Manoel Cândido Pinto de Oliveira was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931, he completed his first film Douro, Faina Fluvial, a documentary about his home city Porto made in the city-symphony genre. He made his feature film debut in 1942 with Aniki-Bóbó and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director.
Oliveira in 1991
Oliveira at the 48th Venice International Film Festival, 1991
Oliveira and Michel Piccoli at the 2001 Cannes Film festival
Oliveira at the 2001 Cannes Film Festival
A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
A 16 mm spring-wound Bolex "H16" reflex camera – a popular entry-level camera used in film schools
The cover of Bolesław Matuszewski's 1898 book Une nouvelle source de l'histoire (A New Source of History), the first publication about documentary function of cinematography
Frame from one of Gheorghe Marinescu's science films (1899)
Geoffrey Malins with an aeroscope camera during World War I