1.
Ridgewood, New Jersey
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Ridgewood is a village in Bergen County, New Jersey, United States. Ridgewood is a bedroom community of New York City, located approximately 20 miles northwest of Midtown Manhattan. Ridgewood was ranked 26th in Money magazines Best Places to Live in America,2011, in 1700, Johannes Van Emburgh built the first home in Ridgewood, having purchased a 250 acres property in 1698. The Village of Ridgewood was created on November 20,1894, the Village became the municipal government while the Township remained a school district. In 1902, the village added portions of Orvil Township, which were returned to Orvil Township in 1915, in 1925, Ridgewood Village acquired area from Franklin Township. On February 9,1971, Ridgewood acquired area from Washington Township, on May 28,1974, it acquired area from Ho-Ho-Kus. The name of the village derives from the characteristics of its terrain, Ackerman House -252 Lincoln Avenue is a stone house constructed c. 1810 and named for either David or John Ackerman. David Ackerman House -415 East Saddle River Road, ackerman-Van Emburgh House -789 East Glen Avenue was built c. 1785 by John Ackerman and purchased by the Van Embergh family in 1816. Archibald-Vroom House -160 East Ridgewood Avenue, beech Street School -49 Cottage Place. Paramus Reformed Church Historic District - Bounded by Franklin Turnpike, Route 17, Saddle River, south side of cemetery, the Old Paramus Reformed Church was established in 1725, though the current building dates to 1800. During the Revolutionary War, the church was used for years by the Continental Army. Rathbone-Zabriskie House -570 North Maple Avenue, Van Dien House -627 Grove Street. Vanderbeck House -249 Prospect Street, westervelt-Cameron House -26 East Glen Avenue, constructed c.1767 by John R. Westervelt. Before the pond that is now, it was only the river. Every summer, Mr. Graydon would dam up the river and it would flood, people would picnic by the water and hold events there. Graydon remains one of the jewels of Ridgewood, treasured by residents young, according to the United States Census Bureau, the village had a total area of 5.818 square miles, including 5.752 square miles of land and 0.066 square miles of water. Ridgewood is adjacent to eight municipalities, seven in Bergen County − Fair Lawn, Glen Rock, Ho-Ho-Kus, Midland Park, Paramus, Waldwick and Washington Township −, Ridgewood has a hot-summer humid continental climate and the hardiness zone is 7a bordering on 6b. Ridgewood was ranked 15th on Money Magazines 2013 listing of the 25 top-earning towns in the United States, as of the census of 2010, there were 24,958 people,8,456 households, and 6,756 families residing in the village
2.
Lily Walsh
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Lily Walsh is a fictional character from the CBS daytime soap opera, As the World Turns. Most notably played by Martha Byrne from May 1985 to December 1989 and again from 1993 to April 22,2008, Heather Rattray stepped into the role from December 1989 to January 8,1993. In the shows final two years, Lily was recast with Noelle Beck and she aired from May 8,2008 after the departure of Byrne until its final episode on September 17,2010. Byrne is considered to be one of the most recognized faces of television and is often called a superstar of soap opera history. Lily Walsh was originally played by Lucy Deakins for from 1984-1985, after Deakins departed from the role, Martha Byrne and initially assumed the character from 1985-1989 and became the most notable portrayer. Byrne, who was 15 at the time of her first appearance also had a background in theater as she appeared in the play Annie at the age of 10. Her early years were involved in stories with Holden Snyder, with whom she is one half of the shows most popular. Byrne is also an singer, having written and performed the song Find My Way Back as part of her album The Other Side in tribute of Holden and Lily. The song made its debut on the December 5,2005 episode as a montage of clips played of Holden. Byrne commented on her song Find My Way Back and her inspiration behind its creation during an interview with Soapdom. com columnist Laura DeBrizzi on December 1,2005. About a year ago, I decided that I really wanted to something for Holden. Plus, having come this far and still being with Jon, —Martha Byrne, Soapdom. com Byrne departed the role and Heather Rattray took over from 1989-1993 and took the character in a different direction with a colder personality following a fire. Rattray had a role in the CBS soap opera Guiding Light as Wendy in 1988 and led a primetime career before. The shows then-head writer Douglas Marland lured Byrne back to the role when Rattray announced her departure, Lily and Roses characters were often involved in storylines with Holden and Dusty Donovan and Roses presence continued to be felt in Lilys life until her death in 2006. Byrne was nominated for several Daytime Emmy Awards and won for Outstanding Ingenue in 1987, after nearly 20 years in the role, Byrne left the show after her contract negotiations with the shows executive producer Christopher Goutman took a turn for the worse. When Byrne left the role, she spoke with the New York Daily News about her appreciation from the fans and feelings about the show. I want to all the loyal fans who, over the course of two decades, have unconditionally supported me and the characters of Lily and Rose, she continued. It was a journey, one I sincerely hoped would continue
3.
Soap opera
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A soap opera, soap, or soapie, is a serial drama on television or radio that examines the lives of many characters, usually focusing on emotional relationships to the point of melodrama. The term soap opera originated from such dramas being typically sponsored by soap manufacturers in the past, the first serial considered to be a soap opera was Painted Dreams, which debuted on October 20,1930 on Chicago radio station WGN. The first nationally broadcast radio soap opera was Clara, Lu, and Em, a crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the features that makes a television program a soap opera. While Spanish language telenovelas are sometimes called soap operas, telenovelas have conflicts that get resolved, but with soap operas each episode ends with a promise that the storyline is to be continued in another episode. You spend more time even with the characters, the apparent villains grow less apparently villainous. Soap opera storylines run concurrently, intersect and lead into further developments, each episode may feature some of the shows current storylines, but not always all of them. Soap operas rarely bring all the current storylines to a conclusion at the same time, when one storyline ends, there are several other story threads at differing stages of development. Soap opera episodes typically end on some sort of cliffhanger, evening soap operas and those that air at a rate of one episode per week are more likely to feature the entire cast in each episode, and to represent all current storylines in each episode. Evening soap operas and serials that run for only part of the year tend to bring things to a dramatic end-of-season cliffhanger, the article explained that at that time, many prime time series lost money, while daytime serials earned profits several times more than their production costs. Fitting in with these characteristics, most soap operas follow the lives of a group of characters who live or work in a particular place, the storylines follow the day-to-day activities and personal relationships of these characters. These elements may be found across the gamut of soap operas, Due to the prominence of English-language television, most soap-operas are completely English. In many soap operas, in particular daytime serials in the US, Soap operas from the United Kingdom and Australia tend to focus on more everyday characters and situations, and are frequently set in working class environments. Many of the soaps produced in two countries explore social realist storylines such as family discord, marriage breakdown or financial problems. This diverges from US soap operas where such comedy is rare, UK soap operas frequently make a claim to presenting reality or purport to have a realistic style. Romance, secret relationships, extramarital affairs, and genuine hate have been the basis for many soap opera storylines, in US daytime serials, the most popular soap opera characters, and the most popular storylines, often involved a romance of the sort presented in paperback romance novels. Crimes such as kidnapping, rape, and even murder may go unpunished if the perpetrator is to be retained in the ongoing story, Australian and UK soap operas also feature a significant proportion of romance storylines. In Russia, most popular serials explore the romantic quality of criminal and/or oligarch life, in soap opera storylines, previously unknown children, siblings and twins of established characters often emerge to upset and reinvigorate the set of relationships examined by the series
4.
As the World Turns
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As the World Turns is an American television soap opera that aired on CBS for 54 years from April 2,1956, to September 17,2010. Irna Phillips created As the World Turns as a show to her other soap opera Guiding Light. Running for 54 years, As the World Turns holds the second-longest continuous run of any daytime soap opera on American television. As the World Turns was produced for the first 43 years in Manhattan, set in the fictional town of Oakdale, Illinois, the show debuted on April 2,1956, at 1,30 pm EST. Prior to that date, all serials had been 15 minutes in length, as the World Turns and The Edge of Night, which premiered on the same day at 4,30 pm EST, were the first two to be 30 minutes in length from their premiere. At first, viewers did not respond to the new half-hour serial, in 1959, the show started a streak of weekly ratings wins that was not interrupted for over 12 years. The show switched to color on August 21,1967, and expanded from a half-hour in length to one starting on December 1,1975. In the year-to-date ratings, As the World Turns was the daytime drama from 1958 until 1978. At its height, core actors such as Helen Wagner, Don MacLaughlin, Don Hastings, three of these actors – Wagner, Hastings, and Fulton – are also the three longest serving actors in the history of American soap operas. The show passed its 10, 000th episode on May 12,1995, on September 18,2009, As the World Turns became the last remaining Procter and Gamble-produced soap opera for CBS after Guiding Light aired its final episode on the network. On December 8,2009, CBS announced that it cancelled As the World Turns after almost 54 years due to low ratings. The show taped its final Procter and Gamble scenes for CBS on June 23,2010, on October 18,2010, CBS replaced As the World Turns with a newly debuted talk show The Talk. As the World Turns was the creation of Irna Phillips, who beginning in the 1930s, had one of the foremost creators and writers of radio soap operas. Phillips wrote, As the world turns, we know the bleakness of winter, the promise of spring, the fullness of summer, and so it was with As the World Turns, with its slow-moving psychological character studies of families headed by legal and medical professionals. The personal and professional lives of doctors and lawyers remained central to As the World Turns throughout its run, Phillips style favored gradual evolution over radical change. Slow, conversational, and emotionally intense, the show moved at the pace of life itself –, each new addition to the cast was done in a gradual manner, and was usually a key contact to one of the members of the Hughes family. As such, the show earned a reputation as being quite conservative, during the shows early decades, the content-related policies of its sponsor Procter & Gamble Productions may have contributed to the perception of conservatism. As the World Turns premiered on April 2,1956 and it was the first television daytime drama with a 30-minute running time, all daytime dramas until then had 15-minute running times
5.
Broadway theatre
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Along with Londons West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world. The Theater District is a popular tourist attraction in New York City, the great majority of Broadway shows are musicals. They presented Shakespeare plays and ballad operas such as The Beggars Opera, in 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice, the company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, by the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblos Garden opened, the 3, 000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmos Opera House opened and presented opera for four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burtons Theatre. The Astor Opera House opened in 1847, booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, and would later revive the role at his own Booths Theatre. Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, lydia Thompson came to America in 1868 heading a small theatrical troupe, adapting popular English burlesques for middle-class New York audiences. Thompsons troupe called the British Blondes, was the most popular entertainment in New York during the 1868–1869 theatrical season, the six-month tour ran for almost six extremely profitable years. Theatre in New York moved from downtown gradually to midtown beginning around 1850, in 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Broadways first long-run musical was a 50-performance hit called The Elves in 1857, New York runs continued to lag far behind those in London, but Laura Keenes musical burletta The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keenes troupe of Our American Cousin in Washington, the production was a staggering five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a musical comedy, Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. They starred high quality singers, instead of the women of repute who had starred in earlier musical forms. Plays could run longer and still draw in the audiences, leading to better profits, as in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women
6.
Musical theatre
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Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement, since the early 20th century, musical theatre stage works have generally been called, simply, musicals. These were followed by the numerous Edwardian musical comedies and the theatre works of American creators like George M. Cohan. Musicals are performed around the world and they may be presented in large venues, such as big-budget Broadway or West End productions in New York City or London. Alternatively, musicals may be staged in smaller fringe theatre, Off-Broadway or regional theatre productions, musicals are often presented by amateur and school groups in churches, schools and other performance spaces. In addition to the United States and Britain, there are vibrant musical theatre scenes in continental Europe, Asia, Australasia, Canada, the three main components of a book musical are its music, lyrics and book. The interpretation of a musical is the responsibility of its team, which includes a director. A musicals production is also characterized by technical aspects, such as set design, costumes, stage properties, lighting. The creative team, designs and interpretations generally change from the production to succeeding productions. Some production elements, however, may be retained from the production, for example. There is no fixed length for a musical, while it can range from a short one-act entertainment to several acts and several hours in length, most musicals range from one and a half to three hours. Musicals are usually presented in two acts, with one intermission, and the first act is frequently longer than the second. A book musical is usually built four to six main theme tunes that are reprised later in the show. Several shorter musicals on Broadway and in the West End have been presented in one act in recent decades, moments of greatest dramatic intensity in a book musical are often performed in song. Proverbially, when the emotion becomes too strong for speech, you sing, typically, many fewer words are sung in a five-minute song than are spoken in a five-minute block of dialogue. Therefore, there is time to develop drama in a musical than in a straight play of equivalent length. Within the compressed nature of a musical, the writers must develop the characters, the material presented in a musical may be original, or it may be adapted from novels, plays, classic legends, historical events or films. On the other hand, many musical theatre works have been adapted for musical films, such as West Side Story, My Fair Lady, The Sound of Music, Oliver
7.
Annie (musical)
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Annie is a Broadway musical based upon the popular Harold Gray comic strip Little Orphan Annie, with music by Charles Strouse, lyrics by Martin Charnin, and the book by Thomas Meehan. The original Broadway production opened in 1977 and ran for six years. It spawned numerous productions in many countries, as well as national tours, the musicals songs Tomorrow and Its the Hard Knock Life are among its most popular musical numbers. In 1933, eleven-year-old Annie is in the Municipal Girls Orphanage, along with Molly, Kate, Tessie, Pepper, July, when Molly awakes from a bad dream, angering Pepper and Duffy, July tells them to hush up and eventually gets into a fight with Pepper. Annie gets up and tells everyone to go back to sleep, Molly then asks if Annie could read her note from when her parents left her at the orphanage. Duffy and Pepper are yet again annoyed, along with Kate, Pepper and Duffy imitate Annies acting as if they were her parents. Annie decides to escape to find her parents, but is caught by Miss Hannigan and she is angered by this and forces all the girls to vigorously clean the orphanage. Shortly after, Mr. Bundles, the man, comes in to pick up the blankets. While Miss Hannigan is flirting with him, Annie climbs into the laundry basket, once Miss Hannigan realizes she is gone, the other orphans express their frustration. Annie successfully escapes, running into a stray dog. As she comforts him, she tells him of better days yet to come, the dog catcher is after him, so she pretends the dog is hers by calling him Sandy. Though at first unsuccessful, she convinces the dog catcher, and she later finds a Hooverville, where people made homeless by the Great Depression have come together as a community. However, a policeman named Lt. Ward, who had been sent by Miss Hannigan, catches Annie, Grace Farrell, assistant to the billionaire Oliver Warbucks, comes to the orphanage asking for an orphan to come to his mansion for the Christmas holiday. Because Annie was in Miss Hannigans office, Grace asks to take her, once she has left, Miss Hannigan explodes with her hatred for all the girls in the orphanage. Meanwhile, at the Warbucks Mansion, the staff welcomes Annie with open arms, when Oliver Warbucks comes back, though, he is very moody and not too happy to have an orphan in his mansion. He asks Grace to take Annie to a movie, but she persuades him to come too, as he and Annie begin to like each other, they enjoy a fabulous night in New York City. Back at the orphanage, Miss Hannigans brother, Rooster, and his girlfriend, Lily, Miss Hannigan mentions that Annie is staying at a billionaires house, and they think they could use this situation to their advantage, though they do not yet know how. Warbucks sees the locket around Annies neck, and buys her a new one from Tiffany & Co and he debates taking her under his wing, because he doesnt know much about children, but he decides he loves her and gives her the locket
