1.
Magical Mystery Tour (film)
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Magical Mystery Tour is a 52-minute-long British surreal comedy television film starring the Beatles which originally aired on BBC1 on Boxing Day,26 December 1967. Upon its initial showing, the film was received by critics. The film received an American theatrical release in 1974 by New Line Cinema, the situation is that of a group of people on a British mystery tour in a 1967 coach, focusing mostly on Mr Richard Starkey and his recently widowed Aunt Jessie. Other group members on the bus include the director, Jolly Jimmy Johnson, the tour hostess, Miss Wendy Winters, the conductor, Buster Bloodvessel. During the journey, Ringo and his Aunt Jessie argue continually, Aunt Jessie begins to have daydreams of falling in love with Buster Bloodvessel, who displays increasingly eccentric and disturbing behaviour. The tour involves several activities, such as an impromptu race in which each of the passengers employs a different mode of transportation. In one scene, the group walk through what appears to be a British Army recruitment office and are greeted by the army drill sergeant. The sergeant, shouting incomprehensibly, appears to instruct the assembled onlookers on how to attack a stuffed cow, the tour group also crawl into a tiny tent in a field, inside which is a projection theatre. A scene in a restaurant shows a waiter repeatedly shovelling spaghetti onto the table in front of Aunt Jessie, while arriving guests step out from a lift, the film continues with the tours male passengers watching a strip show. The film ends with the Beatles dressed in tuxedos, highlighting a glamourous old-style dance crowd scene. In The Beatles Anthology, Lennon states that if stage shows were to be out, most of the band members have said that the initial idea was McCartney’s, although he stated, I’m not sure whose idea Magical Mystery Tour was. It could have been mine, but I’m not sure whether I want to take the blame for it and we were all in on it – but a lot of the material at that time could have been my idea. Prior to the movie, McCartney had been creating home movies, the film was unscripted and shooting proceeded on the basis of a mostly handwritten collection of ideas, sketches and situations, which McCartney called the Scrupt. Magical Mystery Tour was ultimately the shortest of all Beatles films, the core of the film was shot between 11 September and 25 September 1967. The next eleven weeks were spent on editing the film from ten hours to 52 minutes. Much of Magical Mystery Tour was shot in and around RAF West Malling, many of the interior scenes, such as the ballroom sequence for Your Mother Should Know, were filmed in the disused aircraft hangars. The exteriors, such as the I Am the Walrus sequence, RAF Air Training Corps cadets can be seen marching in some scenes, and during I Am the Walrus a RAF Avro Shackleton is seen orbiting the group. The mystery tour itself was shot throughout the West Country of England, including Devon and Cornwall, although most of the footage was not used in the finished film
2.
The Beatles
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The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, the Beatles built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960, with Stuart Sutcliffe initially serving as bass player. The core of Lennon, McCartney and Harrison went through a succession of drummers, including Pete Best, before asking Starr to join them. They acquired the nickname the Fab Four as Beatlemania grew in Britain the next year, from 1965 onwards, the Beatles produced increasingly innovative recordings, including the albums Rubber Soul, Revolver, Sgt. Peppers Lonely Hearts Club Band, The Beatles and Abbey Road, after their break-up in 1970, they each enjoyed successful musical careers of varying lengths. McCartney and Starr, the members, remain musically active. Lennon was shot and killed in December 1980, and Harrison died of cancer in November 2001. The Beatles are the band in history, with estimated sales of over 600 million records worldwide. They have had more number-one albums on the British charts and sold more singles in the UK than any other act, according to the RIAA, the Beatles are also the best-selling music artists in the United States, with 178 million certified units. In 2008, the group topped Billboard magazines list of the all-time most successful Hot 100 artists, as of 2016 and they have received ten Grammy Awards, an Academy Award for Best Original Song Score and fifteen Ivor Novello Awards. The group was inducted into the Rock and Roll Hall of Fame in 1988 and they were also collectively included in Time magazines compilation of the twentieth centurys 100 most influential people. In March 1957, John Lennon, then aged sixteen, formed a group with several friends from Quarry Bank school. They briefly called themselves the Blackjacks, before changing their name to the Quarrymen after discovering that a local group was already using the other name. Fifteen-year-old Paul McCartney joined as a rhythm guitarist shortly after he, in February 1958, McCartney invited his friend George Harrison to watch the band. The fourteen-year-old auditioned for Lennon, impressing him with his playing, after a month of Harrisons persistence, they enlisted him as their lead guitarist. By January 1959, Lennons Quarry Bank friends had left the group, the three guitarists, billing themselves at least three times as Johnny and the Moondogs, were playing rock and roll whenever they could find a drummer. They used the name until May, when they became the Silver Beetles, before undertaking a tour of Scotland as the backing group for pop singer. By early July, they had changed their name to the Silver Beatles, allan Williams, the Beatles unofficial manager, arranged a residency for them in Hamburg, but lacking a full-time drummer they auditioned and hired Pete Best in mid-August 1960
3.
Abbey Road Studios
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Abbey Road Studios is a recording studio at 3 Abbey Road, St Johns Wood, City of Westminster, London, England. It was established November 1931 by the Gramophone Company, a predecessor of British music company EMI, Abbey Road Studios is most notable as being the 1960s venue for innovative recording techniques adopted by the Beatles, Pink Floyd, the Hollies, Badfinger and others. One of its earliest world-famous-artist clients was Paul Robeson, who recorded December 1931, towards the end of 2009, the studio came under threat of sale to property developers. However, the British Government protected the site, granting it English Heritage Grade II listed status in 2010, originally a nine-bedroom Georgian townhouse built in 1831 on the footpath leading to Kilburn Abbey, the building was later converted to flats where the most flamboyant resident was Maundy Gregory. In 1931, the Gramophone Company acquired the premises and converted it into studios, pathé filmed the opening of the studios when Sir Edward Elgar conducted the London Symphony Orchestra in recording sessions of his music. In 1934, inventor of stereo sound, Alan Blumlein, recorded Mozarts Jupiter Symphony which was conducted by Sir Thomas Beecham at the studios, the neighbouring house is also owned by the studio and used to house musicians. During the mid-20th century, the studio was used by leading British conductor Sir Malcolm Sargent. The Gramophone Company amalgamated with Columbia Graphophone Company to form EMI and it was under this name that in 1936 cellist Pablo Casals became the first to record Johann Sebastian Bachs Cello Suites No.1 &2 at the command of EMI head Fred Gaisberg. The recordings went on to spur a revolution among Bach aficionados, in 1958, Studio Two at Abbey Road became a centre for rock and roll music when Cliff Richard and the Drifters recorded Move It there, and later pop music material. The Beatles named their 1969 album Abbey Road, after the street where the studio is located, the studio was renamed Abbey Road Studios in 1970 after the Beatles album had made it famous. Iain Macmillan took the cover photograph outside the studios, with the result that the nearby zebra crossing has become a place of pilgrimage for Beatles fans. It has been a tradition for visitors to pay homage to the band by writing on the wall in front of the even though it is painted over every three months. December 2010, the crossing at Abbey Road was given a Grade II listed status. Pink Floyd recorded most of their late 1960s to mid-1970s albums here, the Shadows named their Live at Abbey Road album after the studio, with the cover spoofing the Beatles album. The chief mastering engineer at Abbey Road was Chris Vinyl Blair, in 1979, EMI commissioned the British jazz fusion band Morrissey-Mullen to record Britains first digitally recorded single record at Abbey Road Studios. From July 18 to September 11,1983, the public had an opportunity to see inside the legendary Studio Two where The Beatles made most of their records. While a new mixing console was being installed in the control room, the soundtrack to the video had a number of recordings that were not made commercially available until the release of The Beatles Anthology project over a decade later. The Red Hot Chili Peppers used a photograph of the walking across the zebra crossing naked on the front of The Abbey Road E. P. which was released in 1988
4.
Psychedelic rock
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Many psychedelic groups differ in style, and the label is often used indiscriminately. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called raga rock. In the 1960s, there existed two main variants of the genre, the whimsical British pop-psychedelia, and the harder American West Coast acid rock. While acid rock is often deployed interchangeably with the psychedelic rock, it can also refer more specifically to the heavier. The genre bridged the transition from early blues- and folk-based rock to rock and hard rock. Since the late 1970s it has revived in various forms of neo-psychedelia. The term psychedelic was first coined in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. As the countercultural scene developed in San Francisco, the acid rock. In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with form, arrangements, unnatural reverb. Some of the best known examples are Phil Spectors Wall of Sound production formula, there was no transition to be made. You go from things like Flying Purple People Eater to I Am the Walrus, music critic Richie Unterberger says that attempts to pin down the first psychedelic record are therefore nearly as elusive as trying to name the first rock & roll record. Some of the far-fetched claims include the instrumental Telstar and the Dave Clark Fives massively reverb-laden Any Way You Want It, the first mention of LSD on a rock record was the Gamblers 1960 surf instrumental LSD25. American folk singer Bob Dylan was an influence on mid 1960s rock music. He led directly to the creation of rock and the psychedelic rock musicians that followed. Molly Longman of mic. com writes that, in terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the eras most pivotal acts. The considerable success enjoyed by these two bands allowed them the freedom to experiment with new technology over entire albums. In Unterbergers opinion, the Byrds, emerging from the Californian folk scene, with their ominous minor key melodies, hyperactive instrumental breaks, and use of Gregorian chants. In the songs lyric, the requests, Take me on a trip upon your magic swirling ship
5.
Parlophone
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Parlophone Limited is a German-British record label that was founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the company was formed in 8 August 1923 as The Parlophone Co. Ltd. which developed a reputation in the 1920s as a jazz record label. In 5 October 1926, the Columbia Graphophone Company acquired Parlophones business, name, Columbia Graphophone later merged with the Gramophone Company in 31 March 1931 to become Electric & Musical Industries Limited. George Martin joined EMI in 1950 as assistant label manager, taking over as manager in 1955, Martin produced and released a mix of product including comedy recordings of the Goons, the pianist Mrs Mills, and teen idol Adam Faith. For a long time Parlophone claimed the best-selling UK single She Loves You, peppers Lonely Hearts Club Band, both by The Beatles. The label also achieved placement of seven singles at No.1 during 1964, Parlophone continued as a division of EMI until it was merged into the Gramophone Co. Ltd. on 1 July 1965. On 1 July 1973, the Gramophone Co. Ltd. was renamed EMI Records Limited, on 28 September 2012, regulators officially approved Universal Music Group s planned acquisition of EMI, on condition that its EMI Records Ltd. group would be divested from the combined group. EMI Records Ltd. included Parlophone and other labels to be divested and were for a time operated in a single entity known as the Parlophone Label Group. Warner Music Group later acquired Parlophone and PLG in 7 February 2013, making Parlophone their new third flagship label, alongside Warner Bros. Records, PLG was renamed as the Parlophone Records Limited group in May 2013. Parlophone is now the oldest of WMGs three flagship record labels, Parlophone was founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The name Parlophon had been used for gramophones before the company began making records of their own. The labels ₤ trademark is a German L that stands for its original founder Lindström and it has coincidentally been said to resemble the British pound sign, which itself is derived from the letter L for the Ancient Roman unit of measurement Libra, which means pound in Latin. During World War I, the Transoceanic Trading Company was set up in the Netherlands to look after its overseas assets, on 8 August 1923, the British branch of Parlophone was established, led by artists and repertoire manager Oscar Preuss. Parlophone established a leasing arrangement with the co-owned United States-based record label Okeh Records. The CLPGS has published a list of Parlophone titles issued between the years of 1923 and 1956, in 1927, the Columbia Graphophone Company acquired a controlling interest in the Carl Lindström Company and in Parlophone. In 31 March 1931, Columbia Graphophone merged with the Gramophone Company to form Electric & Musical Industries Ltd, under EMI, Parlophone initially maintained its status as a jazz label. In about 1929 or 1930, the Rhythm Style Series started, besides the Okeh recordings, Parlophone also issued recordings from Columbia Records and Brunswick Records, as well as a few sessions produced at Decca Records. As time went on, the label also released speciality recordings of word and comedy recordings, including the comedy recordings of the Goons and Flanders
6.
Capitol Records
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Capitol Records, LLC is an American record label which operates as a division of the Capitol Music Group. The label was founded as the first West Coast-based record label in the United States in 1942 by three industry insiders named Johnny Mercer, Buddy DeSylva and Glenn Wallichs, in 1955, the label was acquired by the British music conglomerate EMI as its North American subsidiary. EMI was later acquired by Universal Music Group in 2012 and was merged with the company in 2013, making Capitol Records, Capitol Records circular headquarter building located in Los Angeles is a recognized landmark of California. Mercer first raised the idea of starting a company while golfing with Harold Arlen. By 1941, Mercer was a songwriter and a singer with multiple successful releases. Mercer next suggested the idea to Wallichs while visiting his record store, Wallichs expressed interest in the idea and the pair negotiated an agreement whereby Mercer would run the company and identify their artists, while Wallichs managed the business side. On February 2,1942, Mercer and Wallichs met with DeSylva at a Hollywood restaurant to inquire about the possibility of investment of the company from Paramount Pictures, while DeSylva declined the proposal, he handed the pair a check worth $15,000. On March 27,1942, the three men incorporated as Liberty Records, in May 1942, the application was amended to change the companys name to Capitol Records. On April 6,1942, Mercer supervised Capitols first recording session where Martha Tilton recorded the song Moon Dreams, on May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio, one with the orchestra, one with Ella Mae Morse called Cow-Cow Boogie, on June 4,1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the companys first free record to Los Angeles disc jockey Peter Potter, on June 5,1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the recorded five more songs in the studio. On June 11, Tex Ritter recorded Jingle Jangle Jingle and Goodbye My Little Cherokee for his first Capitol recording session, and the songs formed Capitols 110th produced record. 133 - Get On Board Little Chillun - July 31,1942 - is a Freddie Slack/Ella Mae Morse/Mellowaires recording that might be the first rock n roll record and she has sometimes been called the first rock n roll singer. A good example is her 1942 recording of song which, with strong gospel, blues, boogie. Bone Walker recorded Mean Old World a pioneering example of the use of electric guitar. The earliest recording artists included co-owner Mercer, Whiteman, Tilton, Morse, Margaret Whiting, Jo Stafford, the Pied Pipers, Johnnie Johnston, Tex Ritter, Capitols first gold single was Morses Cow Cow Boogie in 1942. Capitols first album was Capitol Presents Songs By Johnny Mercer, a three 78-rpm disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Westons Orchestra
7.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
8.
LP record
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The LP is an analog sound storage medium, a vinyl record format characterized by a speed of 33 1⁄3 rpm, a 12 or 10 inch diameter, and use of the microgroove groove specification. Introduced by Columbia in 1948, it was adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, the new product was a 12- or 10-inch fine-grooved disc made of vinyl and played with a smaller-tipped microgroove stylus at a speed of 33 1⁄3 rpm. Each side of a 12-inch LP could play for more than 20 minutes, although the LP was suited to classical music because of its extended continuous playing time, it also allowed a collection of ten or more pop music recordings to be put on a single disc. The use of the word album persisted for the one-disc LP equivalent, the prototype of the LP was the soundtrack disc used by the Vitaphone motion picture sound system, developed by Western Electric and introduced in 1926. For soundtrack purposes, the less than five minutes of playing time of side of a conventional 12-inch 78 rpm disc was not acceptable. The sound had to play continuously for at least 11 minutes, long enough to accompany a full 1, the disc diameter was increased to 16 inches and the speed was reduced to 33 1⁄3 revolutions per minute. Unlike their smaller LP descendants, they were made with the same large standard groove used by 78s, unlike conventional records, the groove started at the inside of the recorded area near the label and proceeded outward toward the edge. Like 78s, early soundtrack discs were pressed in an abrasive shellac compound, syndicated radio programming was distributed on 78 rpm discs beginning in 1928. The desirability of a longer continuous playing time soon led to the adoption of the Vitaphone soundtrack disc format, 16-inch 33 1⁄3 rpm discs playing about 15 minutes per side were used for most of these electrical transcriptions beginning about 1930. Transcriptions were variously recorded inside out like soundtrack discs or with an outside start, some transcriptions were recorded with a vertically modulated hill and dale groove. This was found to allow deeper bass and also an extension of the frequency response. Neither of these was necessarily an advantage in practice because of the limitations of AM broadcasting. Today we can enjoy the benefits of those higher-fidelity recordings, even if the radio audiences could not. Initially, transcription discs were pressed only in shellac, but by 1932 pressings in RCA Victors vinyl-based Victrolac were appearing, by the late 1930s, vinyl was standard for nearly all kinds of pressed discs except ordinary commercial 78s, which continued to be made of shellac. Use of the LPs microgroove standard began in the late 1950s, the King Biscuit Flower Hour is a late example, as are Westwood Ones The Beatle Years and Doctor Demento programs, which were sent to stations on LP at least through 1992. RCA Victor introduced a version of a long-playing record for home use in September 1931. These Program Transcription discs, as Victor called them, played at 33 1⁄3 rpm and used a somewhat finer and they were to be played with a special Chromium Orange chrome-plated steel needle
9.
Compact disc
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Compact disc is a digital optical disc data storage format released in 1982 and co-developed by Philips and Sony. The format was developed to store and play only sound recordings but was later adapted for storage of data. The first commercially available Audio CD player, the Sony CDP-101, was released October 1982 in Japan, standard CDs have a diameter of 120 millimetres and can hold up to about 80 minutes of uncompressed audio or about 700 MiB of data. The Mini CD has various diameters ranging from 60 to 80 millimetres, they are used for CD singles, storing up to 24 minutes of audio. At the time of the introduction in 1982, a CD could store much more data than a personal computer hard drive. By 2010, hard drives commonly offered as much space as a thousand CDs. In 2004, worldwide sales of audio CDs, CD-ROMs and CD-Rs reached about 30 billion discs, by 2007,200 billion CDs had been sold worldwide. In 2014, revenues from digital music services matched those from physical format sales for the first time. American inventor James T. Russell has been credited with inventing the first system to record information on an optical transparent foil that is lit from behind by a high-power halogen lamp. Russells patent application was first filed in 1966, and he was granted a patent in 1970, following litigation, Sony and Philips licensed Russells patents in the 1980s. The compact disc is an evolution of LaserDisc technology, where a laser beam is used that enables the high information density required for high-quality digital audio signals. Prototypes were developed by Philips and Sony independently in the late 1970s, although originally dismissed by Philips Research management as a trivial pursuit, the CD became the primary focus for Philips as the LaserDisc format struggled. In 1979, Sony and Philips set up a joint task force of engineers to design a new audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980, after their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984, by 1988 CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes. The success of the disc has been credited to the cooperation between Philips and Sony, who came together to agree upon and develop compatible hardware. The unified design of the disc allowed consumers to purchase any disc or player from any company. In 1974, L. However, due to the performance of the analog format
10.
Coach (bus)
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A coach is a type of vehicle used for conveying passengers on excursions and on longer-distance intercity—or even international—bus service. The term was applied to railway carriages in the 19th century, horse-drawn chariots and carriages were used by the wealthy and powerful where the roads were of a high enough standard from possibly 3000 BC. In Hungary, during the reign of King Matthias Corvinus in the 15th century and this cart of Kocs as the Hungarians called it soon became popular all over Europe. Stagecoaches were used for transport between cities from about 1500 in Great Britain until displaced by the arrival of the railways, one of the earliest motorised vehicles was the charabanc, which was used for short journeys and excursions until the early years of the 20th century. Coaches, as they hold passengers for significant periods of time on long journeys, are designed for comfort and they vary considerably in quality from country to country and within countries. Higher specification vehicles include luxury seats and air conditioning, coaches typically have only a single, narrow door, as an increased loading time is acceptable due to infrequent stops. Some characteristics include, Comfortable seats that may include a table, armrests. Comfort is considered to be an important feature in coaches, a minority of coaches are built with monocoque bodies without a chassis frame. Integrated manufacturers include Autosan, Scania, Fuso, and Alexander Dennis, major coachwork providers include Van Hool, Neoplan, Marcopolo, Irizar, MCI, Prevost, and Designline. A representative selection of vehicles currently in use in different parts of the world, a selection of vehicles in use in different parts of the world in the past. Pegaso Z-403 PD-4501 Scenicruiser GM Buffalo bus Anderson, R. C. A. and Frankis, history of Royal Blue Express Services. BBC Time Shift, The Modern Age of Coach Travel
11.
All You Need Is Love
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All You Need Is Love is a song by the English rock band the Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney, the Beatles performed the song over a pre-recorded backing track as Britains contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the programme was broadcast via satellite on 25 June 1967, the song captured the utopian sentiments of the Summer of Love era and topped singles charts in Britain, the United States and many other countries. All You Need Is Love was later included on the US Magical Mystery Tour album and it also appears in a sequence in the Beatles 1968 animated film Yellow Submarine and on the accompanying soundtrack album. For Our World, the Beatles were asked to provide a song with a message that could be understood by everyone. All You Need Is Love was selected for Our World for its social significance over the Paul McCartney-written Your Mother Should Know. In a statement to Melody Maker magazine, Brian Epstein, the manager, said of All You Need Is Love, It was an inspired song. The nice thing about it is that it cannot be misinterpreted and it is a clear message saying that love is everything. Lennon later attributed the songs simple lyrical statements to his liking of slogans and he also likened the song to a propaganda piece, adding, Im a revolutionary artist. My art is dedicated to change, author Mark Hertsgaard views it as the Beatles most political song yet up to 1967 and the origins of Lennons posthumous standing as a humanitarian hero. McCartney said, It was certainly tailored to once we had it, but Ive got a feeling it was just one of Johns songs that was coming anyway. All You Need Is Love is notable for its time signature. The main verse pattern contains a total of 29 beats, split into two 7/4 measures, a bar of 8/4, followed by a one bar return of 7/4 before repeating the pattern. The chorus, however, maintains a steady 4/4 beat with the exception of the last bar of 6/4, after the verse learn how to play the game, its easy, the bass alters the prolonged V chord with F#, E, C and B notes. The song is notable for a use of a dominant or V chord on Its easy. Supporting the same note with different and unexpected chords has been termed a characteristic Beatles technique. George Martin recalled that in All You Need Is Love the boys, wanted to freak out at the end, and just go mad. During the long fade-out, elements of other songs can be heard, including Greensleeves, Invention No.8 in F major by J. S. Bach, In the Mood
12.
Brian Epstein
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Brian Samuel Epstein was an English music entrepreneur, best known for managing the Beatles. Epstein first discovered the Beatles in November 1961 during a lunchtime Cavern Club performance and he was instantly impressed and saw great potential in the group. Epstein was rejected by all major recording companies in London, until he secured a meeting with George Martin. In May 1962, Martin agreed to sign the Beatles, partly because of Epsteins conviction that the group would become internationally famous, the Beatles early success has been attributed to Epsteins management style, and the band trusted him without hesitation. In addition to handling the Beatles business affairs, Epstein often stepped in to mediate disputes within the group. The Beatles unquestioning loyalty to Epstein later proved detrimental, as the band rarely read contracts before signing them, Music publisher Dick James and his partner Charles Silver owned 51-percent of the company, Lennon and McCartney each owned 20%, and Epstein owned 9%. By 1969, Lennon and McCartney had lost control of all publishing rights to ATV Music Publishing, still, Epsteins death in 1967 marked the beginning of the groups dissolution and had a profound effect on each Beatle. In 1997, Paul McCartney said, If anyone was the Fifth Beatle, Epstein was Jewish, his grandfather Isaac Epstein was from Lithuania and had arrived in Britain in the 1890s at the age of eighteen. His grandmother Dinah was the daughter of Joseph and Esther Hyman, the Hymans had six more children. Isaac Epstein married Dinah Hyman in Manchester in 1900, in 1901, Isaac and Dinah were living at 80 Walton Road, Liverpool with Isaacs sister Rachael Epstein, above the furniture dealership that he founded. Dinah and Isaacs third child was Harry Epstein, Brian Epsteins father, eventually the family moved to a larger home at 27 Anfield Road, Liverpool. After Harry and his brother Leslie had joined the family firm, Epstein and Sons and enlarged his furniture business by taking over adjacent shops at 62/72 Walton Road to sell a range of other goods, such as musical instruments and household appliances. They called the expanding business NEMS, which offered lenient credit terms, Epsteins mother Malka was also involved in the Hyman furniture business, which also owned the Sheffield Veneering Company. In 2003, the home on Anfield Road was converted into a Beatles-themed hotel called Epstein House. Epstein was born on 19 September 1934 in Rodney Street, Liverpool, Harry and Queenie also had another son named Clive who was born 22 months after his older brother. During World War II, the Epsteins moved to Southport—where two schools expelled Epstein for laziness and poor performance—but returned to Liverpool in 1945, the Epsteins lived at 197 Queens Drive, Childwall in Liverpool, and remained there for the next 30 years. Epsteins parents moved him from one boarding school to another, including Clayesmore School in Dorset and he spent two years at Wrekin College in Shropshire, where he was taught the violin. He started work at his familys business on a £5 per week wage, after returning to Liverpool, he was put in charge of the Clarendon Furnishing shop in Hoylake and was made a director of NEMS in 1955
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BPI certification awarded only for sales since 1994.