1.
National Portrait Gallery (United Kingdom)
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The National Portrait Gallery is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856, the gallery moved in 1896 to its current site at St Martins Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then, the National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, the gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport. The gallery houses portraits of important and famous British people, selected on the basis of the significance of the sitter. The collection includes photographs and caricatures as well as paintings, drawings, one of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare although there is some uncertainty about whether the painting actually is of the playwright. Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds, some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Portraits of living figures were allowed from 1969, the three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 5th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay and it was Stanhope who, in 1846 as a Member of Parliament, first proposed the idea of a National Portrait Gallery. It was not until his attempt, in 1856, this time from the House of Lords. With Queen Victorias approval, the House of Commons set aside a sum of £2000 to establish the gallery, as well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallerys first portrait, Carlyle became a trustee after the death of Ellesmere in 1857. For the first 40 years, the gallery was housed in locations in London. The first 13 years were spent at 29 Great George Street, there, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in buildings, the collection was moved in 1885. This location was unsuitable due to its distance from the West End, condensation. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander, Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian
2.
Dublin
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Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
3.
Brighton
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Brighton /ˈbraɪtən/ is a seaside resort on the south coast of England. It is part of the county of East Sussex, within the historic county of Sussex. Archaeological evidence of settlement in the dates back to the Bronze Age, Roman. The ancient settlement of Brighthelmstone was documented in the Domesday Book, Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a resort for sea bathing as a purported cure for illnesses. Brighton continued to grow as a centre of tourism following the arrival of the railways in 1841. Many of the attractions were built in the Victorian era, including the Grand Hotel, the West Pier. Brighton attracted 7.5 million day visitors in 2015/16 and 4.9 million overnight visitors, Brighton has also been called the UKs hippest city, and the happiest place to live in the UK. Brightons earliest name was Bristelmestune, recorded in the Domesday Book, although more than 40 variations have been documented, Brighthelmstone was the standard rendering between the 14th and 18th centuries. Brighton was originally a shortened form, first seen in 1660, it gradually supplanted the longer name. Brighthelmstone was the official name until 1810, though. The name is of Anglo-Saxon origin, most scholars believe that it derives from Beorthelm + tūn—the homestead of Beorthelm, a common Old English name associated with villages elsewhere in England. The tūn element is common in Sussex, especially on the coast, an alternative etymology taken from the Old English words for stony valley is sometimes given but has less acceptance. Brighthelm gives its name to, among other things, a church, the town was originally split in half by the Wellesbourne, a winterbourne which was culverted and buried in the 18th century. Poet Horace Smith called it The Queen of Watering Places, which is widely used. Novelist William Makepeace Thackeray referred to Doctor Brighton, calling the one of the best of Physicians. London-by-Sea is well-known, reflecting Brightons popularity with Londoners as a resort, a commuter dormitory. The Queen of Slaughtering Places, a pun on Smiths description, the mid 19th-century nickname School Town referred to the remarkable number of boarding, charity and church schools in the town at the time
4.
Royal Academy
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
5.
Royal Dublin Society
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The Royal Dublin Society is the name given in 1820 to a philanthropic organisation which was founded as the Dublin Society on 25 June 1731 to see Ireland thrive culturally and economically. The RDS is synonymous with its campus in Ballsbridge in Dublin, the society was founded by members of the Dublin Philosophical Society, chiefly Thomas Prior and Samuel Madden, as the Dublin Society for improving Husbandry, Manufactures and other Useful Arts. On 8 July 1731 – a couple of weeks after initial foundation – the designation, the Royal prefix was adopted in 1820 when George IV became Society patron. The society purchased Leinster House, home of the Duke of Leinster, in 1815, the society acquired its current premises at Ballsbridge in 1879, and has since increased from the original fifteen to forty acres. The premises consist of a number of halls, a stadium, meeting rooms, bars, restaurants. The RDS Main Hall is a centre for exhibitions, concerts. It hosts, for example, the Young Scientist and Technology Exhibition each January, Simmonscourt is where the show jumping horses are stabled during Dublin Horse Show week. The RDS Arena was developed to host equestrian events, including the annual Dublin Horse Show and it is often used for other sporting events however – primarily football and rugby. In 2007 and 2008 the arenas capacity was expanded to 18,250, the club also moved their Leinster Rugby Store to the RDS, and it is open on match days. The covered Anglesea Stand is the oldest stand in the ground below which there is an amount of terracing. Opposite the Anglesea Stand is the Grandstand which contains the TV gantry and was covered with a roof in 2008, behind the goals are the uncovered North and South stands which are removed for showjumping events to allow for extra space. The DART runs close to the RDS premises with Lansdowne and Sandymount being the closest stops, the RDS is served by bus route numbers 4,7,18 and 27x, which stop outside the Main Hall Entrance to the RDS on Merrion Road. The first solely Society-run Horse Show was held in 1868 and was one of the earliest leaping competitions ever held, over time it has become a high profile International show jumping competition, national showing competition and major entertainment event in Ireland. As an exhibitor, walking through those gates in Dublin 4, is the highlight of the year, to be able to compete in one of the four Royal Dublin Society arenas, in which you will showcase your hard work and partnership you have with your horse. If you are enough to come and watch the action at the Dublin horse show. Form equestrian stores to antiques, there is something for everybody at the Dublin Horse Show, a Great, fun-filled family day out. In recent years, the venue has used as a music venue, for many rock, heavy metal. He played for 40,000 people during The Rising Tour in May 2003,115,500 people at the arena during his Magic Tour in May 2008, in June 2008, American band Paramore played their debut Irish concert in the RDS Arena
6.
Edmund Burke
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Burke criticized British treatment of the American colonies, including through its taxation policies. Burke is remembered for his support for Catholic emancipation, the impeachment of Warren Hastings from the East India Company, in the nineteenth century Burke was praised by both conservatives and liberals. Subsequently, in the century, he became widely regarded as the philosophical founder of modern conservatism. Burke was born in Dublin, Ireland, Burke adhered to his fathers faith and remained a practising Anglican throughout his life, unlike his sister Juliana who was brought up as and remained a Roman Catholic. Although never denying his Irishness, Burke often described himself as an Englishman, according to the historian J. C. D. Clark, this was in an age before Celtic nationalism sought to make Irishness and Englishness incompatible. As a child he spent time away from the unhealthy air of Dublin with his mothers family in the Blackwater Valley in County Cork. He received his education at a Quaker school in Ballitore, County Kildare, some 67 kilometres from Dublin. He remained in correspondence with his schoolmate from there, Mary Leadbeater, in 1744, Burke started at Trinity College Dublin, a Protestant establishment, which up until 1793, did not permit Catholics to take degrees. The minutes of the meetings of Burkes Club remain in the collection of the Historical Society, Burke graduated from Trinity in 1748. Burkes father wanted him to read Law, and with this in mind he went to London in 1750, after eschewing the Law, he pursued a livelihood through writing. The late Lord Bolingbrokes Letters on the Study and Use of History was published in 1752 and this provoked Burke into writing his first published work, A Vindication of Natural Society, A View of the Miseries and Evils Arising to Mankind, appearing in Spring 1756. Burke imitated Bolingbrokes style and ideas in a reductio ad absurdum of his arguments for atheistic rationalism, Burke claimed that Bolingbrokes arguments against revealed religion could apply to all social and civil institutions as well. Lord Chesterfield and Bishop Warburton initially thought that the work was genuinely by Bolingbroke rather than a satire, all the reviews of the work were positive, with critics especially appreciative of Burkes quality of writing. Some reviewers failed to notice the ironic nature of the book, a minority of scholars have taken the position that, in fact, Burke did write the Vindication in earnest, later disowning it only for political reasons. It was his only purely philosophical work, and when asked by Sir Joshua Reynolds and French Laurence to expand it thirty years later and it was to be submitted for publication by Christmas 1758. G. M. Young did not value Burkes history and claimed that it was demonstrably a translation from the French. Lord Acton, on commenting on the story that Burke stopped his history because David Hume published his, Burke remained the chief editor of the publication until at least 1789 and there is no evidence that any other writer contributed to it before 1766. On 12 March 1757, Burke married Jane Mary Nugent, daughter of Dr Christopher Nugent and their son Richard was born on 9 February 1758, an elder son, Christopher, died in infancy
7.
Joshua Reynolds
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Sir Joshua Reynolds RA FRS FRSA was an influential eighteenth-century English painter, specialising in portraits. He promoted the Grand Style in painting which depended on idealization of the imperfect and he was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds and his father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer, seven years his senior, author of Devonshire Dialogue, in 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshuas pupilage, and nine years later advanced money for his expenses in Italy. His other siblings included Frances Reynolds and Elizabeth Johnson, as a boy, he came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life. The work that came to have the most influential impact on Reynolds was Jonathan Richardsons An Essay on the Theory of Painting, having shown an early interest in art, Reynolds was apprenticed in 1740 to the fashionable London portrait painter Thomas Hudson, who had been born in Devon. Hudson had a collection of old master drawings, including some by Guercino, although apprenticed to Hudson for four years, Reynolds only remained with him until summer 1743. Having left Hudson, Reynolds worked for some time as a portrait-painter in Plymouth Dock and he returned to London before the end of 1744, but following his fathers death in late 1745 he shared a house in Plymouth Dock with his sisters. In 1749, Reynolds met Commodore Augustus Keppel, who invited him to join HMS Centurion, of which he had command, while with the ship he visited Lisbon, Cadiz, Algiers, and Minorca. From Minorca he travelled to Livorno in Italy, and then to Rome, while in Rome he suffered a severe cold, which left him partially deaf, and, as a result, he began to carry a small ear trumpet with which he is often pictured. Reynolds travelled homeward overland via Florence, Bologna, Venice, and he was accompanied by Giuseppe Marchi, then aged about 17. Apart from a brief interlude in 1770, Marchi remained in Reynolds employment as an assistant for the rest of the artists career. Following his arrival in England in October 1752, Reynolds spent three months in Devon, before establishing himself in London, where he remained for the rest of his life. He took rooms in St Martins Lane, before moving to Great Newport Street and he achieved success rapidly, and was extremely prolific. In 1760 Reynolds moved into a house, with space to show his works and accommodate his assistants. Alongside ambitious full-length portraits, Reynolds painted large numbers of smaller works, in the late 1750s, at the height of the social season, he received five or six sitters a day, each for an hour. By 1761 Reynolds could command a fee of 80 guineas for a full-length portrait, the clothing of Reynolds sitters was usually painted either by one of his pupils, his studio assistant Giuseppe Marchi, or the specialist drapery painter Peter Toms. Lay figures were used to model the clothes and he had an excellent vantage from his house, Wick House, on Richmond Hill, and painted the view in about 1780
8.
George Romney (painter)
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George Romney was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, Romney was born in Beckside in Dalton-in-Furness, Lancashire, the 3rd son of John Romney, cabinet maker, and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron and he appears to have been an indifferent student and was withdrawn at the age of 11 and apprenticed to his fathers business instead. He proved to have an ability for drawing and making things from wood – including violins. All costs were to be borne by Georges father, in October 1756, Romney married Mary Abbot, but the couple were immediately separated when he was called away to York on business by his employer. After a year, Steele eventually agreed to cancel the apprenticeship, at Georges request, in 1757, Romney rejoined his wife and young son in Kendal, working as a portraitist, landscape and historical painter. In this period he became friends with Adam Walker, the inventor and writer, in March 1762, he parted from his wife, son and daughter, to seek his fortune in London, where he stayed until 1799. Throughout the separation, he maintained contact with his family and financially supported them, in 1763, Romney entered his painting, The Death of General Wolfe, into a Royal Society of Arts competition. According to friends of Romney, he was awarded the prize of 50 guineas. It is said that Sir Joshua Reynolds himself was the mover behind this decision. Despite his later success, Romney was never invited to join the Royal Academy of Arts, though he was asked, urged even and this decision certainly cost him valuable royal patronage and support from others connected at court. His own career supported this belief, and it was only towards the end of his life that he expressed the slightest regret for his views and his early years in the capital were something of a struggle financially. In September 1764, he travelled to Paris for a few weeks to study the works of the old masters, in 1765 he again won the second prize of 50 guineas in the Royal Society of Arts competition. In 1768, he made the acquaintance of Richard Cumberland, the dramatist, whose portrait he painted, and he also became friends with miniature painter Ozias Humphrey. In 1770 he started to exhibit his work at the Chartered Society of Artists rather the rival Free Society of Artists, by 1772 Romney was financially secure enough to make the journey to Italy to study the great artists of the past, as he had always intended. He set off in March, making his way through Europe, a letter of introduction allowed him to meet the Pope, Clement XIV, who allowed him to set up scaffolding in the Vatican to study the frescoes of Raphael. He spent 18 months in Rome making studies and sketches of the art works on view there. He returned to London in July 1775 after an absence of over 2 years, on his return, in 1775, Romney moved to Cavendish Square, in a house formerly owned by noted portraitist Francis Cotes
9.
Thomas Lawrence (painter)
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Sir Thomas Lawrence PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper, at the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a painter in oils, receiving his first royal commission. He stayed at the top of his profession until his death, aged 60, self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a member in 1794. Lawrences love affairs were not happy and, in spite of his success, at his death, Lawrence was the most fashionable portrait painter in Europe. His reputation waned during Victorian times, but has since been partially restored, Thomas Lawrence was born at 6 Redcross Street, Bristol, the youngest surviving child of Thomas Lawrence, a supervisor of excise, and Lucy Read, the daughter of a clergyman. The couple had 16 children but only five survived infancy, Lawrences brother Andrew became a clergyman, William had a career in the army, sisters Lucy and Anne married a solicitor and a clergyman. Soon after Thomas was born his father decided to become an innkeeper and took over the White Lion Inn and next-door American Coffee House in Broad Street, Bristol. It was during the familys stay at the Black Bear Inn that Lawrence senior began to make use of his sons precocious talents for drawing and reciting poetry. Visitors would be greeted with the words Gentlemen, heres my son – will you have him recite from the poets, among those who listened to a recitation from Tom, or Tommy as he was called, was the actor David Garrick. Lawrences formal schooling was limited to two years at The Fort, a school in Bristol, when he was aged six to eight, and he also became accomplished in dancing, fencing, boxing and billiards. But once again Lawrence senior failed as a landlord and, in 1779, he was declared bankrupt, from now on, Lawrence was to support his parents with the money he earned from his portraits. The family settled at 2 Alfred Street in Bath, and the young Lawrence established himself as a portraitist in pastels, the oval portraits, for which he was soon charging three guineas, were about 12 inches by 10 inches, and usually portrayed a half-length. His sitters included the Duchess of Devonshire, Sarah Siddons, Sir Henry Harpur, Warren Hastings, sometime before his eighteenth birthday in 1787 Lawrence arrived in London, taking lodgings in Leicester Square, near to Joshua Reynolds studio. He was introduced to Reynolds, who advised him to study nature, Lawrence set up a studio at 41 Jermyn Street and installed his parents in a house in Greek Street. In the Royal Academy exhibition of 1788 Lawrence was represented by five portraits in pastels and one in oils, a medium he quickly mastered. Between 1787 and his death in 1830 he would miss two of the annual exhibitions, once,1809, in protest about the way his paintings had been displayed and once, in 1819
10.
William Roscoe
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He was born in Liverpool, where his father, a market gardener, kept a public house called the Bowling Green at Mount Pleasant. Roscoe left school at the age of twelve, having learned all that his schoolmaster could teach and he assisted his father in the work of the garden, but spent his leisure time on reading and study. If I were now asked whom I consider to be the happiest of the race, I should answer. At fifteen he began to look for a suitable career, a months trial of bookselling was unsuccessful, and in 1769 he was articled to a solicitor. Although a diligent student of law, he continued to read the classics, in 1774 he went into business as a lawyer, and in 1781 married Jane, second daughter of William Griffies, a Liverpool tradesman, they had seven sons and three daughters. Roscoe had the courage to denounce the African slave trade in his town, where, at that time. Roscoe was a Unitarian and Presbyterian and his outspokenness against the slave trade meant that abolitionism and Presbyterianism were linked together in the public mind. In 1796 Roscoe gave up practice, and toyed with the idea of going to the bar. Between 1793 and 1800 he paid attention to agriculture, and helped to reclaim Chat Moss, near Eccles. He also succeeded in restoring to good order the affairs of a house in which his friend William Clark. This led to his introduction to the business, which proved disastrous. Roscoe was elected member of parliament for Liverpool in 1806, but the House of Commons was not for him, during his brief stay however, he was able to cast his vote in favour of the successful abolition of the slave trade. In the 1830s the garden was moved to Wavertree Botanic Gardens, the commercial troubles of 1816 brought into difficulties the banking house with which he was connected, and forced the sale of his collection of books and pictures. Spiker, the king of Prussias librarian, visited Roscoe at this difficult time, Roscoe said he still desired to write a biography of Erasmus but lacked both leisure and youth. The project was never carried out, around this time Roscoe was asked to investigate the claims of the blind girl Margaret MAvoy who was said to be able to read using her fingers at the request of Sir Joseph Banks. Roscoe concluded that her abilities were due to the fact that she was not blind. After five years struggling to discharge the liabilities of the bank, for a time Roscoe was in danger of arrest, but ultimately he received an honourable discharge. On the dispersal of his library, the volumes most useful to him were secured by friends, the sum of £2,500 was also invested for his benefit
11.
Lord Byron
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George Gordon Byron, 6th Baron Byron, FRS, commonly known simply as Lord Byron, was a British poet, peer, politician, and a leading figure in the Romantic movement. Among his best-known works are the narrative poems, Don Juan and Childe Harolds Pilgrimage. Byron is regarded as one of the greatest British poets and remains widely read and influential and he travelled extensively across Europe, especially in Italy, where he lived for seven years with the struggling poet Percy Bysshe Shelley. Later in his life, Byron joined the Greek War of Independence fighting the Ottoman Empire. He died in 1824 at the age of 36 from a fever contracted while in Missolonghi, ethel Colburn Mayne states that George Gordon Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, Robert Charles Dallas in his Recollections states that Byron was born in Dover and he was the son of Captain John Mad Jack Byron and his second wife, the former Catherine Gordon, a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byrons father had seduced the married Marchioness of Carmarthen and, after she divorced her husband. His treatment of her was described as brutal and vicious, in order to claim his second wifes estate in Scotland, Byrons father took the additional surname Gordon, becoming John Byron Gordon, and he was occasionally styled John Byron Gordon of Gight. Byron himself used this surname for a time and was registered at school in Aberdeen as George Byron Gordon, at the age of 10, he inherited the English Barony of Byron of Rochdale, becoming Lord Byron, and eventually dropped the double surname. Byrons paternal grandparents were Vice-Admiral the Hon. John Foulweather Jack Byron, vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as the Wicked Lord. He was christened, at St Marylebone Parish Church, George Gordon Byron after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, Mad Jack Byron married his second wife for the same reason that he married his first, her fortune. In a move to avoid his creditors, Catherine accompanied her husband to France in 1786. He was born on 22 January in lodgings at Holles Street in London, Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husbands continuing to borrow money from her. As a result, she fell even further into debt to support his demands and it was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791. When Byrons great-uncle, the wicked Lord Byron, died on 21 May 1798, described as a woman without judgment or self-command, Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent and she once retaliated and, in a fit of temper, referred to him as a lame brat. Langley-Moore questions the Galt claim that she over-indulged in alcohol, upon the death of Byrons mother-in-law Judith Noel, the Hon
12.
Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
13.
Covent Garden
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Covent Garden is a district in London on the eastern fringes of the West End, between St Martins Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the square, now a popular shopping and tourist site, and with the Royal Opera House. The area was settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic. By 1200 part of it had been walled off by Westminster Abbey for use as arable land, referred to as the garden of the Abbey and Convent, and later the Covent Garden, it was seized by Henry VIII and granted to the Earls of Bedford in 1552. The 4th Earl commissioned Inigo Jones to build fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Pauls, the design of the square was new to London and had a significant influence on modern town planning, acting as the prototype for new estates as London grew. By 1654 a small open-air fruit-and-vegetable market had developed on the side of the fashionable square. Gradually, both the market and the area fell into disrepute, as taverns, theatres, coffee-houses. By the 18th century it had become a well-known red-light district, an Act of Parliament was drawn up to control the area, and Charles Fowlers neo-classical building was erected in 1830 to cover and help organise the market. The market grew and further buildings were added, the Floral Hall, Charter Market, by the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles south-west at Nine Elms. With the postcode WC2, Covent Garden falls within the London boroughs of Westminster and Camden, the area has been served by the Piccadilly line at Covent Garden tube station since 1907, the journey from Leicester Square, at 300 yards, is the shortest in London. What would become the Strand on the boundary of the future Covent Garden was used during the Roman period as part of a route to Silchester. Excavations in 2006 at St Martin-in-the-Fields revealed a late Roman grave and these revealed Covent Garden as the centre of a trading town called Lundenwic, developed around 600 AD, which stretched from Trafalgar Square to Aldwych. Alfred the Great gradually shifted the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, a document from 1200 AD mentions a walled garden owned by the Benedictine monks of the Abbey of St Peter, Westminster. A later document, dated between 1250 and 1283, refers to the garden of the Abbot and Convent of Westminster. By the 13th century this had become a 40-acre quadrangle of mixed orchard, meadow, pasture and arable land and this is how it was recorded from then on. After the Dissolution of the Monasteries in 1540, Henry VIII took the land belonging to Westminster Abbey for himself and his son, Edward VI, granted it to John Russell, 1st Earl of Bedford, in 1552. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land until 1918
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Thomas Lawrence
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Sir Thomas Lawrence PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper, at the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a painter in oils, receiving his first royal commission. He stayed at the top of his profession until his death, aged 60, self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a member in 1794. Lawrences love affairs were not happy and, in spite of his success, at his death, Lawrence was the most fashionable portrait painter in Europe. His reputation waned during Victorian times, but has since been partially restored, Thomas Lawrence was born at 6 Redcross Street, Bristol, the youngest surviving child of Thomas Lawrence, a supervisor of excise, and Lucy Read, the daughter of a clergyman. The couple had 16 children but only five survived infancy, Lawrences brother Andrew became a clergyman, William had a career in the army, sisters Lucy and Anne married a solicitor and a clergyman. Soon after Thomas was born his father decided to become an innkeeper and took over the White Lion Inn and next-door American Coffee House in Broad Street, Bristol. It was during the familys stay at the Black Bear Inn that Lawrence senior began to make use of his sons precocious talents for drawing and reciting poetry. Visitors would be greeted with the words Gentlemen, heres my son – will you have him recite from the poets, among those who listened to a recitation from Tom, or Tommy as he was called, was the actor David Garrick. Lawrences formal schooling was limited to two years at The Fort, a school in Bristol, when he was aged six to eight, and he also became accomplished in dancing, fencing, boxing and billiards. But once again Lawrence senior failed as a landlord and, in 1779, he was declared bankrupt, from now on, Lawrence was to support his parents with the money he earned from his portraits. The family settled at 2 Alfred Street in Bath, and the young Lawrence established himself as a portraitist in pastels, the oval portraits, for which he was soon charging three guineas, were about 12 inches by 10 inches, and usually portrayed a half-length. His sitters included the Duchess of Devonshire, Sarah Siddons, Sir Henry Harpur, Warren Hastings, sometime before his eighteenth birthday in 1787 Lawrence arrived in London, taking lodgings in Leicester Square, near to Joshua Reynolds studio. He was introduced to Reynolds, who advised him to study nature, Lawrence set up a studio at 41 Jermyn Street and installed his parents in a house in Greek Street. In the Royal Academy exhibition of 1788 Lawrence was represented by five portraits in pastels and one in oils, a medium he quickly mastered. Between 1787 and his death in 1830 he would miss two of the annual exhibitions, once,1809, in protest about the way his paintings had been displayed and once, in 1819
15.
Knighthood
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A knight is a person granted an honorary title of knighthood by a monarch or other political leader for service to the monarch or country, especially in a military capacity. Historically, in Europe, knighthood was conferred upon mounted warriors, during the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, often, a knight was a vassal who served as a fighter for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback, since the early modern period, the title of knight is purely honorific, usually bestowed by a monarch, as in the British honours system, often for non-military service to the country. The modern female equivalent in the United Kingdom is Dame, furthermore, Geoffroi de Charnys Book of Chivalry expounded upon the importance of Christian faith in every area of a knights life. This novel explored the ideals of knighthood and their incongruity with the reality of Cervantes world, in the late medieval period, new methods of warfare began to render classical knights in armour obsolete, but the titles remained in many nations. Some orders of knighthood, such as the Knights Templar, have become the subject of legend, each of these orders has its own criteria for eligibility, but knighthood is generally granted by a head of state or monarch to selected persons to recognise some meritorious achievement. This linkage is reflected in the etymology of chivalry, cavalier, the special prestige accorded to mounted warriors finds a parallel in the furusiyya in the Muslim world, and the Greek hippeus and Roman eques of classical antiquity. The word knight, from Old English cniht, is a cognate of the German word Knecht and this meaning, of unknown origin, is common among West Germanic languages. Middle High German had the phrase guoter kneht, which also meant knight, the Anglo-Saxon cniht had no connection to horsemanship, the word referred to any servant. A rādcniht, riding-servant, was a servant delivering messages or patrolling coastlines on horseback, a narrowing of the generic meaning servant to military follower of a king or other superior is visible by 1100. The specific military sense of a knight as a warrior in the heavy cavalry emerges only in the Hundred Years War. The verb to knight appears around 1300, and, from the same time, an Equestrian was a member of the second highest social class in the Roman Republic and early Roman Empire. This class is often translated as knight, the medieval knight, both Greek ἳππος and Latin equus are derived from the Proto-Indo-European word root ekwo-, horse. In the later Roman Empire, the classical Latin word for horse, equus, was replaced in common parlance by the vulgar Latin caballus, sometimes thought to derive from Gaulish caballos. From caballus arose terms in the various Romance languages cognate with the English cavalier, Italian cavaliere, Spanish caballero, French chevalier, Portuguese cavaleiro, the Germanic languages have terms cognate with the English rider, German Ritter, and Dutch and Scandinavian ridder. These words are derived from Germanic rīdan, to ride, in turn derived from the Proto-Indo-European root reidh-, in ancient Rome there was a knightly class Ordo Equestris from which European knighthood may have been derived. Some portions of the armies of Germanic peoples who occupied Europe from the 3rd century AD onward had been mounted, in the Early Medieval period any well-equipped horseman could be described as a knight, or miles in Latin
16.
Fellow of the Royal Society
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As of 2016, there are around 1600 living Fellows, Foreign and Honorary Members. Fellowship of the Royal Society has been described by The Guardian newspaper as “the equivalent of a lifetime achievement Oscar” with several institutions celebrating their announcement each year. Up to 60 new Fellows, honorary and foreign members are elected annually usually in May, each candidate is considered on their merits and can be proposed from any sector of the scientific community. Fellows are elected for life on the basis of excellence in science and are entitled to use the post-nominal letters FRS, see Category, Fellows of the Royal Society and Category, Female Fellows of the Royal Society. Every year, Fellows elect up to ten new Foreign Members, like Fellows, Foreign Members are elected for life through peer review on the basis of excellence in science. As of 2016 there are around 165 Foreign Members, who are entitled to use the post-nominal ForMemRS, see Category, Foreign Members of the Royal Society. Honorary Fellows include Bill Bryson, Melvyn Bragg, Robin Saxby, David Sainsbury, Baron Sainsbury of Turville, Honorary Fellows are entitled to use the post nominal letters HonFRS. Others including John Maddox, Patrick Moore and Lisa Jardine were elected as honorary fellows, statute 12 is a legacy mechanism for electing members before official honorary membership existed in 1997. Fellows elected under statute 12 include David Attenborough and John Palmer, prime Ministers of the United Kingdom such as Margaret Thatcher, Neville Chamberlain, H. H. Asquith were elected under statute 12, see Category, Fellows of the Royal Society. The Council of the Royal Society can recommend members of the British Royal Family for election as Royal Fellows of the Royal Society. As of 2016 there are five royal fellows, Charles, Prince of Wales, Anne, Princess Royal, Prince Edward, Duke of Kent, Prince William, Duke of Cambridge and Prince Andrew, Duke of York. Her Majesty the Queen, Elizabeth II is not a Royal Fellow, Prince Philip, Duke of Edinburgh was elected under statute 12, not as a Royal Fellow. The election of new fellows is announced annually in May, after their nomination, each candidate for Fellowship or Foreign Membership is nominated by two Fellows of the Royal Society, who sign a certificate of proposal. Previously, nominations required at least five fellows to support each nomination by the proposer, the certificate of election includes a statement of the principal grounds on which the proposal is being made. There is no limit on the number of nominations each year. In 2015, there were 654 candidates for election as Fellows and 106 candidates for Foreign Membership. The final list of up to 52 Fellowship candidates and up to 10 Foreign Membership candidates is confirmed by the Council in April, a candidate is elected if he or she secures two-thirds of votes of those Fellows present and voting. A further maximum of six can be ‘Honorary’, ‘General’ or ‘Royal’ Fellows, nominations for Fellowship are peer reviewed by sectional committees, each with fifteen members and a chair
17.
J. M. W. Turner
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Joseph Mallord William Turner, RA was an English Romanticist landscape painter. Turner was considered a figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting and he is commonly known as the painter of light. Joseph Mallord William Turner was baptised on 14 May 1775, and it is generally believed he was born between late April and early May. Turner himself claimed he was born on 23 April, but there is no proof and he was born in Maiden Lane, Covent Garden, in London, England. His father, William Turner, was a barber and wig maker and his mother, Mary Marshall, came from a family of butchers. A younger sister, Mary Ann, was born in September 1778, the earliest known artistic exercise by Turner is from this period—a series of simple colourings of engraved plates from Henry Boswells Picturesque View of the Antiquities of England and Wales. Around 1786, Turner was sent to Margate on the north-east Kent coast, here he produced a series of drawings of the town and surrounding area foreshadowing his later work. Turner returned to Margate many times in later life, by this time, Turners drawings were being exhibited in his fathers shop window and sold for a few shillings. His father boasted to the artist Thomas Stothard that, My son, in 1789, Turner again stayed with his uncle who had retired to Sunningwell in Berkshire. A whole sketchbook of work from time in Berkshire survives as well as a watercolour of Oxford. The use of sketches on location, as the foundation for later finished paintings. By the end of 1789, he had begun to study under the topographical draughtsman Thomas Malton. Turner learned from him the tricks of the trade, copying and colouring outline prints of British castles. He would later call Malton My real master, topography was a thriving industry by which a young artist could pay for his studies. In the same year of 1789 he entered the Royal Academy of Art schools, when he was 14 years old, Sir Joshua Reynolds, president of the Royal Academy, chaired the panel that admitted him. At first Turner showed a keen interest in architecture, but was advised by the architect Thomas Hardwick to continue painting and his first watercolour painting A View of the Archbishops Palace, Lambeth was accepted for the Royal Academy summer exhibition of 1790 when Turner was 15. As a probationer in the academy, he was drawing from plaster casts of antique sculptures
18.
Royal Birmingham Society of Artists
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It is both a registered charity, and a registered company. From this group was founded the Birmingham Academy of Arts in 1814, a gallery and set of offices for the Birmingham Society of Arts was built behind a fine neo-classical portico in New Street by architect Thomas Rickman in 1829. In 1868 the RBSA received its charter and adopted its current name. The RBSA was to become an influential body in the later Victorian period, particularly within the Pre-Raphaelite. One of principal aims of the Society from its foundation had been to continue the educational activities pioneered by Lines. Initially this work was carried out by the society itself, but in 1843 the Birmingham School of Art was founded as a separate institution and this is now known as the RBSA Gallery, and was opened by Charles, Prince of Wales, on 12 April 2000. The two bronze plaques on its exterior, made in 1919, are the earliest known Birmingham works of William Bloye, later the societys president, in 2014, the gallery celebrated its bicentenary since its first exhibition. This was marked by an exhibition from the 8 October -15 November, called A Place For Art, many of the Societys presidents were notable artists. They include,1842 –1849, Sir Martin Archer Shee, PRA1850 –1865, Sir Charles Lock Eastlake, PRA1866 –1878, Sir Francis Grant, PRA1879 –1880, Sir Frederick Leighton, PRA1881 –1882, Sir John Everett Millais, Bart. PRA1883 –1884, Lawrence Alma-Tadema, RA1885 –1886, Sir Edward Burne-Jones,1887 –1888, George Frederick Watts, RA1889 –1890, Sir Frederick Leighton, Bart. V. It also runs a series of demonstrations, as well as adult and family friendly workshops, the Society also has a permanent collection of over 600 works, including pieces by illustrious figures from its past such as David Cox and Edward Burne-Jones. Artists can apply to become Associates, subject to majority vote by existing members, active associates may then apply to become members, again subject to a majority vote. Category, Members and Associates of the Royal Birmingham Society of Artists The Making of Birmingham, Being a History of the Rise and Growth of the Midland Metropolis, Robert K. Dent, Published by J. L
19.
St Nicholas' Church, Brighton
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The Church of Saint Nicholas of Myra, usually known as St. Nicholas Church, is an Anglican church in Brighton, England. It is both the parish church of Brighton and the oldest surviving building in Brighton. It is located on ground at the junction of Church Street and Dyke Road in the city centre. Due to its significance the church is a Grade II* listed building. The Domesday Book of 1086 records the presence of a church, valued at £12, shortly afterwards, it was granted to the Cluniac priory in nearby Lewes. Although there is no certainty over where this church was located, also, a font from that period is preserved within the church. It was carved in around 1170 in Caen Stone, and in 2001 was relocated to a prominent position at the west end of the church - the latest of several moves over the centuries. The church, as constructed in the 14th century, consists of a substantial tower at the west end, a chancel. Early additions include a chantry, dating from the 15th century, a devastating attack from abroad did occur in June 1514, when French raiders landed on the coast and burned the surrounding village in its entirety. Only the church, standing some distance inland and above the fire, the Great Storm of 1703, in November of that year, ripped lead from the roof, a subsequent storm, in August 1705, blew off all of the remaining sheets of lead. A commemorative tablet, dated 1705, was laid in the replacement roof, later in the 18th century, as Brightons population began to grow, a series of pews, radiating outwards from the font in the centre, were installed. At the time, St. Nicholas was the only Anglican church in Brighton, a model of the interior layout prior to the 1853 reconstruction can be seen today in one corner of the church. The ancient Southover Priory in Lewes was responsible for the church from the end of the 11th century until 1537, the holder of that title has been the patron of the church ever since. Brighton underwent considerable change during the reign of King George IV from 1820 to 1830, the town continued to be fashionable, and the number of houses doubled during his 10½-year reign. Eight chapels of ease had been built by 1830 to alleviate the burden on the overcrowded St Nicholas church, furthermore, the administrative vestry of the church was ideologically opposed to the responsibility they faced in raising funds for maintaining the fabric of the church. There were frequent disagreements and clashes with the vicar, Rev, the situation was resolved, however, in 1852, when the Duke of Wellington, Arthur Wellesley, died. Rev. Wagner therefore announced that he would start a fund to pay for the rebuilding of the church as a memorial to the Duke, nearly £5,000 more was subsequently raised from public subscriptions and donations. The project was completed rapidly, given the size of the building, by Carpenter and the appointed building firm
20.
George Archer-Shee
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George Archer-Shee was a young Royal Navy cadet whose case of whether he stole a five shilling postal order was decided in Londons High Court in 1910. Archer-Shee was successfully defended against the charges by the barrister and politician. Following his acquittal, the family were paid compensation in July 1911. The trial, which became a British cause célèbre, was the inspiration for the play The Winslow Boy by Terence Rattigan which has twice been the basis of films. Archer-Shee was commissioned in the British Army in 1913, and killed aged 19 and he was the son of Martin Archer-Shee and his second wife Helen Treloar. His father was a banker and grandson of the painter Martin Archer Shee, Archer-Shee became a cadet at Osborne Naval College on the Isle of Wight in January 1908. The college, which was part of the estate of the late Queen Victoria, further studies then continued at the Royal Naval College, Dartmouth in Devon. Osborne Naval College closed in April 1921, the theft occurred on 7 October 1908, shortly after the start of the autumn term, when a cadet called Terence Hugh Back received a postal order from a relative for five shillings. On returning to the college, he discovered that Back had reported that his order had been stolen. Miss Tucker, the clerk at Osborne Post Office, was contacted. She produced Backs cashed postal order and stated that only two cadets had visited her that afternoon, however she claimed the same cadet who had bought a postal order for 15s 6d was also the one who cashed the 5s order. The fathers reaction reflected the familys values and they were devout Roman Catholics and the background in banking meant all the sons had been brought up to regard misuse of money as sinful. Martin Archer-Shee contacted several lawyers to help clear his sons name and he also contacted his son Major Martin Archer-Shee, the half brother of George, who was active in politics. Major Archer-Shee obtained the services of Sir Edward Carson, regarded as one of the United Kingdoms best barristers of the age, before he took the case, Carson subjected the boy to questioning to test his story, only accepting once he had satisfied himself of the boys innocence. Several problems prevented Carson from taking the case straight to court, firstly as Archer-Shee was a naval cadet at the time, this excluded him from the jurisdiction of a civil court. Secondly as he was not enlisted in the Royal Navy, he was not entitled to a court-martial, in order to help his client, Carson used an archaic legal device called a petition of right against the Crown to bring the matter before the courts. The case eventually came to the High Court of Justice on 26 July 1910, the Solicitor-General, Sir Rufus Isaacs, appeared for the Crown and Carson, himself a former Solicitor-General, for Archer-Shee. Carsons opening remarks set the tone of the case, A boy 13 years old has been labelled and ticketed for all his life as a thief
21.
The Winslow Boy
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The Winslow Boy is an English play from 1946 by Terence Rattigan based on an incident involving George Archer-Shee in the Edwardian era. The incident took place at the Royal Naval College, Osborne, to clear the boys name was imperative for the familys honour, had they not done so, they would have been shunned by their peers and society. Similarly, the boys life would have been wrecked by a stain on his character which would have followed him throughout adulthood. His elder brother, Major Martin Archer-Shee, was convinced of his innocence, the most respected barrister of the day, Sir Edward Carson, was also persuaded of his innocence and insisted on the case coming to court. On the fourth day of the trial, the Solicitor General, Sir Rufus Isaacs, accepted that Archer-Shee was innocent, Ronnie Winslow, a fourteen-year-old cadet at the Royal Naval College, is accused of the theft of a five-shilling postal order. An internal enquiry, conducted without notice to his family and without benefit of representation, finds him guilty, the Winslows succeed in engaging the most highly sought after barrister in England at the time, Sir Robert Morton, known also as a shrewd opposition Member of Parliament. At trial, Sir Robert is able to much of the supposed evidence. The Admiralty, embarrassed and no longer confident of Ronnies guilt, abruptly withdraws all charges against him, although the family has won the case at law and lifted the cloud over Ronnie, it has taken its toll on the rest. His fathers physical health has deteriorated under the strain, as to some degree has the happiness of the Winslows home, Sir Robert, on his part, has declined appointment as Lord Chief Justice rather than drop the case. The play ends with a suggestion that romance may yet blossom between Sir Robert and Catherine, who acknowledges that she has misjudged him all along. In the play, Rattigan quotes from actual parliamentary debates and court transcripts, but makes major changes to the characters, Martin Archer-Shee junior was a very different character from the failed university student, Dickie Winslow, of the play. He was a Conservative Member of Parliament from 1910, and in his mid-thirties at the time of the case, Arthur Winslow was also made less prosperous than his factual counterpart. Her erstwhile fiancé, John Watherstone, and Desmond Curry, a solicitor who eventually proposes to Catherine, whilst the play gives only indirect reference to the court case and the parliamentary debates, the 1948 film introduces scenes from these events that are not in the play. Rattigan also moved the events closer to the start of World War I, in fact both George and Martin Archer-Shee fought in the First World War, Martin commanded an infantry battalion, and George was killed, at the age of 19, at the First Battle of Ypres. The plays London premiere in 1946 featured Emlyn Williams, Mona Washbourne, Angela Baddeley, Kathleen Harrison, Frank Cellier, Jack Watling and it was under the direction of Glen Byam Shaw. The plays Broadway premiere in 1947 featured Frank Allenby as Sir Robert, Alan Webb as Arthur Winslow, both Mona Washbourne and Kathleen Harrison, who had been in the original theatre production, appeared. A1999 version, directed by David Mamet, starred Nigel Hawthorne as Arthur Winslow, Jeremy Northam as Morton, the play has also been adapted for television, including a 1990 production starring Gordon Jackson as Arthur Winslow, Ian Richardson as Morton, and Emma Thompson as Catherine. The Winslow Boy was presented on Theatre Guild on the Air November 23,1952, the one-hour adaptation starred Basil Rathbone, Alan Webb, and Margaret Phillips
22.
Terence Rattigan
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Sir Terence Mervyn Rattigan, CBE was a British dramatist. He was one of Englands most popular mid twentieth century dramatists and his plays are typically set in an upper-middle-class background. He is known for works as The Winslow Boy, The Browning Version, The Deep Blue Sea and Separate Tables. A troubled homosexual, who saw himself as an outsider, his plays confronted issues of sexual frustration, failed relationships and adultery, Terence Rattigan was born in 1911 in South Kensington, London, United Kingdom, of Irish Protestant extraction. He had a brother, Brian. They were the grandsons of Sir William Henry Rattigan, a notable India-based jurist and his father was Frank Rattigan CMG, a diplomat whose exploits included an affair with Princess Elisabeth of Romania which resulted in her having an abortion. Rattigans birth certificate and his announcement in The Times indicate he was born on 9 June 1911. However, most reference books state that he was born the following day, there is evidence suggesting that the date on the birth certificate is incorrect. He was given no name, but he adopted the middle name Mervyn in early adulthood. Rattigan was educated at Sandroyd School from 1920 to 1925, at the based in Cobham, Surrey. Rattigan played cricket for the Harrow First XI and scored 29 in the Eton–Harrow match in 1929 and he was a member of the Officer Training Corps and organised a mutiny, informing the Daily Express. Even more annoying to his headmaster, Cyril Norwood, was the telegram from the Eton OTC and he then went to Trinity College, Oxford. Success as a playwright came early, with the comedy French Without Tears in 1936, Rattigans determination to write a more serious play produced After the Dance, a satirical social drama about the bright young things and their failure to politically engage. The outbreak of the Second World War scuppered any chances of a long run. During the war, Rattigan served in the Royal Air Force as a gunner, his experiences helped inspire Flare Path. He was a friend of Spike Milligans junior officer, Lieutenant Tony Goldsmith, Rattigan wrote an obituary of his friend and sent it to The Times. A copy of it is in Rommel, Rattigan responded to this critical disfavour with some bitterness. His plays Ross, Man and Boy, In Praise of Love, aunt Edna inspired Joe Orton to create Edna Welthorpe, a mischievous alter ego stirring up controversy about his own plays
23.
Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
24.
Charles Lock Eastlake
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Sir Charles Lock Eastlake PRA was an English painter, gallery director, collector and writer of the early 19th century. Eastlake was born in Plymouth, Devon, the son of an Admiralty lawyer. He was educated at grammar schools in Plymouth and, briefly. He was committed to becoming a painter, and in 1809 he became the first pupil of Benjamin Haydon, however his first exhibited work was shown at the British Institution in 1815, a year in which he also visited Paris and studied works in the Louvre. His first notable success was a painting Napoleon on Board the Bellerophon in Plymouth Sound, like many other people at the time, Eastlake had hired a boat to take him to the ship on which Napoleon was held captive in Plymouth harbour. He sketched him from the boat, in 1816, he travelled to Rome where he painted members of the British elite staying in Italy including fellow artists Sir Thomas Lawrence and J. M. W. Turner. He also travelled to Naples and Athens, despite being based predominantly in mainland Europe, Eastlake regularly sent works back to London for exhibition, and in 1827 he was elected a member of the Royal Academy. Three years later, he returned to England permanently where he continued to paint historic and these publications and Eastlakes reputation as an artist led to his nomination in 1841 to become secretary of the Fine Arts Commission, the body in charge of government art patronage. In his On Vision and Colors, §14, Schopenhauer praised Eastlakes translation of Goethe, having already advised the National Gallery, London on acquisitions, he was appointed the Gallerys second Keeper in 1843, a post he later resigned to resume writing and painting. In 1845, he was elected into the National Academy of Design as an Honorary Academician, in 1849 he married Elizabeth Rigby, an art historian and translator of German art histories, forming a formidable art history writing partnership. From 1850–1865, he was the president of the Birmingham Society of Artists. His directorship was marred by the failure of the National Gallery to fulfil the terms of the bequest of J. M. W. Turner. Cambridge University awarded him a degree in 1864. Eastlake died in Pisa, Italy, on Christmas Eve 1865 and his will provided for the Gallery to purchase his own collection of paintings. Lady Eastlake sold her husbands art history book collection to the Gallerys library, materials for a History of Oil Painting. A second volume was published posthumously in 1869, contributions to the Literature of the Fine Arts. On Vision and Colors Attribution Monkhouse, William Cosmo, London, Smith, Elder & Co. pp. 330–333. Works by Charles Lock Eastlake at Project Gutenberg Works by or about Charles Lock Eastlake at Internet Archive Archival material relating to Charles Lock Eastlake
25.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
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Union List of Artist Names
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The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
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National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
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Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Chisholm, Hugh, ed. (1911). "Shee, Sir Martin Archer". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Chisholm, Hugh, ed. (1911). "
