not often found together, so serious bronze work has always involved trade. Tin sources and trade in ancient times had a influence on the development of cultures. In Europe, a source of tin was the British deposits of ore in Cornwall. In many parts of the world, large hoards of bronze artefacts are found, suggesting that bronze also represented a store of value, in Europe, large hoards of bronze tools, typically socketed axes, are found, which mostly show no signs of wear. With Chinese ritual bronzes, which are documented in the inscriptions they carry and from other sources and these were made in enormous quantities for elite burials, and also used by the living for ritual offerings. Pure iron is soft, and the process of beating and folding sponge iron to wrought iron removes from the metal carbon. Careful control of the alloying and tempering eventually allowed for wrought iron with properties comparable to modern steel, Bronze was still used during the Iron Age, and has continued in use for many purposes to the modern day. Among other advantages, it does not rust, the weaker wrought iron was found to be sufficiently strong for many uses. Archaeologists suspect that a disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean, limiting supplies, there are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin
16.
Argos
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Argos is a city in Argolis, Peloponnese, Greece and one of the oldest continuously inhabited cities in the world. It is also a bishopric and present Latin Catholic titular see. It is the biggest town in Argolis and a center for the area. Since the 2011 local government reform it has been part of the municipality of Argos-Mykines, the municipal unit has an area of 138.138 km2. It is 11 kilometres from Nafplion, which was its historic harbour, a settlement of great antiquity, Argos has been continuously inhabited as at least a substantial village for the past 7,000 years. The city is a member of the Most Ancient European Towns Network, a resident of the city of Argos is known as an Argive. However, this term is used to refer to those ancient Greeks generally who assaulted the city of Troy during the Trojan War. Numerous ancient monuments can be found in the city today, the most famous of which is the Heraion of Argos, agriculture is the mainstay of the local economy. The name of the city is ancient and several etymological theories have been proposed as an explanation to its meaning. The most popular one maintains that the name of the city is a remainder from the Pelasgian language, i. e. the one used by the people who first settled in the area, in which Argos meant plain. Alternatively, the name is associated with Argos, the king of the city in ancient times. It is also believed that Argos is linked to the word αργός, which meant white, possibly, according to Strabo, the name could have even originated from the word αγρός by antimetathesis of the consonants. As a strategic location on the plain of Argolis, Argos was a major stronghold during the Mycenaean era. There is evidence of settlement in the area starting with a village about 7000 years ago in the late Neolithic. It was colonized in prehistoric times by the Pelasgian Greeks, since that time, Argos has been continually inhabited at the same geographical location. Its creation is attributed to Phoroneus, with its first name having been Phoronicon Asty, the city is located at a rather propitious area, among Nemea, Corinth and Arcadia. It also benefitted from its proximity to lake Lerna, which, during the Dorian invasion, c.1100 BC, Argos was divided into four neighbourhoods, each of them inhabited by a different phyle. Argos experienced its greatest period of expansion and power under the energetic 7th century BC ruler King Pheidon, under Pheidon, Argos regained sway over the cities of the Argolid and challenged Sparta’s dominance of the Peloponnese
17.
Colossus of Rhodes
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The Colossus of Rhodes /roʊdz/ was a statue of the Greek titan-god of the sun Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. One of the Seven Wonders of the Ancient World, it was constructed to celebrate Rhodes victory over the ruler of Cyprus, Antigonus I Monophthalmus and it was destroyed during the earthquake of 226 BC, and never rebuilt. As of 2015, there are plans to build a new Colossus at Rhodes Harbour. In the late 4th century BC, Rhodes, allied with Ptolemy I of Egypt, prevented a mass invasion staged by their common enemy, Antigonus I Monophthalmus. In 304 BC a relief force of ships sent by Ptolemy arrived, to celebrate their victory, the Rhodians sold the equipment left behind for 300 talents and decided to use the money to build a colossal statue of their patron god, Helios. Construction was left to the direction of Chares, a native of Lindos in Rhodes and his teacher, the sculptor Lysippos, had constructed a 22-metre-high bronze statue of Zeus at Tarentum. Ancient accounts, which differ to some degree, describe the structure as being built with iron tie bars to which brass plates were fixed to form the skin. The interior of the structure, which stood on a 15-metre high white marble pedestal near the Mandraki harbour entrance, was filled with stone blocks as construction progressed. Other sources place the Colossus on a breakwater in the harbour, according to most contemporary descriptions, the statue itself was about 70 cubits, or 33 metres tall. Upper portions were built with the use of an earthen ramp. During the building, workers would pile mounds of earth on the sides of the colossus, upon completion all of the earth was removed and the colossus was left to stand alone. After twelve years, in 280 BC, the statue was completed, preserved in Greek anthologies of poetry is what is believed to be the genuine dedication text for the Colossus. To you, O Sun, the people of Dorian Rhodes set up this bronze statue reaching to Olympus, not only over the seas but also on land did they kindle the lovely torch of freedom and independence. For to the descendants of Herakles belongs dominion over sea and land, the base pedestal was said to be at least 18 metres in diameter, and either circular or octagonal. The feet were carved in stone and covered with bronze plates riveted together. Eight forged iron bars set in a horizontal position formed the ankles. Individually cast curved bronze plates 60 inches square with turned-in edges were joined together by rivets through holes formed during casting to form a series of rings, the statue snapped at the knees and fell over onto the land. Ptolemy III offered to pay for the reconstruction of the statue, but the oracle of Delphi made the Rhodians afraid that they had offended Helios, and they declined to rebuild it
18.
Seven Wonders of the Ancient World
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Although the list, in its current form, did not stabilise until the Renaissance, the first such lists of seven wonders date from the 1st-2nd century BC. The original list inspired innumerable versions through the ages, often listing seven entries, of the original Seven Wonders, only one—the Great Pyramid of Giza, the oldest of the ancient wonders—remains relatively intact. The Colossus of Rhodes, the Lighthouse of Alexandria, the Mausoleum at Halicarnassus, the Temple of Artemis, the location and ultimate fate of the Hanging Gardens are unknown, and there is speculation that they may not have existed at all. The Greek conquest of much of the western world in the 4th century BC gave Hellenistic travellers access to the civilizations of the Egyptians, Persians. Impressed and captivated by the landmarks and marvels of the various lands, instead of wonders, the ancient Greeks spoke of theamata, which means sights, in other words things to be seen. Later, the word for wonder was used, hence, the list was meant to be the Ancient Worlds counterpart of a travel guidebook. The first reference to a list of seven such monuments was given by Diodorus Siculus, — Greek Anthology IX.58 Another 2nd century BC observer, who claimed to be the mathematician Philo of Byzantium, wrote a short account entitled The Seven Sights of the World. However, the surviving manuscript only covered six of the supposedly seven places. Earlier and later lists by the historian Herodotus and the architect Callimachus of Cyrene, housed at the Museum of Alexandria, survived only as references. The Colossus of Rhodes was the last of the seven to be completed, after 280 BC, hence, all seven existed at the same time for a period of less than 60 years. The list covered only the sculptural and architectural monuments of the Mediterranean and Middle Eastern regions, hence, extant sites beyond this realm were not considered as part of contemporary accounts. The primary accounts, coming from Hellenistic writers, also influenced the places included in the wonders list. Five of the seven entries are a celebration of Greek accomplishments in the arts, the seven wonders on Antipaters list won praises for their notable features, ranging from superlatives of the highest or largest of their types, to the artistry with which they were executed. Their architectural and artistic features were imitated throughout the Hellenistic world, the Greek influence in Roman culture, and the revival of Greco-Roman artistic styles during the Renaissance caught the imagination of European artists and travellers. Paintings and sculptures alluding to Antipaters list were made, while adventurers flocked to the sites to personally witness the wonders. Legends circulated to further complement the superlatives of the wonders, of Antipaters wonders, the only one that has survived to the present day is the Great Pyramid of Giza. Its brilliant white stone facing had survived intact until around 1300 AD, the existence of the Hanging Gardens has not been proven, although theories abound. Records and archaeology confirm the existence of the other five wonders, the Temple of Artemis and the Statue of Zeus were destroyed by fire, while the Lighthouse of Alexandria, Colossus, and tomb of Mausolus were destroyed by earthquakes
19.
National Archaeological Museum, Athens
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The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world, the first national archaeological museum in Greece was established by prime minister of Greece Ioannis Kapodistrias in Aigina in 1829. The initial name for the museum was The Central Museum and it was renamed to its current name in 1881 by Prime Minister of Greece Charilaos Trikoupis. In 1887 the important archaeologist Valerios Stais became the museums curator, during World War II the museum was closed and the antiquities were sealed in special protective boxes and buried, in order to avoid their destruction and looting. In 1945 exhibits were displayed under the direction of Christos Karouzos. The south wing of the houses the Epigraphic Museum with the richest collection of inscriptions in the world. The inscriptions museum expanded between 1953 and 1960 with the designs of Patroklos Karantinos. The museum has an imposing neo-classical design which was popular in Europe at the time and is in accordance with the classical style artifacts that it houses. The initial plan was conceived by the architect Ludwig Lange and it was modified by Panagis Kalkos who was the main architect, Armodios Vlachos. At the front of the museum there is a large neo-classic design garden which is decorated with sculptures, the building has undergone many expansions. These expansions were necessary to accommodate the growing collection of artifacts. The most recent refurbishment of the museum more than 1.5 years to complete. The Minoan frescoes rooms opened to the public in 2005, on May 2008 the Culture Minister Mihalis Liapis inaugurated the much anticipated collection of Egyptian antiquities and the collection of Eleni and Antonis Stathatos. Today, there is a discussion regarding the need to further expand the museum to adjacent areas. A new plan has made for a subterranean expansion at the front of the museum. The museums collections are organised in sections, The prehistoric collection displays objects from the Neolithic era, Early and Mid-Bronze age, objects classified as Cycladic and Mycenaean art. There are ceramic finds from various important Neolithic sites such as Dimini and Sesclo from middle Helladic ceramics from Boeotia, Attica, some objects from Heinrich Schliemann excavations in Troy are also on display. Cycladic collection features the famous marble figurines from the Aegean islands of Delos and Keros including the Lutist, of great interest are the two golden cups from Vafeio showing a scene of the capture of a bull
20.
Polykleitos
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Polykleitos was an ancient Greek sculptor in bronze of the 5th century BCE. His Greek name was traditionally Latinized Polycletus, but is also transliterated Polycleitus and he is called Sicyonius by Latin authors including Pliny the Elder and Cicero, and Aργείος by others like Plato and Pausanias. He is sometimes called the Elder, in cases where it is necessary to distinguish him from his son, alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates, which was Plinys guide in matters of art, ranked him between Pheidias and Myron. Pausanias is adamant that they were not the person, and that Polykleitos was from Argos, in which city state he must have received his early training. He also sculpted a famous bronze male nude known as the Doryphoros, further sculptures attributed to Polykleitos are the Discophoros, Diadumenos and a Hermes at one time placed, according to Pliny, in Lysimachia. Polykleitos Astragalizontes was claimed by the Emperor Titus and set in a place of honour in his atrium, Polykleitos, along with Phidias, created the Classical Greek style. Although none of his works survive, literary sources identifying Roman marble copies of his work allow reconstructions to be made. Contrapposto was a posture in his statues in which the weight was placed on one leg, the refined detail of Polykleitos models for casting executed in clay is revealed in a famous remark repeated in Plutarchs Moralia, that the work is hardest when the clay is under the fingernail. Polykleitos consciously created a new approach to sculpture, writing a treatise, though the Kanon was probably represented by his Doryphoros, the original bronze statue has not survived. References to it in ancient writings, however, imply that its main principle was expressed by the Greek words symmetria, the Hippocratic principle of isonomia. Perfection, he said, comes about little by little through many numbers, by this Polykleitos meant that a statue should be composed of clearly definable parts, all related to one another through a system of ideal mathematical proportions and balance. The method begins with one part, such as the last phalange of the little finger, rotating that squares diagonal gives a 1, √2 rectangle, suitable for the next phalange. The method is repeated to get the next phalange, then to get the palm, then using the hand to get the forearm to the elbow. Polykleitos and Phidias were amongst the first generation of Greek sculptors to attract schools of followers, Polykleitos school lasted for at least three generations, but it seems to have been most active in the late 4th century and early 3rd century BCE. The Roman writers Pliny and Pausanias noted the names of about twenty sculptors in Polykleitos school, defined by their adherence to his principles of balance, skopas and Lysippus are among the best-known successors of Polykleitos. Polykleitos son, Polykleitos the Younger, worked in the 4th century BCE, although the son was also a sculptor of athletes, his greatest fame was won as an architect. He designed the theater at Epidaurus
21.
Horses of Saint Mark
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The Horses of Saint Mark, also known as the Triumphal Quadriga, is a set of Roman bronze statues of four horses, originally part of a monument depicting a quadriga. The horses were placed on the facade, on the loggia above the porch, of St Marks Basilica in Venice and they remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Marks for conservation purposes, the sculptures date from classical antiquity and have been implausibly attributed to the 4th century BC Greek sculptor Lysippos. A date in the 2nd or 3rd century AD is considered far more likely and they were probably created to top a triumphal arch or some other grand building, perhaps commissioned by the Emperor Septimus Severus. They may originally have been made for the Eastern capital of Constantinople, although called bronze, analysis suggests that, as they are at least 96. 67% copper, they should be seen as an impure copper rather than bronze. The high tin content increased the temperature to 1200–1300 °C. The high purity copper was chosen to give a more satisfactory mercury gilding and they were still there in 1204, when they were looted by Venetian forces as part of the sack of the capital of the Byzantine Empire in the Fourth Crusade. The collars on the four horses were added in 1204 to obscure where the heads had been severed to allow them to be transported from Constantinople to Venice. Shortly after the Fourth Crusade, Doge Enrico Dandolo sent the horses to Venice, in 1797, Napoleon had the horses forcibly removed from the basilica and carried off to Paris, where they were used in the design of the Arc de Triomphe du Carrousel together with a quadriga. In 1815 the horses were returned to Venice by Captain Dumaresq, for the skillful manner in which he performed this work the Emperor gave him a gold snuff box with his initials in diamonds on the lid. The horses remained in place over St Marks until the early 1980s, since then, the originals have been on display just inside the basilica. Byzantium 1200 Hippodrome Boxes shows the location of the horses until 1204
22.
British Museum
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The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
23.
Delphi
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Delphi is famous as the ancient sanctuary that grew rich as the seat of the oracle that was consulted on important decisions throughout the ancient classical world. Moreover, it was considered as the navel of the world by the Greeks as represented by the Omphalos and it occupies an impressive site on the south-western slope of Mount Parnassus overlooking the coastal plain to the south and the valley of Phocis. It is now an archaeological site and the modern town is nearby. The site of Delphi is located in upper central Greece, on multiple plateaux/terraces along the slope of Mount Parnassus, and includes the Sanctuary of Apollo and this semicircular spur is known as Phaedriades, and overlooks the Pleistos Valley. In myths dating to the period of Ancient Greece, the site of Delphi was believed to be determined by Zeus when he sought to find the centre of his Grandmother Earth. He sent two eagles flying from the eastern and western extremities, and the path of the eagles crossed over Delphi where the omphalos, Apollo was said to have slain Python, a drako a serpent or a dragon who lived there and protected the navel of the Earth. Python is claimed by some to be the name of the site in recognition of Python which Apollo defeated. The Homeric Hymn to Delphic Apollo recalled that the ancient name of this site had been Krisa, others relate that it was named Pytho and that Pythia, the priestess serving as the oracle, was chosen from their ranks by a group of priestesses who officiated at the temple. At the settlement site in Delphi, which was a settlement of the late 9th century. Pottery and bronze work as well as tripod dedications continue in a steady stream, the victors at Delphi were presented with a laurel crown which was ceremonially cut from a tree by a boy who re-enacted the slaying of the Python. Delphi was set apart from the other sites because it hosted the mousikos agon. These Pythian Games rank second among the four stephanitic games chronologically and these games, though, were different from the games at Olympia in that they were not of such vast importance to the city of Delphi as the games at Olympia were to the area surrounding Olympia. Delphi would have been a renowned city whether or not it hosted these games, it had other attractions that led to it being labeled the omphalos of the earth, in other words, in the inner hestia of the Temple of Apollo, an eternal flame burned. The name Delphoi comes from the root as δελφύς delphys, womb. Apollo is connected with the site by his epithet Δελφίνιος Delphinios, the epithet is connected with dolphins in the Homeric Hymn to Apollo, recounting the legend of how Apollo first came to Delphi in the shape of a dolphin, carrying Cretan priests on his back. The Homeric name of the oracle is Pytho, another legend held that Apollo walked to Delphi from the north and stopped at Tempe, a city in Thessaly, to pick laurel which he considered to be a sacred plant. In commemoration of this legend, the winners at the Pythian Games received a wreath of laurel picked in the Temple, Delphi became the site of a major temple to Phoebus Apollo, as well as the Pythian Games and the famous prehistoric oracle. Even in Roman times, hundreds of votive statues remained, described by Pliny the Younger, additionally, according to Plutarchs essay on the meaning of the E at Delphi—the only literary source for the inscription—there was also inscribed at the temple a large letter E
24.
Oil Pourer
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The Oil Pourer is a lost Greek bronze of an athlete variously associated with the circle of Lysippos, c. 340-330 BCE, of which Roman marble copies exist, notably in the Glyptothek, Munich and in the Albertinum, another well-known Roman replica is conserved at Petworth House. There is a head of type at the Boston Museum of Fine Arts. The Oil Pourer is similar in proportions and manner to the Lysippean Agias of which there is a Roman marble copy at Delphi, the athlete is represented pouring oil from a flask held high in his right hand into the palm of his left. The theme is represented on Attic vase-painting and in freely reinterpreted cast terracotta miniatures, the Munich sculpture was treated in the 19th century with acid to clean it, which has dissolved about 2mm off its surfaces
25.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
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Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
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Farnese Hercules
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Like much Ancient Roman sculpture it is a copy or version of a much older Greek original that was well-known, in this case an original by Lysippos that would have been made in the fourth century BC. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, the heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination. The Farnese Hercules is a marble statue, following a lost original cast in bronze through a method called lost wax casting. It depicts a muscular, yet weary, Hercules leaning on his club, in myths about Heracles, killing the lion was his first task. He has just performed one of the last of The Twelve Labours, the type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at Foligno is in the Musée du Louvre. A small Roman marble copy can be seen in the Museum of the Ancient Agora, the rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. Alessandro Farnese was well placed to one of the greatest collections of classical sculpture that has been assembled since Antiquity. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection and is now displayed in the Museo Archeologico Nazionale there, the sculpture has been reassembled and restored by degrees. The original legs, from the Borghese collection, were not reunited with the sculpture until 1787, goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. Hercules is caught in a moment of repose. Leaning on his club which is draped with the pelt of the Nemean Lion, he holds the apples of the Hesperides. Many engravings and woodcuts spread the fame of the Farneses Hercules, in 1590–91, during his trip to Rome, Hendrik Goltzius sketched the statue in the palazzo courtyard. Later Goltzius recorded the less-common rear view, in a bravura engraving, the young Rubens made quick sketches of the planes and massing of the statue of Hercules. Before photography, prints were the way to put the image into many hands. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the eighteenth century. Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection, more than once, the sculpture was crated and made ready for shipment to Paris before the Napoleonic regime fled Naples. Ancient copies of the include, Hercules, 2nd century AD, Roman copy, Uffizi Gallery. The “Weary Herakles” is a Roman marble statue that was excavated in 1980 in Perge, Turkey, colossal statue of Hercules, uncovered at the baths in Hippo Regius, Algeria
28.
Baths of Caracalla
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The Baths of Caracalla in Rome, Italy, were the second largest Roman public baths, or thermae, built in Rome between AD212 and 217, during the reigns of Septimius Severus and Caracalla. They would have had to install over 2,000 t of material every day for six years in order to complete it in this time. Records show that the idea for the baths were drawn up by Septimius Severus and this would allow for a longer construction timeframe. Today they are a tourist attraction, the baths remained in use until the 6th century when the complex was taken by the Ostrogoths during the Gothic War, at which time the hydraulic installations were destroyed. The bath was free and open to the public, the earthquake of 847 destroyed much of the building, along with many other Roman structures. The building was heated by a hypocaust, a system of burning coal and it was in use up to the 19th century. The Aqua Antoniniana aqueduct, a branch of the earlier Aqua Marcia and it was most likely reconstructed by Garbrecht and Manderscheid to its current place. At the 1960 Summer Olympics, the hosted the gymnastics events. The baths were the archaeological site in Rome damaged by an earthquake near LAquila in 2009. They were again damaged, though minor, in August 2016 by an earthquake in central Italy, the baths were originally ornamented with high quality sculptures. One of the statues is the colossal 4 m statue of Asclepius. The Caracalla bath complex of buildings was more a leisure centre than just a series of baths, the baths were the second to have a public library within the complex. Like other public libraries in Rome, there were two separate and equal sized rooms or buildings, one for Greek language texts and one for Latin language texts. The baths consisted of a central frigidarium measuring 55.7 by 24 m under three groin vaults 32.9 m high, a double pool tepidarium, and a caldarium 35 m in diameter, the north end of the bath building contained a natatio or swimming pool. The natatio was roofless with bronze mirrors mounted overhead to direct sunlight into the pool area, the entire bath building was on a raised platform 6 m high to allow for storage and furnaces under the building. The libraries were located in exedrae on the east and west sides of the bath complex, the entire north wall of the complex was devoted to shops. The reservoirs on the wall of the complex were fed with water from the Marcian Aqueduct. The mithraeum was approximately 23 m long and 10 m wide with a cross-vaulted ceiling, the bath complex covered approximately 25 ha
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National Archaeological Museum, Naples
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The Naples National Archaeological Museum is a museum in Naples, southern Italy, at the northwest corner of the original Greek wall of the city of Neapolis. The museum contains a collection of Roman artifacts from Pompeii, Stabiae. The collection includes works of the highest quality produced in Greek, Roman and it is the most important Italian archaeological museum and is considered one of the most important in the world. Charles of Bourbon founded the museum in the 1750s, the building he used for it had been erected as a cavalry barracks and during its time as the seat of the University of Naples was extended, in the late 18th century. The museum hosts extensive collections of Greek and Roman antiquities and their core is from the Farnese Collection, which includes a collection of engraved gems and the Farnese Marbles. Among the notable works found in the museum are the Herculaneum papyri, carbonized by the eruption of Mount Vesuvius, many of these works, especially the larger ones, have been moved to the Museo di Capodimonte for display in recent years. The Farnese Hercules, which fixed the image of Hercules in the European imagination, a major collection of ancient Roman bronzes from the Villa of the Papyri is housed at the museum. These include the Seated Hermes, a sprawling Drunken Satyr, a bust of Thespis, another variously identified as Seneca or Hesiod, the museums Mosaic Collection includes a number of important mosaics recovered from the ruins of Pompeii and the other Vesuvian cities. This includes the Alexander Mosaic, dating from circa 100 BC and it depicts a battle between the armies of Alexander the Great and Darius III of Persia. Another mosaic found is that of the gladiatorial fighter depicted in a found from the Villa of the Figured Capitals in Pompeii. With 2,500 objects, the museum has one of the largest collection of Egyptian artifacts in Italy after the Turin, Florence and Bologna ones. It is made up primarily of works from two collections, assembled by Cardinal Stefano Borgia in the second half of the 18th century. In its new layout the collection provides both an important record of Egyptian civilization from the Old Kingdom up to the Ptolemaic-Roman era, access was limited to only persons of mature age and known morals. The rooms were also called Cabinets of matters reserved or obscene or pornographic, the highlight of the censorship occurred in 1851 when even nude Venus statues were locked up, and the entrance walled up in the hope that the collection would vanish from memory. In September 1860, when the forces of Garibaldi occupied Naples, since the Royal Butler was no longer available, they broke into the collection. Limiting viewership and censorship have always been part of the history of the collection, censorship was restored during the era of the Kingdom of Italy, and peaked during the Fascist period, when visitors to the rooms needed the permission of the Minister of National Education in Rome. Censorship persisted in the period up to 1967, abating only after 1971 when the Ministry was given the new rules to regulate requests for visits. Completely rebuilt a few years ago with all of the new criteria, visitors under the age of 14 can tour the exhibit only with an adult
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Apoxyomenos
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The most renowned Apoxyomenos in Classical Antiquity was that of Lysippos of Sikyon, the court sculptor of Alexander the Great, made ca 330 BCE. Later, the emperor Tiberius became so enamored of the figure that he had it removed to his bedroom, however an uproar in the theatre, Give us back our Apoxyomenos, shamed the emperor into replacing it. The sculpture is represented by the Pentelic marble copy in the Museo Pio-Clementino in Rome. Plaster casts of it found their way into national academy collections. The sculpture, slightly larger than lifesize, is characteristic of the new canon of proportion pioneered by Lysippos, with a smaller head. Pliny notes a remark that Lysippos used commonly to say - that while other artists made men as they really were, lysippus poses his subject in a true contrapposto, with an arm outstretched to create a sense of movement and interest from a range of viewing angles. Pliny also mentioned treatments of this motif by Polykleitos and by his pupil or follower, Daidalos of Sicyon, who seems to have produced two variants on the theme. Its quality is so fine that scholars have debated whether it is a fourth-century original, a classicising version in the neo-Attic style in the Medici collections at the Uffizi had led earlier scholars to posit a classical fifth-century original, before the bronze was unearthed at Ephesus. Rene Wouten found the bronze statue fully covered in sponges and sea life, no parts of the statue were missing, though its head was disconnected from the body. An excellent copy of the head, known since the 19th century, is conserved in the Hermitage Museum, another refined bronze head of an Apoxyomenos of this type had found its way into the collection of Bernardo Nani in Venice in the early eighteenth century. Other antiquities in Nanis collection had come from the Peloponnesus, the Kimball Art Museum suggests that the Nani head may have come from mainland Greece too. The head, like the Croatian Apoxyomenos, has lips that were originally veneered with copper and his eyes were inlaid in glass, stone, and copper
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Roman Empire
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Civil wars and executions continued, culminating in the victory of Octavian, Caesars adopted son, over Mark Antony and Cleopatra at the Battle of Actium in 31 BC and the annexation of Egypt. Octavians power was then unassailable and in 27 BC the Roman Senate formally granted him overarching power, the imperial period of Rome lasted approximately 1,500 years compared to the 500 years of the Republican era. The first two centuries of the empires existence were a period of unprecedented political stability and prosperity known as the Pax Romana, following Octavians victory, the size of the empire was dramatically increased. After the assassination of Caligula in 41, the senate briefly considered restoring the republic, under Claudius, the empire invaded Britannia, its first major expansion since Augustus. Vespasian emerged triumphant in 69, establishing the Flavian dynasty, before being succeeded by his son Titus and his short reign was followed by the long reign of his brother Domitian, who was eventually assassinated. The senate then appointed the first of the Five Good Emperors, the empire reached its greatest extent under Trajan, the second in this line. A period of increasing trouble and decline began with the reign of Commodus, Commodus assassination in 192 triggered the Year of the Five Emperors, of which Septimius Severus emerged victorious. The assassination of Alexander Severus in 235 led to the Crisis of the Third Century in which 26 men were declared emperor by the Roman Senate over a time span. It was not until the reign of Diocletian that the empire was fully stabilized with the introduction of the Tetrarchy, which saw four emperors rule the empire at once. This arrangement was unsuccessful, leading to a civil war that was finally ended by Constantine I. Constantine subsequently shifted the capital to Byzantium, which was renamed Constantinople in his honour and it remained the capital of the east until its demise. Constantine also adopted Christianity which later became the state religion of the empire. However, Augustulus was never recognized by his Eastern colleague, and separate rule in the Western part of the empire ceased to exist upon the death of Julius Nepos. The Eastern Roman Empire endured for another millennium, eventually falling to the Ottoman Turks in 1453, the Roman Empire was among the most powerful economic, cultural, political and military forces in the world of its time. It was one of the largest empires in world history, at its height under Trajan, it covered 5 million square kilometres. It held sway over an estimated 70 million people, at that time 21% of the entire population. Throughout the European medieval period, attempts were made to establish successors to the Roman Empire, including the Empire of Romania, a Crusader state. Rome had begun expanding shortly after the founding of the republic in the 6th century BC, then, it was an empire long before it had an emperor
32.
Vatican Museums
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The Vatican Museums are the museums of the Vatican City and are located within the citys boundaries. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the route through the Vatican Museums. In 2013, they were visited by 6 million people, which combined makes it the 6th most visited art museum in the world, there are 54 galleries, or sale, in total, with the Sistine Chapel, notably, being the very last sala within the Museum. It is one of the largest museums in the world, in 2017, the Museums official website and social media presence was completely redone, in accord with current standards and appearances for modern websites. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, on their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture of Laocoön and his sons on public display at the Vatican exactly one month after its discovery, the Museum Christianum was founded by Benedict XIV, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854. The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public, on 1 January 2017 Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007. The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building, the new building, designed by Luca Beltrami, was inaugurated on 27 October 1932. The museum has paintings including, Giottos Stefaneschi Triptych Olivuccio di Ciccarello, Opere di Misericordia Raphaels Madonna of Foligno, Oddi Altarpiece, the group of museums includes several sculpture museums surrounding the Cortile del Belvedere. The museum takes its name from two popes, Clement XIV and Pius VI, the pope who brought the museum to completion, Clement XIV came up with the idea of creating a new museum in Innocent VIIIs Belvedere palace and started the refurbishment work. Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance, the museum and collection were enlarged by Clements successor Pius VI. Today, the museum works of Greek and Roman sculpture. Some notable galleries are, Greek Cross Gallery, with the porphyri sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great. Sala Rotonda, shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, Gallery of the Statues, as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra, Gallery of the Busts, Many ancient busts are displayed. Cabinet of the Masks, The name comes from the mosaic on the floor of the gallery, found in Villa Adriana, along the walls, several famous statues are shown including the Three Graces. One wove the thread of life, second nurtured it, third cut it. The center piece is Belvedere Torso, revered by Michelangelo and other Renaissance men, sala degli Animali, So named because of the many ancient statues of animals
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Alexander the Great
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Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception
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Anthology of Planudes
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The Anthology of Planudes, is an anthology of Greek epigrams and poems compiled by Maximus Planudes, a Byzantine grammarian and theologian, based on the Anthology of Cephalas. The Anthology of Planudes starts with the text, «Ανθολογία διαφόρων επιγραμμάτων, συντεθειμένων σοφοίς, επί διαφόροις υποθέσεσιν. » and consists of seven books. Several printed copies of the Planudean Anthology were made, as it was the only anthology of Greek epigrams and poems until 1606. The anthology is today part of the corpus of texts known today as the Greek Anthology, the 397 epigrams not found in the Palatine Anthology are usually included in the Greek Anthology as the Appendix Planudea. In the beginning the transcription was done accurately, however, after a certain point omissions become more and more as if the author lost his interest or was pressed to finalize the books. As a result, when the more accurate Palatine Anthology was discovered. The first printed edition of the Anthology of Planudes was printed by Janus Lascaris in 1494 in Florence under the title «Anthologia Graeca» and it was also printed later on by Aldus Manutius, Badius Ascensius, P. and J. -M. The edition of Bosch was printed between 1795 and 1822 in Utrecht in five volumes with Latin translation by Hugo Grotius entitled «Anthologia Graeca cum versione Latina Hugonis Grotii». Apart from the text of the Planudean Anthology, this also had other texts included after the first half of the third book. Anthologia Graeca cum versione Latina Hugonis Grotii, Volume 1, Claude Saumaise, Wild & J. Wild & J. Observationes et notae in Anthologiam Graecam quibus accetum Cl. Salmasii, Notae ineditae, Volume 4, Hieronymi de Bosch, David Jacob van Lennep, Claude Saumaise, Ultrajecti e typographia B. Wild & J. Altheer,1822, Volume 5 List of anthologies of Greek epigrams Anthologiae planudeae - Appendix Barberino-Vaticana, Leo Sternbach, Lipsiae, media related to Anthologia Planudea at Wikimedia Commons Greek Wikisource has original text related to this article, Ἀνθολογία διαφόρων ἐπιγραμμάτων
35.
Achaemenid Empire
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The Achaemenid Empire, also called the Persian Empire, was an empire based in Western Asia, founded by Cyrus the Great. The empires successes inspired similar systems in later empires and it is noted in Western history as the antagonist of the Greek city-states during the Greco-Persian Wars and for the emancipation of the Jewish exiles in Babylon. The Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World, was built in a Hellenistic style in the empire as well. By the 7th century BC, the Persians had settled in the portion of the Iranian Plateau in the region of Persis. From this region, Cyrus the Great advanced to defeat the Medes, Lydia, Alexander, an avid admirer of Cyrus the Great, conquered the empire in its entirety by 330 BC. Upon his death, most of the former territory came under the rule of the Ptolemaic Kingdom and Seleucid Empire. The Persian population of the central plateau reclaimed power by the second century BC under the Parthian Empire, the historical mark of the Achaemenid Empire went far beyond its territorial and military influences and included cultural, social, technological and religious influences as well. Many Athenians adopted Achaemenid customs in their lives in a reciprocal cultural exchange. The impact of Cyruss edict is mentioned in Judeo-Christian texts, the empire also set the tone for the politics, heritage and history of modern Iran. Astronomical year numbering Dates are approximate, consult particular article for details Due to the duration of their reigns, Smerdis, Xerxes II. The Persian nation contains a number of tribes as listed here, the Pasargadae, Maraphii, and Maspii, upon which all the other tribes are dependent. Of these, the Pasargadae are the most distinguished, they contain the clan of the Achaemenids from which spring the Perseid kings. Other tribes are the Panthialaei, Derusiaei, Germanii, all of which are attached to the soil, the Achaemenid Empire was created by nomadic Persians. The Achaemenid Empire was not the first Iranian empire, as by 6th century BC another group of ancient Iranian peoples had established the short lived Median Empire. The Iranian peoples had arrived in the region of what is today Iran c.1000 BC and had for a number of centuries fallen under the domination of the Neo-Assyrian Empire, based in northern Mesopotamia. However, the Medes and Persians, Cimmerians, Persians and Chaldeans played a role in the overthrow of the Assyrian empire. The term Achaemenid means of the family of the Achaemenis/Achaemenes, despite the derivation of the name, Achaemenes was himself a minor seventh-century ruler of the Anshan in southwestern Iran, and a vassal of Assyria. At some point in 550 BC, Cyrus rose in rebellion against the Medes, eventually conquering the Medes and creating the first Persian empire
36.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
37.
Tivoli, Lazio
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Tivoli is a town and comune in Lazio, central Italy, about 30 kilometres east-north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills. The city offers a view over the Roman Campagna. Catillus and his three sons Tiburtus, Coras, and Catillus drove out the Siculi from the Aniene plateau, according to a more historical account, Tibur was instead a colony of Alba Longa. Historical traces of settlement in the date back to the 13th century BC. The citys name may share a root with the river Tiber. Virgil in his Aeneid makes Coras and the younger Catillus twin brothers, from Etruscan times Tibur, a Sabine city, was the seat of the Tiburtine Sibyl. In the nearby woods, Faunus had a sacred grove, at first an independent ally of Rome, Tibur allied itself with the Gauls in 361 BC. Vestiges remain of its walls of this period, in opus quadratum. In 338 BC, however, Tibur was defeated and absorbed by the Romans, the city acquired Roman citizenship in 90 BC and became a resort area famed for its beauty and its good water, and was enriched by many Roman villas. The most famous one, of which the ruins remain, is the Villa Adriana, maecenas and Augustus also had villas at Tibur, and the poet Horace had a modest villa, he and Catullus and Statius all mention Tibur in their poems. In 273, Zenobia, the queen of Palmyra, was assigned a residence here by the Emperor Aurelian. The 2nd-century temple of Hercules Victor is being excavated, the present Piazza del Duomo occupies the Roman forum. The name of the city came to be used in form as Tiburi instead of Tibur and so transformed through Tibori to Tiboli. But its inhabitants are still called Tiburtini and not Tivolesi, in 547, in the course of the Gothic War, the city was fortified by the Byzantine general Belisarius, but was later destroyed by Totilas army. After the end of the war it became a Byzantine duchy, after Italy was conquered by Charlemagne, Tivoli was under the authority of a count, representing the emperor. From the 10th century onwards Tivoli, as an independent commune governed by its elected consuls, was the fiercest rival of Rome in the struggle for the control over the impoverished central Lazio, Emperor Otto III conquered it in 1001, and Tivoli fell under the papal control. Reminders of the turbulence of communal life are the tower houses that may be seen in Vicolo dei Ferri, Via di Postera, Via del Seminario. In the 13th century Rome imposed a tribute on the city, in the 14th century Tivoli sided with the Guelphs and strongly supported Urban VI against Antipope Clement VII
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Archaeological Museum of Thessaloniki
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The Archaeological Museum of Thessaloniki is a museum in Thessaloniki, Central Macedonia, Greece. It holds and interprets artifacts from the Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki, the museum is housed in a building designed by architect Patroklos Karantinos and is an example of the modern architectural trends of Greece. Built in 1962, the museum had a new wing added to it in 1980, in which the findings from Vergina were displayed, in 2001 and 2004, in the run-up to the 2004 Athens Olympics, the museum was extensively renovated and its permanent exhibits reorganized. The central rooms hold exhibits from the excavations conducted in Thessaloniki. At present, the collection of Archaic to Late Roman sculptures from Thessaloniki and they illustrate the history of Thessaloniki from prehistoric times to Late Antiquity. Apart from its permanent displays, the Archaeological Museum also hosts major temporary, a showcase in the lobby of the museum displays some finds from the excavation of the Neolithic settlement at Makrygialos in Pieria, accompanied by information about the progress of the excavation. In the new wing, the The Gold of Macedon exhibition includes finds from excavations in Central Macedonia. There are also finds from cemeteries, and their role in burial customs is described. The Thessaloniki in Prehistory exhibition aims to recreate a picture of the Thermaic Gulf littoral before the city of Thessaloniki was built. On 26 February 2010, Greek authorities arrested two men found in possession of various antiquities, including a bronze statue of Alexander. If confirmed, this would make it the first original work of Lysippos ever discovered, the statue is currently being examined at the laboratory of the Archaeological Museum of Thessaloniki, which is expected to confirm or deny its authenticity
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J. Paul Getty Museum
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The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in California housed on two campuses, the Getty Center and Getty Villa. The Getty Center is in the Brentwood neighborhood of Los Angeles and is the location of the museum. The collection features Western art from the Middle Ages to the present and its estimated 1.3 million visitors annually make it one of the most visited museums in the United States. The museums second location, the Getty Villa, is in the Pacific Palisades neighborhood and displays art from ancient Greece, Rome, and Etruria. In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Pacific Palisades, in 1982, the museum became the richest in the world when it inherited US$1.2 billion. In 1997, the moved to its current location in the Brentwood neighborhood of Los Angeles. Detailed information about the J. Paul Getty Museum’s collections is provided on GettyGuide, at the GettyGuide stations in the Museum, visitors can get information about exhibitions, interact with a timeline, watch videos on art-making techniques, and more. Also available at the Museum, the GettyGuide multimedia player features commentary from curators and conservators on many works of art, with GettyGuide on the Web, one may browse the Museum’s collection and bookmark works of art to create a customized tour and printable map. In 1984, Frel was demoted, and in 1986, he resigned, the Getty is involved in a controversy regarding proper title to some of the artwork in its collection. The museums previous curator of antiquities, Marion True, was indicted in Italy in 2005 on criminal charges relating to trafficking in stolen antiquities, similar charges have been addressed by the Greek authorities. The primary evidence in the case came from the 1995 raid of a Geneva, Switzerland, in 2005 True was forced to tender her resignation by the Board of Trustees, which announced her early retirement. Italy allowed the statute of limitations of the charges filed against her to expire in October 2010, True is currently under investigation by Greek authorities over the acquisition of a 2, 500-year-old funerary wreath. The wreath, along with a 6th-century BC statue of a woman, have returned to Greece and are exhibited at the Archaeological Museum of Thessaloniki. The Getty Museum resisted the requests of the Italian government for two decades, only to admit later that there might be problems attached to the acquisition. In 2006, Italian senior cultural official Giuseppe Proietti said, The negotiations havent made a step forward. Only after he suggested the Italian government to take cultural sanctions against the Getty, suspending all cultural cooperation, in another unrelated case in 1999, the Getty Museum had to hand over three antiquities to Italy after determining they were stolen. A Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum was published in 2001, indeed, some discrete works are provided with annotations, e. g. In 2016, the head of the Greek god Hades was returned to Sicily
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Body proportions
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While there is significant variation in anatomical proportions between people, there are many references to body proportions that are intended to be canonical, either in art, measurement, or medicine. In measurement, body proportions are used to relate two or more measurements based on the body. A cubit, for instance, is supposed to be six palms, a span is taken to be 9 inches and was previously considered as half a cubit. While convenient, these ratios may not reflect the variation of the individuals using them. Similarly, in art, body proportions are the study of relation of human or animal parts to each other. These ratios are used in depictions of the figure. It is important in drawing to draw the human figure in proportion. In modern figure drawing, the unit of measurement is the head. This unit of measurement is reasonably standard, and has long used by artists to establish the proportions of the human figure. Ancient Egyptian art used a canon of proportion based on the fist, measured across the knuckles, with 18 fists from the ground to the hairline on the forehead. This was already established by the Narmer Palette from about the 31st century BC, the proportions used in figure drawing are, An average person, is generally 7-and-a-half heads tall. An ideal figure, used when aiming for an impression of nobility or grace, is drawn at 8 heads tall, a heroic figure, used in the heroic for the depiction of gods and superheroes, is eight-and-a-half heads tall. Most of the length comes from a bigger chest and longer legs. A study using Polish participants by Sorokowski found 5% longer legs than a used as a reference was considered most attractive. The study concluded this preference might stem from the influence of leggy runway models, the Sorokowski study was criticized for using a picture of the same person with digitally altered leg lengths which Marco Bertamini felt were unrealistic. Another study using British and American participants, found mid-ranging leg-to-body ratios to be most ideal, the Swami et al. study was criticized for using a picture of the same person with digitally altered leg lengths which Marco Bertamini felt were unrealistic. Bertamini also criticized the Swami study for only changing the leg length while keeping the arm length constant, bertaminis own study which used stick figures mirrored Swamis study, however, by finding a preference for leggier women. Another common measurement of related to leg-to-body ratio is sitting-height ratio, sitting height ratio is the ratio of the head plus spine length to total height which is highly correlated to leg-to-body ratio
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Pliny the Elder
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In the latter number will be my uncle, by virtue of his own and of your compositions. Pliny is referring to the fact that Tacitus relied on his uncles now missing work on the History of the German Wars. The wind caused by the sixth and largest pyroclastic surge of the eruption would not allow his ship to leave the shore, and Pliny probably died during this event. Plinys dates are pinned to the eruption of Mount Vesuvius in AD79 and a statement of his nephew that he died in his 56th year, Pliny was the son of an equestrian, Gaius Plinius Celer, and his wife, Marcella. Neither the younger nor the elder Pliny mention the names and their ultimate source is a fragmentary inscription found in a field in Verona and recorded by the 16th century Augustinian monk Onofrio Panvinio at Verona. The reading of the inscription depends on the reconstruction, but in all cases the names come through, whether he was an augur and whether she was named Grania Marcella are less certain. Jean Hardouin presents a statement from a source that he claims was ancient, that Pliny was from Verona. Hardouin also cites the conterraneity of Catullus, additional efforts to connect Celer and Marcella with other gentes are highly speculative. Hardouin is the scholar to use his unknown source. He kept statues of his ancestors there, a statue of Pliny on the facade of the Duomo of Como celebrates him as a native son. He had a sister, Plinia, who married into the Caecilii and was the mother of his nephew, Pliny the Younger, whose letters describe his work and study regimen in detail. In one of his letters to Tacitus, Pliny the Younger details how his uncles breakfasts would be light and simple following the customs of our forefathers. This shows that Pliny the Younger wanted it to be conveyed that Pliny the Elder was a good Roman and this statement would have pleased Tacitus. Two inscriptions identifying the hometown of Pliny the Younger as Como take precedence over the Verona theory, one commemorates the youngers career as imperial magistrate and details his considerable charitable and municipal expenses on behalf of the people of Como. Another identifies his father Lucius village as Fecchio near Como and it is likely therefore that Plinia was a local girl and Pliny the Elder, her brother, was from Como. Gaius was a member of the Plinii gens and he did not take his fathers cognomen, Celer, but assumed his own, Secundus. As his adopted son took the same cognomen, Pliny founded a branch, no earlier instances of the Plinii are known. In 59 BC, only about 82 years before Plinys birth, Julius Caesar founded Novum Comum as a colonia to secure the region against the Alpine tribes, whom he had been unable to defeat
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Natural History (Pliny)
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The Natural History is an early encyclopedia in Latin by Pliny the Elder, a Roman author and naval commander who died in 79 AD. It is one of the largest single works to have survived from the Roman Empire to the modern day, the works subject area is thus not limited to what is today understood by natural history, Pliny himself defines his scope as the natural world, or life. The work is divided into 37 books, organised into ten volumes, the Natural History became a model for later encyclopedias and scholarly works as a result of its breadth of subject matter, its referencing of original authors, and its index. The work is dedicated to the emperor Titus, son of Plinys close friend and it is the only work by Pliny to have survived and the last that he published. He began it in 77, and had not made a revision at the time of his death during the AD79 eruption of Vesuvius. Plinys Natural History was written alongside other substantial works, Pliny combined his scholarly activities with a busy career as an imperial administrator for the emperor Vespasian. Pliny claims to be the only Roman ever to have such a work, in his prayer for the blessing of the universal mother, Hail to thee, Nature. And do thou deign to show thy favour unto me, who, alone of all the citizens of Rome, have, in thy every department, the Natural History is encyclopaedic in scope, but its format is unlike a modern encyclopaedia. However, it does have structure, Pliny uses Aristotles division of nature to recreate the world in literary form. The work is unified but varied, My subject is the world of nature, or in other words, life, he tells Titus. Nature for Pliny was divine, a concept inspired by the Stoic philosophy which underlies much of his thought. But the deity in question was a goddess whose main purpose was to serve the human race, nature, that is life is human life in a natural landscape. After an initial survey of cosmology and geography, Pliny starts his treatment of animals with the human race and this teleological view of nature was common in antiquity and is crucial to the understanding of the Natural History. The components of nature are not just described in and for themselves, Pliny devotes a number of the books to plants, with a focus on their medicinal value, the books on minerals include descriptions of their uses in architecture, sculpture, painting and jewellery. Plinys premise is distinct from modern ecological theories, reflecting the sentiment of his time. Pliny repeated Aristotles maxim that Africa was always producing something new, natures variety and versatility were claimed to be infinite, When I have observed nature she has always induced me to deem no statement about her incredible. This led Pliny to recount rumours of strange peoples on the edges of the world and these monstrous races – the Cynocephali or Dog-Heads, the Sciapodae, whose single foot could act as a sunshade, the mouthless Astomi, who lived on scents – were not strictly new. They had been mentioned by the Greek historian Herodotus in the 5th century BC, Pliny had gone to investigate the strange cloud – shaped like an umbrella pine, according to his nephew – rising from the mountain
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Marble
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Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Geologists use the marble to refer to metamorphosed limestone, however. Marble is commonly used for sculpture and as a building material and this stem is also the basis for the English word marmoreal, meaning marble-like. In Hungarian it is called márvány, Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most commonly limestone or dolomite rock. Metamorphism causes variable recrystallization of the carbonate mineral grains. The resulting marble rock is composed of an interlocking mosaic of carbonate crystals. Primary sedimentary textures and structures of the carbonate rock have typically been modified or destroyed. Pure white marble is the result of metamorphism of a very pure limestone or dolomite protolith, green coloration is often due to serpentine resulting from originally magnesium-rich limestone or dolostone with silica impurities. These various impurities have been mobilized and recrystallized by the intense pressure, examples of historically notable marble varieties and locations, White marble has been prized for its use in sculptures since classical times. This preference has to do with its softness, which made it easier to carve, relative isotropy and homogeneity, construction marble is a stone which is composed of calcite, dolomite or serpentine which is capable of taking a polish. More generally in construction, specifically the dimension stone trade, the marble is used for any crystalline calcitic rock useful as building stone. For example, Tennessee marble is really a dense granular fossiliferous gray to pink to maroon Ordovician limestone that geologists call the Holston Formation. Ashgabat, the city of Turkmenistan, was recorded in the 2013 Guinness Book of Records as having the worlds highest concentration of white marble buildings. According to the United States Geological Survey, U. S. domestic marble production in 2006 was 46,400 tons valued at about $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison,2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate, U. S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for Marble Index has shown a growth of 12% annually for the 2000–2006 period, the largest dimension marble application is tile. In 1998, marble production was dominated by 4 countries that accounted for almost half of production of marble
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Farsala
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Farsala, known in Antiquity as Pharsalos, is a city in southern Thessaly, in Greece. Farsala is located in the part of Larissa regional unit. Farsala is an economic and agricultural centre of the region, cotton and livestock are the main agricultural products, and many inhabitants are employed in the production of textile. Farsala is famous for its distinctive halva, but even more so for its significance in ancient history, Farsala lies at the southern edge of the Thessalian Plain,4 km south of the river Enipeas. The Greek National Road 3 and the Greek National Road 30 pass through the town, the Palaiofarsalos railway station, on the line from Athens to Thessaloniki and head of the branch line to Kalambaka, is located in the village of Stavros,12 km to the west. Farsala is located 38 km south of Larissa,41 km east of Karditsa,44 km north of Lamia and 49 km west of Volos. The municipality Farsala has an area of 739.74 km2, the municipal unit Farsala has an area of 121.433 km2, and the community Farsala has an area of 57.928 km2. The Homeric Phthia of the Mycenaean period, capital of the Kingdom of the Myrmidons and of Peleus, father of Achilles, has sometimes identified with the later city of Pharsalos. A Cyclopean Wall which protected a city still exists today near modern Farsala, the Pharsalos of the historic era was built over a hillside of the Narthacius mountains at an elevation of some 160 m, where modern Farsala stands. It was one of the cities in Thessaly and was the capital of the Phthian tetrarch. In the Persian Wars it sided with the Athenians, a distinctive tribe of the city was that of Echecratidon. In the early 4th century BC, the city was a part of the Thessalian Commons, later, it joined the Macedonian Kingdom under Philip II. The area became a theatre of war where the Aetolians and the Thessalians clashed with the Macedonians, especially during the Second, after the defeat of the Macedonian Kingdom, Pharsalos and the whole area became a part of the Roman Republic. The whole area suffered great destruction during the Roman Civil War, the Battle of Pharsalus, where Julius Caesar defeated Pompey and changed the course of the Roman Republic forever, took place in 48 BC in the fields of the Pharsalian Plain. The geographer Strabo speaks of two towns, Old Pharsalos, Παλαιοφάρσαλος and Pharsalos, existing in historical times. His statement that the Thetideion, the temple to Thetis south of Skotoussa, was both the Pharsaloi, the Old and the New”, seems to imply that Palaeopharsalos was not itself close by Pharsalos. Although the battle of 48 BC is called after Pharsalos, four ancient writers – the author of the Bellum Alexandrinum, Frontinus, Eutropius, if that town had been close to Pharsalos he would have sacked both, and Livy would have written “Pharsalus” instead of “Palaeopharsalus”. The British scholar F. L. Lucas demonstrated that the battle of 48 BC must have been north of the Enipeus
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Thessaly
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Thessaly is a traditional geographic and modern administrative region of Greece, comprising most of the ancient region of the same name. Before the Greek Dark Ages, Thessaly was known as Aeolia, Thessaly became part of the modern Greek state in 1881, after four and a half centuries of Ottoman rule. Since 1987 it has formed one of the countrys 13 regions and is further sub-divided into 5 regional units and 25 municipalities, the capital of the region is Larissa. Thessaly lies in central Greece and borders the regions of Macedonia on the north, Epirus on the west, Central Greece on the south, the Thessaly region also includes the Sporades islands. In Homers epic, the Odyssey, the hero Odysseus visited the kingdom of Aeolus, the Plain of Thessaly, which lies between Mount Oeta/Othrys and Mount Olympus, was the site of the battle between the Titans and the Olympians. According to legend, Jason and the Argonauts launched their search for the Golden Fleece from the Magnesia Peninsula, Thessaly was home to extensive Neolithic and Chalcolithic cultures around 6000–2500 BC. Mycenaean settlements have also discovered, for example at the sites of Iolcos, Dimini. In Archaic and Classical times, the lowlands of Thessaly became the home of baronial families, in the summer of 480 BC, the Persians invaded Thessaly. The Greek army that guarded the Vale of Tempe evacuated the road before the enemy arrived, not much later, Thessaly surrendered to the Persians. The Thessalian family of Aleuadae joined the Persians subsequently, in the 4th century BC, after the Greco-Persian Wars had long ended, Jason of Pherae transformed the region into a significant military power, recalling the glory of Early Archaic times. Shortly after, Philip II of Macedon was appointed Archon of Thessaly, the Avars had arrived in Europe in the late 550s. They asserted their authority over many Slavs, who were divided into numerous petty tribes, many Slavs were galvanized into an effective infantry force, by the Avars. In the 7th century the Avar-Slav alliance began to raid the Byzantine Empire, laying siege to Thessalonica, relations between the Slavs and Greeks were probably peaceful apart from the initial settlement and intermittent uprisings. Being agriculturalists, the Slavs probably traded with the Greeks inside towns and it is likely that the re-Hellenization had already begun by way of this contact. This process would be completed by a newly reinvigorated Byzantine Empire, with the abatement of Arab-Byzantine Wars, the Byzantine Empire began to consolidate its power in those areas of mainland Greece occupied by Proto-Slavic tribes. Following the campaigns of the Byzantine general Staurakios in 782–783, the Byzantine Empire recovered Thessaly, apart from military expeditions against Slavs, the re-Hellenization process begun under Nicephorus I involved transfer of peoples. Many Slavs were moved to other parts of the such as Anatolia. In return, many Greeks from Sicily and Asia Minor were brought to the interior of Greece, to increase the number of defenders at the Emperors disposal, even non-Greeks such as Armenians were transferred to the Balkans
